The Twilight Zone and all the images you see in this recap are owned by Warner Bros Television and based on the series created by Rod Serling
Directed by Allan Kroeker
The episode begins with the titular Gabe (Christopher Titus who I’ve talked about in the past) smashing his car into someone else’s by accident; someone by the way who doesn’t even seem too perturbed by it which is a little odd. His driver’s side door is half caved in and yet rather than get yell at Gabe or get his insurance information, he makes a half-hearted crack at his driving skills before calling him a loser. Seems a bit low key considering the damage inflicted which I would certainly call a silver lining, but then Gabe is one of those perpetually miserable dudes who attributes everything to his all-encompassing belief in his own bad luck. Well that and his lousy boss who’s keeping him down at work. Gabe is basically the embodiment of lower white working class angst which is a topic Sir Titus is quite familiar with as he jumps right into a stand up routine while explaining to his wife (Stefanie von Pfetten) why he didn’t get the promotion due to his lack of butt kissing skills. He goes outside to nurse his ego as well as the big lump on his head which he got in the car crash when he notices some guy in an orange jumpsuit (Kelly Perine) in the backyard killing his grass. When confronted, the guy just oddly says that Gabe shouldn’t even be able to see him and that he should pretend this is ALL some big hallucination before turning tail and running off while Gabe just stands there; gawking at the absolute gall of this guy to just kill his grass and say IGNORE ME. I wish I got to see the inner workings of the universe whenever I bumped my head.
“Darn crabgrass. I should have listened to Philip K Dick when I had the chance…”
Mary Poppins Returns and all the images you see in this review are owned by Universal Pictures
Directed by Robert Zemeckis
This is one of the weirder cases of nostalgia I’ve had because I don’t have nostalgia about this story or the documentary from 2010. I have nostalgia for a review of it. Around that time I had just learned about Spill.com (which is now more or less split between Double Toasted and One Of Us) and one of the earliest podcasts I had heard from them was a series of reviews about films they saw at SXSW 2010 which included a review of the documentary. So when they announced this movie, I actually was rather interested to see it because I had never gotten around to the documentary but that review for whatever reason always stuck with me and so seeing a big budget studio adaptation of something I had THAT tertiary of knowledge for would be interesting; not to mention seeing what those same critics thought of this movie as well. Does this story of a man who found a way to cope with his trauma through the use of imaginative and painstakingly detailed art pieces manage to convey the raw emotional power of this man’s life and work, or are we stuck with another treacly adaptation that fails to live up to the material it’s based on; including the critically acclaimed documentary? Let’s find out!!
Loosely based on the true story of Mark Hogancamp (Steve Carrell), this movie follows the story of Mark who was nearly beaten to death by five Neo-Nazi monsters who did so after they learned that Mark enjoyed wearing women’s shoes. Fortunately Mark survived and the men were caught, but sadly he lost his memories, a lot of his motor skills (making it nearly impossible for him to write or draw), and has been suffering from Post-Traumatic Stress Disorder since. In order to cope with what has happened, he created a World War II village named Marwen in his yard and stages elaborate action scenes and character moments using dolls that represent him, the Nazis who beat him up, and the women in his life who helped him afterwards. This includes Anna (Gwendoline Christie) a nurse who visits him once a month to bring him medication and check on his physical health, Julie (Janelle Monáe) a physical therapist with one leg who helped him walk again and has since been traveling the world and running in marathons, Caralala (Eiza González) who is Mark’s coworker at his part time job, Roberta (Merritt Wever) who works at the town’s hobby shop and has helped Mark get the parts he needs to bring this made up town to life, and Suzette (Leslie Zemeckis) who he may not know in person but has starred in some of his FAVORITE films! Sadly, the one doll that is based on Wendy (Stefanie von Pftetten) who the town is partially named after (Marwen is short for Mark and Wendy) has been permanently removed and put into the RIP bin for reasons that aren’t made explicitly clear but can be somewhat inferred as we learn more about Mark’s life as well as the struggles and demons he’s had to work through. One such demon is the Belgian Witch Deja Thoris (Diane Kruger) who is the cause of many of Marwen’s woes and has a very distinct counterpart in the real world that you’ll have to keep an eye out for while watching them movie. Things seem to have been going along like this for some time now, but when Mark gets a new neighbor across the street named Nicol (Leslie Mann), well it looks like Marwen’s about to get a new resident which will certainly add a few more stories to the town’s ever expanding lore, but maybe this is the point where he takes things too far with his work; not to mention the overwhelming stress he’s feeling about the attack now that the men responsible are going to finally be sentenced for their crimes. Will Mark be able to face his attackers in court and put the incident behind him once and for all? Will Nicol understand what Mark is going through or will his behavior cross some very clear lines that he seems completely oblivious to when dealing with women outside of his fantasy world? Is it just me, or should they start making Marwen merchandise at some point? I want that Deja Thoris doll!
“Alright, Mark. If things go bad then chuck me at their head and make a break for it! FOR FREEDOM!!”