Tag Archives: Warner Bros

Super Recaps: The Twilight Zone (Shades of Guilt)

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The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling

Episode directed by Perry Lang

You know, it’s kind of funny that Jordan Peele is gonna be doing a new Twilight Zone series considering todays episode is like a really crappy version of Get Out made by SEEMINGLY well-meaning white people who didn’t know what the heck they were doing. Yes, this is gonna be less of a modern classic or even a genuinely good piece of early 2000s fluff; rather, we’re dealing with one of the more dated episodes in the series that fall somewhere between hilariously misguided and utterly cringe worthy. Strap in folks, because things are about to get uncomfortable!

The episode begins with exceeding average white dude Matt McGreevey (Vincent Ventresca) driving home from work in the pouring rain… on the emptiest street imaginable… when all of a sudden a black man (Hill Harper) starts banging on his window begging for help. Matt IMMEDIATELY locks the door and guns the engine to get away from the guy, and in his rear view mirror he sees a bunch of racist (and murderous) assholes beat the dude to death while he just keeps on driving! Oh, but he didn’t get away as clean as he thought, because Forest Whitaker saw his ass drive off like a Jabroni, and I’m sure he’s got a REAL sweet ironic fate waiting for him… IN THE TWILIGHT ZONE!!

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“I’m sure there’s a side to this that I’m not seeing. It’s best not to get involved…” “THEY’RE GONNA KILL ME!!” “That could be metaphorical…” “IT’S NOT!!”

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Cinema Dispatch: Rampage

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Rampage and all the images you see in this review are owned by Warner Bros Pictures

Directed by Brad Peyton

Does anyone remember that Tomb Raider movie that came out?  Yeah, it was like a month ago but I kind of just forgot all about it already, though I guess my blissful ignorance won’t last for long considering that movie made a HUGE amount of money overseas which will inevitably lead to a sequel, but until then it looks like we’ve got another crack at the genre with Dwayne “The Rock” Johnson’s second attempt at a video game adaptation.  Despite being buff enough to topple buildings, he is not the one RAMPAGING in this movie as it’s instead an adaptation of the classic arcade game where three giant monsters (who are TOTALLY not Godzilla, King Kong, and The Wolf Man) destroy buildings and… well that’s pretty much it.  Seems like a decent enough premise to throw a bunch of money at to make CGI mayhem, but can they manage to make this more than another monotonous action blockbuster starring the world’s most jacked teddy bear?  Let’s find out!!

The movie begins with a mission in space going HORRIFICALLY wrong (seriously, it’s about as terrifying as the end of Life) which leads to a bunch of canisters holding some sort of RAMPAGE GAS landing at various places across the US.  One lands on top of an alligator, another crashes into a wolf pack, and the last one craters into an animal sanctuary which is subsequently found by George; an albino gorilla who can speak sign language and is total bros with Davis Okoye (Dwayne Johnson).  Davis JUST SO HAPPENS to not only be a primate expert working at the sanctuary, but he ALSO used to hunt down poachers and even saved George from a terrible fate which led to them being buddies ever since!  If only it wasn’t for that DAMNED Science Gas made by some company led up by brothers Claire and Brett (Malin Åkerman and Jake Lacy), we could have had a movie about these two hanging out, but NO!  Instead, the Science Gas makes George grow SUPER BIG (even bigger than The Rock!!) and gives him a serious mean streak on top of that which makes it hard for even Davis’s glistening bulging muscles to contain which forces the some secret agency within the US government led by Agent Russell (Jeffrey Dean Morgan) to capture the ape and take him to Washington for experiments before putting it to sleep.  Things don’t go as planned however as Claire and Brett have even MORE sinister plots for George as well as the two other creatures roaming the countryside, and if they succeed it could spell doom for millions of people!  Will Davis along with A SCIENTISTTM (Naomie Harris) find some way to save his gorilla buddy before Claire and Brett destroy whatever is left of George and turning him into a TRUE monster?  What untold destruction will the monsters unleash upon the city, and will it look totally bad ass?  Why didn’t they just make this an Ultraman movie so that they could make The Rock into a giant!?  I’d pay to see him the size of a skyscraper doing Rock Bottoms on monsters!!

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HE LOOKS SO TINY NOW!  HOW IS THAT EVEN POSSIBLE!?

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Cinema Dispatch: Ready Player One

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Ready Player One and all the images you see in this review are owned by Warner Bros Pictures

Directed by Steven Spielberg

Oh!  Do I finally get a chance to see this darn movie!?  I swear; it feels like EVERY OTHER CRITIC IN THE WORLD got an invite to an early premiere of this while I’m sitting over here waiting for its ACTUAL release date like a total chump!  Now I haven’t read the book so I won’t be going into this with much in terms of expectations, but the premise is on that could really get out of hand quickly if it’s not in the hands of the right director.  Just imagine how bad Scott Pilgrim would have been if it wasn’t in the hands of Edgar Wright, or if say Adam Sandler somehow managed to make a movie about classic video games attacking us in the real world.  GOOD THING THAT NEVER HAPPENED, AM I RIGHT!?  Was Steven Spielberg the right one to adapt this material, or will this be a larger misstep for the venerable director than The Lost World: Jurassic Park?  Let’s find out!!

The movie takes place in the year 2045 where society hasn’t really COLLAPSED, so much as it’s gotten really apathetic and there’s a whole bunch of trash everywhere.  For most people, they’re way of dealing with it is to go into the most EXPANSIVE AND BAD ASS online video game ever made (right after Second Life) called THE OASIS!  One such denizen of this virtual world is Wade Watts (Tye Sheridan) who lives in one of the slums of Columbus Ohio (they literally just started stacking trailer homes on top of each other) but he has big dreams for the future that will get him out of his boring miserable life!  Okay, it mostly involves playing games in THE OASIS as his in-game character Parzival, but that’s proving to be more and more of a viable career path; provided he doesn’t start shouting racial slurs.  Like in real life though, he’s kind of stuck at the lower tier of THE OASIS hierarchy and spends most of his time either hanging out with his friend Aech (Lena Waithe) or re-reading the history of the inventor of THE OASIS James Halliday (Mark Rylance) who died about a decade ago.  Said creator by the way has stuck three hidden keys within the game that if found will get TOTAL control of his Chocolate Factory… I mean software company, but no one has been able to find even one of them so far; not even the EVIL corporation called Innovative Online Industries (IOI) which is head up by the EVIL Nolan Sorrento (Ben Mendelsohn) that plan to do EVIL things if they get control of the company!  So Wade/Parzival is just going along his day to day routine… that is until he meets Art3mis (Olivia Cooke) who is one of the top players in the game, and their chance encounter ALSO leads to him figuring out the first clue that James Halliday left behind which leads him directly to the first key!  Now the guy is on EVERYONE’S radar!  Art3mis is trying to find the keys for herself and wants Parzival’s help doing it, Aech is stoked that they get all the cool gear that comes with finding that first key, and of course the EVIL IOI is after him to either convince him to join them or DESTROY HIM UTTERLY!  Will Wade be able to resist the allures of corporate culture and embark on this noble quest to honor the memory of the greatest game developer of all time?  What reasons could Art3mis have for needing to find the keys, and does it have anything to do with IOI’s EVIL schemes?  Will Wade get the validation in the virtual world that he so desperate craves in his own life!?  THAT’S HOW THIS WORKS, RIGHT!?

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“You are the one!”     “YEAH!!“     “Now just pay $4.99 to see the TRUE ending.”     “WHAT!?”

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Cinema Dispatch: Tomb Raider

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Tomb Raider and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Roar Uthaug

ANOTHER video game movie!?  Haven’t we tried that like forty times already!?  Well that’s a bit unfair.  I’ve always maintained that a good chunk of them are actually pretty good for their respective genres such as the first Mortal Kombat, and we’ve rebooted the video game franchise since the LAST time we were making films off of this series, so an updated interpretation with brand new Lara Croft could really be something if they get the right people behind it!  Does this manage to be the first video game movie to be one that EVERYONE thinks is good instead of just me?  Let’s find out!!

Lara Croft (Alicia Vikander) is the daughter of a world renowned… business man I guess (Dominic West) considering her family is renting that building from Iron Fist, but she doesn’t hang around much anymore since her father disappeared several years ago.  Instead, she spends most of her time MMA training and working in the Gig Industry; riding her bike for fun AND profit!  However, an associate of her father (Kristin Scott Thomas) has to bail her out of trouble due to a situation that REALLY wasn’t her fault (how do you get arrested for getting hit by a car!?) and she insists that Lara give up this lifestyle to finally claim her birthright and the millions of dollars that go with it.  All she has to do is sign the documents confirming once and for all that her father is dead (is that a thing?  Does a family member have to sign those in order for a missing person to be declared dead?) which she’s been reluctant to do as she still thinks he’s out there somewhere.  She might just be right about that when she finds her father’s secret laboratory where he left a final message for Lara; telling her to burn all his research to the ground and to not look for him.  Naturally she doesn’t do that because who WOULD just give up after getting some pretty solid evidence that could lead to where he is, and so she enlists the help of a fisherman (Daniel Wu) whose father was connected to Lara’s and the two set off to some MYSTERIOUS ISLAND!  The good news is that it’s not Skull Island and teeming with giant monsters.  The bad news?  Well there are a bunch of dudes with guns looking for something on the island, and the head dude named Vogel (Walton Goggins) thinks that Lara might hold the key to finding it.  Will Lara be able to find what these men are looking for as well as finding her father in the process?  What are the sinister plans that Vogel has in store once he locates this mysterious artifact?  You know, we keep going on about her dad, but are we SURE that her mother is dead too?  All I’m saying is that if Angelina Jolie doesn’t show up in the sequel, I’m going to be VERY disappointed!

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“The Colonel’s secret recipe is right behind this door.  Once I unlock it, those eleven herbs and spices will be MINE!!”

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Cinema Dispatch: Game Night

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Game Night and all the images you see in this review are owned by Warner Bros Pictures

Directed by John Francis Daley and Jonathan Goldstein

It’s not easy trying to release a movie in the wake of an overwhelming success like Black Panther or really ANY Disney movie nowadays, and the idea of Counter Programming (releasing a movie that targets an audience vastly different from whatever else is in theaters) is becoming an increasingly less viable route to go when success is as massive as these year round tent poles have become.  With that said, it’s ALSO a common time to dump movies that the studio has little faith in as wasting a BETTER time slot in the year is the year would only make things that much worse for them.  For me, seeing this trailer quite frequently in the last month or so, it looks to fall into the latter as the premise of the film and the gags they showed us wasn’t inspiring much hope in me that this was going to be much of a comedy classic, but I have been wrong before about movies and I’m like the ONLY guy who’s like Billy Magnussen in everything I’ve seen him in; and that’s including Birth of the Dragon!  Does this action comedy bring the same fun and excitement you always hope to have whenever you have your own game night, or is this as exciting as playing Monopoly for two hours past the point everyone stopped caring?  Let’s find out!!

Max and Anne (Jason Bateman and Rachel McAdams) are the picture perfect mid-thirties couple that LOVES playing board games on their weekly Game Night along with their friends Kevin and Michelle (Lamorne Morris and Kylie Bunbury) as well as good ol’ Ryan (Billy Magnussen) who frequently brings new dates to Game Name with the latest being Sarah (Sharon Horgan) .  OH, and uh… they used to invite the neighbor Gary (Jesse Plemons) over to play with them, but no one likes to talk about Gary; especially after the divorce.  ANYWAY, Game Night is the one thing that they all look forward to every week, but things start to run afoul this time around as Max’s brother Brooks (Kyle Chandler) shows up out of the blue with his badass car and super smooth swagger to take over Game Night and make it an evening they will NEVER forget; something that gets Max rather pissy right off the bat.  Oh, you know how brother are!  Always trying to one up each other even when it comes to something as trivial as Trivial Pursuit!  Brooks invites everyone over to his house to play one of those INTERACTIVE MURDER MYSTERY deals with actors pretending to be cops and robbers, but the party is crashed by ACTUAL robbers right off the bat; something that they REALLY should have realized was the case even if they were told this was going to be a big game.  They don’t realize that these are REAL crooks invading the party and kidnapping Brooks though, but they will soon enough as they find out more and more about Brooks and just how much trouble he’s really in.  Can Max, Anne, and their best buddies find a way to save Brooks before he gets two in the head?  What will Max learn about his brother during this absurd quest, and what will he learn about… HIMSELF!?  Anyone else feel like playing a game right now?  King of Tokyo?  Drop Mix?  Yu-Gi-Oh?

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“Who wants to play… PAR-CHEESE-I!?”     “Max, if you tell that joke ONE more time, I will personally shove this knife right through your eye socket.”     “Well then… I hope that after doing that… you’d feel SORRY!”

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Super Recaps: Tom Goes to the Mayor (PROLOGUE)

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Tom Goes to the Mayor and all the images you see in this recap are owned Warner Bros and Adult Swim

Created by Tim Heidecker and Eric Wareheim

For every generation of comedians out there, more often than not you can trace their roots back to a specific cultural touchstone that they all seemed to grow out of.  In the seventies, we had National Lampoon which gave us Harold Ramis, John Hughes, Al Jean and Mike Reiss (two of the most influential voices on The Simpsons), John Belushi, Chevy Chase, and even Bill Murray.  Saturday Night Live has been around for decades, but in the eighties we got Eddie Murphy, Julia Louis-Dreyfus, Norm Macdonald, Jan Hooks and several others.  Hell, half of the most beloved animated shows of the nineties were created by people who started out on Ralph Bakshi’s Mighty Mouse cartoon from 1987, including John K, Bruce Timm, Jim Reardon, Rich Moore, and Andrew Stanton!  I think we’re still waiting to see how this will work in the age of YouTube (The Smosh guys and FRED are probably the biggest breakout stars and yet they haven’t really penetrated the mainstream, though the Homestar Runner dudes have done well for themselves), but in the decade awkwardly referred to as THE AUGHTS we had our own generation touchstone in the form of Adult Swim.

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Those cheeky bastards!

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Super Recaps: Riverdale Chapter 9 (La Grande Illusion)

Riverdale and all the images you see in this recap are owned Warner Bros Television Distribution and The CW

Episode directed by Lee Rose

We’re back with another episode of THE MOST CONVOLUTED ADAPTATION OF A COMIC EVER!  Seriously, this show is so unbelievably dense with plot (both in the hyperbolic and literal sense) that it makes Batman v Superman look damn near intelligible by comparison.  What this show has over that movie however is decent acting from most of the actors, genuinely funny moments (as well as plenty of unintentional ones) and even though everything just kind of jumbles together into one impenetrable mass of manufactured intrigue, at least some of the stories here are interesting enough to hold your attention whenever the show bothers to bring them back up (*cough* Skeet Ulrich *cough*).  So to catch everyone up, the big revelation at the end of the last episode is that Polly Cooper is now living with The Blossoms because… reasons I guess, and it’s basically throwing everyone relevant to this story for a loop.  On top of that, we get a scene of Hermione and Veronica Lodge discussing THEIR overly convoluted plot and it makes we question why I’m bothering with this if it has to take five minutes out every episode just to catch everyone back up on all the convoluted bullshit that happened in the last episode before getting into THIS episode’s convoluted bullshit.  OH RIGHT!  I REMEMBER!  There are a handful of characters that are always fun to watch on screen and we’re reminded of that as Cheryl spends the next few minutes trying to seduce Archie into going with her to some sort of Blossom family event!  For some reason I keep forgetting that!

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“Why hello there, Archie Doll!”     “Miss Blossom, you’re trying to seduce me!!”

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