Tag Archives: STX Entertainment

Cinema Dispatch: Gringo


Gringo and all the images you see in this review are owned by Amazon Studios and STX Entertainment

Directed by Nash Edgerton

Hey, if Netflix is gonna try to produce feature films, then why not Amazon too!?  Heck, they’ve had a pretty good track record with distributing films like The Handmaiden and The Big Sick, and some of the original programming on their video service has been pretty decent too!  Hopefully they can translate that success into this wacky comedy which has a PRETTY good trailer but not a whole lot of buzz, though it’s not entirely their fault considering how much Black Panther and even A Wrinkle in Time have dominated the national discussion around film; leaving films like this to just kinda slink in wherever they can.  Does Amazon have a great film on their hands that’s unjustly falling under the radar, or should they have sent this straight to their storefront where no one will ever actually buy it?  Let’s find out!!

Harold Soyinka (David Oyelowo) is a well to do middle management corporate drone who is incredibly content with his current life living with his wife Bonnie (Thandie Newton) and working for Richard and Elaine (Joel Edgerton and Charlize Theron) at a pharmaceutical company he very much likes.  The problem is that at every turn, the people in his life continually disrespect him and see him less as a valuable asset and friend, and more of an errand boy that also functions as a doormat.  Eventually Harold gets wise to this during a trip that he along with Richard and Elaine take to Mexico in order to inspect one of the facilities, and the straw that breaks the camel’s back comes when Bonnie decides to divorce him; something that she tells him over skype.  Having something of a nervous breakdown, Harold takes a bus to a small town in Mexico and fakes his own kidnapping once Richard and Elaine are back in Chicago.  Little does Harold know however that the Cartel is after him due to his connection to the pharmaceutical company, so his little ruse might turn out to be more of a prophecy!  On top of that, we’ve got a couple trying to sneak drugs from Mexico back to the US (Amanda Seyfried and Harry Treadaway), a mercenary who may be able to get Harold out of the jam he’s in (Sharlto Copley), and like four other subplots that are going on at the same time as Harold’s misadventures in Mexico.  Will Harold be able to bilk his employers out of a crap load of money before he gets captured by the Cartel?  What was Richard and Elaine doing that got the eye of the Cartel in the first place, and what will they do to get Harold out of the mess he’s in?  Most importantly, HOW DID THEY MANAGE TO MAKE A STORY LIKE THIS SO BORING!?


“Hello?  Has anyone seen the plot?  I can’t find it anywhere!”

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Cinema Dispatch: Den of Thieves


Den of Thieves and all the images you see in this review are owned by STX Entertainment

Directed by Christian Gudegast

You know, after The Commuter turned out to be a giant pile of nonsense, I don’t know if I’m up to getting even more of it shoved directly into my face with yet another gritty Cops and Robbers story that looks about as good as a January dump job would.  Maybe I’m wrong though!  Maybe my expectations are so low after seeing Liam Neeson fight The Illuminati on a train that something much more grounded will be a welcomed change of pace!  I highly doubt it, but if last year taught us ANYTHING, it’s to not give up hope even if everything is telling you that THINGS ARE ONLY GONNA GET WORSE FROM HERE!!  Does this manage to be the cinematic oasis in the crappy wasteland known as January Releases, or is this sucker yet another mirage that crush our spirits and keep them crushed until around March?  Let’s find out!!

The movie begins with the theft of an armored car by a bunch of BAD ASS criminals led up by Ray Merrimen (Pablo Schreiber) whose crew of Merry men includes Levi (Curtis “50 Cent” Jackson), Bosco (Evan Jones), Mack (Cooper Andrews), and the new guy Donnie (O’Shea Jackson Jr) .  The crime is investigated by a crew of BAD ASS sheriffs led u by Nick Flanagan (Gerard Butler) whose posse of shitty lawmen includes… uh, okay I don’t think any of them other than Gus (Mo McRae) got a name, BUT THEY’RE BAD ASS!!  They’re so BAD ASS in fact that they break a WHOLE lot of civil liberties in the process of tracking down Ray’s crew and finding out what they’re up to.  It turns out that Ray wants to rob the Federal Reserve of all its discarded money that is set to be shredded, but with BIG NICK breathing down his neck, the plan becomes that much more dangerous; even if they’ve got an armored truck to work with.  Can this den of thieves pull off a scam that no one has ever been able to pull off, especially if they’re being watched the whole time?  Will Nick and his pals put their dicks back in their pants long enough to do some ACTUAL police work and arrest these guys at some point?  You know, come to think of it… why should I care about ANY of them!?  They’re all bad!  Wait… what if… the title of the movie… IS REFERRING TO BOTH GROUPS!?  MOVIE SHOCK!!



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Cinema Dispatch: A Bad Moms Christmas


A Bad Moms Christmas and all the images you see in this review are owned by STX Entertainment

Directed by Scott Moore and Jon Lucas

As glad as I was that the first film didn’t end up being an unbearable slog to sit through, I can’t say that the prospect of seeing another one fills me with much joy as I have serious doubts that STX can squeeze out another competent movie from this premise; especially when their go to idea for a sequel is to make it a freaking Christmas movie.  Seriously, aside from Christmas Vacation and A Very Harold and Kumar Christmas, has there been a holiday themed sequel that WASN’T an absolute waste of time?  Well I guess we’re about to put that theory to the test as we get ready to spend some more time with everyone’s favorite quote-unquote BAD MOMS who are actually not so bad moms.  Does this manage to rise above the low expectations set for it being both a sequel and a Christmas film in one unfortunate package?  Let’s find out!!

The movie begins with Amy (Mila Kunis) beginning her Christmas rituals of working way too hard and being utterly miserable in the process; not that anyone is REALLY asking her to do it as her two kids (Oona Laurence and Emjay Anthony) as well as her boyfriend Jesse (Jay Hernandez) and his daughter (Ariana Greenblatt) seem perfectly cool with a less intensive holiday experience.  Now Amy would like nothing more than to just sit back and actually enjoy the season, but her plans to let go of the pointless and time consuming rituals that encompass the month of December are utterly destroyed once her mother Ruth comes to visit (Christine Baranski) who’s super judgmental, extremely demanding, and wants this to be the PERFECT Christmas for everyone!  Sounds like a nightmare, right?  Well it’s not much better with Kiki and Carla (Kristen Bell and Kathryn Hahn) who ALSO have their mothers coming into town (Cheryl Hines and Susan Sarandon) and all the baggage that comes with them; the former being overbearing and invasive and the latter being… well just like her daughter.  Will the titular Bad MomsTM find a way to fight back against these unwelcome invaders and make this the best holiday ever?  Is there more to the rather sudden appearance of their mothers than what they’re claiming to be a merely innocent interest in spending time with their family?  Just how raunchy are they willing to get to stand out in the surprisingly crowded market of naughty Christmas movies!?


Santa and his ho ho hos!     …     WHAT!?  You can’t just set me up like that and expect me NOT to go there!

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Cinema Dispatch: The Foreigner


The Foreigner and all the images you see in this review are owned by STX Entertainment

Directed by Martin Campbell

FINALLY!  I’ve been waiting to see this movie for MONTHS considering how bad ass that first trailer was!  Jackie Chan in a gritty action film where he’s blowing stuff up and shooting people in the face!?  It’s like those Liam Neeson films only with an actor who ACTUALLY know how to fight instead of just being really good at pretending they can!  Now I’ve seen my fair share of Jackie Chan films, but the dude is so prolific outside the US (he’s a freaking POP STAR SINGER in China!) that no matter how many films they sneak onto Netflix, there’s always gonna be a lot more that flew under the radar.  That’s why I’m so glad to see him headlining a big mainstream (at least for the US) Hollywood film to remind people that he’s still the freaking man!  That’s not even getting into the solid team behind this which includes both James Bond actor Pierce Brosnan and James Bond director Martin Campbell; both of whom may not have the BEST track record but can certainly produce some solid work when the need arises!  Can this dark thriller starring the most delightful man in existence live up to the huge expectations set for it, or are we doomed to be disappointed once again like we were with Green Lantern, Mamma Mia, and Rush Hour 3?  Let’s find out!!

The movie begins with the typical overprotective dad Ngoc Minh Quan (Jackie Chan) picking up his teenage daughter from school (Katie Leung) when BOOM!!  She gets caught in a terrorist bombing from a group known as the Authentic IRA who shaking things up in the UK; especially for Liam Hennessy (Pierce Brosnan) who’s now an elected official but was a member of IRA Classic.  With little else to turn to, Quan starts to zero in on Hennessy as the one person who might have a clue as to who are behind the bombing that killed his daughter, and he’s also the target of the English government who are hell bent on stopping whatever this group has in store next.  Can Quan get the justice he seeks for the death of his daughter?  Does Liam Hennessy actually know more than he’s letting on about the recent bombings?  Seriously, why wasn’t THIS guy in those taken movies!?


“You think THAT guy had a particular set of skills!?”

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Cinema Dispatch: Valerian and the City of a Thousand Planets


Valerian and the City of a Thousand Planets and all the images you see in this review are owned by STX Entertainment and EuropaCorp

Directed by Luc Besson

As much as I would like a new Sci-Fi franchise to bring a bit of variety and challenge the Disney Monolith, I just couldn’t see this movie as anything more than a REALLY expensive mistake.  Maybe that’s more of a commentary on the current state of Blockbuster Cinema than an observation of the movie itself (though the ho-hum trailers certainly didn’t help), but a movie THIS expensive looking based around a series of graphic novels that (as far as I can tell) didn’t end up having THAT much reach outside of its native France looked like the kind of disaster that can only be made by people REALLY passionate about what they’re doing.  Now sometimes China can pick up the slack like it did with Pacific Rim which was a GOOD movie, but then other times not even they can save a doomed production like John Carter.  Still, that’s all secondary when talking about whether a movie is good or not, and while the trailers didn’t really impressive me, there were certainly glimpses of something that could be great if the filmmaker knew how to take advantage of it.  Does this movie manage to be a science fiction classic despite its box office prospects, or was everyone asleep at the wheel while Luc Besson spent an untold fortune bringing this comic book to life?  Let’s find out!!

Major Valerian and Sergeant Laureline (Dane DeHaan and Cara Delevingne) are two space agents working for the Human government who are basically paid to be bad asses across the galaxy and supposedly have the ability to travel through time which I guess we’ll have to wait to see in the sequel.  Anyway, Valerian is having dreams about some lost civilization whose planet was destroyed but he has no idea if these are premonitions of the future or something that happened long ago.  Either way, his latest mission with Laureline JUST SO HAPPENS to converge with these mysterious dreams as there are a band of terrorists of sorts from an unknown race (I BET VALERIAN KNOWS WHO THEY ARE!) that are trying to get their hands on a rare MacGuffin Creature that Laureline is protecting as well as the current military leader of the Human government General Arün Filitt (Clive Owen).  They manage to get the latter, but the former is still safely tucked away and both Valerian and Laureline, despite the protestations of their new commanding officer (Sam Spruell) try to chase them down.  Valerian gets lost in the chase as do the terrorists, and so Laureline has to find him and then the both of them can these aliens who kidnapped the general… unless of course shenanigans with other aliens happen along the way, but that could NEVER happen in the city of a thousand planets, right!?  Will Valerian and Laureline stop this new threat before it’s too late!?  What is their ultimate goal once they have both the general and the MacGuffin Creature?  Will Valerian be the next ACTION STAR to dominate the silver screen!?  Well… probably not, but can he and Laureline STILL save the City of a Thousand Planets!?


“Before I pull this trigger, you’ve gotta ask yourself one thing.  ‘Does this guy look silly in these glasses?’  Well?  DOES he, punk!?”

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Cinema Dispatch: The Circle


Unforgettable and all the images you see in this review are owned by STX Entertainment and EuropaCorp

Directed by James Ponsoldt

So you’re telling me that there’s a movie with Emma Watson, John Boyega, Tom Hanks, AND Patton Oswalt!?  This is either gonna be the greatest movie of all time, or a HUGE disaster if they managed to rope in THAT kind of cast for an EVIL GOOGLE movie!  Now techno-thrillers aren’t always the easiest idea to sell considering how hard it is to truly capture something that the world interacts with on a very intrinsic level on a daily basis which runs the risk of not fully understanding the material that is being explored (*cough* The Lawnmower Man *cough*) and even ones that succeed in that still tend to have a rather short shelf life considering how quickly technology changes and therefore what we fear about them does to.  Does The Circle manage to surpass expectations to become that one rare techno-thriller that ISN’T completely laughable, or is it yet another failed entry in the genre?  Let’s find out!!

The movie begins with Mae Holland (Emma Watson) getting the chance to work in the Customer Service department of The Circle.  What is The Circle?  Well, it’s basically a social media account a la Facebook, but with a lot more functionalities tied to it… so basically a Google+ account if anyone actually gave a shit about those.  The Circle is ALSO the gigantic facility where all the employees work and most of them end up sleeping, eating, socializing, and partying for months on end; barely getting a glimpse of the outside world from their little techno-paradise.  They’re all led by their charismatic leader Steve Jobs… I mean Eamon Bailey (Tom Hanks), who drags them all into an auditorium every damn week to tell them what crazy idea they’ll be working on next with his second in command Tom Stenton (Patton Oswalt) standing off to the side and making sure everything goes according to plan.  Now the longer Mae stays there, the more obvious that these people are acting just the TINIEST bit silly what with their undying devotion to the idea of THE CIRCLE (whatever the hell it’s supposed to represent) and them being one big interconnected community with no secrets.  After all, if you know something, then why not post it for the world to see?  She’s not the only one slightly skeptical about all this as some dude who just likes to hang out on the outskirts of the cool parties (John Boyega) also doesn’t trust what The Circle is up to, but then he doesn’t seem to be doing anything to stop it.  Anyway, The Circle’s plans for world domination… I mean effective social media services, gets creepier and more invasive as time goes on; eventually sweeping Mae right in the middle of it as she soon becomes a spokesperson for The Circle and what it represents.  Can Mae put an end to… whatever the hell The Circle is planning before it’s too late, or has she already drunken the Kool-Aid?  Will John Boyega get to do anything in the movie, or is he basically just a cameo?  Is there anyone less threatening than Tom Hanks, even when he’s trying to be a bad guy?


Oh, he can’t be THAT bad, right?  Wait a minute… that’s what they WANT you to think!

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Cinema Dispatch: The Bye Bye Man


The Bye Bye Man and all the images you see in this review are owned by STX Entertainment

Directed by Stacy Title

See, I thought I wouldn’t have to talk about STX Entertainment again until that damn Mars YA movie finally came out (ENOUGH WITH THE TRAILER ALREADY!) but it looks like they’re here to fill the January Horror Movie quota which was met in previous years by gems such as The Forest, The Devil Inside, and Texas Chainsaw 3D.  Then again, The Boy came out in January of last year, and that was ALSO a film from STX Entertainment, so maybe there’s just a TINY bit of hope here.  Can STX pull off the impossible yet again and give us a January horror film that won’t embarrass the genre, or is this movie just as stupid as its title suggests?  Let’s find out!!

The movie begins in the late sixties where a guy (Jonathan Penner) shoots a bunch of people because they had heard of THE BYE BYE MAN, which I’m sure was the most sensible solution to that problem.  Jump ahead five decades and we find ourselves in modern times where three college students, Elliot, John, and Sasha (Douglas Smith, Lucien Laviscount, and Cressida Bonas), just moved into a new house off of campus and are cleaning up all the crappy furniture that the landlord left them.  Of course, one of the tables has something crudely etched on it that Elliot ends up reading.  Of course it’s the words THE BYE BYE MAN, and in doing so he… I guess invites The Bye Bye man to take permanent residence in his brain.  You know, at least when they summoned the deadites in Evil Dead, they had to read a WHOLE passage from an ancient Sumerian text instead of just a dumb name!  Anyway, the name eventually reaches his two roommates as well as some sort of psychic who is obvious slasher fodder (Jenna Kanell) and so The Bye Bye Man just starts messing with all their heads; making them see things that aren’t there and driving them more and more insane in the process.  Will the three of them find a way to get past this monster’s illusions before it makes them do something they’ll regret?  Why did that dude in the sixties end up shooting everyone who had heard of this… ghost, I guess?  Did anyone stop to read the script before filming this, or were they winging it the whole time?


“Just watch it, don’t question it.  I wonder what that means…”

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