Thor: Ragnarok and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Taika Waititi
After the rather disappointing Thor: The Dark World (HOW DO YOU WASTE THE BEST DOCTOR WHO IN SUCH A BLAND VILLAIN ROLE!?) I wasn’t really looking forward to what they’d do with this character in his solo films and was more interested to see if he’d show up in a bunch of the other movies instead. Once those initial trailers hit with the heavy emphasis on fantastical Jack Kirby inspired designs and the rocking Led Zeppelin soundtrack, there seemed to be hope in this franchise digging itself out of the pit the sequel left it in. At the very least, it LOOKED a lot pretty with much more vibrant colors, and it even manages to drag Jeff Goldblum into the MCU which in and of itself would make this movie worthy of existing even if everything else ends up being awful. Does Thor’s third chance at the plate end up being one of the best films in the entire MCU, or did they just throw a lot of flash and money at a franchise that is just unable to find its place after telling the origin story? Let’s find out!!
The movie begins with Thor (Chris Hemsworth) trying to find out what the heck Ragnarok is which was hinted at ALL the way back in Avengers: Age of Ultron. Remember when he left the team to take a bath and saw some visions? Yeah, apparently it was all foreshadowing of the destruction of Asgard in a calamity known as Ragnarok, so Thor is basically trying to find a way to stop it… whatever it may be. In the meantime though, he manages to find out that Loki (Tom Hiddleston) has taken the place of Odin (Anthony Hopkins) who is actually alright as Loki basically stuck his ass in a retirement home on Earth, but when Thor goes down there to bring him back to the throne it turns out that he’s all out of time and disappears in a cloud of energy or something. If that wasn’t bad enough, it turns out that one of the things he was doing when he was alive was keeping a hereto unknown daughter of his named Hela (Cate Blanchett) in some sort of magic prison which breaks as soon as he’s dead and so she’s come back for revenge against her family and all of Asgard. Both Loki and Thor are dealt with rather quickly with the latter losing his famed hammer Mjolnir and landing on some mystery planet where he is captured by a mysterious woman (Tessa Thompson) and dragged to the planet’s ruler known as THE GRANDMASTER (Jeff Goldblum). The once mighty God of Thunder and son of Odin is now put in chains and is forced to fight in gladiatorial matches in order to somehow earn his freedom and eventually find his way back home before Hela puts it inextricably under her vengeful thumb. Can Thor find a way to escape the barbaric society run by the most fabulous of dictators? What familiar faces will he find on this planet that can hopefully help him on his journey home? How the heck is Thor gonna get around now that he doesn’t have his magic propeller hammer!?
“THE GOD OF THUNDER DOESN’T NEED A HAMMER! I JUST NEED TO FLAP MY ARMS REALLY FAST!!” “Okay… well good luck with that!”
Creed and all the images you see in this review are owned by MGM Pictures
Directed by Ryan Coogler
I have this DVD boxset with the first three Rocky films in it that I think my dad got one Christmas. He didn’t watch them all that often so I ended up holding onto the boxset and I would watch those three ALL the damn time. A lot of people like the fourth film, but for me, Rocky has always been the first three movies which creates a perfect arc as Rocky starts out as a bum, eventually beats the champ, and they become friends afterwards. Hell, it even ends right where Rocky begins (inside a crappy little gym) only now with Apollo Creed there as a reminder of how much has changed in such a short amount of time. I didn’t catch Rocky Balboa until its home release, but it felt a perfect swansong for the series and Stallone proved once again that he really is a talented guy and deserved winning that Oscar. Now we’re back with yet another film in that universe, but the dynamics have changed. Not only is not really a Rocky film anymore, it’s not even a Stallone film considering that the writing and directing was handled by Ryan Coogler who himself is to proving to be an immense talent very early in his career. Will this be an inspired continuation of series that still manages to be its own film, or will this be a disappointing cash grab on the level of Rocky 5 considering they pretty much have the same premise? Let’s find out!!
The movie is about Adonis “Donnie” Johnson who is the son of Apollo Creed; the child of one of his mistress and born several months after Apollo’s death which should STILL put him at about 29, but whatever. Continuity in the Rocky series is pretty wonky as it is. Anyway, the kid is eventually found in a youth detention center by Apollo Creed’s widow (Mary Anne Creed played by Phylicia Rashad who FINALLY managed to be a movie that’s NOT directed by Tyler Perry) and she adopts the boy. We cut to when he’s an adult and despite having money and having a good life, he still can’t seem to resist the urge to fight, so between shifts at his day job he fights in low level boxing matches under the name Donnie Johnson. It’s not enough for him though, so he decides to quit his job, move to Philly, and get his father’s best friend to train him to be a professional boxer. Will Rocky be willing to step back into that life after leaving it behind him? Will Donnie finally find what is he’s looking for if he can convince Rocky to train him and put him in fights? How many times will YOU cry watching this?
“You get this to work kid, and you’re gonna be set for at least four more movies.”