1917 and all the images you see in this review are owned by Universal Pictures
Directed by Sam Mendes
Is it a 2019 movie or a 2020 movie? I mean I guess it’s the former as I doubt Universal wants to wait until NEXT February for it to win a bunch of Oscars, but while some critics may have gotten to see it back in December I only have the chance to see it now right alongside other sterling January releases like The Grudge and the upcoming Dolittle. Well now that they finally let the general public see this, does it live up to the hype it’s been building up over the last few weeks, or is there a reason they held it off until the dumping ground month despite the pedigree behind it? Let’s find out!!
Will Schofield and Tom Blake (George MacKay and Dean-Charles Chapman) are just two dudes in the British Army milling around France during World War I with the rest of their unit as they try to wait out the German army who are on the other side of No Man’s Land on whatever battlefield they’re on. That’s all about to change however as the general Colin Firth has given them a critical mission to deliver new battlefield orders to a company several miles away that as it turns out has Blake’s brother serving in it. It seems that recent changes in the German Army’s movements have given the impression that the company can secure victory with one final push that they’ve scheduled for the morning, but new information has confirmed this to be a trap that will no doubt lead to most if not all of the sixteen hundred men in that company to their untimely deaths. If these two can get this information to the commanding officer in time, the attack will be stooped and all those men will be saved (or at least die a much more timely death), but it is not an easy undertaking as German soldiers are still scattered across the region; not to mention the environmental hazards like traps, rain, mud, and both sunlight AND darkness coming with their own troubles as well. Can they makes it in time so that these soldiers can live to fight another day? What hardships will they encounter on this journey, and are both of them ultimately up to the task? Did Sam Mendes actually make a 007 prequel without telling us!? I mean they’re making a Kingsman prequel, so why not?
Rocketman and all the images you see in this review are owned by Paramount Pictures
Directed by Dexter Fletcher
As much as I enjoy the music of Elton John, this movie has some serious hurdles to overcome, that has left me less than confident about it up to this point. Primarily, the film feels from top to bottom like a cash-in following the success of the truly awful Bohemian Rhapsody; not just because it’s another biopic about a musician from roughly the same time period, but because they even got the pickup director of that film to make this one in its entirety. Maybe that’s overstating things a bit as Dexter Fletcher does have a few other films under his belt, and it’s not like it’ll be THAT hard to be better than one of the worst movies of 2018, but let’s just say my expectations are firmly set to MEH right up until the very last minute. Does this manage to stand out as the better of the two rock biopics from the Oldies station, or will the faults of Bohemian Rhapsody look downright quaint after seeing this movie? Let’s find out!!
Elton John (Taron Egerton), also known as Reginald Dwight, is a rock and roll superstar with hit song after hit song over the last five decades, yet how many of us REALLY know about the man behind the music? Well after storming his way into a substance abuse support group (decked out in full on Maleficent regalia in case you thought this was going to be subtle), he’s more than willing to tell us all about it! Our story begins in the suburbs of Britain with him as a little boy starved for affection from his mother and father (Bryce Dallas Howard and Steven Mackintosh), when one day it turns out he’s a born piano player who can play songs from ear and hones his skills for many, many, years! After a few stints playing back-up for a bunch of soul bands, he finally finds his break in the form of Bernie Taupin (Jamie Bell) who is a song writer in need of a musician which is just in luck because Mr. John over here needs a song writer to give meaning to his great music! From there it’s a never ending thrill ride of overnight success, burgeoning sexuality, and the inevitable crash and burn when living the high life becomes indistinguishable from being an addict! Will Elton John get his life back on track after losing so much to booze, pills, and drugs? Can a musician of his immense popularity live his life openly as a gay man without shattering everything he’s worked so hard to build up? Will we get answers to burning questions like who IS the Tiny Dancer, and why were those Crocodiles rocking?