Monthly Archives: February 2019

Cinema Dispatch: On the Basis of Sex

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On the Basis of Sex and all the images you see in this review are owned by Focus Features

Directed by Mimi Leder

Wait, didn’t we get this movie last year?  Oh right!  That was a documentary!  Well I guess since we got that we need a fictionalized version of the story to make a double feature out of, but at the very least this IS an individual whose story is worth getting the BIG HOLLYWOOD treatment and it’s not like we couldn’t use a GOOD biopic to balance the scales after last year’s big mistake.  Look, it was a pretty rough start to the year and the movies haven’t been doing much for me, so maybe the inspirational story of one of America’s most celebrated judicial figures could help me get out of this poor mood!  Or it could be another disappointment in a year that seems all too willing to hand those out left and right; especially since this was originally screened in 2018 but got pushed back into the 2109 dead zone for the rest of us.  In any case, let’s find out!!

Ruth Bader Ginsburg (Felicity Jones) has had to deal with quite a lot in her life!  She managed to go to Harvard at a time when few women were able to, and got her law degree there as well as at Columbia; all the while taking care of her daughter as well as her husband Martin Ginsburg (Armie Hammer) who had some serious health issues while they were in school.  It was all worth it though because now they both have their law degrees and they can live out their dreams of being lawyers!  At least that’s the plan as Ruth, who managed to navigate the harsh male dominated world of academia, still hasn’t managed to land a job in the harsh male dominated world of law firms.  Oh well.  At least she got a teaching job which she excelled at for quite a few years, but one day Martin comes across a case that may just be the one the two of them have been looking for.  You see, they became lawyers because they wanted to do good in this world and fight for equality, and one of the things that has always a bugbear of theirs is how Men and Women are defined differently under the law and are therefore treated differently like in regards to workers’ rights and inherence.  The case that Martin found though is an instance where the laws negatively affect a man because Charles Moritz (Chris Mulkey) cannot claim a tax credit despite meeting all the qualifications for it… except for the fact that he is a male bachelor.  I know, it sounds UTTERLY RIVETING to hear people talk about tax laws, but this is the kind of thing that can really take a pickaxe to the existing status quo and a ruling in Charles’s favor could be the rallying point for other similar laws to be overturned!  With the case of a lifetime in their laps, the Ginsburgs begin to work the case with the help of the ACLU run by Mel Wulf (Justin Theroux) as well as a personal hero of Ruth’s Dorothy Kenyon (Kathy Bates) who’s resistant at first due to a lifetime of learned cynicism, but might just be willing to give them the push they need to be taken seriously.  Can Ruth and Martin successfully overturn this law and get Charles that sought after tax credit?  What kind of resistance will they face from the government that has a vested interest in keeping things the way they are?   FOOLISH MORTALS!  NO ONE CAN STOP THE RBG!!

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Ruth Bader Ginsburg, or Really Badass Gal?  YOU DECIDE!!

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Super Comics: Sonic the Hedgehog 19-20

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Sonic the Hedgehog and all the images you see in this recap are owned by Archie Comics and Sega of America

Boy it’s been a while, hasn’t it?  What with the NEW Sonic the Hedgehog comics coming out, I haven’t had much time to look back at the series that started it all!  That changes right now (at least for the time being) as we’ve got two more issues of the Archie series to look at!  With the new books fresh in my mind, how do these classic issues compare with what we’ve been getting recently?  Let’s find out!!

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Issue 19 (February 1995)

Now this one’s a bit of a doozy as it’s the first issue in the series to have a SINGLE storyline instead of being broken up into vignettes which is an interesting change of pace and they certainly packed it with enough content to stretch the story out that long; not to mention continuity callbacks which I feel are only going to become more common as the series goes along.  So then!  Back in issue 11, Sonic used something called the COSMIC INTERSTATE in an attempt to shave time off of his commute but instead ended up going to a mirror universe with EVIL Sonic.  At the beginning of THIS issue, one of those Cosmic Interstate portals opens up and spits out a Terminator knock-off who is here to warn us all of impending doom!

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“You must stop Paramount Pictures before they release Terminator Gynesis!”     “But that already came out like three years ago!”     “WHAT!?  NYAAARRRRGGHHH!!”

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Cinema Dispatch: Miss Bala

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Miss Bala and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Catherine Hardwicke

I somehow managed to survive January, but that month was so bad I’m ready to just write off February and maybe even March if I get the slightest bit saltier.  What can I say?  Getting sick twice, watching dreck like Escape Room, and even trying to justify my enjoyment of movies that EVERYONE ELSE seems to have deemed to be terrible has done little to improve my mood over the last thirty days, but who knows!  Maybe things have FINALLY turned a corner and I’ll regret being this despondent at the start of February when I go see… whatever this movie is!  Seriously, I didn’t even know this movie was coming out until three days before I went to see it, and I couldn’t gleam the slightest thing from the title or the poster.  At least with The Kid Who Would Be King which is another movie I knew nothing about until right before its release, you can kind of get a grasp on the general idea from the overly descriptive title and the poster having a bunch of kids wielding swords and makeshift shields!  ANYWAY!  Does this mysterious feature turn out to be a hidden gem waiting to be discovered, or will it turn out that ignorance was truly bliss after seeing this movie?  Let’s find out!!

Gloria Fuentes (Gina Rodriguez) is a makeup artist in California who frequently travels to Tijuana so she can see her friend Suzu Ramós (Cristina Rodlo) and her little brother Chava (Sebastián Cano).  This time however she comes with purpose as Suzu plans on entering the Miss Baja California pageant and could use Gloria’s expert makeup skills to make her truly shine in the competition!  Sadly things don’t go quite as planned when Gloria and Suzu go to a nightclub that ends up getting attacked by the Las Estrellas gang led up by Lino Esparza (Ismael Cruz Córdova).  Once the dust has settled, Suzu has completely disappeared and Gloria is kidnapped by Lino’s men as she saw too much and could now be a threat to them.  Under the threat of death, she becomes an unwitting participant in further gang violence and is headed for a life of nonstop coercion if she cannot find a way out and hopefully find Suzu in the process.  The best chance she seems to have is a couple of DA agents led by Agent Reich (Matt Lauria) who want to bring her up on terrorism charges due to her involvement in those unwitting crimes, but give her an out if she can plant a bug on Lino which will hopefully be enough to keep THEM from destroying her life before Lino does it first.  Can Gloria find a way to escape these overwhelming forces that can utterly destroy her at the slightest of whims?  Whatever happened to Suzu, and is Gloria simply chasing her tail by trying to find her in between coming up with a plan to escape and simply surviving this horrific situation she’s been forced into?  Why is it that bad guys ALWAYS mess with the wrong person?  You’d think just once they’d find the right person to mess with!

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“I could have just spent the rest of my life being a makeup artist, but NOOOOO!  You just HAD to tick me off!!”

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Cinema Dispatch: The Kid Who Would Be King

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The Kid Who Would Be King and all the images you see in this review are owned by 20th Century Fox

Directed by Joe Cornish

What, a kid’s movie in January?  Man… I don’t want to waste my time watching this, especially after seeing Into the Spider-Verse!  Is any movie gonna be as good as that one?  No? Then why even bother!  Wait a minute… this is directed by Joe Cornish?  As in… THE Joe Cornish?  As in Attack the Block Joe Cornish!?  Well why didn’t you lead with, imaginary person I’m pretending to have a conversation with!  Yes, after a rather long hiatus between Attack the Block and this one where he stepped back to be a writer instead of director, he’s finally back with his second film after such an extraordinary first feature!  Seriously, if you haven’t seen Attack the Block then stop reading this review and go see it now!  Now, I tell you!!  You want to know why John Boyega is in Star Wars!?  GO WATCH THAT MOVIE!!  Anyway, does the triumphant return of Joe Cornish mean we have yet another masterpiece on our hands, or did he stay away from the director’s chair this long for a good reason?  Let’s find out!!

In what I can only assume is a Post-Brexit London, Alexander Elliot (Louis Ashbourne Serkis) is your run of the mill kid who gets bullied mercilessly at school but has a funny best friend named Bedders (Dean Chaumoo) whose got his back when he needs it.  One day he stands up for his buddy when he’s getting taunted by older kids Lance and Kaye (Tom Taylor and Rhianna Doris) who end up chasing him down to a construction site which JUST SO HAPPENS to be empty and there JUST SO HAPPENS to the sword Excalibur sticking out of the ground.  You’d think someone would have excavated it, but instead they cleared all the dirt around the sword and left it sitting there in case someone felt the urge to pull it out.  This is good news for Alex who DOES have such an urge and voila!  He pulls it out and all heck starts to break loose!  Well not at FIRST, but the sword leaving its resting place has awakened the dark sorceress Morgana (Rebecca Ferguson who’s… in the center of the Earth I think, and it calls out to the wizard Merlin (Angus Imrie and Patrick Stewart) who heads back to London post haste to meet the new king!  After some shenanigans and a fight with a giant monster that shows up at his house, Alex learns that he is in fact the next king of… Well I GUESS England (or maybe the whole UK now?) and must gather some knights to finally stab Morgana to death once and for all!  Through even MORE shenanigans, he manages to enlist the help of the bullies to join him as his fellow knights along with Bedders, and so they must now find a pathway to the center of the Earth!  So where do they start?  Um… well, Alex’s father gave him a book on Arthurian lore when he was a kid, so maybe they should visit him on the other side of the country since he seems to have known about Alex’s King-ness well before anyone else!  As good a place to start as any I guess!  Will Alex and his crew find where Morgana is hiding and stop her before she can take over the world?  What challenges will they be forced to face along the way, and is Alex ready for such a huge responsibility at such a young age?  Can we maybe get this movie, but with the cast of Attack the Block instead?  I mean I’m sure John Boyega  costs a lot more now, but it’d at least make a lot more sense to me!

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“Kneel before me for I am your king!”     “Wait, so is that the guy who married Kate Middleton?”

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Cinema Dispatch: Fishing for Answers in Serenity

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Serenity is owned by Aviron Pictures

So now that it’s been a week since Serenity graced theaters, you’ve all had a chance to go see it and get your mind blown or hear other people regale you with their stories of seeing the movie themselves!  When I went to go see it, I was coming down with a pretty nasty cold and perhaps that’s why I ended up liking the movie more than a lot of other people (it’s got a pretty abysmal score on Rotten Tomatoes), but I do think that there’s something at least INTERESTING in the movie’s ideas even if it’s not the most coherent use of a wacky twist and a high concept I’ve seen in a movie.  Well everyone else has already given their unfiltered opinions on what the movie actually means and how well it pulls of its absurd twist, so why don’t I go ahead and give you mine!  First things first…

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Just What the Heck is Going on Here?

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Since we’re going to be analyzing some of the film’s themes, we might as well start with a spoiler filled recap of the entire narrative.  For the first half of the movie, we’re following Matthew McConaughey who’s on a small island named Plymouth and he’s obsessed with catching a tuna fish that he calls Justice.  During his meaningless existence of waking up, not catching the fish, and drinking himself to sleep at night, he gets visited by his ex-wife played by Anne Hathaway who offers him ten million to kill her utter scumbag of a husband played by Jason Clarke, and also he had a son named Patrick with Anne Hathaway and the two of them have been viciously abused by Jason Clarke.  This back and forth goes on for some time as McConaughey keeps hemming and hawing over whether he should do it, but the whole time something seems off.  Anne Hathaway seems to have jumped out of a noir thriller and Jason Clarke is an absurdly exaggerated caricature of a bad person; not to mention that there’s this one dude in a dorky suit trying to find McConaughey the whole time but always just misses him.  Is there something else going on here?  Well yes there is!  When the mystery man played by Jeremy Strong finally catches up to McConaughey, he offers him a super duper fish finding device to use that will hopefully catch him that tuna once and for all which would be a good way to spend an afternoon instead of maybe sort of killing a guy.  Not that Jeremy Strong somehow KNOWS anything about that!  Okay fine, he does.  McConaughey ends up getting him to spill some of the beans (the rest of the puzzle he puts together himself) and we find out that what we’ve been seeing up to this point has NOT been a charming little island, but instead a simulation.  That’s right!  We’re in the Matrix!  Okay, more specifically we are inside a video game.  Which video game pray tell?  Well it turns out that IN THE REAL WORLD McConaughey’s character is actually a dead army veteran who left behind a wife (Anne Hathaway) and a son (Patrick).  His wife remarried an abusive construction worker (Jason Clarke) and so he spends all his time programming this video game where his dad is still alive, his new dad is a dangerous mob connected monster instead of some abusive loser, and his mother is a wealthy femme fatale instead of… well we don’t really get an idea of what Real World Anne Hathaway is like, but I’m sure that Patrick put just as much exaggeration into her character as he did everything else.  Now things are starting to come together as the somewhat unbalanced way that the characters were drawn start to make sense from the perspective of a confused and angry teenager who is finding a way to escape the horrors of his real life.  This does raise a few questions however about whether Patrick is directly controlling McConaughey and whether or not he truly has any free will, but if we’re gonna let Wreck-it-Ralph slide on that stuff, I think we can let it slide here!  Anyway, McConaughey starts to question everything around him and begins to see where the “seams” are in the programming which starts to react in a rather hostile manner to his break in the routine.  His “role” in the game as it were is to catch the fish, and entertaining the idea of murdering someone is clearly going against the programming at which is why he’s getting the ire of the NPCs that populate the town who keep telling him he should just catch the fish, and he even runs into a few… let’s call them “traps” that are intended to keep him on the right path.  This is also a rather confusing point in the narrative as it’s clear that Patrick is the one programming all of this… but it’s also clear that the scenario here about McConaughey killing Jason Clarke is what he wants… so did he add this scenario to the game?  If so, why is the rest of the game telling McConaughey not to do it?  That is something I wish the movie had a better grasp on, but in any case, despite ALL the resistance he gets from the other NPCs and whatnot, he does manage to kill Jason Clarke in the most symbolically ridiculous way possible.  He takes him out on the boat, manages to get the Tuna called Justice onto one of his poles, and hands the pole to Jason Clarke without strapping him in properly which causes him to be pulled overboard and dragged down to the bottom of the sea… by Justice.  GET IT!?  This is where things take a dark turn as while this is going on, Patrick has taken a knife that his father once owned (a knife we see Virtual McConaughey use frequently in the movie) and stabs the REAL WORLD Jason Clarke to death off screen.  Now this raises questions as to whether or not these things were happening simultaneously, if McConaughey was being directly “controlled” by Patrick as he simulated killing his own step-dad or if this may have been some bug Patrick witnessed that inspired him to do it, but I won’t get diegetically nit-picky here because the thematic thru-line itself is rather consistent.  Patrick feels that he needs to TAKE JUSTICE by killing Jason Clarke, and that attitude is reflected in the game as well as this specific scenario he either intentionally made or just somehow managed to work its way into the code he already wrote.  The movie ends with Virtual McConaughey getting a phone call from Patrick who says he’s gonna rewrite the game, and moments later a Virtual Patrick shows up.  The two reunite, the credits roll, and the house lights turn on before anyone has a chance to really grasp just what the heck it is they witnessed!  Now as I said in my review, I did enjoy this movie before the big twist when it was just a run of the mill Cohen Brothers knock off, and I enjoyed it after the reveal in terms of understanding the metaphor and what they were trying to do with the concept.  Maybe it’s not particularly deep, but I did find at least a few neat ideas about video games and how we can relate to them with the text of the film, so let’s go over some of those now!

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