Yesterday and all the images you see in this review are owned by Universal Pictures
Directed by Danny Boyle
This may be a movie about music from fifty years ago, yet the premise is even older than that as the idea of a hapless someone getting a shortcut to fame and fortune is one of the most basic cornerstones of literature. When you take that premise and make it about something other than say measurable wealth and status (i.e. Aladdin) to instead focus on some sort of perceived skill or art form (i.e. music), you can run into a few issues; namely that you have to sell the audience on the perceived greatness of something that is rather subjective. You either have to play into the impossibility of someone ACTUALLY making the greatest music ever like with Tenacious D’s Tribute or even Fish Story, or your stuck trying to write it yourself and just ignore the disconnect (*cough* Harsh Mistress *cough*). The workaround for all that though is what we’ve got here which is a jukebox musical of sorts where the songs being played are widely considered (at least somewhat) to be the greatest of all time, and in this era where Musical Biopics are now in vogue, it was probably the best way for yet another Beatles tribute to stand out among the crowd. So then! Does this movie manage to capture the magic of that one band from Liverpool, or will this be a bigger stain on their legacy than Magical Mystery Tour THE MOVIE? Let’s find out!!
Jack Malik (Himesh Patel) is the typical struggling artist who spends his time stocking store shelves between gigs that no one bothers to see. His manager and best friend Ellie (Lily James) still believes in him and his amazing songwriting skills, but if it hasn’t happened yet then it probably isn’t going to happen and so he decides that now is the time to hang it up. The universe on the other hand has other plans for him because as he’s riding home on his bike that night, there’s a global power outage that no one ever finds an explanation for but did lead to Jack getting hit with a bus; breaking his guitar, his front teeth, and his spirit even more. After a lengthy recovery though, he soon realizes that no one remembers who The Beatles or any of their amazing songs. You know, songs like Yesterday, A Hard Day’s Night, and… others. Okay, so there were A LOT of songs, but Jack can surely remember enough of them to finally have a chance to be the musical star he’s always wanted to be! I mean these songs are culturally important and should exist in some form for the betterment of mankind, so Jack is practically doing a public service here, right!? So that’s what Jack does as he starts recording classic tracks like I Want to Hold Your Hand and Let it Be (seemingly unconcerned with the arc the band took in their music) as well as songs like Back in the USSR which sounds a bit retro now, but still jams! It takes a bit of time, but he does eventually start to get a following and it seems like all that success is just around the corner if he can just stick it out through the hardships and machinations of the music industry, but with so much changing so quickly and his loved ones seeming to get further and further away from him, is this truly what Jack wants now? On top of that, if HE remembers who The Beatles are then there has to be other’s out there too, right? Can he keep up the lies before this house of cards comes crumbling down, or will everyone be cool with it since no one knows who the fudge John Paul George and Ringo are anyway? Most importantly, is he gonna get a mediocre Hanna-Barbera cartoon as well!?
Pirates of the Caribbean: Dead Men Tell No Tales and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Joachim Rønning and Espen Sandberg
Here’s the thing about the Pirates movies. Other than MAYBE the DCCU, it’s probably the most frustratingly simple conceit imaginable that they keep managing to screw up over and over again, so while some people may have a seething hatred for them (I wouldn’t blame you if you did), I find myself disappointed more than anything. Now credit to where it’s due. The first movie is still good, I like a lot of what they were doing with the second film, and I even think the fourth film was a marked improvement over the nadir that was At World’s End. In fact, the fourth film is the closest since the first film of what this franchise SHOULD be which is the cinematic equivalent of pulp adventure books like the Conan stories or John Carter of Mars; a universe comprised of interesting and diverse characters but with stories that can be enjoyed individually. Where Pirates started to screw up (and then self-imploded with the third one) was in trying to focus too much on continuity, MacGuffins, and character motivations that spanned MULTIPLE films; all of which made it almost impossible to enjoy the second and third ones on their own and why the fourth one felt like an okay start to a new direction for this franchise. Will they continue that trend with this new one? Well… probably not considering that Will and Elizabeth are returning to the series which presumably means a whole lot baggage is coming along with them, but let’s find out!!
The movie picks up several years after the events of On Stranger Tides, though more importantly for the purposes of this story, after the events of At World’s End as we have the son of Will and Elizabeth Turner (Orland Bloom and Keira Knightley) named Henry (Brenton Thwaites) trying desperately to break the curse on his father that has imprisoned him as the Captain of the Flying Dutchman. While working for the British Navy, the ship he’s training on crashes face first into THE DEVIL’S TRIANGLE (wouldn’t you want to AVOID something named that?) and he’s left as the sole survivor of an attack by the ghostly crew of Captain Armando Salazar (Javier Bardem). Now Henry has been looking for Jack Sparrow (Johnny Depp) for some time to see if he has some insight into saving his father and Captain Salazar manages to suss this out, so on top of leaving him as the sole survivor in order to spread his legend, he ALSO want him to give Jack a lesson when he finds him; mainly that he plans on killing that guy the first chance he gets. Now after that prologue, we jump to the Island of Massive Coincidences where Jack just so happens to be wasting his days away drinking rum and there also JUST SO HAPPENS to be a woman named Cariana Smyth (Kaya Scodelario) who may have the answer to finding the GREATEST TREASURE OF THEM ALL and exactly what Henry needs to break his father’s curse. Oh, and Henry JUST SO HAPPENS to be sent to this island after he’s found by the British Navy because why not. I won’t spoil much more at this point (mostly to keep this mercifully short) but by the start of the second act, Jack, Henry, Carina, and a few salty sea dogs (including Joshamee Gibbs played by Kevin McNally who’s been a staple of this series since the beginning), are sailing towards this mysterious treasure known as The Trident of Poseidon which can possibly break Will’s curse. They aren’t the only ones headed in that direction however as Captain Salazar is after Jack, Captain Barbossa (Geoffrey Rush) is KIND OF after Jack, and some dude from the British Navy (David Wenham) is after all of them so he can throw them in jail. Will Jack Sparrow manage to find this treasure and also avoid the wrath of Salazar who just so happens to have a grudge against him? What exactly did Jack do to Salazar in order to gain his ire, and how far will he go for revenge? Do these movies REALLY need to be this complicated every single freaking time!?