Tag Archives: Philip Franks

Cinema Dispatch: Phantom Thread

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Phantom Thread and all the images you see in this review are owned by Focus Features

Directed by Paul Thomas Anderson

Is this it?  Are we done playing catch up with 2017?  I just absolutely LOVE IT when studios hold back on releasing Oscar Caliber Films to the general public until weeks after they’ve already been reviewed, examined, and voted on!  VERY helpful for the small time outlets who don’t get critic screenings or screener discs sent to us!  Oh well.  It’s certainly too late for films like this and I, Tonya to be considered for my best of 2017 list (which I’m SURE Neon and Focus Features absolutely CRUSHED about, but I must stay firm!), but that doesn’t keep them from potentially being good movies that you should check out!  Better late than never I suppose, though it’d be nice if Hollywood would stop releasing EVERYTHING awards worthy in a two month period to only VERY selective markets; ESPECIALLY when half the time they don’t even get the awards they’re looking for!  Does this movie deserve the countless accolades it has accrued in the tail end of Oscar Season, or is this the latest victim of a hype machine that severely overestimates its actual quality as a film?  Let’s find out!!

The movie follows the story of Reynolds Woodcock (Daniel Day-Lewis) who unfortunately shares the name of a crappy Billy Bob Thornton comedy, but aside from that he’s a meticulously detail oriented dress maker who extends his obsession with perfection to his personal wife as well as his work life.  His schedule is quite regimented, his appearance is consistently maintained, and his relationships to others are carefully filtered through his sister Cyril (Lesley Manville) who’s basically the only person keeping him on track and able to focus his eccentricities on something that’ll keep the lights on.  One day, Reynolds goes off to the countryside and finds a waitress named Alma (Vicky Krieps) that he is immediately smitten with.  He asks her on a date, they have a lovely dinner, and by the end she’s half naked while he’s dictating measurements to his sister who’s writing them all down for future reference.  Whether or not Reynolds is TRULY attracted to Alma rather than the shape of her body is not entirely clear, but she goes away with him back to the big city to be his protégé of sorts and to help him model the dresses he makes.  However, because neither one of them are all that great at communicating, the expectations they put on each other that neither of them are able to meet start to put a strain on the relationship and could potential be volatile enough to destroy his life, her life, and even his sister’s life as everything could come crashing down upon them if they can’t sit the hell down and decide what they really mean to one another.  Will these two act like grownups and get their issues resolved before they explode in a fiery maelstrom of passive aggressive horror?  Will either one of them start contemplating drastic actions that will certainly not solve their underlying issues?  Wait, isn’t this the plot to like… every romantic comedy ever?

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Look!  There’s a beach!  This is TOTALLY a Nicholas Sparks movie!

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