Cinema Dispatch: Free State of Jones

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Free State of Jones and all the images you see in this review are owned by STX Entertainment

Directed by Gary Ross

Good old STX Entertainment!  They’re the little studio that’s trying so hard to be a respectable outfit, and sure enough they do have some good films under their belts like Hardcore Henry and The Boy… but then they also did Secret in their Eyes, which… yeah.  Let’s not go there again.  I hear The Gift is good at least!  Anyway, they’re latest effort is the quote, unquote, HISTORICALLY ACCURATE film based on a the man who started a rebellion within The Confederacy during the Civil War.  Does STX Entertainment have another notch in their belt with this Matthew McConaughey led biopic, or is this another disaster like… that one movie they made?  Let’s find out!!

The movie follows the tale of Newton Knight (Matthew McConaughey), an army doctor for the Confederate Army who knows that they’re fighting and dying for rich white dudes to keep slaves.  Well, that and to keep the status quo of dehumanizing black people, but I’m SURE that’s not crossing any of these poor farmers minds as they march forward into battle.  It’s certainly not on Newton’s mind, THAT’S for sure!  Anyway, when his… relative (I think his nephew) gets shot and killed in the battlefield, he deserts the army and goes home to deliver the dead body to his sister and to see his wife and son again.  Eventually, he makes his presence known to local Confederate tax collectors (or rather Looters) when he starts stopping them from collecting way more than ten percent of the local farmers’ goods and is forced to hide out in the swamp with escaped slaves to wait out the war I guess; one of whom is Moses (Mahershala Ali) who is looking for his family and becomes a lifelong friend of Newton.  At some point though, Newton is unable to sit still any longer and ends up turning the runaway slaves and other deserters into a functioning society within the swamp that apparently the Confederates are completely unable to overtake and they soon become a huge thorn in their side as they start raiding supply wagons and burning rich peoples’ stuff.  That’s only half the movie though as eventually the war does end and we transition from the armed rebellion to Newton fighting for the rights of his fellow citizens who are now FORMER slaves in an area this not too happy about that.  So how exactly did Newton manage to outlast the Confederate army throughout the rest of the Civil War?  Are he and his friends any safer after the war than they were before?  Does Matthew McConaughey have a beard, or did something die on his face?

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Geez.  Is this what’s gonna happen to ALL of People Magazine’s Sexiest Man Alive winners?

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Cinema Dispatch: Finding Dory

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Finding Dory and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Andrew Stanton

Well… I guess we’re back again.  Pixar has gotten pretty passé for me recently and making a sequel to my least favorite of their movies that ISN’T a rip off of Maximum Overdrive is probably not gonna be what ends up turning them around for me.  Still, the studio never makes a lazy movie (except for those G rated Christine films) so we can at least expect a certain level of quality from them, and maybe I’ll be a bit more receptive to their fish story this time around.  Does it manage to bring back that Pixar magic that has gotten kinda dull and played out recently?  Let’s find out!!

The movie takes place a year after the events of the first one (which I guess means this takes place in in the heydays of George W Bush and Nickelback) and since then Dory (Ellen DeGeneres) has been living with Marlin (Albert Brooks) and Nemo (Hayden Rolence).  One day during their day to day life of… swimming I guess, Dory sees something that triggers a memory that had long been forgotten which is that she has parents and lost them many years ago; probably due to her short term memory condition.  Now that she’s aware that her parents are out there somewhere, she manages to rope Marlin and Nemo into going with her to the last place she remembers being at before losing them forever which was somewhere in California.  That somewhere just happens to be the Marine Life Institute which is a rescue center to provide care to, rehabilitate, and eventually release the sea creatures that they either catch or are sent to them for treatment.  As you’d expect, Dory manages to separate herself from Marlin and Nemo who have to then FIND her, and while they’re doing that Dory meets up with an octopus named Hank (Ed O’Neill) who is willing to help her find whatever exhibit her parents are in if she’ll do something for him.  See, Dory was sent to the medical wing and immediately got a tag put on her to send her to the Cleveland Aquarium because… I actually don’t know why come to think of it.  The tags are only placed on fish that are too sick to survive in the open ocean, so… is there gonna be a really sad third movie coming out in ten years?  Anyway, Hank wants to go to the Cleveland Aquarium but isn’t sick enough for them to send him off, so he’ll take her tag in exchange for carrying her around until they find her parents.  Oh, and they’re on a timer because the truck to Cleveland leaves in the morning so Hank is not in the mood to mosey about take their sweet time.  Will Dory manage to find her parents in this place?  What about Marlin and Nemo?  Are they gonna find her before… I guess something bad happens?  Will Pixar ever get to The Incredibles 2!?

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“That’s where my parents are…”     “Congratulations kid.  You found them.”     “Found what now?”     “Ugh…”

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Cinema Dispatch: Central Intelligence

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Central Intelligence and all the images you see in this review are owned by Warner Bros Pictures

Directed by Rawson Marshall Thurber

That HAS to be the greatest tagline of all time, am I right?  For months now, I’m been cautiously optimistic of this buddy film starring Kevin Hart as an everyday business man and Dwayne Johnson as… what can only be described as a puppy operated meat robot.  Seriously, is there anyone more adorable than The Rock?  Honestly, that’s the main reason WHY I was interested at all.  The story looked average and the spy stuff looked simplistic, but damn do I love this guy and pairing him up with Kevin Hart seemed like a brilliant move.  Well the movie is finally here, so does it live up to those expectations, or is this yet another non-starter for two actors who are absolutely fantastic but don’t always know how to pick a decent script?  Let’s find out!!

The movie follows Calvin Joyner (Kevin Hart) who’s been coasting through life for the last two decades now without any real vision or goals.  Now it’s not like his life is terrible because he is married to his high school sweetheart and he did land a good job as an accountant, but in high school he was the most popular kid in school and was voted most likely to succeed by his peers, and now he’s looking down the barrel of a twenty year reunion with nothing much to show for it.  The day before the reunion though, things take a very odd turn as one of his fellow classmates Bobby (Dwayne Johnson) gets in touch with him on Facebook and convinces him to hang out that night which he agrees to and is surprised to see the fat kid everyone made fun of has turned into… well Dwayne Johnson.  Things seem to go well that night as Bob pours his heart out about how Calvin was the only guy in school to ever treat him with kindness and respect, and they end up having a great time.  That is until Bob starts asking Calvin to look into some files for him which inadvertently pulls his ass into one big terrorism plot where an ALL POWERFUL COMPUTER CHIP is gonna get sold to the highest bidder and Bobby’s the only one who can stop them.  OR IS HE!?  The CIA get involved as one their agents (Amy Ryan) gets in touch with Calvin and lets him know that Bob is bug-fuck nuts and is probably gonna kill everyone.  Not an unreasonable assumption to make considering how much shit he fucks up and how much he REALLY idolizes Calvin, so now it’s a race against time as Calvin has to find out who to trust, how to not get killed, and possibly save America in the process!

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“I have a plan.”     “Does it involve surrendering?”     “No.”     “I don’t like it then.”

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Cinema Dispatch: Now You See Me 2

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Now You See Me 2 and all the images you see in this review are owned by Summit Entertainment

Directed by Jon M Chu

I didn’t HATE the first movie, but I wasn’t really a fan of it.  While the magic performances as well as that one Dave Franco action scene were a lot of fun, the glue holding everything together was far from compelling and the twist at the end was MONUMENTALLY stupid; not just because it’s… well stupid, but also because of how it completely poisons the idea of repeat viewings as its one of those twists that unravels everything we saw and robs the story of any sort of tension.  That said I wasn’t opposed to the idea of a sequel, especially once it was revealed that they got Daniel Radcliffe to be in it!  Sure, the twist at the end of the first one kinda ruins THAT movie, but maybe they’ll build off of this one in an interesting and novel way!  Does this manage to continue the trend of sequels this year being better than the original, or is this movie trying to pull a fast one on all of us?  Let’s find out!!  Oh, and we’ll be going into spoilers for the last film, so just a heads up.

After the events of the last movie where the Four Horsemen who are composed of Danny (Jesse Eisenberg), Merritt (Woody Harrelson), Jack (Dave Franco), and Henley (Isla Fisher, or Sir Not Appearing In This Film) fulfilled the mission given to them by The Eye, they are now members of the secret organization under the watchful… well EYE, of Agent Dylan Rhodes (Mark Ruffalo) who was the FBI agent chasing them throughout the first one; the big twist of that film being that he was in on it the entire time!  MAGIC SHOCK!  So after robbing Insurance Mogul Arthur Tressler (Michael Caine) of his fortune and getting Thaddeus Bradley (Morgan Freeman) to take the fall for it, the Horsemen have spent the last year in hiding; waiting around for a sequel… I mean mission, from The Eye.  Henley gave up after a while and went off to do her own thing (what exactly that is, I’m not sure considering she’s still wanted… I think) and Daniel is about to do the same if they aren’t given something to do, or at least get a chance to MEET this organization they’re supposedly working for with their only connection to them being Agent Rhodes.  The day FINALLY comes though as they get a new member Lula (Lizzy Caplan) to join The Horsemen and they plan to crash a part announcing the release of the next iPhone knockoff which supposedly has a chip in it that will steal ALL the users’ data so they can sell it.  I don’t know why this is a job for The Horsemen considering that shit would get discovered and jailbroken within fifteen minutes of its release, but whatever.  The plan doesn’t go as… well planned, as their party crashing is interrupted by ANOTHER party crasher who reveals that Jack is STILL alive (he was presumed dead after the events of the last film) and that Agent Rhodes is actually working with them!  Not only that, but during The Horsemen’s escape, they somehow find themselves ALL the way in China where some sniveling jackass named Walter Mabry (Daniel Radcliffe) reveals that he’s the one behind all of this and will get The Horsemen out of trouble (apparently he can do that) if they do a heist for him.  While all this is going on, Agent Rhodes is still in the US trying to evade law enforcement and is trying to piece everything together as to whom else could have been in on this plot against them, and his focus invariably shifts right to Thaddeus Bradley who is loving every moment of this.  Will The Horsemen be able to steal what Walter wants them to, and can he be trusted to keep up his end of the bargain?  How exactly will Agent Rhodes manage to get the truth out of Thaddeus about his involvement in all of this, and does this have anything to do with his past?  Look over there!  Now here!  Was THIS your card!?

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They don’t seem very amused by that…

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Cinema Dispatch: Warcraft

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Warcraft and all the images you see in this review are owned by Universal Pictures

Directed by Duncan Jones

On the one hand, we are now in an age where four different video game movies are getting wide releases at the theater!  On the other hand, two of them have been far from impressive so far and Assassin’s Creed looks as dull as dishwater.  I guess all we have left to give us hope is this film based on one of gaming’s most influential franchises… that I know nothing about.  Does this manage to bring in new fans while satisfying Blizzard die hards, or is this gonna be yet another example of why we just shouldn’t expect much from video game movies?  Let’s find out!!

The movie is about… too many things, but in the broadest terms it’s about the war between the Orcs and the Humans of Stormwind.  See the Orcs kinda fucked up their own planet (or it’s dying of natural causes) and so they need to go through a dimensional portal to find a new place and take it over.  Our key Orc players in this are Durotan (Toby Kebbell) who’s the chieftain of one of the Orc tribes that’s the first to notice that things seem to be amiss with the leadership, Gul’dan (Daniel Wu) who is said leadership and uses dark magic all over the place, and Garona (Paula Patton) who’s a half breed and gets captured by the humans early on.  Now the Humans are led by King Llane (Dominic Cooper), his right hand man Sir Anduin Lothar (Travis Fimmel), a young sorcerer who first notices the dark magic being used by this new threat named Khadgar (Ben Schnetzer) and some super mage given the title of The Guardian who I guess just sits in a tower waiting to be called upon named Medivh (Ben Foster).  As stated earlier, Garona is captured by the Humans early on during an unsuccessful raid by the Orcs, but it is during this fight that Durotan realizes just how bad the magic shit that Gul’dan has been throwing around is and decides to overthrow him to save the Orcs from the dark magic.  While he’s doing that, the Humans begin mounting a counter effort with the help of Garona, but Medivh may not be quite up to the task of taking on this new dark magic which does not bode well for the Kingdom of Stormwind.  Can the Humans fight back from this invading force?  Can Durotan stop the OBVIOUSLY EVIL dark mage from… corrupting the souls of the Orcs I guess?  Does anyone else think this should have been a TV show instead?

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“WHAT IS GOING ON!?  SOMEONE TELL ME NOW!!”

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Cinema Dispatch: Popstar: Never Stop Never Stopping

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Popstar: Never Stop Never Stopping and all the images you see in this review are owned by Universal Pictures

Directed by Akiva Schaffer and Jorma Taccone

Weird Al got a movie, Oingo Boingo got a movie, and now The Lonely Island have one.  I’m sure you can point to ten awful musician movies for every good one, but there are some all-out classics in that very strange sub genre.  The aforementioned UHF is a lot of fun, Forbidden Zone is an absolute classic, hell, let’s go ahead and throw in The Blues Brothers and Walk Hard: The Dewy Cox story while we’re at it!  True, the musicians in question for those movies are known more for their comedies than their music, but you can pretty much say the same thing about The Lonely Island!  Does this mockumentary into the absurd world of pop stardom turn out to be the perfect update to the Spinal Tap formula, or are these guys not up to the task of stretching their material out for an entire movie?  Let’s find out!!

The movie is presented to us as an documentary into the life of Conner 4 Real (Andy Samberg) whose debut solo album (Thriller, Also) was a record smashing hit and launched him into super stardom after he left The Lonely Island… I mean The Style Boyz.  We start the movie on the eve of the release of his second album which has a pretty amazing title (CONNquest) but it turns out to be a finical and critical flop.  From then on, we follow Conner as he tries more and more desperate moves to salvage the fledgling album and boost his ticket sales while also coming to terms that he may not be as good as he thinks he is (or at least as good as his Yes Men tell him he is).  Along with him on this journey is his DJ Own (Jorma Taccone) who was one of The Style Boyz back in the day, his manager Harry (Tim Meadows) who’s trying to juggle Conner’s insane ego with his duties of keeping their empire afloat, and many others who make up the eclectic group of misfits that Conner surrounds himself with.  Can he manage to find his creative spirit once again and come back stronger than ever, or will he hit rock bottom as he slowly begins to isolate those who are trying to help him.  Oh who am I kidding?  It will probably be both!

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“Would you fuck me?  I’d fuck me.”

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Cinema Dispatch: Teenage Mutant Ninja Turtles: Out of the Shadows

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Teenage Mutant Ninja Turtles: Out of the Shadows and all the images you see in this review are owned by Paramount Pictures

Directed by Dave Green

The first Bay-Turtles movie was pretty damn awful.  Maybe not as bad as the WORST Transformers film, but certainly no better than the arguably best one (Marky Mark for the win).  With this one though, there seems to be a conscious effort to integrate more of what people ACTUALLY liked about the cartoon and incorporate it into the Bay-Turtles universe, so maybe a middle ground can be struck here between big budget extravagance and nostalgic sincerity.  Does this manage to AT least be better than the first one?  Let’s find out!!

The movie picks up some time after the first one with the Turtles (Noel Fisher, Jeremy Howard, Pete Ploszek, and Alan Ritchson) continuing their hero shtick in the shadows while Vernon (Will Arnet) is taking all the credit for defeating Shredder (now Brian Tee instead of Tohoru Masamune) and putting him in Jail.  Eric Sacks by the way is not even mentioned here.  At first they made him NOT The Shredder, and now they’ve retconned him out of existence!  The turtles are restless about all the lack of kudos they get or kicking so much ass, but those concerns will be secondary soon enough as Shredder escapes jail with the help of Super Nerd Baxter Stockman (Tyler Perry) and recruits two new soldiers in his army in the form of Bebop and Rocksteady (Gary Anthony Williams and Stephen Farrelly AKA Sheamus) so that they can build a teleporter device that will bring Krang (Brad Garrett) and The Technodrome into our world.  Oh, and I’m pretty sure April O’Neil (Megan Fox) is around doing something.  So is Casey Jones (Stephen Amell).  ANYWAY!  Can the turtles stop Shredder from his latest evil schemes?  Will they do as the title says and come out of the shadows to stop this latest threat?  Seriously, how much longer before they do a crossover?

 

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“Can you say… CHA-CHING!?”     “COWABUNGA DUDE!!”

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Cinema Dispatch: X-Men: Apocalypse

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X-Men: Apocalypse and all the images you see in this review are owned by 20th Century Fox

Directed by Bryan Singer

It’s that time again for another X-Men movie to try and prove its relevance in a post MCU world!  So far, I think they’ve been doing a fairly good job of keeping this series humming along since Mathew Vaughn kicked the franchise back to life again five years ago.  The post First Class movies haven’t been perfect, but the second shot at a Wolverine solo picture and the one that brought Brian Singer back to the franchise were both fine enough films, and now that Deadpool is kinda sorta in the mix, there may be hope yet that this franchise can make that leap to the big leagues instead of sitting comfortably as the acceptable knock off.  Is this movie the start of that transition, or is this series just gonna keep spinning its wheels until another X3 disaster kills it off for good?  Let’s find out!!

The movie picks up about ten years after Days of Future Past which is still about twenty years before the original X-Men, which I THINK is still in continuity (only X3 is the one we know for sure got blinked out of existence).  In the intervening time, Charles Xavier (James McAvoy) has finally set up his school, Erik Lensherr (Michael Fassbender) has gone into hiding and now has a family in Poland, and Mystique (Jennifer Lawrence)… well she’s basically doing the same thing as she as in the last movie, only now she’s a symbol of peace rather than a violent radical after she had saved the president from Magneto.  Things seem to be at a tentative state of peace with the humans being somewhat okay with mutants and Erik more or less retiring Magento so he can live a normal life.  We don’t come to an X-Men movie to see people be happy though!  What’s gonna screw it up for everyone!?  Well two things really.  First is that Erik suffers a tragedy that throws him back into his anti-human hobby, and second is that there is a millennia old mutant calling himself, among other names, Apocalypse (Oscar Isaac) that just so happened to wake up from his deep slumber and is ready to take over the world (presumably after getting a shower and a bite to eat).  It doesn’t take long for him to make his presence known so the X-Men must reunite and get some of the new students to fight the greatest threat to all of humanity… at least now that the Sentinels aren’t gonna be a thing anymore.  Can Charles and Mystique whip these newbies into tip top shape to fight the new bad guy and save the world?  What exactly will Erik do now that he’s given up on ever finding peace for himself?  How many times are they gonna blow up the damn school!?

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“What happened this time?”     “Someone left a fork in the microwave.”     “SERIOUSLY!?”     “Well… we put the microwave next to the jet fuel storage container.”     “Did you at any point think that was a bad idea?”     “Oh THANK YOU Captain Hindsight!  Where would we be without your input!?”

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Cinema Dispatch: Alice Through the Looking Glass

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Alice Through the Looking Glass and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Bobin

A sequel to a movie six years after everyone stopped caring about it!  THAT’S never gone wrong, am I right?  To be fair to Disney, the original film did make an astonishing amount of money (one BILLION worldwide) but this feels way too late to capitalize on whatever moment that first movie had.  Not only that, but it was also one of the early 3D films which I’m sure boosted the ticket sales, yet now we’re at a point where people are just sick of the gimmick, so it doesn’t even have THAT going for it.  Still, the first movie did manage to be pretty decent and the trailers for this looked very creative to say the least.  Can this manage to be a damn fine sequel that just needed a little extra time to fully come together, or is this a naked cash grab for everyone involved?  Let’s find out!!

The movie picks up three years after the first movie where Alice (Mia Wasikowska) has spent the intervening time traveling the world as a sea captain for Ascot family’s trading company (I think).  She returns to England at the start of the movie to see her mother (Lindsay Duncan) and plan the next trip with the company.  Unfortunately, the Ascot patriarch has died since she last returned and the one in charge of the company is his son Hamish (Leo Bill) who you may recall was set to be Alice’s husband in the first movie which didn’t end up panning out.  Now that this new guy is in charge (and he has a wounded ego) Alice is not only no longer employed as a sea captain, but for some reason is given an ultimatum to either sell her father’s boat or risk losing her mother’s house.  It gets worse when you find out that the mother has been working behind her back to make sure she gets fired so that she would have no choice but to “settle down” as all proper ladies do.  Well I’d say THAT’S enough stuff to stress over to make a trip to Wonderland seem like a wondrous vacation, right?  She gets led to the titular looking glass by the butterfly Absolem (Alan Rickman) and eventually finds the Mad Hatter (Johnny Depp) on the other side who is slowly dying and not quite so delightfully mad.  Apparently he found a modicum of proof that his family is still alive but no one else believes him so he’s going to slowly die of depression… I guess.  Alice has no choice but to go back in time to save the Hatter’s family from the Jaberwacki and has to face off against Time himself (Sacha Baron Cohen) to get that ability.  Will she be able to save the Hatter from his battle with depression?  What will she learn as she travels back to the glory days of Wonderland, and what must she risk in order to get the opportunity to do so?  Does anyone else notice that its’ a lot brighter this time around?

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“Did you bring the sunscreen?”     “The hell do you need sunscreen for?  YOU HAVE A HAT!!”

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Cinema Dispatch: Neighbors 2: Sorority Rising

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Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures

Directed by Nicholas Stoller

They just couldn’t resist the urge, could they?  I guess there was just too much money lying on the table to NOT make another one of these.  Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice.  Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them.  Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war.  Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row.  Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable?  Let’s find out!!

The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb.  There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change.  That couldn’t POSSIBLY happen though, right?  Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority.  Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right?  Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life.  Oh look!  The house he used to live at!  And look!  The girls are touring it to see if it works for their needs!  An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives.  And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party!  Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives?  Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified?  Things can’t get any crazier here than they did in the LAST movie… right?

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“My painted on abs give me strength!!”     “KILL THE FAT GUY!!”

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