Coco and all the images you see in this review are owned by Pixar Animation Studios and Walt Disney Studios Motion Pictures
Directed by Lee Unkrich and Adrian Molina
I’m far from the only one to have Pixar fatigue, but it has been WAY too long since I’ve gotten excited for another animated film from them. Even the prospect of Incredibles 2 only fills me with a mix of ennui and meh, so what hope does this film have to bring me back around on the studio? Well it’s not a sequel for one which is a good sign and its premise, while not what I would call unique (*cough* Book of Life *cough* Grim Fandango *cough*), at least appears to be fleshed out (nyuk-nyuk-nyuk) as all the trailers show an immense level of detail and craftsmanship in every frame as well as an amazingly diverse cast that looks to bring an underrepresented culture to the big screen. Hey, after the mostly positive reception and commercial success of Moana, it makes sense for Disney to stick with the formula; though hopefully we haven’t reached the point of diminishing returns just yet. Will this be the standout animated film of the year like we’re in the golden age of Pixar, or has ship already sailed for one of the biggest giants of the industry? Let’s find out!!
The movie begins by telling us the history of the Rivera family where Imelda Rivera (Alanna Ubach) was stuck raising little Coco as her husband walked out on them to live out their dream as a world famous musician. She didn’t let that get her down that she pulled herself up by her bootstraps and spent the rest of her life making shoes and teaching her family to make shoes; all the way to the present day where SHE may be dead and gone, but Coco is still around (Ana Ofelia Murguía) as the oldest living relative of the Rivera family and the great grandmother of Miguel (Anthony Gonzalez). Now despite Imelda more or less banning music in the Rivera household which is a tradition that has carried to this day, little Miguel can’t help but want to be a musician like his hero Ernesto de la Cruz who was a famous musician long ago and is still fondly remembered in Mexico to this day. In fact… maybe there’s a connection between the guy who walked out on Imelda to become a famous musician, and this famous musician that Miguel is obsessed with right now!? Maybe he’s the long lost great great grandfather and the only one in his family that would understand his love of music!? Well Miguel is certainly convinced of this after finding some photographic evidence and decides to… rob Ernesto de la Cruz’s grave so he can use his guitar to win a talent competition? Okay… seems a bit extreme, but whatever! THE KID’S GOTTA PLAY!! Too bad that robbing a grave gets you a one way ticket to the afterlife as Miguel finds himself more or less a ghost to those in the living world and eventually finds himself in the city of the dead where all the people who died are now skeletons; including Imelda Rivera and the rest of his extended family! Will Miguel find a way to get back home before his brief vacation among the dead turns into a permanent residency? What will he be able to learn about himself and his family during his treat; including the elusive Ernesto de la Cruz who may be able to help Miguel live out his dreams as a musician? How the heck is a human supposed to survive in a city of the dead anyway!? It’s not like any of the residents have lungs, so do they even have oxygen there!?
“Does he count as contraband, or should we sign him in as a pet?”
Finding Dory and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Andrew Stanton
Well… I guess we’re back again. Pixar has gotten pretty passé for me recently and making a sequel to my least favorite of their movies that ISN’T a rip off of Maximum Overdrive is probably not gonna be what ends up turning them around for me. Still, the studio never makes a lazy movie (except for those G rated Christine films) so we can at least expect a certain level of quality from them, and maybe I’ll be a bit more receptive to their fish story this time around. Does it manage to bring back that Pixar magic that has gotten kinda dull and played out recently? Let’s find out!!
The movie takes place a year after the events of the first one (which I guess means this takes place in in the heydays of George W Bush and Nickelback) and since then Dory (Ellen DeGeneres) has been living with Marlin (Albert Brooks) and Nemo (Hayden Rolence). One day during their day to day life of… swimming I guess, Dory sees something that triggers a memory that had long been forgotten which is that she has parents and lost them many years ago; probably due to her short term memory condition. Now that she’s aware that her parents are out there somewhere, she manages to rope Marlin and Nemo into going with her to the last place she remembers being at before losing them forever which was somewhere in California. That somewhere just happens to be the Marine Life Institute which is a rescue center to provide care to, rehabilitate, and eventually release the sea creatures that they either catch or are sent to them for treatment. As you’d expect, Dory manages to separate herself from Marlin and Nemo who have to then FIND her, and while they’re doing that Dory meets up with an octopus named Hank (Ed O’Neill) who is willing to help her find whatever exhibit her parents are in if she’ll do something for him. See, Dory was sent to the medical wing and immediately got a tag put on her to send her to the Cleveland Aquarium because… I actually don’t know why come to think of it. The tags are only placed on fish that are too sick to survive in the open ocean, so… is there gonna be a really sad third movie coming out in ten years? Anyway, Hank wants to go to the Cleveland Aquarium but isn’t sick enough for them to send him off, so he’ll take her tag in exchange for carrying her around until they find her parents. Oh, and they’re on a timer because the truck to Cleveland leaves in the morning so Hank is not in the mood to mosey about take their sweet time. Will Dory manage to find her parents in this place? What about Marlin and Nemo? Are they gonna find her before… I guess something bad happens? Will Pixar ever get to The Incredibles 2!?
“That’s where my parents are…” “Congratulations kid. You found them.” “Found what now?” “Ugh…”
Inside Out and all the images you see in this review are owned by Walt Disney Studios
Directed by Pete Docter
Is it too late for the Herman’s Head jokes? It is? Okay then. Anyway, we once again find ourselves with another film from the world’s most harshly criticized 9.5 out of 10 studio. It’s hard to deny that the Pixar brand has become somewhat tarnished in recent years what with Cars 2 being a critical bomb and Brave not living up to expectations for many. That and the fact that they’re gonna start cranking out sequels left and right for the next decade. Still, you can’t deny that Pixar on a bad day is still gonna be better than a lot of other studios on a good day. So where does Inside Out fall on the Pixar scale? Eh… we’ll get to that in a minute. First, what is this movie about?
Our heroes ladies and gentlemen. And they control EVERYTHING we do.