Dear Adult Swim/Toonami:
Bringing back Samurai Jack turned out to be a pretty fantastic idea. It was an even better idea to allow this to happen by bringing in Genndy Tartakovsky instead of simply taking the rights of the show (owned by Cartoon Network) and hand them to some kind of mercenary with no real understanding of what the show is or what made it interesting in the first place. I think we can all agree that it was a success all around. Critics loved it, fans loved it (except for that one or two things here and there) and the ratings were pretty terrific. I believe I speak for plenty when I say that this is a new standard for what it means to successfully re-boot a long dormant series (Yes, I know calling it a re-boot is a bit inaccurate given that it’s a continuation of the series that Mr. Tartakovsky had always intended to deliver one way or another, but that’s a bit beside the point). It managed to stay faithful to the original series while expanding our understanding of it in exciting, unexpected ways. You have my gratitude, as well as that of many, many fans because of this.