Doctor Strange in the Multiverse of Madness and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Sam Raimi
Before this latest phase of Marvel movies, you would have sounded like a broken record listing off all the great things about it before giving it an above-average score, but the last few movies have wavered a bit in quality with the only real standout being the latest Spider-Man; the one that leans heavily on nostalgia for movies that weren’t even made by Marvel Studios. Still, even prior to the Post-Endgame MCU there was an easily identifiable formula for these things and even the best of the Marvel movies didn’t deviate much from it; including the first Doctor Strange movie which definitely benefited from its mind-bending vision but still fell into a lot of the same pitfalls of other Marvel films at the time. Now it’s sequel time with a veteran director behind it, so perhaps this will be the one to successfully break the Marvel mold and do something unique with it instead of just another really enjoyable entry in the catalog. Can this bridge the gap between the great simplicity of the pre-Endgame MCU and the more experimental phase it finds itself in now, or will it tear itself apart trying to fix what isn’t broken? Let’s find out!!
Doctor Strange (Benedict Cumberbatch) may not be the Sorcerer Supreme since taking that five-year vacation, but he’s still hanging out at the Sanctum Sanctorum and just kinda working on himself. You know, get to know the REAL Doctor Strange, especially since his ex-girlfriend Christine (Rachel McAdams) is getting married and so he no longer has someone to pine after. Geez, this is starting to sound a bit sad. Maybe an interdimensional threat that could rip apart the universe would give him a bit of structure and a clearly defined goal to go after! Well as luck would have it, a young woman named America Chavez (Xochitl Gomez) is being pursued by the kind of monsters you’d find in a D&D handbook, and it turns out that she has the unique gift of being able to travel through dimensions. Well… sort of. She can’t exactly activate it at will but it always seems to get her out of trouble at the last second, though her luck seems to be running out as the malevolent force that’s pursuing her seems to be getting very close and she’s even gone to a few different Doctor Strange counterparts in those other universes without much luck in stopping this threat. Now it falls on our Doctor Strange to put an end to this sinister chase and stop them from taking her powers for their own nefarious end. For this task, he enlists the help of the current Sorcerer Supreme, Wong (Benedict Wong), as well as Wanda Maximoff (Elizabeth Olsen) who’s been off on her own since that whole Wanda Vision thing happened. Can Strange uncover the identity of this malevolent force that’s out to hurt America, and will he like the answers that he finds? What does Wanda hope to gain from all this, and will it be enough to make her whole after losing so much? I bet they wish they could escape to a dimension where Everything Everywhere All At Once came out the month after this instead of the month before.
Charlie’s Angels and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Elizabeth Banks
I’ve never seen the Charlie’s Angels movies from the early 2000s, and I don’t think I’ve ever seen the original TV series either. Heck, I’m pretty sure the closest thing I’ve seen to it was Totally Spies, and while that has its fans, it’s pretty much been dropped into the memory hole with dozens of other 2000s shows that you don’t remember. So if nothing else, I can at least come into this series with a relatively fresh perspective, and I’ve got to say that I’ve been pretty interested in what we’ve been shown so far; particularly the cast which looks to be amazing and the fact that it’s being directed by Elizabeth Banks who has been gaining some momentum as a voice behind the camera as well as in front of it. Does this reboot of the seventies classic bring the franchise into the twenty first century; at least for the second time? Let’s find out!!
Elena (Naomi Scott) is a scientist working at some business company on some new technology that will revolutionize the power industry through… I guess computer coding? The invention in this case is called Calisto which is a little box the size of an Echo Dot or a Google Home that can somehow power entire rooms and even buildings. However, there is ONE itty-bitty flaw with it in that it can cause people to have brain aneurisms through some sort of bug that Elena is SURE she can fix, but her misogynistic boss (Nat Faxon) won’t let her because they have to get it to market and he wants to take all the credit for it. If only there was an agency that understood her plight as a woman in tech and could help her stop a supervillain plot at the same time. Oh wait! There is! The Townsend Agency consists primarily of Bosleys and Angels; the latter being the agents who go on missions and the former being the ones to coordinate the Angels. The two angles who got assigned to Elena’s case are Sabina and Jane (Kristen Stewart and Ella Balinska) and it should be a straightforward Exposé of company documents, but when an assassin (Jonathan Tucker) shows up and takes out one of the Bosleys (Djimon Hounsou), things have clearly escalated to a point far more seirous than Elena had ever imagined. With the help of a new Bosley (Elizabeth Banks), the three women team up to try and take () back from the evil company and find out just what it is they plan on doing with it in its current deadly state. Will Elena prove herself to be a true Angel in the making despite a lifetime of being under the thumb of patriarchal and woman unfriendly industry? What are Sabina and Jane’s story, and will they find excuses to clash with one another when they really should be working together to save the world? Most importantly of all, does this succeed in empowering women to be in silly spy movies just like men can!?
The Kid Who Would Be King and all the images you see in this review are owned by 20th Century Fox
Directed by Joe Cornish
What, a kid’s movie in January? Man… I don’t want to waste my time watching this, especially after seeing Into the Spider-Verse! Is any movie gonna be as good as that one? No? Then why even bother! Wait a minute… this is directed by Joe Cornish? As in… THE Joe Cornish? As in Attack the Block Joe Cornish!? Well why didn’t you lead with, imaginary person I’m pretending to have a conversation with! Yes, after a rather long hiatus between Attack the Block and this one where he stepped back to be a writer instead of director, he’s finally back with his second film after such an extraordinary first feature! Seriously, if you haven’t seen Attack the Block then stop reading this review and go see it now! Now, I tell you!! You want to know why John Boyega is in Star Wars!? GO WATCH THAT MOVIE!! Anyway, does the triumphant return of Joe Cornish mean we have yet another masterpiece on our hands, or did he stay away from the director’s chair this long for a good reason? Let’s find out!!
In what I can only assume is a Post-Brexit London, Alexander Elliot (Louis Ashbourne Serkis) is your run of the mill kid who gets bullied mercilessly at school but has a funny best friend named Bedders (Dean Chaumoo) whose got his back when he needs it. One day he stands up for his buddy when he’s getting taunted by older kids Lance and Kaye (Tom Taylor and Rhianna Doris) who end up chasing him down to a construction site which JUST SO HAPPENS to be empty and there JUST SO HAPPENS to the sword Excalibur sticking out of the ground. You’d think someone would have excavated it, but instead they cleared all the dirt around the sword and left it sitting there in case someone felt the urge to pull it out. This is good news for Alex who DOES have such an urge and voila! He pulls it out and all heck starts to break loose! Well not at FIRST, but the sword leaving its resting place has awakened the dark sorceress Morgana (Rebecca Ferguson who’s… in the center of the Earth I think, and it calls out to the wizard Merlin (Angus Imrie and Patrick Stewart) who heads back to London post haste to meet the new king! After some shenanigans and a fight with a giant monster that shows up at his house, Alex learns that he is in fact the next king of… Well I GUESS England (or maybe the whole UK now?) and must gather some knights to finally stab Morgana to death once and for all! Through even MORE shenanigans, he manages to enlist the help of the bullies to join him as his fellow knights along with Bedders, and so they must now find a pathway to the center of the Earth! So where do they start? Um… well, Alex’s father gave him a book on Arthurian lore when he was a kid, so maybe they should visit him on the other side of the country since he seems to have known about Alex’s King-ness well before anyone else! As good a place to start as any I guess! Will Alex and his crew find where Morgana is hiding and stop her before she can take over the world? What challenges will they be forced to face along the way, and is Alex ready for such a huge responsibility at such a young age? Can we maybe get this movie, but with the cast of Attack the Block instead? I mean I’m sure John Boyega costs a lot more now, but it’d at least make a lot more sense to me!
The Emoji Movie and all the images you see in this review are owned by Columbia Pictures
Directed by Tony Leondis
I’m not ready for this. Seriously, why am I doing this!? WHAT HAVE I EVER DONE TO DESERVE THIS PUNISHMENT!? Actually, don’t answer that. Okay… focus. Deep Breathes. Sigh… So The LEGO Movie was a big hit and so was The LEGO Batman Movie which means the imitators and knock offs were sure to follow; culminating in THIS which I can only assume was the first idea that someone threw out at Sony and they just decided to run with it. It’s got a pretty good cast, and I have liked Sony Animation films in the past, so maybe this has a shot!? Yeah… probably not. The best thing we can hope for is that it won’t be TOO painful… So then! Will this be a SLAM DUNK for the Oscars, or have we somehow managed to find a new low in cinema? Let’s find out!!
The movie is all about the MAGICAL world of living apps that live inside all of our phones and in particular the messaging app that contains those ADORABLE and MARKETABLE Emojis we all love so very much! One such Emoji is a Meh in training named Gene (TJ Miller) who’s ready to start his first day as an… OFFICIAL Emoji… I guess. See, how it works is that these Emoji creatures wait around all day in vertical cubicles (basically a thirty by six Hollywood Squares setup) and are scanned whenever their MASTER USER wishes to use one of them. Why they couldn’t just have their pictures taken and then scan THOSE when the user needs them is beyond me, but asking questions like that only breaks the immersion! So anyway, Meh’s first day ends in utter disaster as he PANICS and makes the wrong face; leading to the user thinking the phone is malfunctioning and will therefore take it to be replaced. Now all the Emojis are ready to hang him in the middle of the street because he’s bringing about Armageddon with the good ol’ Smiley Emoji named… wait for it… SMILER (Maya Rudolph) leading the charge! He manages to escape with another Emoji named HI-5 (James Corden) who used to be one of the user’s favorites, but has fallen on hard times and needs to find a way to force himself back into their good graces and thinks that helping Gene find a way to… fix his bad Meh face I guess… will also lead to a solution to HIS problem. The answer comes in the form of a hacker named Jailbreak (Anna Faris) who agrees to rewrite their code or whatever if they can help her get to THE CLOUD! Okay then. Will Gene find a way to be more meh, or is his less meh qualities really a gift instead of curse? Will the three of them manage to save the phone and live for another few months before their owner switches out his current one for the latest model? What sick and twisted God is responsible for giving such miserable creatures any degree of sentience AND WHY AM I SITTING THROUGH THIS NIGHTMARE!?
Logan and all the images you see in this review are owned by 20th Century Fox
Directed by James Mangold
Dude has been playing this character since the turn of the millennium. It’s no wonder he looks so damn tired in this! For many people, the first X-Men (as well as Blade in 1998) can be pointed to as the start of the modern superhero genre as a mainstream endeavor instead of the one off success stories like Batman and Superman. Sure, Superheroes have ALWAYS been a part of the film industry (There only maybe a dozen or so fewer superhero movies made in the nineties as in the decade that followed) but with X-Men it proved that more modern and varied superheroes had a shot at connecting with a wider audience; especially with powerhouse actors like Patrick Stewart, Ian McKellen, and Hugh Jackman on hand to sell it to them. I mean say what you will for the X-Men film franchise in general, it’s managed to have a decent amount of staying power with a solid decade lead on the MCU. For all its ups and downs, it’s stayed pretty popular to this day and that’s double true for Jackman’s portrayal of Wolverine. However, all good things inevitably come to an end, and this movie is here to remind us all of that fact as Hugh Jackman swears this is the last time we will see him in this role. So is it a proper send off for the role that started a global phenomenon, or has all semblances of life and effort left his franchise a long time ago like it has to the main character in this movie? Let’s find out!!
The movie begins with Old Man Logan (Hugh Jackman) barely scraping by as a limo driver who ALWAYS seems to run into assholes wherever he goes. Maybe those Adamantium claws of his are magnetized to attract douche bags or maybe it’s because he parks his fancy ass car in gang territory. Either way, he’s living the Max Payne dream of self-loathing, self-medication, and self-assurance that nothing is going to get better no matter what. At the very least, he IS managing to take care of Charles Xavier (Patrick Stewart) who’s stuck with him after some incident about a year ago that no one is too keen to bring up and to make matters worse he seems to have a degenerative brain disease that is making his powers unstable as well as his memories. With a stable job and the responsibilities of taking care of Charles, somewhat helped by a new friend of theirs named Caliban (Stephen Merchant), he’s at least managing to put off putting an Adamantium bullet in his head from the time being, though I’m pretty sure the OTHER X-Men movie confirmed it WOULDN’T kill him if he did that. However, if everyone else is still okay with pretending that one didn’t exist, then so am I. Of course, things can’t stay that way for long as a little girl named Laura (Dafne Keen) enters the mix and throws all their lives into chaos. See, apparently mutants stopped being born a few decades ago, and most of the ones who are still alive have died off for one reason or another. Laura though is herself a mutant, and not just any mutant to boot. Her powers are almost exactly that of Logan’s and there are a lot of people that want her dead. And so the chase is on with Logan reluctantly dragging both Laura and Xavier (Caliban isn’t so lucky) through the United States to find some sort of refuge in Canada from the evil organization hunting them down and to possibly find some shred of redemption for the life that he led. Can Logan complete this one last mission before finally finding the peace that has eluded him for so long? Where exactly did this girl come from, and how is she a mutant in a world where they are effectively extinct? Seriously, does every Dad FigureTM nowadays have to have those beards!?