Tag Archives: Paul Anderson

Cinema Dispatch: Robin Hood

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Robin Hood and all the images you see in this review are owned by Lionsgate

Directed by Otto Bathurst

Oh BOY is this gonna be a good one!  Can’t you just feel it!?  The trailers have looked awful, no one is talking about this and if they are it’s not in a positive light, and they’re just dumping this against a huge nostalgic franchise on Thanksgiving!  Lionsgate clearly believes they have a bomb on their hands here and from everything they’ve deigned to show us I can’t entirely disagree, but  then there are a lot of movies that didn’t have the full confidence of their studio yet still turned out great, from my beloved Jupiter Ascending to even the cult classic Donnie Darko!  Will this be another example of a good movie stuck with bad marketing and a poorly timed release date?  Yeah, probably not, but let’s find out!!

Robin of Loxley (Taron Egerton) is some rich punk in the town of Nottingham who meets her true love Marion (Eve Hewson) trying to steal a horse from him.  Eh, he’s rich.  Possessions are utterly meaningless to him anyway.  They’re have a whirlwind romance through montage which is abruptly brought to an end when it turns out that the Sheriff of Nottingham (Ben Mendelsohn) has drafted him to join the crusades.  Okay… I thought the armies retaking the Holy Land were volunteers, but I guess if the Sheriff of Nottingham wanted Robin out of the city that he could pull some strings and force him into service.  Wait, why does the Sheriff of Nottingham want him gone?  Oh whatever.  During his military service he manages to be THE BEST SOLIDER EVER but also TOO SWEET to survive in such a place, so after trying to save a captured POW from being executed, he’s non-fatally shot by his CO and sent back to England.  Surprise for Robin though, the father of the POW who he tried to save stowed away and wants to use him to take down the oppressive system in Nottingham, and after a pretty racist joke about foreigners having WACKY names, he starts going by the name John (Jamie Foxx).  It doesn’t take much to convince Robin to join this fight since The Sheriff literally stripped away every last valuable from his home (including his parents I assume) as well as punched a bunch of holes in the walls, and on top of that Marion was told that he had died and is now married to some dude named Will (Jamie Dornan).  With all this rich white boy angst, Robin begins to steal from the rich and give to the poor which soon earns his alter ego a nickname; THE HOOD!  Will Robin and John manage to smash Medieval Capitalism (which I guess is Serfdom here?) and create a socialist Utopia in the heart of thirteenth century England!?  What is The Sheriff’s REAL beef with him and the people of this town, and is he planning something more sinister than just taking all their stuff?  Is it just me, or is a lot of this sounding very familiar!?

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“OH MY GOD!  ARE YOU GREEN ARROW!?”

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Cinema Dispatch: Hostiles

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Hostiles and all the images you see in this review are owned by Entertainment Studios Motion Pictures

Directed by Scott Cooper

Okay, so MAYBE I jumped the gun a bit when I declared Phantom Thread to be the last of the 2017  hold overs as apparently THIS film (as well as Molly’s Game apparently) is was similarly hoping for some award buzz before reaching the general public.  The difference HERE though (and probably why I hadn’t heard about it until 2018) is that it DIDN’T get the recognition it was looking for as it hasn’t been nominated for any Oscar, nor is it really showing up on critic associations’ BEST OF lists.  Still, that doesn’t mean it’s BAD, right?  I mean did Wonder Woman or Ingrid Goes West get any Oscar nods?  Did Happy Death Day even get a Teen Choice Award!?  There are never enough awards to go around for all the great films that come out in a year, so MAYBE this one will turn out to be the sleeper hit of the season!  We can only hope, right?  Let’s find out!!

The movie follows Captain Joseph J Blocker (Christina Bale) who is not just any US solider at the turn of the nineteenth century, but one who seems to SPECIALIZE in  hunting down Indigenous people.  His job description is starting to go out of style however as the US government is starting to make token efforts to give back to the people they’ve committed genocide against, and their latest effort is to take one of Blocker’s prisoners, Chief Yellow Hawk (Wes Studi), along with his family (Adam Beach, Q’orianka Kilcher, Tanaya Beatty, and Xavier Horsechief) back to their tribal lands in Montana.  Now you’d think that a long trek from his holding cell in New Mexico ALL the way to Montana would benefit from an escort that ISN’T led up by not only the guy who has killed SO many Indigenous people but ALSO the guy who put Yellow Hawk there in the first place, but I guess it only adds to the symbolic nature of this token gesture.  So with only a handful of soldiers (Jonathan Majors, Jesse Plemons, and Timothée Chalamet) and his best buddy Thomas (Rory Cochrane), the party sets off to deliver these people back to their homeland and will hopefully everyone won’t kill each other in the process!  Things get messy right away though as they come across a home decimated by a band of Indigenous Bandits where the only survivor is Rosalie (Rosamund Pike) whose entire family was slaughtered in the massacre by the bandits who are still out there somewhere.  Will the soldiers have to put aside their prejudices just to survive against this new threat?  Will Captain Blocker learn the error of his ways and come to respect his former enemies?  What hardships will they be forced to endure before they reach their destination!?

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“Captain!  We have to pee again!”     “WE JUST STOPPED AN HOUR AGO!  HOLD IT IN!!”

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