Ford v Ferrari and all the images you see in this review are owned by 20th Century Fox
Directed by James Mangold
With the Disney/Fox merger, there were bound to be a few films lost in the shuffle with at least one that seems to have INTENTIONALLY been shelved for the foreseeable future (*cough* New Mutants *cough*). This film was originally scheduled for earlier in the year but instead they pushed it to Oscar season which frankly seems like a solid move considering this ticks off a lot of awards bait boxes; it being a period piece relying heavily on Americana and nostalgia for the non-hippie version of the sixties while also starring two big name actors to lend a bit of clout and respectability to the proceedings. Does this movie about cars going fast manage to be about something much more, or is this yet another movie destined for heavy rotation on TNT and nowhere else? Let’s find out!!
Carroll Shelby and Ken Miles (Matt Damon and Christian Bale) don’t get along all that well but they both seem to respect the other with Shelby being a great car designer and former racer and Miles being the best racer alive with a flawless instinct for driving as well as the inner workings of the car itself. These two have been given something of a golden opportunity as Henry Ford II (Tracy Letts) is determined to have one of his cars beat Ferrari at the biggest race in the world; the La Mans. With his vice president (Jon Berenthal) leading the charge, Shelby comes on board with the project and convinces Miles to go along with it as well despite his hot head and distrust of corporations; a mistrust that may be well founded as interference from the higher ups constantly gets in their way of doing what needs to be done in order to beat Ferrari and prove that Ford cars can be just as powerful and sexy as European models! Can Shelby thread the needle of the Ford Company’s misguided directives with Miles’s inability to get along with others? What kind of new tricks and technology will they need to develop in order to claim a victory that has eluded Ford for so long? Is it just me or is a movie with Batman and Jason Borne that’s being directed by the guy who made Logan somehow as cool as that description would imply despite the film ACTUALLY being about regular cars?
“Do you know how much weight I have to lose and then gain back between every single role I take?” “Gee, have you tried acting?” “Hey, watch it or else I won’t let you be in the Batman reboot they make me do in ten years.” “Screw you, I’m technically in the MCU.”
Holmes & Watson and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Etan Cohen
Oh goody! Will Ferrell and John C Reilly are teaming up once again to make a silly comedy! That’s gonna be GREAT, right!? RIGHT!? Okay fine, they don’t have THE BEST track record out there, but I still don’t want to dismiss this out of hand! I mean… I probably SHOULD, considering how… not very good the trailer was, but those don’t always faithfully represent the full movie, and they wouldn’t just dump this right in the middle of a VERY busy time of the year just to die a quiet death, right!? Well I guess we’re gonna have to see if that’s the case, though for both of their sakes as box office draws, I hope they put quite a bit of effort into this one. Does this send up of Sherlock Holmes manage to capture the spirit of the books while also making a laugh out loud comedy, or is this a joke that’s way too late to the party and would have been an utter embarrassment even if it WAS timely? Let’s find out!!
Sherlock Holmes (Will Ferrell) is somehow England’s greatest detective despite being an utter fool who makes obvious mistakes over and over again, but I guess he’s got a good hype man in his partner John Watson (John C Reilly) who seems to be keeping at least some of his worst tendencies in check while also pumping him up to the general public through his novels about their various crime solving adventures. However, this latest caper involving a murder at Buckingham Palace and the threat of death upon The Queen (Pam Ferris) if Sherlock doesn’t find the killer first is just the kind of mystery that will put his mind and their friendship through the ultimate test! Complicating matters is the fact that Moriarty (Ralph Fiennes) is still at large but may have fled to the Americas as well as a new doctor in town Rose Hudson (Kelly MacDonald) as well as her… assistant I guess, Millie (Lauren Lapkus), who have both captured the hearts of our dynamic duo. Will Sherlock be able to crack the case before this mystery tears him AND his straining friendship with Watson apart at the seams? Will Watson finally get the nerve to demand more respect and an equal title as co-detective with Sherlock who is notoriously egotistical and not one to share the spotlight? Is it even possible for THE GREATEST DETECTIVE ALIVE to get to the bottom of how this utter fiasco made it into theaters!?
A Quiet Place and all the images you see in this review are owned by Paramount Pictures
Directed by John Krasinski
We had quite a few good horror films last year like IT, Happy Death Day, and ESPECIALLY Get Out, but pickings have been a bit slim in the first third of 2018 with the only wide releases going to the fourth Insidious movie and the rather underwhelming Annihilation if you’d even want to count that. THANK GOODNESS that Platinum Dunes has stepped up to the plate because they’ve ALWAYS made good movies, am I right!? Okay, so the studio has a pretty shaky track record with some pretty awful remakes being their staple up until 2010, but they have gotten a bit better at picking movies what with The Purge series being under their banner and I even liked that Friday the 13th film they did, though I’m certainly in the minority on that one. This movie at least has been getting some positive buzz despite what I feel what I thought were rather underwhelming trailers, so maybe the steady improvement of Platinum Dunes productions will continue unabated! I mean as long as we forget about those Teenage Mutant Ninja Turtles movie… and the first Ouija movie. ANYWAY, does this latest thriller with a unique premise manage to be all it’s cracked up to be, or will the silence in the theater be less due to enraptured awe and more due to straight up boredom? Let’s find out!!
We begin this story in the near future where it seems that society has crumbled and the few remaining survivors are eking out a rather mundane existence as they try to avoid being hunted down by whatever it was that nearly wiped us all out. What is hunting them exactly? I don’t know, some sort of Silent Hill looking dudes with sharp claws that LOVE to slice and dice people whenever they can find them. The key to their success however turns out to be some EXCELLENT hearing skills, so in order to survive in this world you need to stay QUIET! At least the Abbott family has managed to make this new way of life work for them as Momma and Poppa (Emily Blunt and John Krasinski) have worked tirelessly to set up rules and precautions to protect their children and to keep their mouths shut! Sure, they lost ONE kid, but they’ve still got two left who know not to make even the SMALLEST of sounds if they want to survive, and there’s even another kid on the way which SEEMS like a bad idea considering how hard it is to reasonably explain to a baby that they’re crying is not very helpful at the moment, but I guess we’ll cross that bridge when we get there! Anyway, the eldest kid Regan (Millicent Simmonds) is having trouble dealing with the death of her little brother which she blames herself for and on top of that is deaf herself which makes it easier for her to communicate without sound but means that things might be a bit more dangerous if she can’t hear any approaching threats. At least she’s better equipped to handle what’s going on than her brother Marcus (Noah Jupe) who’s REALLY traumatized by everything that’s happened since the monsters came to town and spends most of his time being terrified about everything around him; not the MOST impracticable of positions to take, but it does cause some friction between him and his dad when he has trouble letting go of his fears to focus on the basic survival tasks at hand. So with one kid feeling guilty, another one scared of his own shadow, and a third one threatening to come out of their mother in the very near future, things may not be sustainable for that much longer no matter how much Super Dad tries to keep things firmly within his grasp. Can this family survive this terrifying threat for as long as it takes for someone to figure out how to destroy these creatures once and for all? Will they find a way to successfully have this baby and raise it without attracting the attention of the creatures that have the super strong hearing and extremely deadly claws? Seriously, how have you guys survived THIS long if knocking something over is enough to get these creatures to come a knocking!?
Suburbicon and all the images you see in this review are owned by Paramount Pictures
Directed by George Clooney
Now this film kind of came out of nowhere for me as I’ve only been seeing the trailers for maybe a month leading up to its release. I guess that’s not too surprising as George Clooney films, good or bad, rarely make a whole lot of money so there’s not much point in advertising it to the movie going masses; especially when the film in question looks pretty dark and super weird. I mean that makes sense considering it’s from a script The Coen Brothers wrote back in the eighties, but that little factoid not only explains why this movie has been rather low key despite its wide release, it also raises some red flags. Is this a cinematic masterpiece that was just too good to be made in its time, or did the Coen Brother put this in a draw for so long for a really good reason? Let’s find out!!
The movie is basically split into two stories; the first being about Gardner Lodge (Matt Damon) who’s family suffers a horrible tragedy, and The Mayers (Karimah Westbrook, Leith M Burke, and Tony Espinosa) who have just moved into the idyllic neighborhood known as Suburbia and have the dubious honor of being the first black family in town. With The Mayers moving into town and bringing out the worst in the neighborhood just for simply being there, there isn’t a whole lot of attention paid to Gardner and what seems to be some very shady stuff going on with him. For starters, the death of his wife Rose (Julianne Moore) by some bad men who broke into the house seems to have not been as random an act of violence as it appears to be on the surface, yet no one is picking up on this than Gardner’s son Nicky (Noah Jupe) who’s the only one really looking for answers. Throw in some possible mob connections, Nicky’s aunt Margaret (Julianne Moore as well) who’s working a bit too hard to fill in the motherly figure role, and a suspicious insurance claims adjuster (Oscar Isaac), and you have the makings for a classic noir thriller set against the backdrop of the super repressed and overtly racist fifties! Will Nicky find the answers he’s looking for and will he be happy with what he finds? What is Gardner have up his sleeve that’s making him act so inexplicably after the murder? Does anyone in this movie REALLY have any idea what they’re doing!?
“NO NO NO NO NO!! THIS ISN’T HOW IT ALWAYS WORKS OUT IN THE MOVIES!!”