Logan Lucky and all the images you see in this review are owned by Fingerprint Releasing and Bleecker Street
Directed by Steven Soderbergh
Oh hey! Wasn’t this guy supposed to retire like five years ago? Last I heard, he was done making movies and Behind the Candelabra was supposed to be his last film! I guess it’s never easy for someone in this business to TRULY retire (didn’t Jet Li try to do that like fifteen years ago?) and it’s usually a good thing when they don’t. I mean sure, not EVERYONE manages to make their best films in the latter half of their career, but Soderbergh has been a solid talent for some time now and I think we’re better off with him at least TRYING to stay game than just giving it up all together. Will his latest effort confirm just how much he was missed for the maybe one year at most he stopped directing stuff, or was his initial instinct to quit at the peak of his career the right call to make? Let’s find out!!
The movie begins with Jimmy Logan (Channing Tatum) getting fired from his construction job at the Charlotte Motor Speedway due to a pre-existing injury that the company found out about. Now if you ask his brother Clyde (Adam Drive), he’ll tell you that this is just yet another example of The Logan Family Curse which he believes to be responsible for an IED blowing off his hand and forearm, and while the guy is clearly the superstitious type, it’s not like he doesn’t have a lot of evidence backing him up. Jimmy losing his job is just another burden for him to carry on top of his somewhat messy divorce with his wife Bobbie Joe (Katie Holmes), his straining relationship with his daughter Sadie (Farrah Mackenzie), and just the general suckiness of living in North Carolina where the Drinking water is almost always at risk from shoddy chemical plants who just keep spilling their shit into the supply. Maybe this is all a sign for him to go the Walter White route and make money in a less than ethical way just to get some of the weight off of his shoulders and live just a bit more conformably. He may not be cooking meth, but he DOES plan to rob the very speedway that he worked for because he knows that the money is transported through a series of tubes that go from the individual (and overpriced) merchants to the big vault down below. Even with his little inside tip, it STILL seems like a tough job to pull off which means he’ll need a little extra help from demolitions expert and current inmate Joe Bang (Daniel Craig) as well as his rather dumb yet completely loyal brothers Fish and Sam (Jack Quaid and Brian Gleeson); not to mention his brother as well as his sister Mellie (riley Keough) who’s an expert driver and the perfect wheel woman for this job. Can this ragtag group of misfits manage to pull off the heist to end all heists right under everyone’s noses? How exactly do they hope to not only get in the vault and steal all that money in the first place, but make sure they don’t get caught after the fact? Is this where the James Bond movies will end up going? Hey, it’s at least more coherent than the LAST movie!
“The name’s Bang. Joe Bang.” “Wait, so your first name is Bang-Joe?”
It Comes at Night and all the images you see in this review are owned by A24
Directed by Trey Edward Shults
I have to see movies ALL the time which means I see a lot of trailers over and over again, and while it doesn’t really affect my opinion of a film once I see it, it does make the movie going experience a bit more tiresome. That’s why I love it when there’s a trailer that genuinely intrigues me and does something different from everything else I have to sit through when waiting for the movie to start. That was the case with this film which was very minimal in its approach and yet EXTREMELY effective as it was mostly a long slow shot as we got closer and closer to a red door. WHAT’S BEHIND THE DOOR!? Well the day has come for us all to find out! Will this be a new benchmark for the horror genre, or was it a REALLY great trailer for a mediocre movie? Let’s find out!!
We start the movie with someone clearly dying of a horrific disease and their family surrounding them; wearing gas masks and saying their final goodbyes. The head of the household Paul (Joel Edgerton) and his teenage son Travis (Kelvin Harrison Jr) take the sick man who turns out to be Travis’s grandfather (David Pendleton) out into the woods, put him out of his misery with a bullet to the head, and set the body on fire before burying it. Clearly something bad has happened to the world and this family which also includes Travi’s mother Sarah (Carmen Ejogo) is trying to survive. The modicum of stability they built up however is disrupted when a man named Will (Christopher Abbott) breaks into their house looking for food for his family, and after an intense interrogation scene Paul decides to let him and his family which includes his wife Kim and their little son Stanley (Riley Keough and a child actor known simply as Mikey with no other acting credits) stay in the house that’s been fortified to withstand… whatever it is that’s out there. Of course, this being a post-apocalyptic film, things start to go wrong rather quickly as the greatest threat is not the virus, or zombies, or whatever could possibly be happening… its MAN HIMSELF! Will everyone in this house learn to chillax and survive with one another, or are they all too paranoid to let the other’s live? What is Travis hiding from everyone else and what is the cause of these dreams he keeps having that are keeping him up at night? Is this gonna turn out to be a sequel to The Village!?
Honestly, that would have been a MUCH better movie…