BlacKkKlansman and all the images you see in this review are owned by Focus Features
Directed by Spike Lee
There’s a lot going on right now and as much as I’d honestly like to take a step back from the heavier subject matter to focus on terrible horror films and laughable thrillers, well… there’s a bigger story that needs to be told and at the very least I can try to stay engaged with the films that are being made because of it. Fortunately the films this year that faced issues of racism, white supremacy, privilege, and state sponsored oppression have been pretty great so far with The First Purge being a worth addition to one of the best film series we have today, Sorry to Bother You feeling like the kind of gonzo shot in the arm film making that will inspire others to think outside the standard feature film model, and Blindspotting being a supremely empathetic examination that’s palatable and poignant for any audience member. However, it’s time for the king to return to his throne as Spike Lee has spent his entire career (barring Oldboy) speaking on these very issues that the rest of Hollywood is just catching up to and is now throwing their weight behind these artists. Did Spike Lee make the definitive film of our turbulent times, or has his style gotten tiresome in the face of newer voices in his political circle? Let’s find out!!
The movie follows the strange yet true story of Detective Ron Stallworth (John David Washington) who joined the Colorado Springs police force in the seventies and not long after joining the force started a sting operation against the KKK in the area. With the help of a fellow cop Detective Flip Zimmerman (Adam Driver) he managed to impersonate a white supremacists over the phone while Flip would pretend to be him in person; a plan that was so successful that they even managed to dupe KKK Grand Wizard David Duke (Topher Grace) who had several conversations with Ron never realizing he was in fact black. As the investigation goes along though, things start to get complicated as certain members of the Colorado chapter of the KKK start to suspect their newest recruit, and Ron start to find it hard to live not only a double life as a fake white man, but also the dichotomy of being a black man and a police officer in that period of time; especially when he starts falling for the President of the Black Student Union Patrice (Laura Harrier) who is just as militant against white systems of power as Ron is determined to use his position in said system to take the KKK down a peg. Will Ron and Flip manage to stop the KKK from whatever it is they’re planning without getting caught in the crossfire themselves? How far will the KKK members go to assert themselves as a threat to be taken seriously, and who do they plan to hurt in the process? Just how many white people jokes can Ron get away with before David Duke becomes suspicious!?
The images you see in this editorial are the property of their respective owners
One of my favorite shows of all time is Its Always Sunny in Philadelphia which I actually came into pretty damn late into its run. I was always aware of its existence, but I never really had a reason to sit down and watch it until around 2013 when I was stuck in bed for like two days due to a minor surgery I had and I needed something to watch to kill the time. In an effort to fix that problem, I booted up Netflix, saw that it had like eight seasons, and figured why not? To this day, I rarely go a week (and usually no more than a single day) without putting it on in the background of whatever it is I’m trying to do at the time which is more often than not writing stuff for the site (I’m watching Mac’s Banging the Waitress as I’m typing this… though less likely to be watching it while you’re reading this). Sadly though for fans of Sunny, the latest season ended on a rather bittersweet note as it may in fact have been the final appearance of Glenn Howerton’s Dennis Reynolds who is STRONGLY considering leaving the show, despite it getting renewed for at least two more seasons. Now as much as I’d hate to see him go, I don’t necessarily begrudge him for doing so considering they’ve already done twelve AMAZING seasons, and I hope he has all the success in the world with what he plans to do next which looks to be a show with Patton Oswalt where he plays a disgruntled and malicious high school teacher. So what does this mean for fans of Sunny? I have no idea! Maybe they’ll hold out for him on the off chance this new show fails (the thirteen season has already been pushed back a year), or maybe they’ll try to solider on without him; hoping the remaining four members of the crew can somehow manage the burden of his absence. For me though, this is a perfect chance to do some fun speculation on possible replacements for Howerton to either fill the void he left or to possibly even turn the show into an entirely new direction. That is why I have listed my top five BRILLIANT ideas of who they should get to be the new fifth member of the crew, though unfortunately Schmitty is not one of them. The ranking is mostly in terms of how much I want to see this person (or even persons) show up in the series, but I TRIED to keep the list as practical as possible. As amazing as it would be to get Nicolas Cage, Scarlett Johansson, or Denzel Washington to be fifth member of the crew, I doubt they’ll be picking up Rob McElhenney’s calls anytime soon.
5) Topher Grace
Probably not the first name that comes to mind when trying to fill in an enormous gap on one of the most ingeniously crafted shows of all time, but hear me out! We all know he played nerdy Eric Foreman for a decade and that he wasn’t all that great in Spider-Man 3, but his filmography since then has been, if not STERLING, at least interesting. He’s REALLY good at playing slimy characters like in Predators and American Ultra which is more or less a requirement for a show like It’s Always Sunny, but what really makes him seem like a perfect fit is that he naturally exudes a sense of weakness and apathy in his performances which I know doesn’t sound like a complement but fits perfectly with the ethos of the show. Everyone in that bar, except maybe Frank, has no direction in their life and is living in a perpetual state of denial about everything around them with Mac thinking he’s tough, Charlie thinking he’s quirky instead of a creep, and Dee failing to understand why she’s never achieved her goals (fear of rejection keeps her from making a whole hearted effort at anything). Look at his performance in the recent Opening Night where his level headed cynicism is clearly a mask for his own insecurities and how the wackiness of everyone backstage continues to push him further and further over the edge. Now imagine it was the crew that was pushing his buttons the whole time! The guy seems to be getting regular work in films just outside the mainstream (his most recent role was in a Netflix movie) so I doubt he’s looking to tie himself down to a TV show, but that kind of character coupled with the horror show that is the crew at Paddy’s Pub could make for an interesting dynamic.
American Ultra and all the images you see in this review are owned by Lionsgate
Directed by Nima Nourizadeh
Did someone finally remake Natural Born Killers? No? That sacred cow hasn’t been milked yet? Eh… give it time. Until then, we’ve got the next big film from Max Landis. No, he didn’t direct it. He wrote the movie and it’s his big follow up after Chronical, and we all know how well things turned out for the OTHER guy who made that movie! All joking aside, Chronical was one of the best examples of not only the found footage genre but the super hero genre as well. The story was complex and heartfelt while still being an exciting and unique take on portraying super powers in film. Can Max Landis pull off another hit with this film about a stoner sleeper agent, or will he be doomed to the same fate as Josh Trank whose sophomore slump is easily the biggest disaster of the year? Let’s find out!!
The movie is about Mike Howell (Jesse Eisenberg) who’s some dipshit loser in West Virginia with a lousy job, a drug problem, and a condition where he has panic attacks whenever he tries to leave town. The only good thing the sad sack has going for him is his sad sack girlfriend Phoebe Larson (Kristen Stewart) who’s only slightly more functional than he is in that she doesn’t nearly burn the house down due to her own absent mindedness. Mike is certainly trying to do better by her, but this is a guy with no ambition and little imagination. Aside from his doodles about an astronaut ape, he barely gives off any signs of conscious thought other than guilt for being lucky enough to find Phoebe and the fact that she loves him just as much as he loves her. Of course, things aren’t as simple as they seem. Being a man child movie, our hero has to have some super ability that they didn’t really earn, and in this case it turns out that he’s actually a decommissioned CIA sleeper agent with skills to rival James Bond… despite being MAYBE twenty five (at least as far as the movie is trying to sell the premise as). Of course, being an unstoppable badass who ain’t doing shit to no one, some pencil pushing mother fucker (Adrian Yates played by Topher Grace) decides that Mike needs to be eliminated and sends out a bunch of goons to 86 the bastard. The original leader of the program that turned Jesse Eisenberg into teenage Terminator (Victoria Lassetter played by Connie Britton) gets wind of this and is doing what she can to keep him alive while he starts to remember the skills he had in the past. Can he survive these attempts on his life and get his girlfriend through this ordeal safely, or will the weight of these revelations be too much for him to handle?