Tag Archives: Paramount Pictures

Cinema Dispatch: Action Point

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Action Point and all the images you see in this review are owned by Paramount Pictures

Directed by Tim Kirkby

Johnny Knoxville doesn’t have what you’d call a STERLING FILMOGRAPHY with his most successful films being pseudo-documentary on shoe string budgets, but then again said movies are some serious box office smashes with the four Jackass movies (one through three and the offshoot Bad Grandpa) making  totaling over three hundred and fifty MILLION dollars!  Hell, despite the guy getting pretty much ZERO credit as a legitimate actor, he’s managed to find his way in some seriously high grossing blockbusters including Men in Black 2, the first reboot Teenage Mutant Ninja Turtles movie, and even that crappy Dukes of Hazzard movie which raked in eighty freaking million; not to mention Skiptrace which he did with Jackie Chan that made a boat load in China!  I’ve always had a soft spot for the guy as a legitimate actor which may be due to my fascination with A Dirty Shame as well as the fact that I seem to be the ONLY person on the planet who sincerely likes Daltry Calhoun.  It also helps that I’ve never seen The Ringer which would probably put an indelible stain on my inexplicable appreciation for the guy because even in 2005 that seemed like a really bad call.  So much in fact that aside FROM the Jackass films, this is first film with a wide US release that he’s headlined since then (not gonna count the voice he did in the first TMNT movie) and it seems like even the studio is aware of how untested this guy is when he’s the face of something that requires a script and direction rather than a bunch of nut shots and Tasers because of how little marketing this thing got in the lead up to its release.  Does this manage to be a diamond in the rough that will finally launch Johnny Knoxville’s film career, or is this another failed start that will eventually lead to him making another Bad Grandpa movie that will in all honestly probably net him another hundred million dollars?  Let’s find out!!

Deshawn “DC” Crious (Phillip “Johnny Knoxville” Clapp) is the owner and operator of the absurdly unsafe and therefore absurdly fun amusement park known as Action Point, or at least Mr. DC WAS back in the seventies when things like “safety” and “regulations” were for pansies while breaking your arm was fixed with a fist full of mud and a forty of garbage beer!  It’s not the seventies anymore though as we see DC somehow managed to survive not only that decade but Regan, Y2K, and Bush Jr (SPOILER ALERT!) as he’s telling his granddaughter all about the great times he had running that place and the one summer her mother (Susan Yeagley as an adult and Eleanor Worthington-Cox as a teen) came to stay with him.  Yes, they’ll never forget that summer where they had stiff competition move nearby that was syphoning off most of their attendance while also being supported by local douchebag Mr. Knoblach (Dan Bakkedahl), but that only motivated them to get even MORE wild with the rides and skirt even MORE laws in the process!  Truly an idyllic time of their lives spent with good friends like Uncle Benny (Christ Pontius) and the rag tag group of teenage rascals who helped DC run the place (Bridgette Lundy-Paine, Johnny Pemberton, Conner McViker, Eric Manaka, and a few others who don’t have extensive IMDb credits).  Can DC do enough scheming to save the park from the greedy corporate fat cats?  Will this long protracted battle against common sense and sensible safety protocols get in the way of DC being a good father to Boogie?  Did you know that Johnny Knoxville’s eye almost popped out of his head during the filming of this!?  Seriously, what more does he have to do to prove himself to you people!?

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“ARE YOU NOT ENTERTAINED!?”     “Eh.  I’ve seen better.”

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Cinema Dispatch: A Quiet Place

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A Quiet Place and all the images you see in this review are owned by Paramount Pictures

Directed by John Krasinski

We had quite a few good horror films last year like IT, Happy Death Day, and ESPECIALLY Get Out, but pickings have been a bit slim in the first third of 2018 with the only wide releases going to the fourth Insidious movie and the rather underwhelming Annihilation if you’d even want to count that.  THANK GOODNESS that Platinum Dunes has stepped up to the plate because they’ve ALWAYS made good movies, am I right!?  Okay, so the studio has a pretty shaky track record with some pretty awful remakes being their staple up until 2010, but they have gotten a bit better at picking movies what with The Purge series being under their banner and I even liked that Friday the 13th film they did, though I’m certainly in the minority on that one.  This movie at least has been getting some positive buzz despite what I feel what I thought were rather underwhelming trailers, so maybe the steady improvement of Platinum Dunes productions will continue unabated!  I mean as long as we forget about those Teenage Mutant Ninja Turtles movie… and the first Ouija movie.  ANYWAY, does this latest thriller with a unique premise manage to be all it’s cracked up to be, or will the silence in the theater be less due to enraptured awe and more due to straight up boredom?  Let’s find out!!

We begin this story in the near future where it seems that society has crumbled and the few remaining survivors are eking out a rather mundane existence as they try to avoid being hunted down by whatever it was that nearly wiped us all out.  What is hunting them exactly?  I don’t know, some sort of Silent Hill looking dudes with sharp claws that LOVE to slice and dice people whenever they can find them.  The key to their success however turns out to be some EXCELLENT hearing skills, so in order to survive in this world you need to stay QUIET!  At least the Abbott family has managed to make this new way of life work for them as Momma and Poppa (Emily Blunt and John Krasinski) have worked tirelessly to set up rules and precautions to protect their children and to keep their mouths shut!  Sure, they lost ONE kid, but they’ve still got two left who know not to make even the SMALLEST of sounds if they want to survive, and there’s even another kid on the way which SEEMS like a bad idea considering how hard it is to reasonably explain to a baby that they’re crying is not very helpful at the moment, but I guess we’ll cross that bridge when we get there!  Anyway, the eldest kid Regan (Millicent Simmonds) is having trouble dealing with the death of her little brother which she blames herself for and on top of that is deaf herself which makes it easier for her to communicate without sound but means that things might be a bit more dangerous if she can’t hear any approaching threats.  At least she’s better equipped to handle what’s going on than her brother Marcus (Noah Jupe) who’s REALLY traumatized by everything that’s happened since the monsters came to town and spends most of his time being terrified about everything around him; not the MOST impracticable of positions to take, but it does cause some friction between him and his dad when he has trouble letting go of his fears to focus on the basic survival tasks at hand.  So with one kid feeling guilty, another one scared of his own shadow, and a third one threatening to come out of their mother in the very near future, things may not be sustainable for that much longer no matter how much Super Dad tries to keep things firmly within his grasp.  Can this family survive this terrifying threat for as long as it takes for someone to figure out how to destroy these creatures once and for all?  Will they find a way to successfully have this baby and raise it without attracting the attention of the creatures that have the super strong hearing and extremely deadly claws?  Seriously, how have you guys survived THIS long if knocking something over is enough to get these creatures to come a knocking!?

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“…”

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Cinema Dispatch: Annihilation

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Annihilation and all the images you see in this review are owned by Paramount Pictures

Directed by Alex Garland

So apparently Paramount wanted to bury this thing for some reason?  I mean… I guess it WORKED considered I never heard of this until the week before it came out.  I go to movies all the time, and I never saw ONE trailer for this thing despite starring some PRETTY big names right now!  Now this is hardly the first time that a studio had lost complete faith in the movie they had made, and it’s not always a sign that the movie is bad (*cough* Brazil *cough*), but it STILL is a bit worrying as studios are loath to just throw money away; especially on projects that seem to have had THIS much star power both in front of and behind the camera.  Does this offbeat science fiction film manage to shine through despite the studio doing everything it could to keep it out of the public eye, or was Paramount trying to save us from something that we were better off just forgetting it even existed?  Let’s find out!!

The movie follows the story of Lena (Natalie Portman), told slightly out of order, where she went head first into a unique biome of alien origin that I like to call The Rainbow World and tried to reach its center to destroy it from within!  Okay, now that I’m writing this down, it’s possible that a bit more context is needed.  To rewind a bit here, about three years before the movie starts a meteorite smashes into a small coastal town and starts doing… something.  It basically creates its own isolated environment with a clear delineation between EARTH WORLD and ALIEN WORLD in the form of a shimmer; almost like an opaque curtain in the shape of a dome.  The US government seems to have gotten there right away and have been sending people into the strange place to find out what is going on, but no one has ever returned… until now!  Lena’s husband Kane (Oscar Isaac) is a military Black Ops guy (I think) and was sent on a MYSTERIOUS mission about a year ago and suddenly returns home right as the movie starts; albeit looking rather disheveled and coughing up a worrisome amount of blood.  The government weren’t too far behind him though and put him in a quarantine to study what’s happened to his physiology after being exposed to the alien biome, but they’re probably gonna have to work fast; lest this become an autopsy because his condition is getting worse.  Lena is brought into the loop at this point and is told about THE SHIMMER (I still think it looks more like a Rainbow World); promting her to suit up, grab a gun, and join the next expedition which is in less than a week.  Now if that sounds a bit silly, don’t worry!  She was in the military as well, so she knows how to handle herself and use a gun.  In fact, compared to the rest of the crew which includes a paramedic (Gina Rodriguez), a geologist (Tuva Novotny), a physicist (Tessa Thompson), and a psychologist (Jennifer Jason Leigh), she’s practically a god send as I doubt the rest of them would last a full day in there without her.  So the day is set, the inexplicable rag tag crew gathers their courage, and they walk into THE SHIMMER with one goal in mind; get to the center and destroy whatever it is that’s causing this.  Will Lena survive the harsh environment that nearly took her husband’s life, and will the secret to his illness lie within?  What is motivating the rest of these women to go into this place that even trained soldiers couldn’t manage to overcome?  Was this really the best we could muster after three years of failed attempts?  They couldn’t even be given gas masks or motor bikes?

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“Before we go in, does anyone need to use the bathroom?  Speak now or forever hold your pee.”

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Cinema Dispatch: Downsizing

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Downsizing and all the images you see in this review are owned by Paramount Pictures

Directed by Alexander Payne

Every year, there’s usually one movie that starts off getting quite a bit of Awards buzz (mostly due to its cast and filmmakers) that eventually pivots all the way back to being an absolute train wreck once the critics get a chance to see it, and it’s usually not due to a genuine lack of talent on anyone’s part.  More often than not, it’s misguided or something happened in the production that forced corners to be cut, so the badness of these kind of movies tend to be UNIQUE compared to the drivel that usually comes out during the rest of the year.  Last year the winner of this prize was Collateral Beauty that tried SO hard to be a heartfelt and charming tale despite ostensibly being about people acting like total monsters towards someone with emotional issues, and word has been circulating that this is gonna be that film for 2017.  I thought the trailers looked good as does its interesting premise, but I’ve been burned by good trailers before (*cough* Mother *cough*), so I’m hoping for the best but will keep my guard up just in case.  Are the critics right about this film being wholly unable to live up to its lofty ambitions, or is this one of those few instances where the popular consensus will shift once it gets screened for the masses?  Let’s find out!!

The movie follows the adventures of Paul (Matt Damon) who’s a simple man with a ho-hum job living a ho-hum life with his ho-hum wife (Kristen Wiig) in his ho-hum town of Nowhere-ville.  He’s looking for something to spice up his life and to give him a renewed sense of meaning (by which I mean he wants to buy more stuff), so he starts to entertain the idea of him and his wife Downsizing.  What is Downsizing you may ask?  Well it’s a process by which a human can be permanently shrunken down to a fraction of their normal height and then move to a community of similarly shrunken people.  Since things cost less when they are smaller, that means that Paul’s meager life savings can let them live as kings for the rest of their lives in one of these communities, so he eventually makes the leap.  However, his wife doesn’t go with him (balking at the last second) and he’s basically back where he was before; miserable and looking for ways to be happy.  Through his ongoing life in Tiny Town (also known as Leisureland) he meets with a goods trader Dusan Mirkovic (Christoph Waltz) as well as a Vietnamese protestor who was Downsized against her will named Ngoc Lan Tran (Hong Chau) that seem to be much happier than him and might just hold the secrets to helping Paul find what he’s been looking for.  Can Paul find a shred of happiness in his sad pathetic life?  What doors with Dusan and even Ngoc open for Paul that will help him on his journey?  Wait, so we have this HUGE premise about people being shrunk down and living in corporate run micro-communities… and we’re focusing on some sad white dude the whole time!?

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HE’S NOT EVEN THE MATT DAMON THAT PUNCHES PEOPLE!

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Cinema Dispatch: Daddy’s Home 2

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Daddy’s Home 2 and all the images you see in this review are owned by Paramount Pictures

Directed by Sean Anders

I don’t know about the rest of you, but the only thing I was wondering when I first heard about this movie was why they didn’t cast John Lithgow as the TOUGH dad.  Seriously, the dude’s got Cliffhanger, Ricochet, and even Dexter under his belt to show us all how despicably evil he can when the role calls for it, and it’d certainly be much better casting for Marky Mark’s mean deadbeat dad than the guy they got; though I’m pretty sure ANYONE in Hollywood who’s not currently being ostracized for inexcusable behavior would have been a much more palatable choice than Raging Mel.  I don’t know about this one.  I certainly didn’t expect much out of the first film and it managed to be a bit better than I was expecting, but what are the chances that we’ll get a half-way decent sequel out of that; especially as it’s a Holiday film which are almost always a bad idea for sequels.  Wait, didn’t I just say that like a week ago about A Bad Mom’s Christmas?  Now that I think about it… two unexpectedly solid comedies about parenting that made a HUGE amount of money at the box office get Holiday sequels about the parents of the characters in the first film… that are released within a week of each other.  Huh.  Well that’s… coincidental.  Anyway, does THIS Holiday sequel manage to AT LEAST be as good as the OTHER Holiday sequel we just got, or am I in for one HELL of a crappy movie going experience?  Well… Let’s find out…

The movie begins about a year after the events of the first film where Brad and Dusty (Will Ferrell and Mark Wahlberg) have put aside their differences and are the best co-dads of all time; sharing responsibilities with the kids and working together as a cohesive family unit!  Well… ALMOST perfect.  Dusty’s biological daughter Megan (Scarlett Estevez) reveals during the school’s Christmas Recital that she’s not happy about having the holidays split between two households, so the two families band together and decide to have just one Christmas together which seems like a great idea… until Dusty gets a call from his dad Kurt (Mel Gibson) who’s decided to come down for the holidays.  This is bad because Dusty’s dad is just like he was in the first film and will surely be nagging on him the entire time for not being MANLY enough whatever the hell toxic dinosaurs like him are always on about.  In addition to that, we’ve got Brad’s dad Don (John Lithgow) coming to town who is ACTUALLY a really nice grandpa but seems to be hiding something from Brad, an increasingly tense standoff between Brad’s wife Sara and Dusty’s wife Karen (Linda Cardellini and Alessandra Ambrosio) about how to raise the kids they share (Dusty’s biological kids and Karen’s daughter from another marriage), and to top it all off, Dusty’s biological son Dylan (Owen Vaccaro) is about at the age where he needs to have THE TALK which throws EVERYTHING into chaos as the four dads on hand have their own idea of how it should go and who should give it.  Will any of these plot threads come together into something resembling a cohesive whole?  Is there a single point in this movie where it’s NOT uncomfortable watching Mel Gibson on screen?  Can someone explain to me what I POSSIBLY could have done to deserve this!?

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What the heck did ANY of us do to deserve this?

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Cinema Dispatch: Suburbicon

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Suburbicon and all the images you see in this review are owned by Paramount Pictures

Directed by George Clooney

Now this film kind of came out of nowhere for me as I’ve only been seeing the trailers for maybe a month leading up to its release.  I guess that’s not too surprising as George Clooney films, good or bad, rarely make a whole lot of money so there’s not much point in advertising it to the movie going masses; especially when the film in question looks pretty dark and super weird.  I mean that makes sense considering it’s from a script The Coen Brothers wrote back in the eighties, but that little factoid not only explains why this movie has been rather low key despite its wide release, it also raises some red flags.  Is this a cinematic masterpiece that was just too good to be made in its time, or did the Coen Brother put this in a draw for so long for a really good reason?  Let’s find out!!

The movie is basically split into two stories; the first being about Gardner Lodge (Matt Damon) who’s family suffers a horrible tragedy, and The Mayers (Karimah Westbrook, Leith M Burke, and Tony Espinosa) who have just moved into the idyllic neighborhood known as Suburbia and have the dubious honor of being the first black family in town.  With The Mayers moving into town and bringing out the worst in the neighborhood just for simply being there, there isn’t a whole lot of attention paid to Gardner and what seems to be some very shady stuff going on with him.  For starters, the death of his wife Rose (Julianne Moore) by some bad men who broke into the house seems to have not been as random an act of violence as it appears to be on the surface, yet no one is picking up on this than Gardner’s son Nicky (Noah Jupe) who’s the only one really looking for answers.  Throw in some possible mob connections, Nicky’s aunt Margaret (Julianne Moore as well) who’s working a bit too hard to fill in the motherly figure role, and a suspicious insurance claims adjuster (Oscar Isaac), and you have the makings for a classic noir thriller set against the backdrop of the super repressed and overtly racist fifties!  Will Nicky find the answers he’s looking for and will he be happy with what he finds?  What is Gardner have up his sleeve that’s making him act so inexplicably after the murder?  Does anyone in this movie REALLY have any idea what they’re doing!?

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“NO NO NO NO NO!!  THIS ISN’T HOW IT ALWAYS WORKS OUT IN THE MOVIES!!”

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Cinema Dispatch: Holy MOTHER of Pearl!

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Mother! is owned by Paramount Pictures

Directed by Darren Aronofsky

So I guess we’re gonna have to talk about this one again, huh?  It certainly seems that everyone else is getting in on the action with various think pieces about what the movie actually means and how audiences are reacting to it, which… I guess I can’t criticize because I’m currently doing the exact same thing, but I’m still feeling a bit irksome about how much publicity this movie is getting when what I saw really didn’t merit all the hoopla.  Making matters worse is the fact that CinemaScore (a poll of general audience moviegoers) have given the film a rating of F; bringing back the tired argument about how art films are just too GOOD for mainstream audiences to understand.  I mean… sure, I’ve certainly held firmly on one side of that debate in the past (I bring up Michael Bay as often as possible), but after seeing the film itself, I just don’t think this is the one for some of the more snobby among us to lord over the undiscerning masses, because… well if you read my review, you’d know that I am rather close to absolutely hating this film; stopping just short of that due to the technical acumen, the finely tuned tension curve that’s constantly raising the stakes, and Aronfosky’s undoubtedly strong command of cinematic storytelling.  Make no mistake; this isn’t an amateur hour shit show like God’s Not Dead 2 or Incarnate.  This is a phenomenal filmmaker who tried to do something great but I feel has failed in spectacular fashion, and while I do understand the reasoning behind for softening ones opinions about a movie that genuinely tries THAT hard (the story of Icarus is usually seen to be a tragic one), I just… couldn’t.  Too much about this movie is misguided for me to want to give it much of a pass, at least as far as my own feelings on it as I think it’s STILL probably a movie worth seeing at some point even if you ultimately hate it the same way I did.  So I guess that begs the question, what is it that everyone seems to be getting out of this movie, and why do I feel it was done so poorly?

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