Tag Archives: Tim Roth

Jumping the Soapbox: Reservoir Dogs: Bloody Days is Not a Reservoir Dogs Game

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Reservoir Dogs: Bloody Days is owned by Big Star Games, Reservoir Dogs The Game is owned by Edios Interactive and Volatile Games, and Reservoir Dogs is owned by Lionsgate

The images you see in this editorial are the property of their respective owners

In 2005, Rockstar Games released a video game adaptation of Walter Hill’s seminal classic The Warriors to overwhelmingly positive reviews for its solid gameplay and interesting take on the characters and world of that movie.  It’s by no means perfect, but it’s probably the best thing that Rockstar released on that console (sorry, but those GTA games don’t hold up nearly as well) and is easily in the upper echelon of movie based video games.  One year later Edios Interactive tried to do something similar when they released a video game adaptation of Reservoir Dogs.  I won’t go so far as to say that the Reservoir Dogs game was inspired by the success of The Warriors (it’s pretty unlikely they would have been able to have knocked this out in less than a year), but it’s certainly in the same vein as that and at the very least I’m guessing Edios were crossing their fingers that some of the good will built up by that movie based game will help this one get some recognition.  Sadly though, the game turned out be… well pretty damn awful.  I can speak from personal experience having bought the game for like three bucks at a dying Blockbuster that the game was an uninspired and boring mess with the only notable feature being the game breaking mechanic of holding someone hostage; resulting in all other enemies dropping their guns and just letting you pass right through.

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Also, playing Paintball in the abandoned warehouse.  Okay…

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Cinema Dispatch: Hardcore Henry

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Hardcore Henry and all the images you see in this review are owned by STX Entertainment

Directed by Ilya Naishuller

Well it’s about time we got some badass action this year!  Batman v Superman and Gods of Egypt turned out to be duds (admittedly I was a bit more optimistic of the former), and London Has Fallen turned out to be… well London Has Fallen.  Can this unorthodox arthouse piece prove to the be shot in the arm we need in a landscape that only seems to care about action when super heroes do it, or will this experiment prove to be a resounding failure that glommed itself onto a half-baked gimmick?  Let’s find out!!

The movie is all about Henry who is some dude that wakes up in a laboratory with amnesia, robotic limbs, and a hot wife named Estelle (Haley Bennett).  For the most part I would call that a win-win, but of course nothing can go right for too long in a science lab, so the place gets attacked by… some guy.  I’m pretty sure the dude’s name is Akan (Danila Kozolvsky) who has telekinetic powers… for some reason, and wants Henry… for some reason.  No, I don’t know why he’s the ONLY ONE in this entire movie that has magic powers.  In fact, there’s a lot about this movie I don’t know after seeing it, but I guess that’s not as important as the whole KILL EVERYTHING WITH YOUR BAD ASS ROBOT PARTS seems to take precedence over everything else.  And that’s exactly what Henry proceeds to do for an hour and a half.  His wife is kidnapped by the Akan the Black Mage, and he has to kill everyone in his path to get her back.  Aiding him on his journey is the loveable Jimmy (Sharlto Copley) who’s pulling off an interesting trick here and has his own reasons for wanting to keep Henry alive and fighting.  Will Henry get his wife back before it’s too late?  Can this new cybernetic body handle all the stress and bullets that Henry is going to put it through?  WHAT THE HELL DID HE JUST DO TO THAT GUY’S FACE!?

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“You ready to see some shit?  I don’t think you’re ready, but fortune favors the bold, right?  No… Not really, but good luck to ya!”

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Cinema Dispatch: The Hateful Eight

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The Hateful Eight and all the images you see in this review are owned by The Weinstein Company

Directed by Quentin Tarantino

Like the rising of the tides, the phases of the moon, and the DiCaprio Oscar denial, Tarantino comes back once again to give us a well written update of one his favorite films as a kid.  Now Django Unchained was a REALLY good movie, but it was weighed down by some less than stellar decisions throughout like the excessive use of… that one word, and how little Django got to do in his own movie before the third act.  Oh, and let’s not forget the baffling inclusion of horse tricks at the end and the terrible acting chops of Quintin himself.  Still, this movie seems to be much smaller in scope and looks to be much more focused on being an ensemble piece than any one person’s movie which gives Tarantino plenty of opportunities to fill his scenes with his trademark dialogue (and fill these bodies with his trademark amounts of excess blood and gore).  Is this going to be a step up for the iconic director, or is this the sign of a trend towards being an ALMOST amazing director instead of an amazing one?  Let’s find out!!

The movie begins with the bounty hunter Major Marquis Warren (Samuel L Jackson) being begrudgingly picked up of the side of the road by John Ruth (Kurt Russel) who’s also a bounty hunter and is taking Daisy Domergue (Jennifer Jason Leigh) to hang in a nearby town of Red Rock for her crimes.  Unfortunately, there’s a blizzard coming and the driver O.B. Jackson (James Parks) isn’t inclined to risk it, so they head to a nearby waystation that’s delightfully called Minnie’s Haberdashery, though they find another straggler in the snowy wasteland along the way in the form of Chris Mannix (Walton Goggins) who claims to be the new sheriff of Red Rock.  Once they arrive, they find Oswald Mobray (Tim Roth), Joe Gag (Michael Madsen), former Confederate General Sandy Smithers (Bruce Dern) as well as Bob (Demián Bichir) who’s running the place in Minnie’s absence.  Now John Ruth doesn’t trust any of these mother fuckers and none of them seem to be good wholesome people in the first place, but there’s nothing John can do with the blizzard blocking all means of travel, so they have to share this tiny space until it clears up.  Will this be a peaceful affair as these nine strangers (yes, there’s nine instead of eight of them) get to know each other, or will things erupt into a cacophony of violence, blood, and racial epithets?  Well I’m sure you can guess which route this movie takes, but is it at least super captivating to watch, right!?

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“If you turn out to be the death of me, I’m gonna fucking kill you…”

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