Tag Archives: Top 10

Cinema Dispatch: Top Ten WTF Moments in The Predator

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The Predator and all the images you see in this editorial are owned by 20th Century Fox

Directed by Shane Black

It’s been a few weeks since The Predator graced the multiplexes in all its confused glory, so I think now’s a pretty good time to really get into what exactly is SO fascinatingly wrong about this movie that I couldn’t fit into a proper review.  The last time I did something like this was all the way back when The Mummy was supposed to be the next big thing which sadly didn’t end up being the case despite making four hundred million worldwide and so The Dark Universe is more or less dead on arrival.  A shame because, despite the film’s ASTOUNDING amount of flaws, it was compelling in a way that very few terrible movies can be and I’d have loved to see a DCCU style nightmare come out of it.  Predators though still has a chance to be the next (albeit smaller) version of this with its incredibly pronounced sequel bait at the end and comparatively lower stakes, so why not give it the proper WTF treatment?  Unlike my last list however, this isn’t ranked in an ascending order of absurdity; rather it’s structured in a way to try and get across the ESCALATING sense of absurdity that builds as the movie goes along, so while one thing may not be as out there or ridiculous as the thing before it, it all adds up into this ludicrous mishmash of ideas that either should have been left on the cutting room floor or given the time it needed to not feel so inexplicably jammed into an already overly tight runtime.  Let’s get started!!

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10) Lock him up and throw away the key! – Why the heck is Quinn being railroaded!?

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So the movie begins with The Predator (at least the first one of them) crash landing on Earth basically within spitting distance a squad of army dudes out on a mission.  Our lead dude is Quinn McKenna (Boyd Holbrook) who finds the escape pod The Predator used as well as part of his armor; including his mask and one of his arm bands that both have VERY advanced computer systems in them.  His men die at the hands of The Predator, he manages to escape, and then he mails the pieces of armor to his home in the US.  Now why would he do that?  Well apparently he correctly assumed that he would be arrested by THE HIGHER UPS and sent to a mental institution as a way to keep him quiet about the alien… because reasons.  Now to be clear, this is not just ANY army dude; the mission he was on was to assassinate a drug lord on an ally’s soil (Mexico) and the US Military isn’t about to send someone on that kind of job who doesn’t know how to keep his mouth shut and play ball.  How is this guy not an ASSET to The Stargazer Project considering his sterling military record, and for that matter why are they so intent on keeping HIM out of the loop when they IMMEDIATELY bring a civilian scientist on board (Dr. Casey Bracket played by Olivia Munn) to run tests on the darn thing!?  Speaking of which…

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Cinema Dispatch: Top 10 Worst Movies of 2017

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Alright everyone!  Now that we’ve had our fun with the GOOD list, it’s time to put on some work pants as we start wading through the unimaginable dreck that was yet another “fun” aspect of the abysmal year that we all had to suffer through.  You know what though?  Most of us made it through to the other side, so if looking back at the year that couldn’t beat us and having a laugh (or one last bitter tirade) at the pathetic excuses for entertainment that made daily life just a little bit worse, well I think we all deserved it, don’t you?

Anyway, let’s not beat around the bush any longer!  WE’RE DIVING RIGHT IN!!

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Dishonorable Mentions: Death Note & Bright

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Since I didn’t even bother trying to watch another Adam Sandler movie this year, this dubious distinction goes to two OTHER Netflix features; albeit it for very different reasons.  The truth of the matter is, I didn’t particularly mind either of these films as I think they had some good ideas buried within their mediocre (and cheap looking) execution with Death Note having an interestingly different take on its main character (a whiny little punk with issues of inadequacy instead a megalomaniacal genius) and Bright having an ALRIGHT set up for what is essentially a weaker version of 16 Blocks.  That said… yeah, these films are REALLY flawed and in glaringly offensive ways.  As much as I like the idea of taking some of the pomp and circumstance out of Death Note and reframing Light Yagami to be a less foreboding figure, I don’t see why that necessitated him to be white since they never play with that change in his identity within the text of the film.  There could have been a component of White Privilege to the story (especially with L being black), but that seems to have never been the intent on the part of the filmmakers who simply seemed to associate AMERICAN REMAKE with WHITE AS DEFAULT.  Similarly, the half-baked and ham fisted social commentary in the script for Bright creates one of the most cringe inducing screenplays of the year which has Orcs standing in for Black People in a world that still has Black People, and it even finds an excuse to get Will Smith to say “Fairy Lives Don’t Matter” before beating said fairy to death.  Sure, the movie picks up once it gets away from its proudly ignorant views on race and becomes a straight up chase film with Will Smith and Joel Edgerton (who’s under a decent enough make up job), but that’s hardly enough to excuse everything that it gets wrong in the process.  Now I don’t want this to come across as Netflix bashing because they DO put out quite a bit of decent content as I’ve heard good things about First They Killed My Father, Beast of No Nation, even The Babysitter, and while it wasn’t my favorite King Adaptation this year I thought Gerald’s Game was pretty good too.  That said, they’ve had quite a few stumbles over the years, pretty much starting with their awful Adam Sandler deal, and these two movies are just further examples of their awkward steps towards becoming a media empire of their own; something they’ll need to keep working on now that Disney is gonna own everything else in the world and will eventually come out with their own streaming service to try and crush them.  If Netflix wants a chance to survive the Disney/Fox merger, they’ll need to avoid having clunkers like this clogging up their service.

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Cinema Dispatch: Top 10 Best Movies of 2017

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Hark!  Is it that time of year again!?  Yes, it is time for the film critics to have their yearly ritual of ranking the films we saw in order of how much (or how little) venom we can summon up for it, and while I would love NOTHING more than to get this crap-tastic year over with and race towards the future, we can at least afford one more look in the rear view mirror before leaving it all behind.  Also, it’s worth pointing out that I didn’t get a chance to see all the movies that came out this year like The Florida Project, and there were films that I couldn’t have seen even if I wanted to like The Post, Phantom Thread, and I, Tonya, due to them getting extremely limited releases in the last weeks of the year.  If the studios can’t be bothered to let me see the movie, then I can’t be bothered to wait several weeks to finish up this list.  This is a 2017 list, so I’m finishing it in 2017!

So without further ado, ON WITH THE LIST!!

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Honorable Mentions: The Big Sick & Kidnap

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The Big Sick Review; Kidnap Review

Sure!  Let’s start this off with a pairing so disparate that it’s likely to cause whiplash!  Then again, it’s a probably a good indication of what to expect from the rest of the list as I try to find room for a little bit of everything… and by everything I mean legitimately good movies that everyone likes and amazing B movies that only I seem to like.  The Big Sick was one of the better comedies of the year as I’m sure it’s been mentioned on several best of the year lists other than this one, and rightfully so!  It didn’t quite make my top ten due to a bit of shaky structuring (time is a bit elusive in it) and the fact that it’s hard to overlook how much of this story is coming from only one viewpoint within it (being written by Nanjiani and Gordon who DID end up working out, it feels a BIT antagonist towards his parents who are drawn more broadly than hers are in the telling of this story), but there’s genuine heart in the way that Nanjiani is trying to navigate such an awkward situation where the right thing to do is kind of murky and his feelings about it all are even more so.  It’s a situation, like many in life, that could have ended VERY badly for everyone involved but Nanjiani and Gordon’s script is smart enough to walk that line between genuinely trying to express one’s feelings for someone and having a character realize when that’s not enough and when they need to walk away.  It ended up working out for these two but only after Nanjiani left her to live her life and to make her own choices which is certainly a worthwhile lesson for many of us to learn and for Hollywood to pick up on considering how much the BIG ROMANTIC GESTURE is still a staple in so many so called romance films.  Kidnap on the other hand… look, I just really had a lot of fun in it, alright!?  I know it’s not going to be to EVERYONE’S taste (hence why it didn’t make the list) but it’s damn near perfect in being exactly what it wants to be.  Calling something a NON-STOP ACTION THRILLER is about the most hack bit of marketing imaginable, but in this case it’s quite literally true and the film’s greatest asset.  Halle Berry is chasing after the people who have kidnapped her son and she can’t stop moving.  She can’t lose focus, can’t lose momentum, otherwise she’ll lose everything; and she knows that.  Yes it’s over the top and barely makes any sense (there’s maybe three cops in the ENTIRE state) but the tension is there and if you’re willing to get behind its rather ludicrous concept you’ll surely stay engaged all the way to the bloody end of her bloody quest to save her son.  Yeah, it’s goofy and has a few less than stellar editing shortcuts (why do they keep reminding us how low on gas she is when she NEVER RUNS OUT OF GAS!?), but they did a lot with what they had to work with which is often the sign of a great film more so than a film with many more resources not taking full advantage of them.  Not a bad double feature if you ask me!

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Cinema Dispatch: Top 10 Worst Movies of 2016

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Alright, well we got through all the GOOD stuff, so now it’s time to remember 2016 the way it SHOULD be; as one never ending nightmare of awfulness and broken dreams.  There were no shortage of bad films this year which admittedly is true of ANY year, but the yearly ritual of remembering the worst of the worst must be maintained, and so I present the worst of what I had to sit through in the hopes that I can spare some of you the anguish that these films have caused me.  Well there’s no point in dragging it out.  Let’s get this over with.

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Dishonorable Mention: The Do-Over

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How bad is this movie?  It is so blisteringly awful that I couldn’t even finish the damn thing.  At one point (when I was truly naïve), I had decided to review all four of the Adam Sandler Netflix films as they came out and I managed to get through The Ridiculous 6 mostly unscathed.  This proved to be quite the fool’s errand however as the film they did AFTER that is so much worse.  I’ve got two thousand words already written about the movie, and I just abandoned that shit when we got to the part where Adam Sandler was fucking a blow up doll for no reason.  I managed to see MAYBE ten minutes or so after that where David Spade was creepily (and successfully) macking on the window of the guy who’s identity he stole before realizing that there’s no way in hell I’m finishing the rest of this even for the purposes of a review.  Neither of the main actors, Adam Sandler and David Spade, give the smallest of shits about this movie (the latter is straight up smiling during an emotionally distressing moment), the film is shot like a REALLY bad porno (Stormy Daniels is clearly a far better director than Steven Brill considering how flat and under lit everything is in here), and the film is just so unbearably mean spirited without the tiniest bit of legitimate humor to back it up… unless of course you think that Luis Luis Guzmán’s ball sweat dripping on David Spade’s forehead is the height of comic genius.  Adam Sandler is just going to continue regressing further and further into his own comfort zone; not unlike someone else on this list, but we’ll get to them soon enough.  Look, everyone knows better by this point than to take Adam Sandler seriously ever again, so you don’t need me to tell you that he’s made another crappy movie.  If you’ve already managed to avoid this one, then keep on doing so; especially considering how much great content Netflix produces that you can be watching instead of this garbage fire from a bunch of lazy hacks.

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Cinema Dispatch: Top 10 Best Movies of 2016

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So who else is ready for this year to be over?  I’m pretty sure I’m not the only one who felt that things got pretty rough over the last twelve months, but we’ll get to the Bad list soon enough.  For now, let’s try to focus on the things that were GOOD about 2016; namely the movies that you all should have gone out to see when they were still in theaters.  Unlike last year, I did manage to see quite a bit more movies which has led to a somewhat more well-rounded list, even if you can probably guess which genres got a lot of love from me this year.

Without further ado, LET’S START COUNTING!!

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Honorable Mention: Skiptrace

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Now last year I needed an extra spot just to fit an indie film on my list as most of what my local theater got was just the mainstream fare and therefore those kinds of films completely dominated my Best Of list.  This time I actually went through the effort of seeing the smaller stuff, and while most of them still didn’t make it on my list, at least there’s SOME representation this time around to help fill things out.  Because of that, I figured I’d be less serious with my unofficial eleven spot and would choose a movie that wasn’t exactly GOOD but a hell of a lot of fun.  It was a tossup between Skiptrace and Huntsman: Winter’s War, but I’m gonna give it to the Jackie Chan flick just out of sheer nostalgia.  It’s a Renny Harlin action comedy starring Jackie Chan and Johnny Knoxville; basically making this the greatest thing imaginable for the ONE GUY out there that loves Jackie Chan buddy films but also thinks that Die Hard 2 is the best in the series and that Johnny Knoxville is an underrated actor.  So basically it was made for me and no one else (Die Hard 2 is criminally underrated).  Look, this movie is really sloppy, especially on the production side (why the hell is Jackie Chan subbed, dubbed, and ACTUALLY speaking English all in the same movie!?), but it’s got so many joyful and delightfully stupid moments like Johnny Knoxville being rolled down a hill in a garbage can or Jackie Chan getting in a fist fight while using a Russian Nesting Doll as a shield that it makes up for the cliché ridden script and lack of any real structure.  Even the stuff that’s straight up incompetent is hilarious like how the script puts these two on a train for no other reason than to jump off of it two minutes later, or how a woman gets shot three times and there’s ZERO blood to show for it.  It all adds to the goofy charm that makes it hard to stop watching even knowing just how bad the plot is that revolves around Jackie and Johnny needing to cross all of China looking for a damn cell phone charger.  In the end, none of that ends up mattering all that much when you’ve got Johnny Knoxville trying to dodge bowling balls or when we get to see drunk ass Jackie Chan singing Rolling in the Deep while hanging out in a Mongolian village.  If you’re looking for something incredibly silly and nonsensical with just enough sincerity and heart to avoid coming off as too cynically made just on Jackie’s star power, then you’ll definitely have a good time here.  Also, if you like watching Johnny Knoxville get the crap beat out of him because that happens constantly!

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Cinema Dispatch: Top 10 Worst Movies of 2015

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And now for the list that you’ve all been waiting for!  The one where I tear down the works of people way more successful than me!  The caveats here are basically the same as my best of, but honestly I think they won’t be as detrimental to this list as they were to that one.  The movies I didn’t get a chance to see tended to be the better films of this year and the theater I go to ALWAYS gets the big blockbusters which are the movies people expect critics like us to tear apart anyway.  True, I didn’t see much form the first part of the year (thankfully skipping over Paul Blart Mall Cop 2) but there was PLENTY of shit to go around and while I’m sure there are some glaring omissions here and there, I’m pretty sure this list is going to be a lot more of what you should be expecting from this age old tradition of shaming Hollywood’s bloat and apathy.  No point in beating around the bush any longer.  Let’s get started!!

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Cinema Dispatch: Top 10 Best Movies of 2015

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As is tradition with all critics of entertainment, there comes a time when we must take all of our in depth analysis and well thought out arguments, and then condense it all down into a list that leaves no room for ambiguity because everyone loves things crystal clear for everyone to pick apart!  Well okay, it’s actually TWO lists and people tend to prefer the bad one, but we’re gonna save that for next time.  For now, it’s the best movies of 2015!  Before we get started however, just a few caveats.

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I DIDN’T SEE EVERYTHING THIS YEAR

In fact, I barely saw anything for the first half and when I thought of going back and trying to watch some of those that I missed, I learned that both Amazon and Netflix are absolutely DREADFUL when it comes to recent releases.  Neither services has more than maybe three or four movies that came out this year and the most mainstream among those was probably that Sean Penn action movie you’ve already forgotten about.  Needless to say that catching up would have cost a small fortune (on top of what I’m already spending at the theater) so I decided against it.  Also, the theaters I have access to rarely have anything outside of a mainstream release.  Hell, Dope is probably the most indie movie that my nearby theater had all year.  So the fact that I’ve missed almost everything before the summer and that my theaters don’t have as much variety as I’d like means that this is going to be a blockbuster heavy list.  It sucks that I couldn’t see more interesting stuff that’s making waves like The Danish Girl, Spotlight, or even Carol, but that’s how it shook out this year.  Hey, once I become one of those PROFESSIONAL film critics and join one of those associations, I’m sure the studios will be sending movies to ME instead of making me pay to watch them!

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MAKING LISTS IS HARD

Now I did take some time to consider the order for this list and overall I am very happy about it, but when it comes to the top three it’s really REALLY close.  I’m happy with the order I chose for them but think of it as pretty much a three way tie as all of them are fantastic in their own ways.

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We good?  Okay, ON WITH THE ARBITRARY RANKING!!!!

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