Cinema Dispatch: Assassin’s Creed

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Assassin’s Creed and all the images you see in this review are owned by 20th Century Fox

Directed by Justin Kurzel

We all knew it was only a matter of time until they took a stab at making the next great video game movie, and since Warcraft turned out to be such a disaster there’s a nice big opening for Ubisoft to take the throne as the first company to get this right.  Now the trailers really don’t inspire much hope as it looks like a bunch of overqualified actors in a routine action film, but then maybe that’s enough to make this a GOOD film (a feat unto itself at this point) even if it can’t quite be a great one.  Does this manage to be the sign of things to come as studios begin to buckle down and seriously try to crack the code on adapting video games to the big screen, or will Resident Evil and Mortal Kombat still be the high bar that no one else has inexplicably been able to reach?  Let’s find out!!

The movie begins with Cal Lynch as a young boy (Angus Brown) walking in on his mother (Essie Davis) with a stab wound in her neck and his dad (Brian Gleeson in the flashbacks and Brendan Gleeson in the present) with a bloody Assassin’s blade and wearing a very uncomfortable looking coat considering the scene seems to be set in New Mexico or something.  Little Cal doesn’t have long to contemplate this as a whole bunch of black vans with hired goons rolls up on the house and tries to kill the both of him, but Cal manages to escape.  Well, not for TOO long as we jump to present day where Little Cal is now Handsome Cal (Michael Fassbender) and is on death row for… some reason.  Except not really!  Apparently a super science corporation named Abstergo arranged it so that the state would PRETEND to kill him and then hand the poor sap over to Sofia and Alan Rikkin (Marion Cotillard and Jeremy Irons) who want him for their nefarious ends… I think.  Apparently Cal is the Great Great Great Great Great Great (and so on) grandson of some Assassin from the fifteenth century and was ALSO the last known person to have the McGuffin of ultimate power… I mean the Apple of Eden.  Using this giant crane device which is supposed to the Animus, they’re gonna send his brain back in time to live out the memories of his ancestor Aguilar de Nerha and find where he left the damn thing so they can find it and use it for whatever the hell it is they want to use it for.  This of course is assuming that NO ONE MOVED IT OR FOUND IT IN FIVE HUNDRE YEARS, but I’m sure This all makes sense if I played Brotherhood or something.  Will Cal be able to locate the Apple and gain his freedom in the process?  What about all these OTHER assassins that Abstergo has collected and are housing in this Science Gulag?  Are they gonna be all that happy that Cal is working to help find this artifact?  Is there ANY reason this fucking thing had to be so damn complicated!?

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The guy jumps around and stabs people.  It’s not that hard!!

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Cinema Dispatch: Rogue One: A Star Wars Story

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Rogue One: A Star Wars Story and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Gareth Edwards

In what will surely be a yearly tradition until the day we all die, Disney has given us our holiday present in the form of another Star Wars movie.  We’re only at two so far which means they PROBABLY aren’t gonna start half-assing these just yet, and in fact this one seems to be willing to take a few more risks than what we would normally expect from franchise features like this.  Okay, the fact that it’s a one-time spin off means that they’re only so much damage this can do if it blows up in their faces, but the tone of the trailers and the nature of the story they’re telling at least inspires some hope that the franchise has gotten so big that they’re willing to let it take some chances.  Does this experiment in growing the series turn out to be a total success, or will this somehow be the worst prequel yet?  Okay, I kind of doubt that’s even possible, but you never know!

The movie begins a long time ago in a galaxy far far away where little Jyn Erso (Beau Gadsdon) has her life completely uprooted when her family is found by Orson Krennic (Ben Mendelsohn) who is a high ranking member of the galactic empire.  Why did this guy hunt halfway around the galaxy for them?  Well it turns out that Jyn’s father Galen (Mads Mikkelsen) is an Empire scientist who defected and they need him back to finish some super weapon they’re working on.  The good news is that Jyn manages to escape the Empire with the help of a family friend Saw Gerrera (Forest Whitaker).  The bad news is that her mother (Valene Kane) got killed in the process and dear old dad got kidnapped.  Flash forward to sometime later where we meet grown up Jyn (Felicity Jones) who’s been rebellious youth-ing all around the galaxy and winds up at Rebel headquarters where they have a proposition for her.  Go with the rebel agent Cassian Andor (Diego Luna) to find her father and stop him from finishing the Death Star as he seems to be looking for a way out once again.  Okay, it’s not QUITE that simple, but that’s the basic idea of what they’re trying to do!  Anyway, they’ll point her in the right direction in the hopes that her skills and connections will kill two birds with one stone; she gets her dad back and they get to stop the Space Nuke from being completed.  Of course, nothing is as easy as it seems and there’s plenty of treachery to go around as the mission becomes only more difficult once the Empire get wind of what they might be up to.  Can Jyn save her farther before the Empire find out if he’s been undercutting their progress on the super weapon this entire time?  Does Cassian have a hidden agenda that he’s not telling Jyn about?  On a scale of one to Vader, how screwed are they?

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I think she’s got this!

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Cinema Dispatch: Collateral Beauty

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Collateral Beauty and all the images you see in this review are owned by Warner Bros Pictures

Directed by David Frankel

Is it that time again for Will Smith to try and win that Oscar he’s been so desperately seeking for some time now!?  Hey, since DiCaprio got his we need another underdog to root for, and Will Smith is as good a candidate as any.  Well… except that HIS Oscar bait films tend to be stuff like Concussion where he’s a boring scientist while Leo jumped off mountains and did massive amounts of drugs trying to get his.  This movie, just from the awkward title, doesn’t inspire much hope that The Fresh Prince is ready to put himself out there in something fun and risky to win his Academy Award, but then maybe this movie doesn’t need any of that and is a truly moving film in its own right.  We can only hope…

The movie begins with Howard (Will Smith) and Whit (Edward Norton) as two best buddies as the heads of some advertising company that seems to get motivational Howard Speeches on a daily basis.  That is… until the tragedy.  We jump straight to three years later where Howard has gone from The Fresh to Hancock (well… Hancock without the fun) and is now spending his days building up elaborate domino sets instead of working.  Not only that, but he’s so preoccupied with the grief of what happened (it doesn’t take long before we find out his daughter died) that he’s letting the company gone down the tubes financially and can’t even be bothered to sign the company over to Whit as well as Simon (Michael Peña) and Claire (Kate Winslet) who could save the company if Howard would just give them the authority to do so, though I’m not sure what the law is about letting someone literally sit on his ass all day while all his employees are left to watch things crumble.  Eventually, our trio of good buddies decide that Howard needs to either lose his fucking mind or get better (it’s never quite clear which one they’re going for) and decide to Christmas Carol his ass using actors (Keira Knightley, Jacob Latimore, and Helen Mirren) who will play Love, Time, and Death; all three of which are concepts that Howard has been writing letters to as a way of expressing his internal frustration and rage.  Will this strange plan to convince Howard he’s seeing his delusions come to life make him deal with his problems, or drive him further into his unhealthy state of mind?  Will he eventually seek help from a local support group led by Madeleine (Naomie Harris) which seems like a less risky way for him to deal with his daughter’s death?  Seriously, isn’t there like a MILLION ways this plan could go horribly wrong!?

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“Without love in your life, you couldn’t even appreciate the time you had with her, and-”     “Oh!  I see you have a guest!  What will she have?”     “Wait, you can see her!?  She can see you!?”     “Uh…”

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Jumping the Soapbox: 10 characters that should be in Marvel vs Capcom Infinite

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Marvel vs Capcom Infinite and all the images you see in this editorial are owned by Disney, Marvel, and Capcom

So with the announcement of a new fighting game, particularly one that has as much fan service potential as this one, the number one question on everyone’s mind is who they’ll be adding to the roster.  Well, since I have my own little platform to scream from, here’s my list of the ten characters they should add to the new game!  Oh, and if you notice a lack of Capcom characters on this list, well you should probably read what I wrote about the game’s reveal trailer.

Honorable Mention: Agents of Shield Stage

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Look, I love Coulson too, but the characters in this show don’t have enough going for them to take up a spot in this game.  All together though, there’s definitely enough there for a really cool stage on the Globemaster where you could have Coulson and Melinda cheering on the action while Leo and Jemma are doing science stuff or whatever.  That’d be pretty cool to see, and they’d be able to fit all sorts of Easter Eggs in the background for the big Agents of Shield fans out there!  You’re not gonna be able to fit everyone from the MCU in here as playable characters, nor should you, but there are still plenty of ways for them to be a part of this game otherwise.

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Jumping the Soapbox: Marvel vs Capcom Infinite – Reveal Trailer

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Marvel vs Capcom Infinite and all the images you see in this editorial are owned by Disney, Marvel, and Capcom

So earlier this month and without much warning, Capcom revealed to the world that they are working on the latest entry in their massively popular Marvel vs Capcom series with the release of a cinematic trailer and a short gameplay video.  Now that we’ve had a bit of time to come down from the hype, what can we learn from the two clips released so far?  Well first, let’s look at the history.

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Back to a time long forgotten!  All the way back in 2011!

We’re not gonna try to dissect this series going back to the first one because frankly I don’t know nearly enough to speak on the matter, but also because the last game came out at a very interesting time.  A time that many of us have already forgotten existed!  See, in 2011 the MCU was still in its early stages when all these films were more of an ambitious experiment than the omnipresent multimedia giant it is now (starting more or less with The Avengers in 2012), and when Marvel vs Capcom 3 came out we only had the first two Iron Man movies and the more or less non-canonical Incredible Hulk.  Hell, the game began development ALL the way back in 2008 which was prior to Disney buying up Marvel!  Basically, that game was released right before Marvel became the biggest thing in entertainment; begging the question of how that monumental shift is going to affect Infinite.  Well it’s still fairly early but we can tell already that they’re going for the MCU costuming with Captain America looking much more like his counterpart in the movie than he did last time around (albeit still with completely cartoony proportions), and Captain Marvel looking very much like Brie Larson.  Now whether or not the resemblance is due to Capcom (or Marvel or Disney) wanting to make Captain Marvel in this game look like the film actor or if Brie Larson was casted because of her resemblance to her, the larger point still stands that the MCU interpretation of the Marvel universe is already having an influence on this game.  Remember what Thor looked like in Marvel vs Capcom 3, or Hawkeye?  Maybe I’m inferring too much from these trailers, but to me it seems like a given that we’re gonna be seeing some serious redesigns as we learn more in the coming months.

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Cinema Dispatch: Miss Sloane

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Miss Sloane and all the images you see in this review are owned by EuropaCorp

Directed by John Madden

If you really take a look at Jessica Chastain’s acting career, it becomes clear that she’s truly one of the most versatile actors working today.  Not only has she been in high caliber Oscar fare of multiple genres including The Martian, Zero Dark Thirty, and Tree of Life, but she’s also been fantastic in other places like The Huntsman: Winter’s War, Crimson Peak, and Lawless.  Now she’s headlining a political thriller at right about the time that EVERYONE is not in the mood to even be thinking about politics.  Well, I guess we can’t blame her or the director for that, and just because the world is going straight to hell doesn’t mean we can’t enjoy movies like this anymore, right?  Can this new vehicle for Jessica Chastain turn out to be another high point in her illustrious career, or will her role in that Frozen knockoff with Chris Hemsworth turn out to be her highlight this year?  I mean… that WAS a really solid movie that no one but me seems to appreciate, but even so!  Let’s find out!!

The movie follows the greatest lobbyist ever, Elizabeth Sloane (Jessica Chastain) who’s faced with a crisis of… conscious maybe?  Either conscious or competitive zeal; one of those two.  Anyway, the crisis is that the lobbying firm she works for wants her to campaign against a bill that would restrict gun sales to criminals, those on the terror watch list, etc, and her boss (Sam Waterson) is being a REAL overbearing jerk about it.  Not one to suffer fools lightly, Miss Sloane packs up her desks, grabs the best millennial interns under her command, and goes to work for Rodolfo Schmidt (Mark Strong) who is heading the Pro-Gun restriction effort.  Of course, when you bargain with the devil (or in this case someone know what it takes to win) you get exactly what you pay for and Miss Sloane proves to be INCREDIBLY effective despite how uneasy some of her methods make some of her allies, particularly Esme Manucharian (Gugu Mbatha-Raw) who experiences firsthand just how far Miss Sloane is willing to go to get what she needs.  Will the best of the best be able to stand up against the most funded lobby to ever exist?  What can all these starry-eyed liberal babies learn by watching Miss Sloane in action?  What exactly led her to being like this?  Personal tragedy?  A drive to succeed?  Rich relatives that changed her life for the better?

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“Now this is the story all about how my life got flipped, turned upside down.”

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Cinema Dispatch: Office Christmas Party

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Office Christmas Party and all the images you see in this review are owned by Paramount Pictures

Directed by Will Speck and Josh Gordon

Christmas themed comedies for the most part (at least the ones that aren’t made for TV) have a pretty solid track record with classics like Elf, Bad Santa, Home Alone, Christmas Vacation, and A Christmas movies among their prestigious ranks.  I would also include How the Grinch Stole Christmas (the Ron Howard one) and even Jingle All the Way among those, but I tend to be in the minority with that particular opinion so we’ll save those arguments for another time.  The point is that there’s a certain sense of… shall we say EFFORT that comes to be expected when trying to cash in on the holidays; even if the goal is to make it raunchy like they did with A Very Harold and Kumar Christmas (another classic) which seems to be the intent here as this movie seems to be a mix between Project X, The Hangover, and the first ten minutes of Die Hard before the terrorist took over the Nakatomi building.  Does this wild party live up to the standards of excellence we expect from Christmas films, or is this just a lazy cash in that just so happened to wrangle in a whole bunch of popular comedians to do a whole bunch of lazy material before collecting their Christmas bonuses?  Let’s find out!!

Our story begins at the Chicago branch of Zenotek which sells servers or something like that where we meet our key characters for the shenanigan fueled debauchery that will unfold in due time.  We’ve got Josh (Jason Bateman) who’s basically if Jason Bateman worked at a branch of a tech company, Clay (TJ Miller) who’s basically if TJ Miller was in charge of said branch of a tech company, Mary (Kate McKinnon) who is what you’d imagine Kate McKinnon would do as a caricature of the head of human resources at said branch of a tech company, and a bunch of others played by Sam Richardson, Vanessa Bayer, Karan Soni, Randall Park, and Rob Corddry to fill out this scenario where a branch of a tech company as filled entirely by smart asses and awkward comedians.  Oh, and Olivia Munn is in here too as the uber savvy hacker Tracey to be Josh’s love interest and to provide the very obvious Chekov’s Gun for the finale.  Anyway, while we’re getting introduced to all these employees at Zenotech and setting up the boring typical Christmas Party, The CEO of the company Carol (Jennifer Aniston) who also happens to be Clay’s sister has informed them that the branch is about to get some HEAVY cuts and that the party is cancelled.  Well that certainly sucks!  If only there was a way to fix both problems at the same time…  Oh wait!  There’s a big contract up for grabs and the company’s representative is in town (Courtney B Vance) so maybe they can woo him into signing a contract with the BEST CHRISTMAS PARTY EVAR, giving their employees the great time they deserve and saving the branch in the process.  It could work, right?

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“FUCK ORACLE!!  OUR SERVERS ARE THE SHIT!!”     “HELL YEAH!!  WHERE DO I SIGN!?  Also, can I do so after I puke?”

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Cinema Dispatch: Incarnate

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Incarnate and all the images you see in this review are owned by Blumhouse Tilt, High Top Releasing, and Universal Pictures

Directed by Brad Peyton

I go to see a lot of movies, and I don’t think I saw a single trailer for this at any of them; not even other horror films or Blumhouse productions.  That seems pretty strange though considering they’ve got a well-known actor in here with Aaron Eckhart who may not be quite A list, but should be enough to sell a movie like this, and yet it seems to have slipped completely under the radar.  That’s usually a bad sign, but it’s not always the case as films like last year’s We Are Your Friends was a movie I never heard of until I went to the theater to see it, and that turned out to be pretty solid; especially compared to other Zac Effron outings like Dirty Grandpa and Mike and Dave Need Wedding Dates.  Maybe the same is true for this little horror flick.  I mean… it’s possible… right?  Either way, let’s find out!!

The movie begins as most demon possession movies do with a young child getting his soul hijacked from some horrifying hell spawn with the victim here being Cameron (David Mazouz) who seems to catch it from this homeless woman as the demons here apparently jump from host to host.  Naturally, the Vatican is all over this and sends out one of their representatives (Catalina Sandino Moreno) to keep an eye on things, but it soon becomes clear that conventional methods are gonna take care of it this time.  Instead, she calls upon… Dr. Seth Ember (Aaron Eckhart)!  Who is he?  Well he’s some guy who looks to have watched Inception a few too many times and has come up with a new exorcism technique where he goes into the mind of those possessed and convince their subconscious or whatever to reject the monster that is feeding off of their soul.  Of course, Dr. Ember isn’t some bright eyed idealist who’s doing this for the good of mankind!  He has a DARK PAST full of TRAGEDY and WOE, and the techniques he’s developed were all in service of killing ONE DEMON SPECIFICALLY who has something to do with said tragic past.  Of course, it JUST SO HAPPENS (or maybe not?) that the kid is being possessed by that ONE SPECIFIC DEMON, so Dr. Ember begrudgingly takes the case along with his two hipster tech brats Riley and Oliver (Emily Jackson and Keir O’Donnell).  Will Dr. Ember finally gets the vengeance that has eluded him all these years?  Will he be able to save Cameron in the process, or will Ember see him as expendable in the pursuit of a greater goal?  What… exactly did I just sit though?

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“Maybe I will do that I, Frankenstein sequel after all.  It wasn’t THAT bad, was it?”

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Cinema Dispatch: Bad Santa 2

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Bad Santa 2 and all the images you see in this review are owned by Broad Green Pictures

Directed by Mark Waters

Well this certainly seems necessary, right?  I mean, who WASN’T clamoring for Billy Bob Thornton to don the red suit once again and try to catch lightening in a bottle twice!?  Comedy sequels are already a bad idea to start with, but when we get one that’s not only this many years after the fact but also for a movie that’s REALLY freaking good?  What the hell is the point!?  Is there really much more that we need to learn about Willie that wasn’t already covered in the first film?  I mean, we DO get his mother this time around so maybe it will fill in some of the gaps of how he ended up as a drunken piece of trash, but it’s hardly necessary considering how well the role was fleshed out the first time around!  Still, maybe there’s some hope for this one!  After all, at least they didn’t completely recast the damn thing like Kindergarten Cop 2 or The Tooth Fairy 2 (ugh…), so maybe that’s a sign that they actually care about this one!  Yeah… the bar is still really low and I’m not expecting too much from this.  Will this at least be funny enough to justify its existence even if it can’t match up to the original, or was this just a cash-in for everyone who could be bothered to come back?  Let’s find out!!

The story follows the exploits of Willie Soke (Billy Bob Thornton) who it turns out DID NOT have a happy ending as he ended up going back to the bottle and pissing away whatever goodwill he built up with the last movie.  Well… ALMOST all the goodwill as Thurman Merman (Brett Kelly) still thinks he’s the bee’s knees and brings him sandwiches whenever he can.  Unfortunately ham and cheese on wheat don’t seem to lift Willie’s spirits as much as you’d expect they would, but after a series of suicide attempts he’s given a chance to sort of get his life back on track.  It turns out that Marcus Skidmore (Tony Cox) just got out of jail and needs someone to help him with a heist in Chicago that’s being set up by a third party associate.  With nothing else to do other than drink another bottle and suck on a shotgun, Willie decides he might as well put his safe cracking skills to use and agrees to join him… but it turns out the mysterious associate is actually his mother Sunny (Kathy Bates) and they have a… complicated history.  With only a few days before they have to steal a shit ton of money from a local charity, will they get their act together long enough to not get caught?  What about Thurman who wants nothing more than to spend Christmas with his favorite Santa and is still unaware of just how awful of a human being Willie is?  IS he finally gonna get his heart broken by the one person on Earth he’s somehow idolized all these years?  Just what kind of charitable organization was dumb enough to hire these three scumbags!?

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“Why is your bucket so heavy?  We’ve only been out here an hour!”     “I’ve been pissing in it.  If those bastards want to feed hungry kids, they gonna have to prove how bad they want it.”

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