Sailor Moon and all the images you see in this recap are owned by Toei Animation and licensed by Viz Media
Episode directed by Harume Kosaka
We’re back with another episode of Sailor Moon Not Crystal, which is DOUBLY true because we’ve switched back to filler episodes after the last one was from the actual manga and therefore was worthy of being remade in the new show. The good thing about filler episodes though is how much character building you can get out of it which is especially important now that the show is no longer the Luna and Usagi Adventures. Ami Mizuno (Sailor Mercury) joined the cast last time and while I thought that the relationship between her and Usagi just wasn’t built up all that much in that episode, I knew that episodes like this would be on the way to fill in the gaps and get them to really bond as friends and Sailor Scouts. Does this episode live up to those expectations, or will it take a bit more time for them to really get along? Let’s find out!!
The episode begins with Jadeite getting a stern talking to by his beloved mistress for failing so hard at his last scheme that there are now twice as many threats to their continued efforts to take over the world.
“WHAT THE HELL HAPPENED OUT THERE!?” “Well how was I supposed to know the book worm had magic powers!?” “Oh, so it’s EVERYONE else’s fault but yours. That’s your BRILLIANT defense right now!?” “I’m feeling that this work environment is becoming hostile.” “WHAT WAS YOUR FIRST CLUE!?!?”
Like any decent film critic, I’ve had a couple of movies that I promised myself I would eventually get to, but then they ended up slipping through the cracks for so long that I had given up hope on ever getting back to them. Well no more I say! Not only am I catching up on two movies I saw in 2015 that I never got to talk about, I have just recently had the chance to watch two other films from 2015 that are definitely worth discussing! So without procrastinating another second, here are four movies from the past year that I now have the chance to review!!
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Rock the Kasbah and all the images you see in this review are owned by Open Road Films
Directed by Barry Levinson
Ah yes. The one where Bill Murray saves Afghanistan. See, THIS movie got a bit crowded out because it came to theaters the same week as Jem and the Holograms and The Last Witch Hunter. CLEARLY I was very busy at the time writing reviews for two of the worst movies of the year and things just snowballed after that to the point that I never got my thoughts down on this movie. It may have been the best movie of that week by a long shot, but that’s not saying a hell of a whole lot considering the not so stiff competition it was up against. Is it any good without the direct comparison to the garbage it was surrounded by when it was at the box office? Let’s find out!!
Richie Lanz (Bill Murray) is a guy who will try to get you to fall for anything, and probably believes half the bullshit that he’s spewing. At one time he was a somewhat successful manager to some big acts, but nowadays he just hangs out in his hotel room/office scamming wannabe singers out of some cash while trying to promote one of his clients Ronnie (Zooey Deschanel) who might actually have a bit of talent if he can just get her a break. Opportunity comes a knocking one night where a military man sees her perform and suggest that Richie take her on a USO tour in Afghanistan which is supposed to pay very well with only a slight chance of death in the process. Richie’s all on board but Ronnie eventually reveals that she’s not into being somewhere that rough and not long after arriving in Kabul, she robs him of all his money as well as his passport; leaving him without any identification and in debt to the mercenary (Bruce Willis) who got Ronnie out of the country and was only given half his fee in the process with promises that Richie had the rest. Will he be able to scramble up enough money to pay back the mercenary and get his ass out of the country? Well that actually becomes pretty moot as the REAL plot involves a young woman in a nearby village named Salima Khan (Leem Lubany) who can sing like an angel but will be killed if anyone in her fundamentalist village (and almost anyone her in her fundamentalist country apparently) hears her do it. Richie though sees fame and fortune in the story and eventually convinces her to join an American Idol like competition (Afghan Star) which has never had a female singer on before, and the rest of the movie is basically the fallout of that with Richie learning some lessons about himself along the way!
“I co-wrote this one from Stevie Nicks back in 1990. She didn’t like the lyrics, but we got a top 100 hit out of it. SOMETIMES IT’S A BITCH!! SOMETIMES IT’S A BREEZE!!!!”
The Forest and all the images you see in this review are owned by Gramercy Pictures and Icon Film Distribution
Directed by Jason Zada
No point in putting it off any longer! It’s time to watch a January movie. Not an Oscar film that didn’t deign to show itself to the public until after the new year such as The Revenant or The Hateful Eight. Nope. One of this REALLY terrible movies that comes out during the worst month of the year because it couldn’t hack it against the movies that come out any other time of the year. The month that brought us The Devil’s Due, Blackhat, and Texas Chainsaw 3D is now bring forth one of its 2016 sacrificial lambs in the form of The Forest. Yeah… this movie doesn’t have a whole lot going for it, especially considering it’s set in Japan yet manages to still have a mostly white case. It still COULD be a surprise gem, right? Probably not, but let’s find out!!
The movie follows Sara Price (Natalie Dormer) as she goes to Japan to find her sister who has recently disappeared in the Aokigahara Forest. If you’re not aware, the forest is at the base of Mount Fuji and is famous for being a place that people go to commit suicide. The details are a bit unclear, but it sounds like Sara’s sister Jess (also played by Natalie Dormer) became a teacher when she got to Japan despite being portrayed as unreliable and struggling with demons of some sort and she got lost on a field trip to Mount Fuji. The police aren’t gonna do shit to find her because they assume she’s dead already, so Sara finds another white person in Japan named Aiden (Taylor Kinney) who knows someone that patrols the forest looking for people and corpses. So Sara, Aiden, and the park guide Michi (Yukiyoshi Ozawa) head into the forest to find her and anyone else who hasn’t offed themselves yet. Now this is where things get a bit confusing because Sara starts seeing visions and ghosts, but as far as I can tell she’s the ONLY person here who’s being affected by these spirits. It seems like everyone else who comes in here just kills themselves with ghostly intervention, but I guess they were all waiting for the blonde lady to show up. Will she be able to find her sister despite all the creepy shenanigans happening around her? Does Aiden have a dark past that could possibly put everyone in danger? What the fuck was Michi thinking taking these untrained dumb asses into the forest with him!?
“I appreciate that you actually know what you’re doing and Imma let you finish, but I’m gonna ignore your advice and stay in the forest overnight.” “Yeah… I think you’re just gonna end up dying.” “Well what if I stay with her?” “Oh great! Stay in the middle of a dense forest overnight with a stranger. That couldn’t POSSIBLY end badly.”
Sailor Moon and all the images you see in this recap are owned by Toei Animation and licensed by Viz Media
Episode directed by Junichi Satou
We’re back with another episode of Sailor Moon: The Full Screen Years! Now the last episode was pretty much a disaster in my opinion, but then one before it was one of the better ones in no small part due to the interesting villain. Things are about to change though as this episode will introduce us to Ami Mizuno, also known as Sailor Mercury. Will this be a great introduction to the character, and how does it compare to what they did with this story in Sailor Moon Crystal? Let’s find out!!
The episode begins, in the main office of Hell Corp (also known as Dark Kingdom) where the two senior managers of the organization determine what their strategy for evil will be in the coming work week. They actually do come up with something quite dastardly (and a little too real) which is to exploit the public school system for profit! THOSE BASTARDS!!
“We’ll convince them that college is the most important thing to being a successful person, and then force them to run up incalculable amounts of debt at such a young age!! MWA HA HA HA HA!!!”
The Revenant and all the images you see in this review are owned by 20th Century Fox
Directed by Alejandro González Iñárritu
Huh. When you think about it, Iñárritu is kind of doing the same thing here that he did with Birdman. Take an actor who’s known for something specific, and really dig into that a subtext of the movie. For Birdman, it was about Michael Keaton trying to stay relevant as a genuine artist yet really only being known for his (in a certain perspective) more shallow performances. Here, it’s almost like a metaphor for Leonardo DiCaprio’s continued struggle to win that fucking Oscar, taking on challenging role after challenging role yet never getting quite what he deserves. That really does fit into this story about braving the elements in a quest for revenge that we can all pretty much assume doesn’t give him the satisfaction and validation that his character is so desperately seeking. Still, does the movie itself manage to be entertaining in the same way Birdman was while still giving us some really interesting nuances to the story? Let’s find out!!
The movie follows Hugh Glass (Leonardo DiCaprio) and his struggles to get back to civilization after being left for dead by John Fitzgerald (Tom Hardy) who also killed his son Hawk Glass (Forrest Goodluck). During a hunting expedition led by Captain Andrew Henry (Domhnall Gleeson) the party was raided by a contingent of Native American Warriors and only a couple of them (including Hugh, John, Hawk, and Andrew) make it out alive. Because Hugh is the guy with the tragic backstory involving his Native American wife, he’s easily the best tracker in the group and so knows how to avoid the tribe while also finding the safest route through the mountains, though John doesn’t really trust him or his son due to almost getting scalped by Native Americans a while ago. Unfortunately for the party, Hugh gets the shit kicked out of him by a Grizzly Bear and is nearly dead after the encounter. The party tries to carry him along, but the strain becomes too great and he’s left with a couple men (Hawk, John, and one other dude Bridger played by Will Poulter) so that he can… die peacefully? I don’t know, but things don’t go as planned as the already suspicious John decides to kill off Hugh and ends up killing Hawk in the process… yet doesn’t feel the need to finish off Hugh I guess. Anyway, John convinces Bridger to leave and so Hugh is left for dead. That ain’t about to stop Leonardo DiCaprio though, as he crawls out of his shallow grave, and makes his way back to home base to kick Tom Hardy square in the teeth! Can he survive the stark and desolate countryside long enough to get his revenge!? More importantly, can Leo finally win his god damn Oscar!?
“Hey man, I heard Sean Penn left his Best Actor award down there.” “IT’S MIIIIIIIIIINE!!!!!!”
The Hateful Eight and all the images you see in this review are owned by The Weinstein Company
Directed by Quentin Tarantino
Like the rising of the tides, the phases of the moon, and the DiCaprio Oscar denial, Tarantino comes back once again to give us a well written update of one his favorite films as a kid. Now Django Unchained was a REALLY good movie, but it was weighed down by some less than stellar decisions throughout like the excessive use of… that one word, and how little Django got to do in his own movie before the third act. Oh, and let’s not forget the baffling inclusion of horse tricks at the end and the terrible acting chops of Quintin himself. Still, this movie seems to be much smaller in scope and looks to be much more focused on being an ensemble piece than any one person’s movie which gives Tarantino plenty of opportunities to fill his scenes with his trademark dialogue (and fill these bodies with his trademark amounts of excess blood and gore). Is this going to be a step up for the iconic director, or is this the sign of a trend towards being an ALMOST amazing director instead of an amazing one? Let’s find out!!
The movie begins with the bounty hunter Major Marquis Warren (Samuel L Jackson) being begrudgingly picked up of the side of the road by John Ruth (Kurt Russel) who’s also a bounty hunter and is taking Daisy Domergue (Jennifer Jason Leigh) to hang in a nearby town of Red Rock for her crimes. Unfortunately, there’s a blizzard coming and the driver O.B. Jackson (James Parks) isn’t inclined to risk it, so they head to a nearby waystation that’s delightfully called Minnie’s Haberdashery, though they find another straggler in the snowy wasteland along the way in the form of Chris Mannix (Walton Goggins) who claims to be the new sheriff of Red Rock. Once they arrive, they find Oswald Mobray (Tim Roth), Joe Gag (Michael Madsen), former Confederate General Sandy Smithers (Bruce Dern) as well as Bob (Demián Bichir) who’s running the place in Minnie’s absence. Now John Ruth doesn’t trust any of these mother fuckers and none of them seem to be good wholesome people in the first place, but there’s nothing John can do with the blizzard blocking all means of travel, so they have to share this tiny space until it clears up. Will this be a peaceful affair as these nine strangers (yes, there’s nine instead of eight of them) get to know each other, or will things erupt into a cacophony of violence, blood, and racial epithets? Well I’m sure you can guess which route this movie takes, but is it at least super captivating to watch, right!?
“If you turn out to be the death of me, I’m gonna fucking kill you…”
Concussion and all the images you see in this review are owned by Columbia Pictures
Directed by Peter Landesman
Mr. Fourth of July is back with his latest attempt to win that Oscar after Ali, The Pursuit of Happyness, and 7 Pounds didn’t do a damn thing for him. Well at least this one is a story that’s still fresh in people’s mind as it explores the events that led up to the NFL being in hot water over the dangers of head injuries and the consequences of not getting these issues treated in their former players. Does William Smith Jr finally have the movie that will get him an Academy Award that he can shove in Leonardo DiCaprio’s face, or does the search continue for Will to find something that will prove once and for all what a great actor he is? Let’s find out!!
The movie follows Dr. Bennet Omalu (Will Smith) who happens to be on duty at a Pittsburg morgue the day that a former NFL player is found dead after long bouts of mental illness and medical problems. During the autopsy, Omalu discovers some irregularities that lead to him eventually discovering a hereto unknown disease known as Chronic Traumatic Encephalopathy (CTE) that is caused by repeated blows to the head which is something that happens quite frequently to NFL players. Clearly this needs to be explored further as it’s clear that other older players begin to exhibit extreme mental issues, but the NFL instead decides to bury the guys work and deny it incessantly. Omalu though continues to push for more research and for the NFL to acknowledge the diseases existence, but to little avail at least at first. Along his journey to get the truth out there, he starts to pursue a romantic relationship with a fellow churchgoer (Prema Mutiso played by Gugu Mbatha-Raw) and eventually meets a former NFL doctor (Julian Bailes played by Alec Bladwin) who knows first-hand what it’s like to see former players’ minds deteriorate. With support from the medical community and his girlfriend along with the insider knowledge of Dr. Bailes, will Dr. Omalu get his way and save hundreds of people in the process, or is this a task too herculean for any one man to accomplish?
“And the Oscar goes to… Will Smith. I’ll get up looking shocked, kiss Jada on the cheek, and lightly job down there. Gotta make sure to thank all my kids, thrown in a joke here and there…”
And now for the list that you’ve all been waiting for! The one where I tear down the works of people way more successful than me! The caveats here are basically the same as my best of, but honestly I think they won’t be as detrimental to this list as they were to that one. The movies I didn’t get a chance to see tended to be the better films of this year and the theater I go to ALWAYS gets the big blockbusters which are the movies people expect critics like us to tear apart anyway. True, I didn’t see much form the first part of the year (thankfully skipping over Paul Blart Mall Cop 2) but there was PLENTY of shit to go around and while I’m sure there are some glaring omissions here and there, I’m pretty sure this list is going to be a lot more of what you should be expecting from this age old tradition of shaming Hollywood’s bloat and apathy. No point in beating around the bush any longer. Let’s get started!!
As is tradition with all critics of entertainment, there comes a time when we must take all of our in depth analysis and well thought out arguments, and then condense it all down into a list that leaves no room for ambiguity because everyone loves things crystal clear for everyone to pick apart! Well okay, it’s actually TWO lists and people tend to prefer the bad one, but we’re gonna save that for next time. For now, it’s the best movies of 2015! Before we get started however, just a few caveats.
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I DIDN’T SEE EVERYTHING THIS YEAR
In fact, I barely saw anything for the first half and when I thought of going back and trying to watch some of those that I missed, I learned that both Amazon and Netflix are absolutely DREADFUL when it comes to recent releases. Neither services has more than maybe three or four movies that came out this year and the most mainstream among those was probably that Sean Penn action movie you’ve already forgotten about. Needless to say that catching up would have cost a small fortune (on top of what I’m already spending at the theater) so I decided against it. Also, the theaters I have access to rarely have anything outside of a mainstream release. Hell, Dope is probably the most indie movie that my nearby theater had all year. So the fact that I’ve missed almost everything before the summer and that my theaters don’t have as much variety as I’d like means that this is going to be a blockbuster heavy list. It sucks that I couldn’t see more interesting stuff that’s making waves like The Danish Girl, Spotlight, or even Carol, but that’s how it shook out this year. Hey, once I become one of those PROFESSIONAL film critics and join one of those associations, I’m sure the studios will be sending movies to ME instead of making me pay to watch them!
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MAKING LISTS IS HARD
Now I did take some time to consider the order for this list and overall I am very happy about it, but when it comes to the top three it’s really REALLY close. I’m happy with the order I chose for them but think of it as pretty much a three way tie as all of them are fantastic in their own ways.
Daddy’s Home and all the images you see in this review are owned by Paramount Pictures
Directed by Sean Anders
While Adam McKay is trying to branch out with The Big Short, his longtime collaborator Will Ferrell seems to be doing the same thing he’s been doing since Bush was in the White House. You could make the comparisons between him and Adam Sandler, but honestly I still find the guy funny and despite always going back to the man-child well, he’s still willing to branch out every once in a while with films Like Everything Must Go and even The LEGO Movie where he actually got to make an honest statement about the people he has so often portrayed in film. This one though doesn’t look to be all that challenging for him or his audience, but it can still be funny, right? They’ve got Mark Wahlberg in there, and he’s proven himself to be hilarious in other movies. Will this be the perfect comedy to end 2015 on, or is this going to be one more reason we can’t wait to see the year end? Let’s find out!!
The movie is about Will Ferrell playing some guy who’s a step dad and Marky Mark from the Funky Bunch playing the biological father of the family Will Ferrell married into. Will Ferrell has spent the last year or so trying desperately to connect with his new step children and it finally seems like they’re starting to accept him when Marky Mark calls up and says he’s coming over to visit. Misunderstands and double talk then ensue which somehow leads to Marky Mark staying in the garage of their new house and he spends most of the film trying to undercut Will Ferrell and win back his family that he abandoned many years ago. Seems like a tough sell, but it turns out that the kids have mythologized him and he’s also a real MAN’S MAN so who couldn’t fall in love with that, am I right? Can Will Ferrell prove his manly dad-ness enough to convince his wife to NOT abandon him (which really seems like an unlikely scenario), or will Marky Mark get his way long enough to get bored with his family again and leave them twisting in the wind? Can this AT LEAST be better than The Other Guys? Please?
“Are you sure this is gonna work?” “Oh yeah! Definitely!” “Let me rephrase that. Are you sure this is going to work FOR ME?” “Oh… Uh, no. Not even a little.”
The Reviewers Unite 