Cinema Dispatch: F1: The Movie

F1 the Movie and all the images you see in this review are owned by Warner Bros Pictures

Directed by Joseph Kosinski

Naming the movie after the sport it’s about is either a supreme show of confidence or a massive oversight, which, given how many moving parts there are to this thing, is not outside the realm of possibility. Maybe they only got nine out of ten teams to Race Buds, and so they had to go with the default title. Needless to say that money surrounding this movie is off the charts and with it comes a certain amount of pomp and circumstance that it hopes to draw audiences in with. Does the spectacle and grandeur of Formula One on full display create a cinematic experience unlike any other, or is it a lot of hot air for an otherwise pedestrian blockbuster? Let’s find out!!

Sonny Hayes (Brad Pitt) is the kind of guy who wears clichés on his sleeve, at least when it’s not covered in sponsors. He’s a burnout racer who could have been the best but found a way to screw it all up before dedicating his life to easy pay days and lowered expectations.  It’s not until his old friend Ruben (Javier Bardem) throws him a bone and offers him a spot on his fledgling Formula One team to try and keep them out of the red and maybe get Sonny some redemption in the process.  Of course, you can’t be a veteran returning to your roots without a cocky young prodigy to take under your wing which is a role Joshua Pearce (Damson Idris) fits to a tee; at least when he’s not calling Sonny old and posing for magazine ads.  The two racers manage to find some success feeding off of their mutual disdain for the other’s racing style, but it’s a tall order to make it to the number one spot within the small number of races left in the season, and Sonny may not be as up to the task as he had once thought.  Will Sonny find a way to get past his demons and save his friend’s team in the process?  What can Joshua learn from the old-timer he’s stuck on a team with, and can Sonny be trusted to work in their mutual best interest when there’s gold on the line? Most importantly, will anyone in the theater care about any of this when the cars start going really fast!?

“SHAKE AND BAKE, BABY!”
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Cinema Dispatch: Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Joaquim Dos Santos, Kemp Powers, and Justin K Thompson

The first Spider-Verse movie had a lot of things going for it before everyone realized what a masterpiece it was going to be. Spider-Man movies reliably make money, animated features are one of the more bankable box-office draws, and it had some pretty amazing trailers with a unique art style and some fun ideas to play with from the comics that we haven’t seen on screen before. Still, I’m not sure anyone expected it to be the overwhelming success that it was, both critically and commercially, and the prospect of a sequel was certainly exciting as the studio would be throwing everything they could at it. Still, the idea left me at least a little bit anxious. Capturing lightning in a bottle is a rare feat in its own right and even the best filmmakers have struggled to pull it off a second time, though oddly enough none of the original directors returned to direct this one. The trailers for this certainly didn’t help matters as I made clear in a Twitter thread earlier this year and I wasn’t thrilled to find out that it would be a Part One instead of a singular movie, so going into this one was both a delight and a moment of dread with expectations being higher than for almost any movie I’ve seen. Does this manage to exceed all expectations yet again and deliver another Oscar-caliber animated feature, or do even the best creatives fall victim to the Subpar-Sequel curse? Let’s find out!!

After saving the multi-verse and becoming the new Spider-Man, Miles Morales (Shameik Moore) has started to learn the hard way what it means to try and live as both a superhero and a teenager with only enough time in the day to perhaps make one of them work. This struggle has not escaped the notice of his parents (Brian Tyree Henry and Luna Lauren Vélez) who are getting fed up with his absentmindedness which only puts more pressure on the budding superhero. It comes as a relief when Spider-Gwen (Hailee Steinfeld) pops up into his universe despite the pathways between them getting closed at the conclusion of the last film, and it turns out that some Spider-People, led by Miguel O’Hara and Jess Drew (Oscar Isaac and Issa Rae) are able to cross dimensions with super-science wrist watches and Gwen had joined up with them not too long ago. Unfortunately, the reunion is cut short as one of Miles’s less competent villains, the Spot (Jason Schwartzman), has somehow upgraded to an inter-dimensional threat and Gwen is forced to pursue him with Miles tagging along and experiencing the multi-verse for himself. Will Gwen, Miles, and a host of other fun Spider-People catch The Spot and stop his absurd schemes? How did Gwen end up with this group of Interdimensional Spider-Cops, and what secrets are they keeping from Miles? Is it the ultimate swing technique or perhaps the secret to a chafe-free Spider Suit?

“I call this the No Hands Spider-Wobble!”     “He’s growing so fast…”
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Cinema Dispatch: Fast & Furious 9

Fast & Furious 9 and all the images you see in this review are owned by Universal Pictures

Directed by Justin Lin

It looks like movies are back (at least for those who can safely vaccinate, which if you haven’t and are able to then do it please!) and what a better way to kick off the summer season than with another Fast & Furious movie!?  Gotta admit, I was not on the F&F train for over a decade and it wasn’t until Fate of the Furious that I finally gave the franchise a chance.  It’s a mixed bag to be sure, but the latter half of the franchise has been quite impressive as big budget spectacles though and the more professional wrestlers they throw into the mix the more I look forward to seeing them!  So after a year of global misery and despair, is this action blockbuster we need to celebrate our slow but sure recovery, or has the Fast Franchise gassed out right when we needed it the most?  Let’s find out!!

Dominic Toretto and Letty Ortiz (Vin Diesel and Michelle Rodriguez) have been living the quiet life with Dom’s son Bryan out in the country, but this peace is not meant to last as Roman, Tej, and Ramsey (Tyrese Gibson, Chris “Ludacris” Bridges, and Nathalie Emmanuel) show up with a distress message from the mysterious Mr. Nobody (Kurt Russell) and they are forced to come out of retirement to find him and find what he was trying to protect.  Sadly they don’t find the former, but the latter is a piece of some sort of doomsday device that is pretty much the SAME doomsday device these last few movies have had, and it gets taken right from under their noses by a mysterious jacked dude (John Cena) who also drives cars, has a cross necklace, and keeps staring menacingly at Dom.  Turns out that this is none other than Jakob; Dom’s long lost brother!  Not only must Dom and the crew stop Jakob and who he’s working for from getting the other pieces of the Doomsday Device, Dom must confront his past and perhaps even realize his own mistakes before they threaten to throw the world into utter chaos!  Will Dom be able to face his brother and bring an end to his maniacal schemes?  Who else has a stake in this Doomsday Device, and will they prove to be an ally or a hindrance to the Fast & Furious family?  Speaking of family, are we sure Dom and Jakob aren’t actually cousins, or were their parents’ genes an ethnic roulette wheel?

Come on, Cena! Do the U CAN’T SEE ME! You know you want to!!
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Cinema Dispatch: Joker

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Joker and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Todd Phillips

Are we ready to do this?  Alright, let’s do this.  So Joker always seemed like an odd choice for a movie as his defining moments have always been in relation to Batman.  Take him away, and what are you left with?  Well if the trailers are any indication, you get something akin to Travis Bickel in Taxi Driver by way of Krusty the Clown.  I mean I was at least interested to see where they were GOING with it since the trailers did a solid job of obscuring what the actual plot was, but the last few weeks of bad press have really drained any enthusiasm I could muster for what was already seeming to be a novelty at best.  Does this manage to rise above the controversy surrounding it, especially the controversies cynically generated by those who have an active stake in the film’s success, or will this all be for a movie that ultimately isn’t worth the time and effort?  Let’s find out!!

Arthur Fleck (Joaquin Phoenix) is one of many residents in the city of Gotham who is barely getting by and can feels that life has given him a rather crappy lot.  All he wanted to do was be a comedian and make people smile, but street punks keep beating him up at his job, the rich politicians and lobbyist keep cutting social services that he needs, and on top of all that he has to take care of his elderly mother Frances Conroy) who’s unshaking belief that Thomas Wayne (Brett Cullen) will help her and her son has only become more and more obnoxious as the years have gone by.  Why… it’s almost enough to drive someone MAD isn’t it!?  Like say… if someone got so tired of this that they started wearing clown makeup and robbed banks!  Well leave those fantasies at home as this is the REAL Joker for the modern age in that he’s really angry all the time but doesn’t do a heck of a whole lot about it and what he DOES do about it isn’t as… let’s say FLAMBOYANT as his comic book persona would have you believe.  Still, the walls are closing in more and more as Arthur’s life goes further and further into chaos to the point that he may just be forced to fight back in a way that no one could possibly expect; least of all himself.  Will Arthur’s miserable life come to some sort of hilarious denouement that gets all the squares to pop their monocles?  What effect will his actions have on the rest of the city, and is he really so different from all the normal people out there?  Seriously, is this REALLY the guy Warner Bros wants to be spouting his manifesto on the big screen right when they’re getting the DCCU back on track?

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“I call it… MY JOKE BOOK!”     “…”     “Seriously?  Nothing?”     “Oh, uh… no, that’s clever!”

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Cinema Dispatch: Bad Times at the El Royale

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Bad Times at the El Royale and all the images you see in this review are owned by 20th Century Fox

Directed by Drew Goddard

Oh hey!  I know this guy!  Yeah, didn’t he do that movie that everyone else liked but I was pretty nonplussed about?  Okay, probably have to be more specific there.  This is the guy who made The Cabin in the Woods (no not that guy, the guy who ACTUALLY directed it) which was an interesting idea but for me it suffered from a somewhat oblivious tone and an ending that soured me from ever really enjoying the film again.  Well after a few years doing quite a bit of writing, he’s back in the director’s chair with this film that looks to be a mishmash of noir tropes as opposed to horror ones, though he managed to keep Chris Hemsworth around.  Will this be the movie that sells me on the brilliance of this director after a somewhat disappointing opening salvo, or is this another guy who I’m just not gonna get and be a sourpuss about while everyone else is enjoying themselves?  Let’s find out!!

The El Royale is a hotel on the border between Nevada and California, once a hotbed of celebrity debauchery but now a shell of its former self; handing out cheap rooms to unscrupulous and impoverished characters who aren’t really here for the ambiance.  On the fateful day that this movie starts, there JUST SO HAPPENS to be quite a few people there who may or may not have nefarious schemes in mind, including the vacuum salesman Seymour Sullivan (Jon Hamm), the kindly Father Flynn (Jeff Bridges), the singer Darlene Sweet (Cynthia Erivo), and the mystery woman who signs the guestbook with an obscenity (Dakota Johnson).  Now normally they would just go their separate ways and not bother one another no matter what bad stuff they’re into, but what the concierge Miles (Lewis Pullman) isn’t telling them is that this place isn’t simply a rundown hotel; rather it’s a rundown hotel WITH A SPYING ROOM!  As each one of them goes about their business, things start to unravel as some discover this place and see what the others are up to which inevitably causes their stories to intertwine in ways that will either lead to fair and equitable compromises or an utter bloodbath; especially with the Mystery Woman having some serious baggage in the form of another mystery woman with her (Cailee Spaeny) and some dude who just might be looking for them (Chris Hemsworth).  Will these lovely guests manage to finish what they came here to do with all their limbs still attached?  What is each one of them hiding, and how important will it be to the other people there?  How the heck did hotel stay open this long!?  They’ve got ONE guy running the darn place!!

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“This is NOT what I was promised on Yelp!”

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Cinema Dispatch: Sicario: Day of the Soldado

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Sicario: Day of the Soldado and all the images you see in this review are owned by Columbia Pictures

Directed by Stefano Sollima

You know what I thought when I got out of the first movie?  This is PRIME material for a franchise!  Yeah, the first Sicario was a dark journey through the worst aspects of the War on Drugs which felt REALLY complete as a story, but after it made a boat load at the box office the studio couldn’t help itself from squeezing as much money out of this cash cow as they could which HOPEFULLY means we’ll get a crossover with The Fast and the Furious franchise, but until then we’ll have to get stuck with more straightforward entries of vastly diminishing returns.  Okay, that’s a little unfair.  After all, it’s not like you COULDN’T make another movie with this cast, and the premise seems like a great starting point to bring up issues surrounding immigration and border patrol that have only become more exacerbated since the last film came out!  Wishful thinking I suppose, but you’ve gotta have SOME amount of hope, right!?  Will this be a great and topical sequel to an already fantastic movie, or was this project doomed long before it had a chance to say something important about our current political climate?  Let’s find out!!

Following the events of the first film, Matt Graver and Alejandro Gillick (Josh Brolin and Bencio del Toro) seem to have parted ways at least for the time being as the former is still running operations at the border while the latter is waiting for another chance to hit hard against the Cartel.  The good news is that such an opportunity has presented itself and will lead to their most drastic and bloody mission yet!  The bad news though is that said chance only happened because terrorist blew up a grocery store in Kansas City where at least one of them seems to have gotten into the country illegally from the border (ugh…) and might have even gotten a bit of help from the Cartel.  With a blank check from the government to mess things up in Mexico, Matt decides to kidnap the daughter of one of the Cartel bosses down there (Isabela Moner)  and then blame it on one of the other Cartel bosses; causing a civil war within the country that will decimate their stranglehold on the area.  Things SORT of go off without a hitch, but once it’s time for them to return the girl under the guise of “finding her” across the border, things go sideways as Matt and Alejandro’s crew is ambushed and the girl runs off into the desert.  Alejandro goes for the girl while Matt and the rest head back to base in Texas, but all is well as the ambush has made things more complicated than they should be and it’ll be that much harder for Matt and Alejandro to find a way to resolve this without stabbing each other, the US government, or anyone else, directly in the back.  Can Alejandro not only find this girl but find a way to keep her safe from those who wish her harm?  Just how far will Matt go for Alejandro, and will he be forced to choose between his friend and his duty?  Wait, how are we supposed to be rooting for these guys now!?  You SAW what they did in the last film, right!?

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“BANG-BANG-BANG-BANG-BANG-BANG-BANG-BANG-BANG!!”

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Cinema Dispatch: Kong: Skull Island

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Kong: Skull Island and all the images you see in this review are owned by Warner Bros Pictures

Directed by Jordan Vogt-Roberts

Truth be told I’ve always been more of a Godzilla fan, and while the recent Shin Godzilla was pretty good (if a bit disjointed and tonally uneven) the American film with Gareth Edwards wasn’t so much.  Now Warner Bros is trying to create yet another Expanded Cinematic Universe (because the DCCU is working out SO well for them) and this is in some ways a sequel… or prequel I guess… to the 2014 Godzilla film.  Does this manage to make up for the mistakes of that film while setting the groundwork for future monster movies to come, or are we much better off watching that 1962 film where the two of them duked it out and threw rocks at each other?  Admittedly that wouldn’t be the WORST thing to do as it’s still pretty freaking awesome, but let’s find out!!

The movie starts by introducing us to Bill Randa (John Goodman) who is the head of Monarch; an organization that is hell bent on proving the existence of monsters.  They’ve hit a rough patch, mostly due to them never finding any monsters, but 1973 just might be the year they turn things around!  They have some satellite images of a heretofore unknown island which may or may not contain resources that the government can use in their fight against the Russians, and Monarch wants to tag along with another organization already headed there for some basic geological research.  Actually, all Bill wants to do is find monsters, but the US government gives them the go ahead to tag along and to also bring a military squadron who JUST SO HAPPEN to be one day away from heading back home from Vietnam.  Of course the commander Lieutenant Colonel Preston Packard (Samuel L Jackson) is thrilled at the opportunity as he doesn’t seem too interested in leaving the war, but those under his command which includes Jack Chapman (Toby Kebbell) are less so.  Still, they follow the orders that are given to them and they are even joined by former British SAS bad ass James Conrad (Tom Hiddleston) who’s supposed to be an expert tracker and photojournalist Mason Weaver (Brie Larson) who somehow manages to be a part of this expedition as well.  The crew packs up, they fly to the mysterious island that is colorfully known as Skull Island, and IMMEDIATLEY get their asses kicked by Kong who mows down all their helicopters; leaving all of the name actors but only a handful of army and scientist extras.  Along their travels, they run into even MORE monsters, find a World War 2 fighter pilot who’s been trapped on the island for almost two decades (John C Reilly), and ultimately have to come up with a way to escape the island before their one chance of rescue passes them by.  Can the remaining survivors make it off the island before they become monster food, or will some of them refuse to leave until Kong is dead?  Just what is Kong fighting on this island when he’s not swatting down humans?  Most importantly, WHEN ARE WE GONNA GET A NEW GODZILLA VS KING KONG MOVIE!?

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“This guy doesn’t have thermonuclear breath, right?”     “No, but he can still throw stuff at us.”

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