Spider-Man: Far From Home and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Jon Watts
Well now that we’re FINALLY done with Thanos (and James Gunn is back on Guardians 3), we can finally get things back on track, right? I mean sure, we needed a nice big climatic sendoff for the big stars that helped bring this franchise to life, but now that the party’s over things have got to keep going without them and the MCU, if they’ve done NOTHING else, have managed to create something that can go on even after closing the book on some of its biggest characters. Still, there’s a big ol’ elephant in the room (or perhaps SPIDER-PIG in the room!) called Into the Spider-Verse that came out between the last Tom Holland film and this one which frankly blew Homecoming out of the water. Homecoming is still great, but Into the Spider-Verse? Woo boy is that a hard act to follow! Can this Post Thanos and Post Spider-Verse entry into the MCU cement itself as the first step to the future of this franchise, or have we already seen the best this version of the hero has to offer and will be left wanting for something more? Let’s find out!!
So hey! That whole… dead for five years thing was pretty rough, wasn’t it? Well the world keeps on turning I suppose and that’s definitely true for Peter Parker (Tom Holland) as well as the entire cast from the first Spider-Man movie who JUST SO HAPPENED to be blinked out of existence as well which makes sense to me because this is a movie and everyone liked the cast from the first film. This includes Ned (Jacob Batalon), Mary Jane (Zendaya), and even Flash Thompson (Tony Revolori); all of whom as well as a couple of other students from Peter’s school are going on a European field trip. Frankly, Peter could use the time off considering how much he’s had to go through in the past… I guess it’s only been a few months for him, and after… well ENDGAME SPOILERS WILL BE IN THE REST OF THIS REVIEW SO LOOK AWAY NOW, Tony died saving the universe, he’s been having trouble coping with this whole “superhero” thing which has gotten a lot more real than just being a dude doing back flips on roofs and stopping two bit muggers. Of course nothing can be that easy for good ol’ Peter Parker because Nick Fury (Samuel L Jackson) along with Maria Hill (Cobie Smulders) are trying to pull him into this “save the world” situation where elemental monsters from another dimension are tearing up cities all over the world, and with the Avengers kinda doing their own thing (the ones who aren’t dead at least) all they’ve got to work with is this kid and some dude named Quentin Beck (Jake Gyllenhaal) who claims to have come from the same alternate dimension as the elementals and wants to help us stop them. Oh, and at some point people start calling him “Mysterio” for some reason, but I’m sure that’s fine. This is all WAY more than Peter was ready to handle so soon, but then again if he’s not ready to drop everything at a moment’s notice and save the world, was he ever truly worth of being Tony’s protégé and a possible future Avenger? Can the world possibly get along fine with the new guys out there like the square jawed and overly capable Mysterio fellow to let Peter just be a kid for once? Seriously, considering where he ends up in Into the Spider-Verse, he might as well quit now. Yes, EITHER version of Peter in that movie!
Toy Story 4 and all the images you see in this review are owned by Pixar and Walt Disney Studios Motion Pictures
Directed by Josh Cooley
Sigh… I THOUGHT I WAS DONE!! I thought that after the third film we’d reached the perfect end point for this series, but instead of coming up with a new idea or even rebooting the franchise entirely, here we are again with the same cast, the same toys, and even more Randy Newman. I’ve been pretty down on Pixar recently with Incredibles 2 being a HUGE disappointment for me and being rather lukewarm on Inside Out, but they can still do great films like Coco when they put their mind to it and that fact only makes me even more tired that we’re dipping into the same well one more time. Who knows though, right? I mean, they managed to make Toy Story 2 one of the best sequels of all time and even made the third film a perfect closure for these characters and this world! Can they somehow pull it off a third time by making this beating of a dead horse not nearly as horrific as that metaphor implies? Let’s find out!!
Following the events of the third film, Woody (Tom Hanks), Buzz (Tim Allen), and all their pals (Joan Cusack, Wallace Shawn, John Ratzenberger, Blake Clark, Don Rickles and Estelle Harris) are living with Bonnie and her toys (Kristen Schaal, Timothy Dalton, and Jeff Garlin); enjoying their new lease on life having avoided both the garbage dump and the day care of infinite horrors. Still, Woody isn’t quite as happy as the ending of the last movie would have indicated because he is no longer the top toy in the room which is led up by Dolly (Bonnie Hunt) instead. Feeling out of place and probably more than a little bored, he sneaks into Bonnie’s backpack for her first day of kindergarten orientation where he slyly helps Bonnie through the emotionally turmoil and even gets her to make a new toy out of trash and craft materials. The new toy named Forky (Tony Hale) does indeed come to life which comes to a surprise to Woody and everyone else, and what’s even MORE surprising for a kids movie is that this little bugger is determined to throw himself in the garbage because he’s aware he’s an unholy abomination unto the world and needs to return to the trash from whence he came! So the good news for Woody is that he now has a new lease on life being Bonnie’s protector by way of protecting Forky, but the bad news is that Forky turns out to be a HUGE handful and he manages to escape out the window during the family road trip. Woody goes after him, slowly trudges to the town the family is staying at, but as it would JUST SO HAPPEN, Bo Peep (Annie Potts) who went missing between Toy Story 2 and 3 is in this town as a lost toy; helping other lost toys find kids to play with in the park and living her life to the fullest as a STRONG INDEPENDENT badass! Seems like a perfect little reunion if it wasn’t for the fact that Forky is kidnapped by the EVIL Gabby Gabby (Christina Hendricks) who is a doll in an antique store looking to replace her broken voice box and wants the one embedded in Woody’s toy guts. Can Woody and Bo save Forky from whatever maniacal machinations Gabby has in store for him? Will the rest of the toys be able to distract the family long enough so that Woody and Forky can return in one piece? Seriously, how has a porcelain doll managed to last this long out in the wilderness? Is she ACTUALLY made out of Adamantium!?
The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling
Episode directed by Patrick Norris
Welcome back to yet another episode of The Twilight Drone! Not one of those flying things, I mean in terms of just… droning on. Yeah, I’m just gonna be upfront with you; this is one of the bad ones in that it’s REALLY boringly made and has a message that… well you’ll see soon enough. Oh well! I’m sure we’ll get to something more interesting next time like aliens, or time travel or whatever, so let’s just burn through this one and try to make a few jokes along the way! Let’s get started!!
Scott (Rob Estes) is a hot shot sports agent who’s having a rather tough start to his day as he got a flat on his tire and is about to lose one of his biggest players if he doesn’t stop him from singing with someone else. While waiting for a tow truck to get there, he wanders off into the nearby woods to pee on a tree (as you do), and ends up getting lost; finding not his car but a beautiful home in the middle of nowhere. Inside he finds a woman named Marisa (Elizabeth Berkley, yes THAT Elizabeth Berkley) who similarly has to be somewhere soon but wandered into the forest for whatever reason (perhaps the SAME reason) and ended up here. This place by the way has bad reception even by 2002 standards and their watches have stopped working as well. The house has no light switches, no electricity, no clocks, and no cars. Now to ME this sounds like an unbearable hell to live in whether or not there’s a good view and pretty throw pillows, but I don’t want to get TOO ahead of myself here, and it also turns out that Marisa is familiar with the area and KNOWS that no idyllic looking mountain ranges or sparkling clear ponds are anywhere close to where the two of them got lost, so they’re kinda stuck as far as finding their way back; wherever “back” even is at this point.
Yesterday and all the images you see in this review are owned by Universal Pictures
Directed by Danny Boyle
This may be a movie about music from fifty years ago, yet the premise is even older than that as the idea of a hapless someone getting a shortcut to fame and fortune is one of the most basic cornerstones of literature. When you take that premise and make it about something other than say measurable wealth and status (i.e. Aladdin) to instead focus on some sort of perceived skill or art form (i.e. music), you can run into a few issues; namely that you have to sell the audience on the perceived greatness of something that is rather subjective. You either have to play into the impossibility of someone ACTUALLY making the greatest music ever like with Tenacious D’s Tribute or even Fish Story, or your stuck trying to write it yourself and just ignore the disconnect (*cough* Harsh Mistress *cough*). The workaround for all that though is what we’ve got here which is a jukebox musical of sorts where the songs being played are widely considered (at least somewhat) to be the greatest of all time, and in this era where Musical Biopics are now in vogue, it was probably the best way for yet another Beatles tribute to stand out among the crowd. So then! Does this movie manage to capture the magic of that one band from Liverpool, or will this be a bigger stain on their legacy than Magical Mystery Tour THE MOVIE? Let’s find out!!
Jack Malik (Himesh Patel) is the typical struggling artist who spends his time stocking store shelves between gigs that no one bothers to see. His manager and best friend Ellie (Lily James) still believes in him and his amazing songwriting skills, but if it hasn’t happened yet then it probably isn’t going to happen and so he decides that now is the time to hang it up. The universe on the other hand has other plans for him because as he’s riding home on his bike that night, there’s a global power outage that no one ever finds an explanation for but did lead to Jack getting hit with a bus; breaking his guitar, his front teeth, and his spirit even more. After a lengthy recovery though, he soon realizes that no one remembers who The Beatles or any of their amazing songs. You know, songs like Yesterday, A Hard Day’s Night, and… others. Okay, so there were A LOT of songs, but Jack can surely remember enough of them to finally have a chance to be the musical star he’s always wanted to be! I mean these songs are culturally important and should exist in some form for the betterment of mankind, so Jack is practically doing a public service here, right!? So that’s what Jack does as he starts recording classic tracks like I Want to Hold Your Hand and Let it Be (seemingly unconcerned with the arc the band took in their music) as well as songs like Back in the USSR which sounds a bit retro now, but still jams! It takes a bit of time, but he does eventually start to get a following and it seems like all that success is just around the corner if he can just stick it out through the hardships and machinations of the music industry, but with so much changing so quickly and his loved ones seeming to get further and further away from him, is this truly what Jack wants now? On top of that, if HE remembers who The Beatles are then there has to be other’s out there too, right? Can he keep up the lies before this house of cards comes crumbling down, or will everyone be cool with it since no one knows who the fudge John Paul George and Ringo are anyway? Most importantly, is he gonna get a mediocre Hanna-Barbera cartoon as well!?
Sonic the Hedgehog (the comic book series) and all the images you see in this recap are owned by IDW and SEGA of America
We’re back with another issue of The Spin Dashing Dead, and unlike Robert Kirkman’s book I’m PRETTY sure this issue won’t turn out to be the final one. Amazing as it would be for everyone to turn into robot zombies and the story to just end, we still have SOME hope for a triumphant conclusion to all this despite the tragic loss of Charmington L Beesworth (also known as Charmy) last issue and Sonic’s progressively worsening sickness. Seriously, is Sonic trying to fill the gap that Game of Thrones has left? I’m not saying we’re there YET (we’d need a few more decapitations), but we’re certainly closer to it than at any other point in the franchise’s history! Anyway, before I go into any more random tangents about series that have come to a close (I could make an Archie reference here but I shall resist the temptation), let’s focus on the issue at hand and the continued efforts of THE RESTORATION to contain the ROBO-VIRUS! Can Sonic and crew rescue those caught in the midst of Eggman’s latest attack, including Cream the Rabbit!? Let’s find out!!
Right off the bat, I want to point out that they gave us an ACTUAL map of the world we’ve seen so far as well as a running tally of who’s missing or zombified which actually helps a lot in making the world feel a lot more cohesive rather than a series of random cities plopped into the story whenever convenient. I mean… that’s still KIND of what’s been going on, but at least they’re keeping track!
Child’s Play and all the images you see in this review are owned by United Artists Releasing
Directed by Lars Klevberg
I’m gonna say it right now. Even though the movie gets quite a bit of praise, Child’s Play is still underrated. It’s one of those series where the later films defined the look and tone that stuck in the popular consciousness to the point that the merits of the original can still be somewhat overlooked. It’s a lot like with the first Friday the 13th which is mostly known for the non-Jason killer and the sorta-Jason jump scare. The first Child’s Play really does have a lot going for it even if the more recognizable elements like the campiness and Jennifer Tilly’s Tiffany are absent. In a way that kind of makes it perfect for a remake as the finer points of the original can feel fresh to newer audiences who only know of the franchise in the broadest of terms. Then again, turning Chucky from a possessed doll to a bad robot doesn’t feel particularly inspired, but I guess we can’t begrudge a remake for trying something new, right? Does this manage to capture the spirit of the original film while telling it in a new and interesting way, or is this yet another mess of a movie to throw on the pile with The Nightmare on Elm Street remake, The Black Christmas remake, and whatever the heck that Rings movie was supposed to be? Let’s find out!!
Andy Barclay and his mother Karen (Gabriel Bateman and Aubrey Plaza) have just moved to the city and are trying to start fresh with a new life, yet neither one of them seem to be doing a great job of it. Karen is in a relationship with a huge jerk named Shane (David Lewis), Andy isn’t making any friends with the kids in his building, and to make matters worse Karen has to work the return desk at a department store which means she has to deal with angry jerks ALL day long. You’d think she’d recognize the jerk-gene in her boyfriend considering how many of them visit her on a daily basis, but regardless of that, Andy’s birthday is coming up and she’s got nothing for him. I mean I guess she COULD buy him a Cabbage Patch knockoff doll, but considering it’s not the late eighties and he’s thirteen, it doesn’t seem like a good fit. Maybe she’ll “procure” one of those Buddi Dolls that one of the customers returned which I GUESS is supposed to be an A.I. assistant only MORE anthropomorphic since it’s housed inside a creepy looking robot doll. Hey, it’s cheaper than a new phone! Karen takes it home and Andy, while initially resistant, ends up finding a soft spot for the little bugger named Chucky (Mark Hamill), but not everything is as it should be because Chucky is not just an A.I.; it’s a LEARNING A.I. who observes things around it and jumps to the conclusion that murder might just might be the best way to solve Andy’s problems, and unfortunately for Andy this isn’t a problem that can be solved by turning it off and turning it back on again. Can Andy teach Chucky the ways of peace before he starts leaving a lot of bloody messes in his wake? Just how far will Chucky’s programming go to ensure Andy’s “happiness” at the exclusion of everything else? Couldn’t we let Mark Hamill use his Joker voice and just say Andy downloaded a custom speech pack from the cloud!?
The Dead Don’t Die and all the images you see in this review are owned by Focus Features
Directed by Jim Jarmusch
Two things I’m not particularly well versed in are zombie movies and Jim Jarmusch movies; the former because I find many entries in the genre to be tedious and the latter because I haven’t gotten around to them yet. Good thing I get to kill two birds with one stone here as I guess even he couldn’t resist the allure of big box office gold with yet another zombie film! Then again, we’re kind of on the other side of the whole zombie craze, so maybe this is the PERFECT time for his indie sensibilities and surprisingly extensive connections to make the ultimate commentary on the modern interpretation of the genre! Or maybe it’s just a goofy comedy with the dude from Star Wars and Selena Gomez. The point is that you can never pin this guy down to just one thing, so it’s probably both at the same time. The REAL question though is whatever it ends up being, is it any good? Let’s find out!!
Police Chief Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) are living out their lives patrolling the small town of Centerville without much to worry about other than Hermit Bob (Tom Wait’s) possibly stealing chickens and the dead body in their police station that someone from the big city promises to pick up real soon. The town is filled with lots of colorful characters like Farmer Miller (Steve Buscemi) who’s a racist jerk, Hank Thompson (Danny Glover) who’s clearly getting too old for whatever it is that he does, and Bobby Wiggins (Caleb Landry Jones) who runs a really cool gas station filled with old school horror movie merchandise, and all of them certainly have their concerns about reports of the Earth being pushed off its orbit due to arctic fracking, but it’s not something they have much control over so they just keep doing what they’re doing. Sadly for the citizens of Centerville (except for Farmer Miller because screw that guy), the grave environmental catastrophes thousands of miles away seem to be having a global effect and the dead start to rise from their graves. Chief Robertson and Officer Peterson, along with the third and final cop in the town Officer Morrison (Chloë Sevigny) have to figure out the best course of action for dealing with this nonsense and they could use a little help from the new undertaker in town Zelda Winston (Tilda Swinton) who seems to know her way around bladed weapons and might just have a plan for dealing with the undead rising from their graves. Can the cops as well as the rest of the citizens of Centerville survive this literal night of the living dead? What can be done even if they do survive it now that the Earth has changed its orbit and the moon is now glowing for some reason? What even was the last zombie movie I saw? Does Overlord count?
Fyter Fest and all the images you see I this recap are owned by All Elite Wrestling and Shahid Khan
We’re back with another PPV brought to you by the throne smashers themselves, AEW! Things have certainly changed since Double or Nothing, haven’t they? For one, WWE has completely lost the plot from what I’ve heard and responded to AEW with nonsense, bad story lines, and an overabundance of Shane McMahon. With their primary rival of sorts doing such a poor job of responding to the new challenger, which is surprising in its own right, it only got stranger when AEW announced that THIS PPV would be completely free; a move that still baffles me considering how successful they’ve been up to this point. Sure, Double or Nothing MIGHT have been a bit pricey at fifty bucks, but they could have at least charged twenty or even ten for it which would have gotten them a heck of a lot more money than ZERO! I guess TBS and the Khan family have the money to throw around, and I’m not about to complain TOO much about not having to pay for a show like this. The bigger question is what’s different in this show and have they improved since Double or Nothing? Eh… sort of. As far as commentary, Excalibur has improved but JR still sounds a bit rusty and out of touch; especially when he referred to Cima as “an Oriental.” I mean look, we can argue about how much of a slur that is or whether JR has any genuine ill feelings about Asian wrestlers (and I can think of WAY worse people they could have gotten as an announcer where the answer to those questions wouldn’t even be debatable), but it really does make him seem like an awkward fit for what is supposed to be a very modern and forward thinking wrestling company. While the announcing has improved, sadly the camera work still has a few rough patches that will hopefully get ironed out before they go to TV. I only mentioned this very briefly in my last recap, but the editing sometimes misses spots or more often will miss whenever there’s drama at the end of a match. Someone does a low blow, someone else enters the ring, stuff like that will almost go by unnoticed because whoever is running the cameras is focusing on something else an nearly misses the action. Again, this is the kind of thing that can be easily fixed with experience and I’m not gonna begrudge them this learning curve, but it is even more noticeable here than it was last time. In fact, I’d say that’s the overall vibe I’m getting from Fyter Fest. It’s still really good stuff, but I think the high from Double or Nothing has started to wear off and so it’s easier to see and evaluate its flaws. The big one that MOSTLY stayed in the pre-show but kept coming back to annoy me was the show’s theme where they didn’t JUST name it after something topical but had to do little skits to make sure we ALL KNOW that they saw the documentaries too. Kenny Omega is trying to find instruments for bands that don’t exist, The Young Bucks lost their luggage and need to find new costumes, and they even brought models out before swiftly replacing them with mannequins. It all just felt so corny and unnecessary when they could have used that time to put up a few promos for the matches which frankly were desperately needed as many of them seemed to have a story but one that we weren’t informed of ahead of time. Let’s put all that aside though and just focus on the matches! So how did the pre-show kick things off?
Six-man Tag Team Match
Private Party: Isiah Kassidy and Marq Quen
vs. SoCal Uncensored: Frankie Kazarian and Scorpio Sky (Schuyler Andrews)
vs. Best Friends: Chuck Taylor and Trent Beretta
There’s a lot going on in this first match which is good because you want to get the crowd on board right away so they can carry that energy for the rest of the show. We’ve got Private Party as the newcomers who I think AEW is trying to push as future superstars of the company considering they got a whole episode of Road to Fyter Fest dedicated to them. We’ve got two thirds of SCU who had one of the best matches in all of Double or Nothing, and while I wasn’t really impressed with The Best Friends last time (definitely a victim of the last show running long), they get a pretty good pop from the crowd so I was willing to give them another chance. The only thing that I didn’t like right off the bat was the fact that this was a Triple Threat tag match and they always use this weird rule where only two compeitors can be in the ring at a time; leaving one team to just sit on the sidelines while the other two actually fight. I don’t understand why they don’t have one member of each team in the ring like say… an ACTUAL Triple Threat, but we’ll get back to this later on in the match. For now, I just want to point out that everyone in this looks great and does some very impressive acrobatics! SCU continues to be the best tag team as far as I’m concerned as they can take already impressive wrestlers like Private Party and Best Friends and make them look even better than they already are! There’s this really impressive spot where Isiah Kassidy and Marq Quen go back to back on Kassiran in beautiful and brutal fashion! If I could say one thing about the match it’s that it FEELS a bit too much like an exhibition; like everyone is here to help the other team show off their moves instead of win the fight, but frankly that’s a rather minor complaint when the moves are THIS impressive!