Sing 2 and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
Was anyone expecting the first Sing to be anything more than cloying and treacly? I mean it’s not like Illumination has a great track record for this kind of thing, especially with those toothless Seuss adaptations, but they somehow pulled it off with that movie which was sweet, sincere, and my favorite animated movie the year it came out! The moment that it was over though, I knew that a sequel was coming and that it was probably going to be a bad idea. The first one worked as its own story, so trying to fit another one on top of it seemed like typical sequel folly and an obvious attempt at a cash grab. Then again, it’s not like I was expecting anything out of the first one and it managed to surprise me, so why not the sequel as well? Can this movie capture the magic of the first film and give us the rare animated sequel that is just as satisfying as the first one, or should we just be glad that we got a good movie in the first place and write this one off as a mere victory lap from Illumination? Let’s find out!!
Following the events of the first film, the Moon Theater is back and better than ever! The all-star cast of Meena, Johnny, Rosita, and Gunter (Tori Kelly, Taron Egerton, Reese Witherspoon, and Nick Kroll) are living their dreams and selling out shows every night; all of which should make Buster (Matthew McConaughey) who owns the theater very happy, right? I mean that’s kind of the dream that they were all striving for in the first one! Well… no. Apparently, they all want to go to the Sing universe equivalent of Las Vegas and perform shows there; presumably next to furry versions of Blue Man Group and Carrot Top. After a talent scout (Chelsea Peretti) brushes them off, Buster drags his cast as well as Ash (Scarlett Johansson) to the big city to prove that scout wrong and appeal to the biggest producer in the city; Jimmy Crystal (Bobby Carnavale). Through some high-level schmoozing and a white lie here and there, he agrees to give them a shot; albeit it with quite a few strings attached. They have three weeks to throw together a lavish Broadway-style show from scratch, they have to include Crystal’s daughter Porsha (Halsey) in some way, and they need to find rock legend Clay Calloway (Bono) so he can be a part of the show. That last one, in particular, is going to be difficult as no one has seen or heard from him in fifteen years, but if Buster says he can get him, then by Jove, he’s gonna get him! Can the crew pull off yet another amazing show, even with the added pressures of a bigger production and an overbearing executive? What new challenges will our heroes face on their latest venture, and is this perhaps the end of the road for them? I mean it’s not like Buster has a habit of getting in over his head, right? Surely he knows what he’s doing!
John Wick: Chapter 2 and all the images you see in this review are owned by Summit Entertainment
Directed by Chad Stahelski
WOO!!! JOHN WICK IS BACK!! Now I wasn’t as over the moon as some people were with that first movie (), but I am never the less EXTREMELY excited to see what Keanu Reeves has up his sleeve in the sequel! True, sequels to unexpected hits are almost universally terrible (*cough* Highlander 2, The Hangover 2, Taken 2 *cough*), but there’s not a whole lot of ways to screw up a formula like this; especially when what made it work the first time around was well choreographed and expertly shot action scenes; two things that Keanu Reeves and the returning director seem to prize above all else. Can this manage to be as exceptional as the man himself and ACTUALLY be a good sequel, or has the air gone out of this series the same way the Matrix did when we got ITS sequels? Let’s find out!!
The movie picks up RIGHT where the last one left off, namely with John Wick (Keanu Reeves) finishing off what remains of the Russian mob (his injuries have healed rather nicely considering how close he was to dying at the end of the last film) and getting his car back. Of course, because of how much noise he made doing so, he gets a visit from a former associate who wants him to do a favor despite his insistence that he’s FINALLY going to retire. This turns out to be a VERY bad move as the associate Santino D’Antonio (Riccardo Scamarcio) then blows up his fucking house because of this. Doesn’t kill the dog though! No, he makes to the end! Anyway, apparently Santino has a Marker with John which supposedly makes all of this make sense (spoiler alert: it doesn’t) as a Marker is essentially a blood oath where one party owes the other a one-time request that they MUST do or else… I don’t know, they die? I mean, good luck finding someone to kill John Wick! Hell, if that was even an option, why don’t you send THAT person to do the job for you!? Well no one was asking for my opinion when they were writing this, so John takes the job, executes his target, and THAT’S when things go to hell as the target’s bodyguard Cassian (Common) was an old friend but now a SWORN MORTAL ENEMY, and Santino betrays John and tries to have him killed. I totally didn’t see that coming, especially when HIS bodyguard Ares is played by Ruby Rose and was giving John dirty looks throughout the first act (angry dirty; not sexy dirty). So now he’s got Cassian on his ass, Santino trying to kill him, and oh yeah A SHIT TON OF OTHER ASSASSINS as Santino has ALSO put a hit on him just for good measure. Will John be able to kill his way to Santino and finally get his retirement once and for all? Well… PROBABLY considering how good he is at head shots, but does Santino plan to keep John JUST out of arm’s reach? Who can John trust now that there’s a huge bounty on his head and hit men are coming out the wood work for his very valuable head? How many suits does this guy go through on a daily basis!?
Sing and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
It seems that Illumination’s business model is to just hammer us over and over again with constant advertisements and marketing pushes for whatever movie that will soon (and not so soon) be hitting theaters. We see it with The Minions invading everything from ironic T-shirts to toilet brushes, and I’m pretty sure I’m not the only one who got REAL sick of those Secret Life of Pets trailers about four months before the damn movie came out. At least with Sing, Illumination had a decent enough premise on its hand and the trailers only got better as time went on. Still, that’s the same strategy that Suicide Squad had, and while I didn’t HATE it, the trailers were clearly selling a film that the ACTUAL movie couldn’t live up to. Will that be the case here with Illuminations latest effort to take over the world with marketable CG characters, or is there something genuinely great here from a studio that’s only made fluff so far? Let’s find out!!
The movie is rather simple as it’s about a theater owning koala named Buster Moon (Matthew McConaughey) who gets desperate enough to rip off American Idol and naturally becomes the talk of the town once he holds open auditions. Our heroes are a gorilla with daddy issues named Johnny (Taron Egerton), a housewife pig named Rosita (Reese Witherspoon) who’s right out of the Marge Simpson School of quiet desperation, a shy but talented elephant named Meena (Tori Kelly), and a too cool for school porcupine named Ash (Scarlett Johansson) who’s relationship with her boyfriend is being strained by this competition. I guess I should also mention Mike the Mouse (Seth MacFarlane), but calling him a hero is a bit of a stretch as he’s the one who REALLY wants to win by any means necessary. Of course, noting goes quite as well as it should, what with Buster’s finances in total disarray and his talent dealing with their own problems at home that threaten to derail this singing competition as much as Buster’s inability to keep the lights on. Will this competition be exactly what Buster needs to save his theater and what everyone else needs to change their lives for the better? What kind of shenanigans does Mike have up his tiny sleeves that can cause big problems for everyone else? Is anyone else feeling a distinct lack of Billy Joel in this movie filled with so many oldies!?