Aquaman and all the images you see in this review are owned by Warner Bros Pictures
Directed by James Wan
Well I guess this is one way to put 2018 to a close. It’s been over a year since the last DCCU film stumbled into theaters and failed to make back the ludicrous amount of money put into it, but since Warner Bros hasn’t given up just yet on turning their superheroes into box office gold (it worked for Wonder Woman at least!), we’re getting at least one more stab at making this initial run of movies work before moving onto what MIGHT be an entirely new continuity with Shazam next year along with another Wonder Woman movie. With nothing left in the tank and one more Hail Mary left to go, can Warner Bros and DC knock it out of the park as the year is coming to a close? Let’s find out!!
Following the events of Justice League, Arthur Curry (Jason Momoa) is just chilling with his dad (Temuera Morrison) and saving the occasional submarine from pirates. After a recent successful venture that left one particular pirate named David Kane (Yahya Abdul-Mateen II) rather ticked off with our sub-nautical super hero, Arthur figured he’d just hang out at the bar for a bit before passing out somewhere. Sadly rest and booze is not in the cards at the moment as a fellow mer-person named Mera (Amber Heard) who we saw briefly in Justice League shows up to Warn Arthur that war is brewing and he’s the only one who can stop it. To explain this, we’ll need to do a bit of a FLASHBACK to the mid-eighties where his father Thomas and his mother first met. His mother JUST SO HAPPENED to be the runaway princess Atlanna of the Kingdom of Atlantis (Nicole Kidman) and fell in love with Thomas which eventually led to Arthur being born. However, after an attack from Atlantian soliders, Atlanna decides to go back to protect Arthur and become the bride of some dude who gets her pregnant and then chucks her into some dark hole in the sea after their son is born. Said son Orm (Patrick Wilson) is the current king of Atlantis and is consolidating power with the other mer-people tribes including the one that Mera belongs to which is ruled by her father Nereus (Dolph Lundgren). Did you get all that? Good, well Orm’s plan is to take over Surface World with an army of mer-people, but since Arthur is part of Atlantian Royalty by birthright, he can challenge Orm to the throne and turn around his expansionist policies before Surface World has to start nuking the ocean. Okay, so if Arthur wants to save the world (which he’s not too keen on but begrudgingly accepts) he has to stage a coup of some sort and convince the Atlantians of his right to rule. How the heck is he gonna do that!? Well, that’s where this other guy Nuidis (Willem Dafoe) comes in as he’s Orm’s head Vizier but has secretly been training Arthur this whole time and has a plan for him. Okay, MORE backstory. To sum it up, the first Atlantian King had a super powerful trident and if Arthur can find it, then his claim to rule will be that much more legitimate. Find the trident, avoid Orm’s army, and steer clear of that David guy who has a serious grudge now and may even have access to Atlantian technology to boot. Sounds reasonable enough, especially with Mera helping him out the whole time! Can Arthur solve the mysteries of his people’s past and find the one thing that will make him the ruler he was born to be? Even if he does find it, can he truly be a leader to these people given that he’s of both Surface World AND Water World lineage? Will he say MY MAN at least once in the movie!? Just once! It’s all I ask!!
The Nun and all the images you see in this review are owned by Warner Bros Pictures
Directed by Corin Hardy
I wasn’t even planning on seeing this film as my utter apathy to the Conjuring Universe knows no bounds; despite Annabelle: Creation being a pretty solid horror film which I ascribe entirely to roping in a very talented director. Then the weekend came up and there was literally no other movie I was going to see, so this one won by default; take a step forward to volunteer and everyone else took a step back. Does this latest entry in probably my least favorite expanded universe (at least on a conceptual level as The Warrens were in fact a bunch of fraudsters and I HATE that we’re making movies that pretend they weren’t) manage to rise above its lousy origins to give us something entertaining, or will I be forced to be reminded once again why I didn’t like that initial film in the first place? Let’s find out!!
Back in the 1950s, there was a castle in Romania where some spooky stuff was always going on. What kind of spooky stuff? Voices in the hallway, a fake demon nun appearing and disappearing in an instant, and oh yeah, A NUN THROWING HERSELF OUT OF A WINDOW WITH A NOOSE AROUND HER NECK!! Now my first guess it that she did it all for Damian but he wouldn’t be born for another twenty years, and instead it’s probably that demon nun that’s walking around the place. In The Vatican’s effort to be real life Ghostbusters, they send the disgraced Father Burke (Demián Bichir) out to solve this bizarre mystery; like a renegade cop getting his badge and his gun back. He takes along a Soon To Be Sister Irene (Taissa Farmiga) because… I don’t remember; she has psychic powers or something? Anyway, the two of them head to Romania and are led to the castle by the man who discovered the nun’s body, and his name is… wait for it… Frenchie (Jona Bloquet). When this unlikely trio gets there, well you can imagine what happens! Lots of spooky ghost tricks, hidden dark rituals, and a horrifying history that will no doubt ensure at least a dozen more THE CONJURING UNIVERSE films! Can Father Burke and Sorta Sister Irene discover the true reason that the nun threw herself out a window in this dark and spooky castle? When they find what they are looking for, are they prepared to do what is necessary to stop that evil once and for all? Wait, why does a demon have to hide as a nun? It’s not like it does a good job of hiding how obviously evil they are and they can disappear at any time, so why even bother with the costume!?
The images in this editorial are the property of their respective owners
For ninety-nine percent of people out there who don’t get to go to Comic Con in person, our experience is basically a giant pile of news being dumped about upcoming movies and television shows, and while the coverage this year was overshadowed by the senseless firing of James Gunn (#RehireJamesGunn), there was still quite a bit of news worth paying attention to; especially some of the trailers that got released, and I’m not just talking about that crappy Titans one! So let’s go ahead and take a look at some (certainly not all) of the trailers that we saw for the first time this weekend!
Directed by David F Sandberg; Owned by Warner Bros Pictures
Billy Batson (Asher Angel) is your typical moody teenager who’s been placed in yet another foster home, but everything changes when the mystical space wizard SHAZAM (Djimon Hounsou) chooses him to inherit his spectacular powers.
I like what I see here, but what I’m seeing isn’t much. Granted this is the first trailer and we’ll surely see more as we get closer to the release date, but the UNIQUE SELLING POINT of this movie needs to be more than it NOT being like the last few DCCU movies. It’s brighter, it has genuine humor, and it focuses on the HERO part of being a Superhero. That’s all great, but it still feels REALLY lacking. The film looks VERY small in scale which isn’t necessarily a bad thing, but a lack of spectacle needs to be compensated in other areas and I’m not really seeing much beyond DECENT in this trailer. I like Zachary Levi in the role and he seems very natural playing a boy in a super hero’s form, but his dialogue is far from sterling, and the cinematography seems kind of flat for the most part. I’m sure I’ll like this more than the overly ambitious Batman v Superman or the bloated but safe Justice League, but being light and family friendly doesn’t mean it has to be trivial and yet that’s a lot of what I’m getting out of this trailer. If nothing else though, they’ve got a GREAT director behind it as the guy made two of the better horror films of the last few years (Lights Out and Annabelle: Creation), so hopefully he’ll bring some of that creativity to this film even if this first trailer doesn’t quite get it across.
Sometimes you see a movie that will just not leave your brain as questions keep running through your head about what it all meant and what it was trying to say. I guess this is TECHNICALLY one of those movies, but certainly not for the reasons the filmmakers hoped for because I have nothing but contempt for the asinine questions that I’m left with after watching the damn thing which is made even worse because there ARE no answers. This was just a super sloppy movie PRETENDING it knew what the hell it was doing and it utterly failed to convince me otherwise. Since keeping things bottled up is not a particularly healthy way to deal with something, I decided to let YOU all know what questions I was pondering while watching this silly film and how the movie fails to address them in any adequate or satisfying way! Before that though, let’s have a full rundown of the plot so that you all have a better idea of where I’m coming from if you haven’t seen the movie. Trust me, I’d rather spend my time recounting it here than make ANYONE feel like they’d have to sit through this drivel just to understand what the heck I’m talking about! FULL SPOILERS AHEAD!!
The Commuter and all the images you see in this review are owned by Lionsgate
Directed by Jaume Collet-Serra
Now that the end of year hold overs are finishing up their rounds at the box office, it’s time for the TRUE January releases to show themselves which are becoming less associated with absolutely dreadful movies with each successive year, but can still be considered a dumping ground for stuff the studios felt couldn’t hack it in more competitive months. I guess a Liam Neeson action flick isn’t the WORST way to herald in the New Year, but then I’m pretty sure there are people who still wake up in a cold sweat thinking about Taken 3 and the infamous fourteen cut fence jump. Will this movie be another strike against the increasingly fragile belief that January films tend to be terrible, or will this only reinforce those notions for yet another year? Let’s find out!!
The movie begins with exceedingly average older white dude Michael MacCauley (Liam Neeson) going about his daily routine and living the exceedingly average older white dude life. That is until he gets fired from his exceedingly average older white dude job for lousy capitalist reasons, and is now facing the prospect of financial ruin; right before his son heads off to college too! Things seem rather for the guy as he boards the train with nothing to look forward to other than telling his family the devastating news, but fortune seems to be in his favor as a mysterious woman (Vera Farmiga) offers him twenty-five grand now and seventy-five grand later if he can just do one small insignificant thing. Find a person on this train that has something of value in their bag, is traveling to Cold Spring, and goes by the name “Prynne”. The woman gets off at the next stop and while Michael is more than happy to hold onto that twenty-five grand she gave him up front, he feels a bit hesitant about finding this person to claim the other seventy-five. Fortunately for THE BAD GUYSTM that the mysterious woman is forking for, as well as the audience I guess, they kidnapped his family anyway so he has no choice but to find the passenger known as “Prynne” before anything happens to them! Will Michael not only find “Prynne” but figure out what THE BAD GUYSTM are planning to do once they find them? What can Michael do when every move he makes is being watched by THE BAD GUYSTM… somehow? How many non-Taken Taken movies is Liam Neeson gonna have to make before they give him one that doesn’t suck!?