Ford v Ferrari and all the images you see in this review are owned by 20th Century Fox
Directed by James Mangold
With the Disney/Fox merger, there were bound to be a few films lost in the shuffle with at least one that seems to have INTENTIONALLY been shelved for the foreseeable future (*cough* New Mutants *cough*). This film was originally scheduled for earlier in the year but instead they pushed it to Oscar season which frankly seems like a solid move considering this ticks off a lot of awards bait boxes; it being a period piece relying heavily on Americana and nostalgia for the non-hippie version of the sixties while also starring two big name actors to lend a bit of clout and respectability to the proceedings. Does this movie about cars going fast manage to be about something much more, or is this yet another movie destined for heavy rotation on TNT and nowhere else? Let’s find out!!
Carroll Shelby and Ken Miles (Matt Damon and Christian Bale) don’t get along all that well but they both seem to respect the other with Shelby being a great car designer and former racer and Miles being the best racer alive with a flawless instinct for driving as well as the inner workings of the car itself. These two have been given something of a golden opportunity as Henry Ford II (Tracy Letts) is determined to have one of his cars beat Ferrari at the biggest race in the world; the La Mans. With his vice president (Jon Berenthal) leading the charge, Shelby comes on board with the project and convinces Miles to go along with it as well despite his hot head and distrust of corporations; a mistrust that may be well founded as interference from the higher ups constantly gets in their way of doing what needs to be done in order to beat Ferrari and prove that Ford cars can be just as powerful and sexy as European models! Can Shelby thread the needle of the Ford Company’s misguided directives with Miles’s inability to get along with others? What kind of new tricks and technology will they need to develop in order to claim a victory that has eluded Ford for so long? Is it just me or is a movie with Batman and Jason Borne that’s being directed by the guy who made Logan somehow as cool as that description would imply despite the film ACTUALLY being about regular cars?
The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling
Episode directed by Deran Sarafian
We’re back with another episode of The Twilight Zone Saga: New Millennium, and boy do we have something new for you all today! This episode is unlike any other we’ve seen so far as it is a… wait for it… COMEDY!! That’s right! Not an unintended comedy like that one about the guitar or watching Katherine Heigl try to kill baby Hitler! This one wants you to chuckle right along with it instead of directly at it! Does this series know how to loosen up and have a genuine sense of wit about itself? Let’s find out!!
The episode begins with what might be the most attended office birthday party that wasn’t catered as everyone and their mother apparently left their stations to go to a cubicle and sing For He’s a Jolly Good Fellow. Wait, what? Is the birthday song copyrighted or something? Hold on.
HOLY CRAP, IT IS!! Apparently that song has had some sort of copyright on it since 1935 with Warner/Chappell music acquiring a company that claimed to have owned it back in 1985 and have been collecting royalties on it since! That is until 2016 when a court ordered that their copyright was not valid for reasons that I’ve only skimmed now and will surely take up an afternoon of your time if you wish to look into it, and Warner/Chappell is required to refund the royalties they’ve collected for it. Darn you, Warner Bros television! If you had stuck to your guns and used the CORRECT song, you would be getting your seven hundred bucks back anyway! Who looks like a fool now, Warner Bros Television? Who looks like a fool now?
Did I really take this recap completely off the rails because of the Birthday Song? Let’s see if we can somehow get back on track. So anyway, the cubicle in question belongs to Charlie (Wallace Langham) who is one of many office drones in this building that does… stuff, and is having a rather joyous little celebration at his desk complete with trick candle on his cupcake, but all that comes to a SCREECHING halt as soon as The Boss (Christopher McDonald) comes through and tells everyone to get back to work; something they do with great gusto and more than recommend amount of abject terror. The Boss by the way looks like a cross between Thomas Haden Church, Clancy Brown and Biff from Back to the Future, so it’s no wonder everyone is terrified of him! Oh but he can’t be ALL bad, right? After all, he got Charlie a gift for his birthday which is some sort of dime store talking statute called Mr. Motivation who spouts useless buzzwords and aphorisms whenever you bop it on its little bobble head. Just the pick me up Charlie is gonna need of since The Boss follows up this magnanimous gesture with a neigh impossible task and his job security as the sword of Damocles hanging over his head. He needs to pull up basically all documentation over the last several months (hard copies no less), and search for any that contain the name of a specific product their developing. If he can find whatever vaguely sinister thing The Boss is looking for, he gets a promotion. If not, well… at least the economy in 2002 is better than it is now but it would STILL be a pain in the butt.
The Darkest Minds and all the images you see in this review are owned by 20th Century Fox
Directed by Jennifer Yuh Nelson
Can we just take a moment and remind ourselves that YA adaptations (and even movies aimed at a YA audience) are NOT the worst thing to happen to the world of cinema? That would be Eli Roth, but in any case, I think we’re well past the days of Twilight Hate (at least we SHOULD be and anyone still carrying that torch would be kind of sad) and we even got some bug critical success stories like The Hunger Games; none of which I’ve ever seen but I hear are supposed to be good! In the last few years though, things haven’t really looked great for the genre as they still make money, but none of them have had much critical success or frankly leave much of an impact despite earning so much money. Even GOOD ones like A Wrinkle in Time still languished with critics and didn’t really find the audience it needed to. Now we have this movie which stepping up to the plate to take its swing at the box office. Does this manage to be another high point for a genre that should get a bit more respect, or is this the kind of poorly made tripe that (along with misogyny if we’re being frank) made these films such an easy target in the first place? Let’s find out!!
Ruby Daly (Lidya Jewett) is your typical elementary school student in a run of the mill suburb living her normal life when tragedy strikes as the world basically turns into an even MORE proactive version of Children of Men. Not only are people not having babies anymore, but children start to drop like flies from some mysterious disease, and worse yet the ones who survive get super powers. Now sure there’s a certain amount of… let’s say VOLATILITY in kids having the ability to move things with their mind and conduct electricity (as well as have super smarts and fire bending powers because… reasons), but things go a BIT further than some updated Health and PE classes to straight up generational genocide as ANY child exhibiting any sort of powers (I couldn’t quite tell if it was ALL children or just some of them) are brought to military run internment camps for classification, separation, and manual labor. Ruby ends up getting sent to one of them as she apparently has the ability to read minds I think which makes her the MOST DANGEROUS AND SPECIAL ONE EVER, but she manages to somehow keep it under wraps by mind wiping the doctor (you’d think they’d check for that) and getting classified as a lower tiered super person. Years go by and Ruby goes from a young girl to a teenager (Amandla Stenberg) but things come to a head as she seemingly gets discovered as one of the SUPER SPECIAL AWESOME kids and subsequently whisked away from the camp by a mysterious freedom fighter of sorts (Mandy Moore) who then wants her to join her group known as the Children’s League which seems like a good idea considering she’s got nowhere else to go and they’re for the liberation of children from government persecution… but then she gets a weird vibe from the dude she’s with (Mark O’Brien) and she manages to run away from them to find a van full of super powered teens (Harris Dickinson, Skylan Brooks, and Miya Cech) who agree to take her in as they travel to some sort of children haven known as East River where they can… I guess live free? Of course it won’t be an easy trip as there are children hunting bounty hunters (Gwendoline Christie) roaming the streets as well as the military who aren’t about to let one of their kids go; especially if they’re one of the SUPER SPECIAL AWESOME kids! Will Ruby find a new home with her fellow super powered misfits? Just what does the Children League want from her, and are they truly fighting to save these persecuted children? Okay, seriously Fox? Did you just dust off an old X-Men script to make this movie?
Battle of the Sexes and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Jonathan Dayton and Valerie Faris
Well THIS is certainly a pleasant surprise! I may not know all the details, but I’m certainly aware of the tennis match between Billie Jean King and Robbie Riggs which has always stuck with me despite only knowing about it by watching the back half of a TV documentary around fifteen years ago. I’ve always liked tennis as a sport and the build up to the phenomenal match was ridiculous and felt like a flash in the pan moment in history which did end up having a big impact on everything simply for how much confident men were that she was gonna lose and then had that whole perception shattered on live television around the world. Is there any way that a film can do justice to this once in a lifetime event and remind us all of how important this was in the first place? Let’s find out!!
The movie is about the infamous match between world renowned tennis player Billie Jean King (Emma Stone) and world renowned FORMER tennis player Bobby Riggs (Steve Carell) which was played up in the media as THE BATTLE OF THE SEXES and the match that would once and for all prove that women have no business competing in MAN PLACES like tennis; something that wasn’t helped by Riggs’s absurdly derogatory and over the top chauvinistic stunts. Of course, there was a lot more to the story than the over the top theatrics leading up to it which includes the establishment of the Women’s Tennis Association, Billie Jean’s romantic relationship with another woman Marilyn Barnett (Andrea Riseborough), and even Bobby Riggs’s financial woes that may have been the driving force for setting up this match in the first place. So much was on the line for Billie Jean to succeed, yet with so much working against her, it was quickly becoming a task that seemed impossible to overcome. Would she be able to find the strength to overcome the odds and prove herself once and for all? How will she be able to maintain a relationship with another woman in a time when that was much more frowned upon and life destroying than it is today? How can one person navigate all this nonsense being constantly thrown at them and STILL manage to keep from knocking all these jerkwads upside the head!?