Tag Archives: X-Men

Cinema Dispatch: Dark Phoenix

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Dark Phoenix and all the images you see in this review are owned by 20th Century Fox and Walt Disney Studios Motion Pictures

Directed by Simon Kinberg

I’ve probably been nicer than most about the X-Men franchise, going so far as to be somewhat positive about Apocalypse, and even I can’t be bothered to muster any enthusiasm for The Last Stand: Remastered.  I mean I GUESS I can see why Fox would want to prove that it was the other guy’s fault and not their own, and it certainly worked well enough for Dexter Fletcher, but with this franchise being so easily overshadowed by Deadpool, the MCU, and even some of the better DC films, it’s starting to feel more Quixotic than artistically advisable.  Still, I have been surprised by  movies I didn’t expect much out of before, and it’s not like they have much to lose considering this franchise is more or less done whether they make this movie or not, so hey!  Let’s see if Fox can pull it off one more time for old time’s sake!

It’s the radical nineties for the X-Men with Charles Xavier (James McAvoy) and his crew of charismatic comrades more popular than ever; much like the ACTUAL nineties.  Newcomers Jean Grey, Scott Summers, Ororo Munroe, and Kurt Wagner (Sophie Turner, Tye Sheridan, Alexandra Shipp, and Kodi Smit-McPhee) are fitting in well enough, Mystique’s (Jennifer Lawrence) barely contained annoyance with all of this is about as same as usual which is greatly contrasted with Beast (Nicholas Hoult) who looks like he couldn’t be happier to be there, and Quicksilver (Even Peters) is… around.  ANYWAY!  The big difference in this film that I alluded to just now which I don’t BELIEVE was the case last time is that The X-Men have become household names and everyone wants to be them!  No more mutant discrimination, at least not outright, and all the jerk mutants went with Magneto (Michael Fassbender) to some island somewhere to keep things nice and peaceful.  Why, the only thing that could ruin this perfect existence is if one of the high profile mutants on Xavier’s team went off and started blowing stuff up, but what are the odds of THAT happening!?  Yeah, so Jean Grey gets hit by some sort of cosmic ray in the beginning of the film during an astronaut rescue, and it seems to have overcharged her system to the point that she can barely control her powers as well as her emotions; the latter of which is exacerbated by some dark secrets she’s made keenly aware of and have made things rather awkward at the academy.  With one big public relations nightmare that could lead to Mutant internment AGAIN, Xavier and his crew have to find out what’s happening to Jean and if there’s any way to save her from whatever it is that will either destroy her from the inside or give her enough power to destroy us all from the outside.  Oh, and Jessica Chastain is in this somewhere in the background.  I’m sure she can’t be up to any good though!  Will Jean Grey succumb to the power she’s been granted and become the worst enemy the X-Men have ever faced?  Will Xavier finally learn that despite his idealistic rhetoric that he’s made huge mistakes in the past that could bring the world closer to destruction than anything his more militant counterpart ever came up with?  If this is worse than X3, does Fox get like a Lifetime Achievement award for how badly they can ruin a franchise?  I mean they should have already gotten one for their Fantastic Four movies, but you know the Academy!  Give it to them when convenient; not when they deserve it!

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“Here’s to the end of an era!”     “Here’s to the end of my liver functioning properly…”

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Cinema Dispatch: Deadpool 2

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Deadpool 2 and all the images you see in this review are owned by 20th Century Fox

Directed by David Leitch

The first Deadpool was really solid for what it was, and I know that sounds like a backhanded compliment, but it only SORT of is!  It was not so much a movie in its own right as it was a proof of concept for a character to show how something this dark, comedic, and off the wall can be done in the super hero genre.  It makes sense considering this character had pretty much been struggling to prove itself for years as a cinematically viable presence what with the awfulness that was Origins Wolverine (there was an even a stinger for him to return in later X-Men films) or even that CG rendered test footage that became the big car action scene in the real film.  I wasn’t THE MOST thrilled with the end result as a movie, but I was glad that Ryan Reynolds found a character perfectly suited for his capabilities as an actor and that a studio was finally ready to back him up on that.  Now that EVERYONE knows who Deadpool is and are ready to see him in action outside of an origin story, is there enough left to work with to make the amazing film he truly deserves, or was he just a gimmick the whole time and lightening won’t be striking twice for this one?  Let’s find out!!

After getting his revenge, resolving his character arc, and making a boat load at the box office, Deadpool AKA Wade Wilson (Ryan Reynolds) is living his Merc with a Mouth life full of blood, snappy quips, and awesome days with his lady love Vanessa (Morena Baccarin).  Sadly the good times won’t last forever and Wade is basically left to his own devices which can only spell doom and gloom for those foolish enough to get in his way… unless of course you’re made entirely out of metal.  Oh hey!  His best buddy Colossus (Stefan Kapičić) is made of metal!  Maybe he can get Wade out of his funk and FINALLY get him to join the X-Men!  Thing is, that’s KIND of a monkey’s paw wish as he DOES indeed join the team (as a trainee) but right away screws things up when a young mutant named Russell (Julian Dennsion) gets himself into trouble and Deadpool comes to his aid in a manner that doesn’t QUITE meet the X-Men code… or the law, and winds up going to Mutant Jail which is apparently a thing.  If that wasn’t bad enough, there’s ALSO a half cyborg dude named Cable (Josh Brolin) pulling a Terminator by coming back to the past to save the future and it SEEMS to involve both Wade AND death, so Deadpool certainly has his work cut out for him in order to escape prison, keep the kid from ending up a reprobate like himself, and stopping the Future Cop from whatever the hell it is he plans on doing.  Will Wade learn how to not just be an irreverent jackass, but an irreverent jackass with a HEART?  Just how far will Cable go to complete his mission, and how much collateral damage will Wade have to suffer because of it?  He may not be the best man for the job, but is he at least the FUNNIEST one!?

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“This isn’t really going as I planned.”     “Do you want to take a break?”     “No no no!  I’m good!”

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Cinema Dispatch: Logan

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Logan and all the images you see in this review are owned by 20th Century Fox

Directed by James Mangold

Dude has been playing this character since the turn of the millennium.  It’s no wonder he looks so damn tired in this!  For many people, the first X-Men (as well as Blade in 1998) can be pointed to as the start of the modern superhero genre as a mainstream endeavor instead of the one off success stories like Batman and Superman.  Sure, Superheroes have ALWAYS been a part of the film industry (There only maybe a dozen or so fewer superhero movies made in the nineties as in the decade that followed) but with X-Men it proved that more modern and varied superheroes had a shot at connecting with a wider audience; especially with powerhouse actors like Patrick Stewart, Ian McKellen, and Hugh Jackman on hand to sell it to them.  I mean say what you will for the X-Men film franchise in general, it’s managed to have a decent amount of staying power with a solid decade lead on the MCU.  For all its ups and downs, it’s stayed pretty popular to this day and that’s double true for Jackman’s portrayal of Wolverine.  However, all good things inevitably come to an end, and this movie is here to remind us all of that fact as Hugh Jackman swears this is the last time we will see him in this role.  So is it a proper send off for the role that started a global phenomenon, or has all semblances of life and effort left his franchise a long time ago like it has to the main character in this movie?  Let’s find out!!

The movie begins with Old Man Logan (Hugh Jackman) barely scraping by as a limo driver who ALWAYS seems to run into assholes wherever he goes.  Maybe those Adamantium claws of his are magnetized to attract douche bags or maybe it’s because he parks his fancy ass car in gang territory.  Either way, he’s living the Max Payne dream of self-loathing, self-medication, and self-assurance that nothing is going to get better no matter what.  At the very least, he IS managing to take care of Charles Xavier (Patrick Stewart) who’s stuck with him after some incident about a year ago that no one is too keen to bring up and to make matters worse he seems to have a degenerative brain disease that is making his powers unstable as well as his memories.  With a stable job and the responsibilities of taking care of Charles, somewhat helped by a new friend of theirs named Caliban (Stephen Merchant), he’s at least managing to put off putting an Adamantium bullet in his head from the time being, though I’m pretty sure the OTHER X-Men movie confirmed it WOULDN’T kill him if he did that.  However, if everyone else is still okay with pretending that one didn’t exist, then so am I.  Of course, things can’t stay that way for long as a little girl named Laura (Dafne Keen) enters the mix and throws all their lives into chaos.  See, apparently mutants stopped being born a few decades ago, and most of the ones who are still alive have died off for one reason or another.  Laura though is herself a mutant, and not just any mutant to boot.  Her powers are almost exactly that of Logan’s and there are a lot of people that want her dead.  And so the chase is on with Logan reluctantly dragging both Laura and Xavier (Caliban isn’t so lucky) through the United States to find some sort of refuge in Canada from the evil organization hunting them down and to possibly find some shred of redemption for the life that he led.  Can Logan complete this one last mission before finally finding the peace that has eluded him for so long?  Where exactly did this girl come from, and how is she a mutant in a world where they are effectively extinct?  Seriously, does every Dad FigureTM nowadays have to have those beards!?

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It’s not even like he needs to find a razor to shave it!  Even if he cuts himself with his Adamantium claws, it’s not like he wouldn’t heal right away!

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Cinema Dispatch: X-Men: Apocalypse

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X-Men: Apocalypse and all the images you see in this review are owned by 20th Century Fox

Directed by Bryan Singer

It’s that time again for another X-Men movie to try and prove its relevance in a post MCU world!  So far, I think they’ve been doing a fairly good job of keeping this series humming along since Mathew Vaughn kicked the franchise back to life again five years ago.  The post First Class movies haven’t been perfect, but the second shot at a Wolverine solo picture and the one that brought Brian Singer back to the franchise were both fine enough films, and now that Deadpool is kinda sorta in the mix, there may be hope yet that this franchise can make that leap to the big leagues instead of sitting comfortably as the acceptable knock off.  Is this movie the start of that transition, or is this series just gonna keep spinning its wheels until another X3 disaster kills it off for good?  Let’s find out!!

The movie picks up about ten years after Days of Future Past which is still about twenty years before the original X-Men, which I THINK is still in continuity (only X3 is the one we know for sure got blinked out of existence).  In the intervening time, Charles Xavier (James McAvoy) has finally set up his school, Erik Lensherr (Michael Fassbender) has gone into hiding and now has a family in Poland, and Mystique (Jennifer Lawrence)… well she’s basically doing the same thing as she as in the last movie, only now she’s a symbol of peace rather than a violent radical after she had saved the president from Magneto.  Things seem to be at a tentative state of peace with the humans being somewhat okay with mutants and Erik more or less retiring Magento so he can live a normal life.  We don’t come to an X-Men movie to see people be happy though!  What’s gonna screw it up for everyone!?  Well two things really.  First is that Erik suffers a tragedy that throws him back into his anti-human hobby, and second is that there is a millennia old mutant calling himself, among other names, Apocalypse (Oscar Isaac) that just so happened to wake up from his deep slumber and is ready to take over the world (presumably after getting a shower and a bite to eat).  It doesn’t take long for him to make his presence known so the X-Men must reunite and get some of the new students to fight the greatest threat to all of humanity… at least now that the Sentinels aren’t gonna be a thing anymore.  Can Charles and Mystique whip these newbies into tip top shape to fight the new bad guy and save the world?  What exactly will Erik do now that he’s given up on ever finding peace for himself?  How many times are they gonna blow up the damn school!?

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“What happened this time?”     “Someone left a fork in the microwave.”     “SERIOUSLY!?”     “Well… we put the microwave next to the jet fuel storage container.”     “Did you at any point think that was a bad idea?”     “Oh THANK YOU Captain Hindsight!  Where would we be without your input!?”

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Cinema Dispatch: Deadpool

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Deadpool and all the images you see in this review are owned by 20th Century Fox

Directed by Tim Miller

Despite being 2010’s Sexiest Man Alive, Ryan Reynolds isn’t really your traditional leading man.  The guy had a long string of successful comedies through most of the 2000s, but it wasn’t until they tried pushing him into a leading man position that everything started to go to hell.  He’s been keeping himself busy with films like The Woman in Gold and Self/Less just to keep his name out there, but he has bet everything on this movie to finally put him back on top and as the comedic actor he wants to be.  Was it a wise move to bank on this character making a splash with main stream audiences, or is this going to be the last straw before Hollywood finally gives up on the one time super star?  Let’s find out!!

The movie begins with Wade Wilson (Ryan Rynolds) having finally tracked down the man who turned him into the un-fuckable immortal wearing the red onesie known as Deadpool.  The man in question AJAX (Ed Skrein) seems to be heading somewhere with a caravan of tough guys that are dispatched with ease as we saw in the trailers.  During said assault, we get flashbacks to Wade’s life before the super powers and learn more about his relationship with Vanessa (Morena Baccarin) prior to getting multiple terminal cancers.  After being diagnosed, he’s visited by a mysterious man (Jed Rees) who offers him a chance at a cure which Wade eventually take him up on which leads to him being under the care of AJAX.  Things go south however as it turns out the mysterious organization running horrifying experiments is not quite what you would call “ethical” and so Wade finds a way to escape but can’t bear to face Vanessa again until AJAX either fixes his face or is buried six feet under.  Donning a snazzy outfit and a the moniker of Deadpool, he proceeds to cut his way through AJAX’s known associates which leads back to the boss and neatly lands us back at the beginning of the movie.  Speaking of which, the commotion on the freeway doesn’t go unnoticed as a member of the X-Men Colossus (Stefan Kapicic) and his student Negasonic Teenage Warhead (Brianna Hildebrand) catch wind of it from news reports and they go to see what the hell Wade’s doing.  Will Deadpool get his revenge on AJAX before these two buzz kills get in the way?  What will AJAX do now that Wade has resurfaced and is broadcasting his intent to kill him?  What the hell is Ryan Reynolds gonna do if this ISN’T a hit!?

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“Look, if this doesn’t work out I’m gonna have to star in my own porn parody.  I know some of you want that, but I’d rather not go down that rabbit hole… so to speak.”

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