The Girl in the Spider’s Web and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Fede Álvarez
A bit of context is perhaps in order before we get started. I haven’t seen the Fincher film or the Swedish films, but I have read the first book and got a bit through the second one and enjoyed them both. I don’t actually KNOW if this is based on one of the books or the post-humus stuff that Stieg Larsson had written down somewhere (probably could have looked that up before going to see this) and where exactly this is supposed to “exist” as far as some sort of continuity, so the phrase of the day is CAUTIOUSLY OPTIMISTIC. I do think that Lisbeth Salander is an interesting character and the idea of making more or less standalone movies with her is a solid idea. However, this still seems like a pretty big gamble across the board, what with David Fincher no longer being involved, this more or less being the third iteration of the franchise in a decade, and frankly I don’t know if anyone is really still talking about Stieg Larsson’s books anymore to warrant another film about this character. However, all that is kind of outside my wheelhouse as a critic since I’m here to tell you if the movie is good and not how much money it’s gonna make. What’s REALLY important is if this version of the movie (with a heavily slashed budget) can capture what made these books and this character so compelling in the first place, or if this is just a brazen attempt to squeeze a few more bucks out of an obviously dead horse. Let’s find out!!
Lisbeth Salander (Claire Foy) is a computer hacker in Sweden who’s gone through some TERRIBLE abuse in her life that may or may not have been covered in the books (it at least takes place after the first one but I have no idea if it incorporates the other two), but there’s really no need to go into it in detail. She’s a vigilante hacker, she helped the reporter Mikael Blomkvist (Sverrir Gudnason) solve at least one mystery in the recent past, and she occasionally takes on jobs that pique her interest. One such job comes to her from SUPER COMPUTER PROGRAMMER Frans Balder (Stephen Merchant) who worked for the NSA and begs her to steal a program he wrote for them which would allow the user to more or less take control of all the world’s satellites and therefore take control of all the nukes… I think. I mean it sure SOUNDS scary enough, so Lisbeth agrees to steal it and manages to do so with very little effort and at the consternation of Frans’s successor at the NSA Edwin Needham (LaKeith Stanfield) who travels to Sweden to try and get it back. He’s not the only one after the program however because very soon after she steals it her SUPER HACKER WAREHOUSE is attacked by dudes in masks who work for a very illusive crime organization that may or may not have some connection to Lisbeth’s past. With total nuclear annihilation now on the table, Lisbeth is adamant to get the program back which involves finding where Frans and his young son August (Christopher Convery) have run off to in the ensuing chaos, avoid the attention of Swedish Secret Service agent Gabriella Grane (Synnøve Macody Lund), and get Mikael involved once again to see if his SUPER JOURNALISM SKILLS can make sense of all this. Will Lisbeth Salander save the world from nuclear devastation and stop whatever EVIL organization has their eyes set on using it? Can she protect everyone she cares about from whatever is that seems to be targeting her, or will she lose whatever few connections she still has left to the rest of the world? How does she manage to look so bad ass even with that Moe Howard haircut!?
Phantom Thread and all the images you see in this review are owned by Focus Features
Directed by Paul Thomas Anderson
Is this it? Are we done playing catch up with 2017? I just absolutely LOVE IT when studios hold back on releasing Oscar Caliber Films to the general public until weeks after they’ve already been reviewed, examined, and voted on! VERY helpful for the small time outlets who don’t get critic screenings or screener discs sent to us! Oh well. It’s certainly too late for films like this and I, Tonya to be considered for my best of 2017 list (which I’m SURE Neon and Focus Features absolutely CRUSHED about, but I must stay firm!), but that doesn’t keep them from potentially being good movies that you should check out! Better late than never I suppose, though it’d be nice if Hollywood would stop releasing EVERYTHING awards worthy in a two month period to only VERY selective markets; ESPECIALLY when half the time they don’t even get the awards they’re looking for! Does this movie deserve the countless accolades it has accrued in the tail end of Oscar Season, or is this the latest victim of a hype machine that severely overestimates its actual quality as a film? Let’s find out!!
The movie follows the story of Reynolds Woodcock (Daniel Day-Lewis) who unfortunately shares the name of a crappy Billy Bob Thornton comedy, but aside from that he’s a meticulously detail oriented dress maker who extends his obsession with perfection to his personal wife as well as his work life. His schedule is quite regimented, his appearance is consistently maintained, and his relationships to others are carefully filtered through his sister Cyril (Lesley Manville) who’s basically the only person keeping him on track and able to focus his eccentricities on something that’ll keep the lights on. One day, Reynolds goes off to the countryside and finds a waitress named Alma (Vicky Krieps) that he is immediately smitten with. He asks her on a date, they have a lovely dinner, and by the end she’s half naked while he’s dictating measurements to his sister who’s writing them all down for future reference. Whether or not Reynolds is TRULY attracted to Alma rather than the shape of her body is not entirely clear, but she goes away with him back to the big city to be his protégé of sorts and to help him model the dresses he makes. However, because neither one of them are all that great at communicating, the expectations they put on each other that neither of them are able to meet start to put a strain on the relationship and could potential be volatile enough to destroy his life, her life, and even his sister’s life as everything could come crashing down upon them if they can’t sit the hell down and decide what they really mean to one another. Will these two act like grownups and get their issues resolved before they explode in a fiery maelstrom of passive aggressive horror? Will either one of them start contemplating drastic actions that will certainly not solve their underlying issues? Wait, isn’t this the plot to like… every romantic comedy ever?
Look! There’s a beach! This is TOTALLY a Nicholas Sparks movie!