Godzilla: King of the Monsters and all the images you see in this review are owned by Warner Bros Pictures and Toho
Directed by Michael Dougherty
I may have been a bit cold about the first Godzilla film (no not the one from 1954 and no not the FIRST Hollywood version) which had a tendency to favor human drama over monster punching action, but with Kong: Skull Island being a phenomenal bit of bloody adventure action and the trailers for this film looking absolutely gorgeous, it looks like things may finally be kicking into high gear for the once and future king! Shoot, they managed to get MOTHRA in this! What more could you possibly ask for!? Does the latest Godzilla movie live up to its title as King of the Monsters, or is this further evidence that the big green guy’s day in the spotlight has come to an end? Well probably not the latter since Shin Godzilla was pretty awesome and Toho isn’t about to give up this cash cow anytime soon, but let’s find out!!
Following the events of Godzilla 2014 (and technically Kong: Skull Island as well), the world is now hyper aware of Kaiju being a “thing” they just have to deal with now, and ever since Godzilla kicked those monsters’ butts the last time more and more seem to be popping up all over the place. Fortunately Monarch, the secret organization that studies Kajiu, has been keeping them either asleep or in cages so as not to cause further catastrophe, though I do wonder exactly where they get their funding if the government is constantly calling them in for hearings to tell them how bad they are at their job. Ah, it probably doesn’t matter! What DOES matter is that one of the Monarch scientist Dr. Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) have been KIDNAPPED by… anti-Kaiju terrorists I guess (led by Charles Dance) and are planning something NEFARIOUS with her research which involves communicating with Kaiju. Good thing she’s got a self-pitying ex-husband named Mark (Kyle Chandler) who’s off somewhere still brooding about his son who died during the first movie, and Monarch calls him in to… help I guess. I mean they’ve already got Dr. Serizawa from the last film (Ken Watanabe) as well as Dr. Chen and Dr. Chen (Zhang Ziyi) who are Kaiju experts, Dr. Stanton (Bradley Whitford) who cracks jokes and does science stuff, and even a couple of army people including Jackson Barnes (O’Shea Jackson Jr) who cracks jokes as well, so why are they throwing in a guy who explicitly wants all the Kaiju killed into the pro-Kaiju organization? I guess to try and figure out how those kidnapping Kaiju-haters think? So now this rag tag group of scientists and random dudes are off to stop the anti-Kaiju terrorists from waking up all the monsters which I guess will show people that the monsters are bad… or something. Hey, isn’t Godzilla supposed to be in this movie at some point?
Captive State and all the images you see in this review are owned by Focus Features
Directed by Rupert Wyatt
I still haven’t seen those Planet of the Apes movies, but I hear they’re pretty good; especially that first one which I recall being a rather big surprise for people. The guy’s only done a few other things since then, none of which I’ve seen, but hey! If you’re gonna go in without context, try to go all the way! I mean seriously, I hadn’t seen a trailer or even heard about this movie until I was trying to figure out what I was going to see after Captain Marvel, so this is one big question mark for me which is USUALLY a good thing in trying to get the most out of that initial experience, but it also means that I can easily get smacked up the head by something bafflingly awful which is its own special kind of torment. Will this movie I know nothing about live up to the expectations I don’t have for it, or will I be utterly disappointed by how bad this completely out of the blue failed to be as good as I envisioned it to be? Let’s find out!!
The movie takes place after aliens have already come down, kicked our butts, and have taken over everything; not so much to destroy the planet, but more like colonization where they keep us in line and plunder our natural resources. In Chicago, Gabriel (Ashton Sanders) is eking out an okay existence along with everyone else, but his late brother Rafe (Jonathan Majors) was part of a resistance movement that tried to attack the aliens and now he’s trying to do the same thing. However, there are a few roadblocks that are in his way. For one, there’s already a resistance movement making headway towards destroying the alien’s base in Chicago (some underground facility) which makes his paltry efforts seem inconsequential, and on top of that his late dad’s best friend William (John Goodman) is a cop that’s keeping an eye on him and also keeping an eye on anyone who maybe planning further terrorist attacks against their alien overlords. This has been made somewhat easy because for some reason everyone now has a bug (it’s unclear if its literally or figuratively) implanted in their necks to keep track of their movements at all time, and of course the authorities have gone all police state to keep people in line. Can this resistance group actually make a serious blow against their oppressors, and will Gabriel somehow be a key part to their plan without him even knowing it? What will William do when push comes to shove and he has to take decisive action against those who he’s sworn to stop from inciting more violence and angering the aliens? Is the twist gonna be that the aliens are actually Krypotnians, because this looks A LOT like Man of Steel.
The Nun and all the images you see in this review are owned by Warner Bros Pictures
Directed by Corin Hardy
I wasn’t even planning on seeing this film as my utter apathy to the Conjuring Universe knows no bounds; despite Annabelle: Creation being a pretty solid horror film which I ascribe entirely to roping in a very talented director. Then the weekend came up and there was literally no other movie I was going to see, so this one won by default; take a step forward to volunteer and everyone else took a step back. Does this latest entry in probably my least favorite expanded universe (at least on a conceptual level as The Warrens were in fact a bunch of fraudsters and I HATE that we’re making movies that pretend they weren’t) manage to rise above its lousy origins to give us something entertaining, or will I be forced to be reminded once again why I didn’t like that initial film in the first place? Let’s find out!!
Back in the 1950s, there was a castle in Romania where some spooky stuff was always going on. What kind of spooky stuff? Voices in the hallway, a fake demon nun appearing and disappearing in an instant, and oh yeah, A NUN THROWING HERSELF OUT OF A WINDOW WITH A NOOSE AROUND HER NECK!! Now my first guess it that she did it all for Damian but he wouldn’t be born for another twenty years, and instead it’s probably that demon nun that’s walking around the place. In The Vatican’s effort to be real life Ghostbusters, they send the disgraced Father Burke (Demián Bichir) out to solve this bizarre mystery; like a renegade cop getting his badge and his gun back. He takes along a Soon To Be Sister Irene (Taissa Farmiga) because… I don’t remember; she has psychic powers or something? Anyway, the two of them head to Romania and are led to the castle by the man who discovered the nun’s body, and his name is… wait for it… Frenchie (Jona Bloquet). When this unlikely trio gets there, well you can imagine what happens! Lots of spooky ghost tricks, hidden dark rituals, and a horrifying history that will no doubt ensure at least a dozen more THE CONJURING UNIVERSE films! Can Father Burke and Sorta Sister Irene discover the true reason that the nun threw herself out a window in this dark and spooky castle? When they find what they are looking for, are they prepared to do what is necessary to stop that evil once and for all? Wait, why does a demon have to hide as a nun? It’s not like it does a good job of hiding how obviously evil they are and they can disappear at any time, so why even bother with the costume!?
Sometimes you see a movie that will just not leave your brain as questions keep running through your head about what it all meant and what it was trying to say. I guess this is TECHNICALLY one of those movies, but certainly not for the reasons the filmmakers hoped for because I have nothing but contempt for the asinine questions that I’m left with after watching the damn thing which is made even worse because there ARE no answers. This was just a super sloppy movie PRETENDING it knew what the hell it was doing and it utterly failed to convince me otherwise. Since keeping things bottled up is not a particularly healthy way to deal with something, I decided to let YOU all know what questions I was pondering while watching this silly film and how the movie fails to address them in any adequate or satisfying way! Before that though, let’s have a full rundown of the plot so that you all have a better idea of where I’m coming from if you haven’t seen the movie. Trust me, I’d rather spend my time recounting it here than make ANYONE feel like they’d have to sit through this drivel just to understand what the heck I’m talking about! FULL SPOILERS AHEAD!!
The Commuter and all the images you see in this review are owned by Lionsgate
Directed by Jaume Collet-Serra
Now that the end of year hold overs are finishing up their rounds at the box office, it’s time for the TRUE January releases to show themselves which are becoming less associated with absolutely dreadful movies with each successive year, but can still be considered a dumping ground for stuff the studios felt couldn’t hack it in more competitive months. I guess a Liam Neeson action flick isn’t the WORST way to herald in the New Year, but then I’m pretty sure there are people who still wake up in a cold sweat thinking about Taken 3 and the infamous fourteen cut fence jump. Will this movie be another strike against the increasingly fragile belief that January films tend to be terrible, or will this only reinforce those notions for yet another year? Let’s find out!!
The movie begins with exceedingly average older white dude Michael MacCauley (Liam Neeson) going about his daily routine and living the exceedingly average older white dude life. That is until he gets fired from his exceedingly average older white dude job for lousy capitalist reasons, and is now facing the prospect of financial ruin; right before his son heads off to college too! Things seem rather for the guy as he boards the train with nothing to look forward to other than telling his family the devastating news, but fortune seems to be in his favor as a mysterious woman (Vera Farmiga) offers him twenty-five grand now and seventy-five grand later if he can just do one small insignificant thing. Find a person on this train that has something of value in their bag, is traveling to Cold Spring, and goes by the name “Prynne”. The woman gets off at the next stop and while Michael is more than happy to hold onto that twenty-five grand she gave him up front, he feels a bit hesitant about finding this person to claim the other seventy-five. Fortunately for THE BAD GUYSTM that the mysterious woman is forking for, as well as the audience I guess, they kidnapped his family anyway so he has no choice but to find the passenger known as “Prynne” before anything happens to them! Will Michael not only find “Prynne” but figure out what THE BAD GUYSTM are planning to do once they find them? What can Michael do when every move he makes is being watched by THE BAD GUYSTM… somehow? How many non-Taken Taken movies is Liam Neeson gonna have to make before they give him one that doesn’t suck!?