Tag Archives: Terry Crews

Cinema Dispatch: Sorry to Bother You

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Sorry to Bother You and all the images you see in this review are owned by Annapurna Pictures

Directed by Boots Riley

This is a great time of year because once the summer blockbuster season starts to wind down we start to get some really great stuff from the indie scene right before the Prestige Films and the Oscar Bait start to take over the multiplex.  Sure, August is normally considered a dumping ground for mediocre movies (I’m wary about Slenderman to say the least) but that’s more to do with the BIG releases rather than the harder to find stuff in the fancier theaters which is pretty much exactly what we have here today as I had to make a bit of a drive to catch this on the big screen.  Now I’ve been keeping my eye on this film since the trailers started to pop up due to its interesting style and oddly relatable premise, at least from what they were selling us on, and most importantly I could really use something other than super hero flicks and The Rock to fill out my GOOD MOVIES list for this year!  Does this bizarre little story manage to be just as good as I hoped it would be, or was I just too eager to find something new that there was no way it would live up to my expectations?  Wouldn’t be the first time this year (*cough* Thoroughbreds *cough*)!  Anyway, let’s find out!!

Cassius Green (Lakeith Stanfield) is a man just trying to survive day by day and constantly wondering if anything he does will ultimately matter in the grand scheme of things.  After all, once he dies and his theoretical children die and then THEIR theoretical children die, will there be ANYONE left to remember him or the fact that he just barely managed to get a job working as a telemarketer?  His girlfriend Detroit (Tessa Thompson) thinks he’s worrying too much about all that and she’s content to work on her art projects in between gigs as a sign flipper, but with the world slowly going to hell in a handbasket (a new company called WorryFree is basically reintroducing slavery by praying on the impoverished) it all just seems pointless unless he can REALLY start to make some money and find what it is that he’s good at.  As it turns out though, he has a knack for this telemarketing thing once he finds his “white voice” (David Cross) and is on the fast track to being a POWER CALLER which is basically doing the same thing only for more money and selling stuff other than encyclopedias.  However, his rise to the top has some roadblocks along the way as his fellow workers are staging a strike just as he’s about to make it as a POWER CALLER, and said promotion doesn’t come without its own problems and indignities that slowly start to tear at Cassius’s soul and creates a divide between him and Detroit.  Throw in some colorful characters like Squeeze the leader of the telemarketer’s strike (Steven Yeun), Steve Lift the CEO of WorryFree (Armie Hammer) who’s about as big of a douche bag as you’d imagine, and the mysterious Mr. ******* (Omari Hardwick) who represents the future that Cassius has waiting for him if he sticks it out at his new job for just a little bit longer.  Can Cassius find a way to use his talents for massive financial gain without losing his soul in the process?  Just what is WorryFree up to, and how does it connect to this Telemarketing Company as well as Cassius himself?  Is there like a hotline I can call that’ll explain this movie to me, because I feel like I STILL don’t have a clear grasp on what the heck was going on!

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“For plot summary and cast list, press 1.  For thematic elements and symbolism, press 2.  If you still haven’t come to terms with the horrors of Late Stage Capitalism, please stay on the line.”

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Cinema Dispatch: Deadpool 2

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Deadpool 2 and all the images you see in this review are owned by 20th Century Fox

Directed by David Leitch

The first Deadpool was really solid for what it was, and I know that sounds like a backhanded compliment, but it only SORT of is!  It was not so much a movie in its own right as it was a proof of concept for a character to show how something this dark, comedic, and off the wall can be done in the super hero genre.  It makes sense considering this character had pretty much been struggling to prove itself for years as a cinematically viable presence what with the awfulness that was Origins Wolverine (there was an even a stinger for him to return in later X-Men films) or even that CG rendered test footage that became the big car action scene in the real film.  I wasn’t THE MOST thrilled with the end result as a movie, but I was glad that Ryan Reynolds found a character perfectly suited for his capabilities as an actor and that a studio was finally ready to back him up on that.  Now that EVERYONE knows who Deadpool is and are ready to see him in action outside of an origin story, is there enough left to work with to make the amazing film he truly deserves, or was he just a gimmick the whole time and lightening won’t be striking twice for this one?  Let’s find out!!

After getting his revenge, resolving his character arc, and making a boat load at the box office, Deadpool AKA Wade Wilson (Ryan Reynolds) is living his Merc with a Mouth life full of blood, snappy quips, and awesome days with his lady love Vanessa (Morena Baccarin).  Sadly the good times won’t last forever and Wade is basically left to his own devices which can only spell doom and gloom for those foolish enough to get in his way… unless of course you’re made entirely out of metal.  Oh hey!  His best buddy Colossus (Stefan Kapičić) is made of metal!  Maybe he can get Wade out of his funk and FINALLY get him to join the X-Men!  Thing is, that’s KIND of a monkey’s paw wish as he DOES indeed join the team (as a trainee) but right away screws things up when a young mutant named Russell (Julian Dennsion) gets himself into trouble and Deadpool comes to his aid in a manner that doesn’t QUITE meet the X-Men code… or the law, and winds up going to Mutant Jail which is apparently a thing.  If that wasn’t bad enough, there’s ALSO a half cyborg dude named Cable (Josh Brolin) pulling a Terminator by coming back to the past to save the future and it SEEMS to involve both Wade AND death, so Deadpool certainly has his work cut out for him in order to escape prison, keep the kid from ending up a reprobate like himself, and stopping the Future Cop from whatever the hell it is he plans on doing.  Will Wade learn how to not just be an irreverent jackass, but an irreverent jackass with a HEART?  Just how far will Cable go to complete his mission, and how much collateral damage will Wade have to suffer because of it?  He may not be the best man for the job, but is he at least the FUNNIEST one!?

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“This isn’t really going as I planned.”     “Do you want to take a break?”     “No no no!  I’m good!”

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Living on Netflix: Ridiculous 6

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After the cinematic horror show that was the ill-conceived Pixels, Adam Sandler was banished to the world of streaming and will not be allowed back into theaters until his penance of four movies is paid!  Okay, the four movie deal with Netflix was already underway before Pixels (or even Hotel Transylvania 2) was released, but considering how absolutely dreadful his career has been with the movies under the Happy Madison umbrella, it really does feel like he needs to be taken out of the spotlight for a while just to see if the change in scenery will bring some life back to him and his chosen profession.  Is The Ridiculous 6 the movie that will finally bring him back to top form, or is this yet another pointless exercise from a man who gave up on being funny a long time ago?  Let’s find out!!

The movie begins with, what else, RACISM!!  Seriously!?  I can’t even get thirty seconds into an Adam Sandler joint before I’m itching to turn the damn thing off!?

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That’s a bad sign… (rimshot)

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