Isn’t it Romantic and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Todd Strauss-Schulson
This review is going up PRETTY darn late considering it’s been out for over three weeks now, but I have a VERY good reason for taking my time with it! Okay, maybe not a GOOD reason, but the truth is that I got a serious case of writers block thinking about this movie. Yeah, the mid-February release is the one that locked up my brain for a lot longer than I’d care to admit. How could that be!? In the year that already brought us Glass and Serenity, THIS is the one I had trouble wrapping my head around!? Could it be that this is a multi-layered and nuanced examination of relationships and the media surrounding them, or is it just kind of… meh, but in ways that aren’t particularly interesting to write about? Let’s find out!!
Natalie (Rebel Wilson) is a young woman struggling to make it in the big city and has abandoned love to focus on her career which isn’t going to great either because she’s a smart and overly competent woman who isn’t taken seriously at the workplace. Her best friend Josh (Adam DeVine) has a crush on her, her girlfriend Whitney (Betty Gilpin) is a bit quirky but always encouraging, and the new hotshot with a million dollar smile Blake (Liam Hemsowrth) is ignoring her ideas to his own detriment because she has some brilliant plans for his next project. Sounds a bit clichéd if you ask me, even the part about Natalie being cynical about love and calling out other Romantic Comedies for being unrealistic, but after suffering a concussion in a WACKY mugging scene, she wakes up and finds herself in a ROMANTIC COMEDYTM where everyone is a model, the colors are boosted up to eleven, and people will break out into song occasionally. Natalie may be fully aware that she’s stuck in a Meg Ryan movie by way of Baz Luhrmann, but the question is how the heck does she get out of here? Is this Back to the Future rules where she has to recreate the incident that got her there, or is this Groundhog Day rules where she has to fulfil some sort of destiny before she’s allowed to leave? Well she’s gonna have to try both at least, and when the first one doesn’t work out she starts to pursue the hunk-tastic Blake because of course that’s who she’ll end up with in these kind of stories and starts going to the motions as best as she can; which includes living in her overpriced apartment, starring in makeover montages, and even having an offensive gay best friend stereotype named Donny (Brandon Scott Jones) who lives next door and always pops up whenever he’s needed! Can Natalie survive this nightmare of high fashion, shallow problems, and unrealistic romance long enough to get back to her normal life of muted colors and an unfulfilling work environment? Will Blake be the key to her escape, or is there something ELSE she should be looking for instead? Doesn’t this feel a bit like a chicken and egg situation where figuring out if the cliché is more clichéd than the critique on the cliché?