Hostiles and all the images you see in this review are owned by Entertainment Studios Motion Pictures
Directed by Scott Cooper
Okay, so MAYBE I jumped the gun a bit when I declared Phantom Thread to be the last of the 2017 hold overs as apparently THIS film (as well as Molly’s Game apparently) is was similarly hoping for some award buzz before reaching the general public. The difference HERE though (and probably why I hadn’t heard about it until 2018) is that it DIDN’T get the recognition it was looking for as it hasn’t been nominated for any Oscar, nor is it really showing up on critic associations’ BEST OF lists. Still, that doesn’t mean it’s BAD, right? I mean did Wonder Woman or Ingrid Goes West get any Oscar nods? Did Happy Death Day even get a Teen Choice Award!? There are never enough awards to go around for all the great films that come out in a year, so MAYBE this one will turn out to be the sleeper hit of the season! We can only hope, right? Let’s find out!!
The movie follows Captain Joseph J Blocker (Christina Bale) who is not just any US solider at the turn of the nineteenth century, but one who seems to SPECIALIZE in hunting down Indigenous people. His job description is starting to go out of style however as the US government is starting to make token efforts to give back to the people they’ve committed genocide against, and their latest effort is to take one of Blocker’s prisoners, Chief Yellow Hawk (Wes Studi), along with his family (Adam Beach, Q’orianka Kilcher, Tanaya Beatty, and Xavier Horsechief) back to their tribal lands in Montana. Now you’d think that a long trek from his holding cell in New Mexico ALL the way to Montana would benefit from an escort that ISN’T led up by not only the guy who has killed SO many Indigenous people but ALSO the guy who put Yellow Hawk there in the first place, but I guess it only adds to the symbolic nature of this token gesture. So with only a handful of soldiers (Jonathan Majors, Jesse Plemons, and Timothée Chalamet) and his best buddy Thomas (Rory Cochrane), the party sets off to deliver these people back to their homeland and will hopefully everyone won’t kill each other in the process! Things get messy right away though as they come across a home decimated by a band of Indigenous Bandits where the only survivor is Rosalie (Rosamund Pike) whose entire family was slaughtered in the massacre by the bandits who are still out there somewhere. Will the soldiers have to put aside their prejudices just to survive against this new threat? Will Captain Blocker learn the error of his ways and come to respect his former enemies? What hardships will they be forced to endure before they reach their destination!?
“Captain! We have to pee again!” “WE JUST STOPPED AN HOUR AGO! HOLD IT IN!!”
Lady Bird and all the images you see in this review are owned by A24
Directed by Greta Gerwig
So who would have guessed the surprise hit of Oscar season 2017 would be an indie coming of age story about a young woman who’s desire to be an artist and to see the world is straining against her down to Earth family that love her unconditionally but are hard on her because they only want what’s best? Admittedly it DOES tick off quite a few check boxes in the Oscar Bait checklist, but then again a lot of movies that SUCCESSFULLY pull this kind of material off really are deserving of all the accolades they get and it’s not often that something receiving THIS much praise from such a large majority of film critics doesn’t have SOMETHING to offer… unless we’re talking about The King’s Speech. Pointless and petty jabs at old movies aside, does this manage to be the critical darling that earned its title by being a superb film, or will the sterling reputation of this film be short lived as it fades into the background like many other supposedly great films that don’t hold up under scrutiny? Let’s find out!!
The movie is about Christine “Lady Bird” McPherson (Saoirse Ronan) who’s about to enter her senior year of high school and is still not sure what she wants to do afterwards which is putting her in constant conflict with her mother (Laurie Metcalf). Okay, well actually she KNOWS what she wants to do and that’s to find an arts college on the East Coast willing to take her in so she can get the heck out of Sacramento and be about as far as realistically possible from the life she’s living now, but her mom doesn’t want to hear all that and is insisting she go to a much closer college. Not helping matters is the fact that her dad (Tracy Letts) just lost their job and is having trouble finding another one which makes the chances of out of state schooling that much more infeasible. For the rest of the year, Lady Bird needs to find a way to escape from her less than engaging circumstances while also just trying to survive day to day life with her friend Julie (Beanie Feldstein) giving her moral support throughout. Will Lady Bird find a way to fulfill her dream of NOT living in Sacramento? Why is her mom in so hard on her all the time, and is all that Tough Love really helping her to be a better person? WHY CAN’T WE ALL JUST GET ALONG!?
“Will you back me up on this, Larry!?” “Nah, I think you’ve got this handled.”