Spider-Man: No Way Home and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Jon Watts
It’s been a rather underwhelming year for the superhero genre which once towered over the world. The Pandemic has pushed the release schedule around several times which means we’re waiting longer for these movies, and to me, the MCU is having trouble finding their voice after Endgame put a pretty definitive end to the original story arc. Frankly, the best we’ve gotten from the MCU in the last two years have been the Disney+ shows that may not always hit their marks but definitely have a lot of interesting ideas that probably wouldn’t work as a movie; even with these things being overly long for the most part. Still, it’s hard not to get excited about another Spider-Man film; especially one as specifically targeted to my generation as this one is. Does it manage to pull us out of the MCU funk and deliver on all the ludicrous promises the trailers have made, or is this going to be as convoluted and pointless as the Clone Saga; or even worse, One More Day? Let’s find out!!
Following the events of Spider-Man: Far From Home, Peter Parker (Tom Holland) has been revealed to the world as their friendly neighborhood Spider-Man, and this newfound celebrity (and infamy) has thrown his life into chaos. Investigations from the government, a bunch of weirdos throwing bricks through his windows, and a very awkward school environment where half of them want to see him become their mascot and the other are hurling conspiracy-laden insults at him. See, this is why you need to be rich or a soldier to do the Superhero thing; either commit to it full time or pay people to go outside for you! It gets to be such a burden that Peter begs the MCU’s cool uncle Dr. Strange (Benedict Cumberbatch) to use his wizard magic to erase his identity from the mind of everyone in the universe. Let’s just say that it had mixed results as the world doesn’t forget his identity, but there are now a bunch of villains running around who seem to know him; including Doctor Otto Octavius who has four robot arms (Alfred Molina), Max Dillon who has electricity powers (Jamie Foxx), Dr. Curt Connors who’s a lizard man (Rhys Ifans) Flint Marko who spends most of the movie as a human-shaped sandcastle for whatever reason (Thomas Haden Church), and of course Norman Osborne who still suffers from pretty severe mood swings (Willem Dafoe). Now if you’ve kept up with the Spider-Man films for the last twenty years, those names should seem pretty familiar. Sadly the Spider-Man of this universe didn’t get to see those movies, so he has to discover who all these people are, why they became villains in the first place, and if this confluence of inter-dimensional fan service can actually turn into a good thing for all involved. Will Peter Parker, with the help of his friends, his Aunt May (Marisa Tomei), and his sorta-bodyguard Happy (Jon Favreau), be able to stop these guys from tearing apart this universe and perhaps even get past their overwhelming hatred of wall-crawling superheroes? Who else may have found their way into this universe, and what can they do to either help or hamper Peter’s attempts to fix everything? So is J Jonah Jameson (JK Simmons) also an inter-dimensional buzzkill, or is there no universe that can escape his ludicrous conspiracy theories and get-rich-quick schemes?
Venom: Let There Be Carnage and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Andy Serkis
The first Venom movie wasn’t exactly a cult classic, but it did have a lot more fun with the formula and with the characters than I expected it to. Still, trying to figure out what to do with the character for a second movie, especially since we’re STILL keeping it away from anything Spider-Man related, could easily upset the balance and stretch the joke further than it can go. The trailers definitely seem to be having a lot of fun with the formula which may be the right way to try and make lightning strike twice, and Andy Serkis is definitely an interesting choice for director, so who knows? Is this a campy and fun romp that captures the Venom magic for a second time, or did our luck run out when the first movie turned out to be not-terrible? Let’s find out!!
Following the events of the first film, Eddie Brock (Tom Hardy) has settled into a routine with the symbiotic space goo that resides in his body and the two are trying to get his journalism career up and running again with this big story of captured serial killer Cletus Kasady (Woody Harrelson) who for whatever reason has taken an interest in the reporter. After a particularly heated discussion between the two of them that ends in a small amount of bloodshed, Kasady somehow gets a bit of the symbiote in him as well and to his utter surprise, it saves him from the death penalty so that he can roam the streets of San Francisco; leaving untold CARNAGE wherever he goes! Oh, but this is no mindless murderer with a one track mind as Kasady has bigger plans involving a friend from childhood who JUST SO HAPPENS to have super powers (Naomie Harris) and has been locked in a secret super-prison that would normally be impenetrable but Kasady’s new powers intend to put that to the test. All while this is going on, Eddie and Venom are going through some growing pains in their relationship as Venom wants to be free to save the world and eat people in spite of Brock’s attempts to keep him safe and hidden; all of which comes to ahead once they learn that Eddie’s ex Anne (Michelle Williams) is engaged which brings whole new dimensions of stress between them. Can Eddie and Venom put aside their differences long enough to stop Kasady from wreaking havoc on the city? What exactly does Kasady have planned after reuniting with his childhood love, and does the symbiote in his body have anything to say about it? You’d think it wouldn’t be THAT hard to keep a space parasite happy when all it really needs is food and validation, but I guess that’s the troublesome nature of relationships and a square peg just won’t fit in a round hole no matter how hard you try.
Capone and all the images you see in this review are owned by Vertical Entertainment
Directed by Josh Trank
Well that’s a name I didn’t expect to see! It’s been a while since Josh Trank’s last film Fant-Four-Stick which was by all accounts a misguided mess, but I never thought he was a BAD director; just someone who’s reach exceeded his grasp much like Colin “Book of Henry” Trevorrow who was dropped from Star Wars but at least is getting another swing at Jurassic Park at some point. Honestly, I hadn’t even heard about this movie until the reviews started pouring in on my YouTube feed, and since there’s not a whole lot else going on right now, why not give it a shot? Is this a solid film and a notable return for the director of Chronicle, or has Trank somehow declined even further after Fantastic Four was such a nightmare to work on? Let’s find out!!
Notorious mobster Alfonse Capone (Tom Hardy) was released from jail seven years after he was sentenced for Tax Evasion due to his failing health. He then spent several years under the care of his wife (Linda Cardellini) and some of his old friends in Florida whiling away the days while his condition got worse and his mind began to deteriorate. With not much time left, some of the people in his life start to wonder if there’s one last bit of cash stashed away somewhere, most notably the FBI who have been keeping him under surveillance since his release, but ultimately this is a story of a man slowly dying and reflecting on his life; trying to find some peace in his final years and lamenting the continued loss of his faculties as the paresis ravages his mind. Will we learn what makes this legendary gangster tick as we watch him struggle through the final years of his life? Will the people around him get what they’re looking for, and how far are they willing to go to get it? Will Tom Hardy get that Oscar gold with this mumbling performance of a man who craps the bed and yells at things!? I mean we gave Jeff Bridges an Oscar for that, so why not him?
Venom and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Ruben Fleischer
FINALLY!! I have been waiting so long for this movie to come out, especially with the last few weeks being miserable times doing these reviews. None of this wish washy crap where I am not savvy enough to understand the BRILLIANCE of movies like Mandy, Assassination Nation, and A Star is Born! None of the dull tedium of films like Night School or the disappointingly wasteful Hell Fest! I’m done with those! Give me something I can wrap my head around! Something I can easily size up and bash with a baseball bat for some cheap laughs and maybe some a bit of insight! Whether this is good or bad (STRONGLY leaning towards the latter if the trailers are any indication), I can’t imagine I’ll have to spend three hours hemming and hawing about the best way to describe why I’m the ONE critic out there who “doesn’t get it” because this is the kind of movie that I’m sure we’ll ALL have no problem understanding! It’s a sad testament to the times we’re living in that a Sony Spider-Man movie (except maybe not?) is what I consider a grounding influence in my life, but I’m not the one who voted for any of these jerks, nor did I have anything to do with the September release schedule! Anyway, does Venom actually turn out to be a fun adventure with one of Spider-Man’s most infamous foes, or did Sony WAY overestimate their ability to make another super hero movie after Disney held their hand on the last one? Let’s find out!!
Eddie Brock (Tom Hardy) is your typical movie journalist! He’s on the streets looking for the REAL news and has an axe to grind against THE MAN! So much so that he finds dirt on some smug billionaire jerk named Carlton Drake (Riz Ahmed) who you’d THINK everyone would realize is bad just from the name, but Eddie’s got the story and springs these questions on him during an interview! A few problems though. First, this is the kind of billionaire who can get people fired from newspapers even if they DON’T run with the story, and second… well he got the dirt by hacking the computer of his girlfriend Anne Weying (Michelle Williams) who I THINK was a lawyer at the firm that Mr. Drake was employing, so she gets the boot too. Well THAT certainly backfired for poor privacy invading Eddie! Now no one will hire him because… I guess there’s NO outlet in existence that wants to hire someone who’s seemingly as competent as Eddie is (ESPECIALLY since he’s desperate and ready to work for cheap) and he’s just kind of sitting around depressed in his apartment; hoping his girlfriend will come back to him (she won’t) and hoping that his neighbor will turn down the loud music (he won’t). Oh, and I think there’s something to do with aliens? Yeah, apparently Mr. Drake had a spaceship that crashed but also had some alien lifeforms on it; namely The Symbiotes. These giant piles of goo turn out to be rather dangerous as we learn when Mr. Drake starts siccing them on human subjects. One of the scientists (Jenny Slate) doesn’t recall this being in her job description so she reaches out to Eddie who reluctantly goes to the facility with her after hours, and sure enough one of the Symbiotes escapes and attaches itself to Eddie. Eventually it reveals itself to be known simply as Venom and the two of them need to work together; otherwise the EVIL MR. DRAKE will find them and… I guess do even MORE evil experiments on them! Can Eddie and Venom uncover whatever it is that Drake has planned for humanity and the Symbiotes? What exactly is Venom’s endgame here, and does it require Eddie to stay alive for that much longer? What chances does Eddie have for reuniting with Anne now that there’s a third slimy wheel in the mix? WHAT THE HELL IS TALKING ABOUT WHEN HE SAYS TURD IN THE WIND!?
Star Wars: The Last Jedi and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Rian Johnson
And we’re back for our yearly song and dance to the empire George Lucas created and Disney is rebuilding! Not that Star Wars ever really went away (nor did its fans who were perfectly willing to still spend money on it), but the last few years have been just the shot in the arm the franchise needed in order to make it more than a nostalgia artifact that won’t go away into something that will resonate with audiences today and maintain its throne as KING OF THE BLOCKBUSTERS. Now that we’re at the second installment of the new trilogy, will it be yet another example of Disney getting this formula right, or have we already started hurtling head long into the dark side… by which I mean the movie is not very good? Let’s find out!!
The movie picks up not long after the events of the first film where The First Order is understandably peeved over the destruction of the Star Killer Base and are on a warpath to hunt down the remnants of The Rebellion; more or less whittling them down to a single flagship desperately trying to find a place to hole up until the heat dies down. Unfortunately for them, Supreme Leader Snoke (Andy Serkis) along with his own flagship are right on their tails and are blasting away at the Rebel ship’s shields until they can get a shot in and blow the whole thing up; effectively killing the resistance and all the loveable characters onboard. Said characters include Poe Dameron (Oscar Isaac) who’s having trouble ceding to the Rebel Leadership which is primarily General Leia and Admiral Holdo (Carrie Fisher and Laura Dern), Finn (John Boyega) who’s all fixed up after the fight against Kylo Ren (Adam Driver) and the engineer Rose Tico (Kelly Marie Tran) who’s sister recently died in an attack and wants to help Finn in saving everyone who’s left on the flagship. While Finn, Pie, and Rose are working out a way to save the ship while subverting the Rebel Leadership, Rey (Daisy Ridley) is off on Planet Nowhere with Luke Skywalker (Mark Hamill) trying to coax the latter into going back to The Rebels and giving her Jedi lessons, while Chewbacca (Joonas Suotamo)… well he’s keeping the Millennium Falcon warm in case either of them needs it. Need it they might though considering how dire the situation is with The Rebels and Rey can’t exactly wait around for Luke to stop being a grumpy pants; especially with Kylo Ren growing more and more desperate to prove himself which only makes him that much more dangerous of a blunt tool for Snoke’s greater ambitions. Will The Rebels find a way to survive this unceasing onslaught by The First Order? Will Rey find her place in this conflict and become the Jedi Master that everyone can look up to in these trying times? Will Luke teach her all those lessons he kinda sorta learned from Yoda and Obi-Wan!?
Dunkirk and all the images you see in this review are owned by Warner Bros
Directed by Christopher Nolan
I never got around to seeing Interstellar despite having the blu ray somewhere around here, so my last Christopher Nolan film was The Dark Knight Rises (a film that I’m not particularly fond off) which came even longer ago than Green Lantern. We’ve had an entire DCCU build up in the dude’s wake since I’ve last seen one his movies, and he’s coming back to theaters with the most classic of prestige genres; the World War II epic! Hey, it worked for Spielberg! Twice in fact! Even if I wasn’t a huge fan of his last Batman movie (and from what I hear, most people were rather put off by Interstellar), I’m still glad to see this guy continue to make films, and while it’s a bit of cliché now for RESPECTABLE film makers to make a film about how much Nazis suck, I’m sure the guy is more than capable of putting his own spin on it that will make the movie a standout of the year! Does Nolan return with a decisive victory, or is this a tortuous war of attrition? Let’s find out!!
So the movie is about the Dunkirk Evacuation where a whole bunch of Allied soldiers were trying to escape from France as it was slowly being overtaken by the Nazis. Their only hope is to get a whole bunch of boats to France, load them all up, and ferry them across the English Channel to safety, but of course it’s not as easy as that considering how many submarines and airplanes the Nazis have in the area. Things get so desperate that Churchill eventually calls for English citizens with boats to become volunteers and try to make the dangerous trek across the Channel to pick up however many soldiers they can carry; hoping the Nazis will ignore them for being civilian ships. In the movie, we’ve got Tommy (Fionn Whitehead) on the beach with everyone else waiting for the boats, Mr Dawson (Mark Rylance) as one of the boaters taking his yacht along with his son and a local boy (Tom Glynn-Carney and Barry Keoghan) to help the war effort, and a Royal Air Force pilot (Tom Hardy) doing what he can to keep the skies clear despite being rather low on fuel. Will our heroes manage to make it out of this evacuation alive? Does Christopher Nolan manage to capture the magnitude of this historical event through his spectacular technical chops? If they needed a ride so badly, why didn’t they just call Uber!? Wait, do they have Uber for boats yet?
The Revenant and all the images you see in this review are owned by 20th Century Fox
Directed by Alejandro González Iñárritu
Huh. When you think about it, Iñárritu is kind of doing the same thing here that he did with Birdman. Take an actor who’s known for something specific, and really dig into that a subtext of the movie. For Birdman, it was about Michael Keaton trying to stay relevant as a genuine artist yet really only being known for his (in a certain perspective) more shallow performances. Here, it’s almost like a metaphor for Leonardo DiCaprio’s continued struggle to win that fucking Oscar, taking on challenging role after challenging role yet never getting quite what he deserves. That really does fit into this story about braving the elements in a quest for revenge that we can all pretty much assume doesn’t give him the satisfaction and validation that his character is so desperately seeking. Still, does the movie itself manage to be entertaining in the same way Birdman was while still giving us some really interesting nuances to the story? Let’s find out!!
The movie follows Hugh Glass (Leonardo DiCaprio) and his struggles to get back to civilization after being left for dead by John Fitzgerald (Tom Hardy) who also killed his son Hawk Glass (Forrest Goodluck). During a hunting expedition led by Captain Andrew Henry (Domhnall Gleeson) the party was raided by a contingent of Native American Warriors and only a couple of them (including Hugh, John, Hawk, and Andrew) make it out alive. Because Hugh is the guy with the tragic backstory involving his Native American wife, he’s easily the best tracker in the group and so knows how to avoid the tribe while also finding the safest route through the mountains, though John doesn’t really trust him or his son due to almost getting scalped by Native Americans a while ago. Unfortunately for the party, Hugh gets the shit kicked out of him by a Grizzly Bear and is nearly dead after the encounter. The party tries to carry him along, but the strain becomes too great and he’s left with a couple men (Hawk, John, and one other dude Bridger played by Will Poulter) so that he can… die peacefully? I don’t know, but things don’t go as planned as the already suspicious John decides to kill off Hugh and ends up killing Hawk in the process… yet doesn’t feel the need to finish off Hugh I guess. Anyway, John convinces Bridger to leave and so Hugh is left for dead. That ain’t about to stop Leonardo DiCaprio though, as he crawls out of his shallow grave, and makes his way back to home base to kick Tom Hardy square in the teeth! Can he survive the stark and desolate countryside long enough to get his revenge!? More importantly, can Leo finally win his god damn Oscar!?
Mad Max: Fury Road and all the images you see below are owned by Warner Bros.
Directed by George Miller
We all have a list of movies that we feel we should have seen by now, but for whatever reason have never gotten to. At the top of my list you’ll find the Mad Max trilogy which is a shame because if Mad Max: Fury Road is any indication, those movies would definitely be right up my alley. In the new Mad Max film, we see that the hero of the wasteland (Max Rockatansky played by Tom Hardy) has gotten himself dragged into some greater by a group of insane cultist who want to use him as a living blood bank. Throughout the film, he’s used as a human IV bag, beat to hell on numerous occasions, and tries to show a gruff and unapproachable exterior that eventually falls away into a heart of gold.
Wow. It must be a stretch for Shia LaBeouf to play a dumbass kid who gets in way over his head, right? Lawless stars him as one of three brothers who run a moonshining trade in rural Virgina during Prohibition, and it was the last mainstream film he’s been associated with. Sure, he’s in a Lars Von Trier movie that’s coming out soon, but I doubt that’s gonna be in your local multiplex if you see what I’m getting at. Despite his toxic public persona, he has been able to prove himself as an actor on a few occasions, but it’s gone far past the point where anyone want to give him the benefit of the doubt anymore. All that said; is Lawless another example of him showing off his acting chops, or is it yet another chance for him to make a complete ass of himself? There’s only one way to find out, and that’s to KEEP ON READING!!!