Cinema Dispatch: Street Fighter

Street Fighter and all the images you see in this review are owned by Paramount Pictures

Directed by Kitao Sakurai

It’s no secret that both of the recent Mortal Kombat movies were disappointments, but you know what? I was never that much of a Mortal Kombat fan anyway. Okay, I wasn’t much of a Street Fighter fan either as Smash Bros and Tekken were my jam, but Street Fighter definitely has a charm to it that the trailers for this latest adaptation captured beautifully. Will this be a fun and exciting martial arts film that understands the source material, or will this somehow be an even more compromised vision than the Legend of Chun-Li? Let’s find out!!

In the late 1980s, presumably due to the success of The Karate Kid, Martial Arts had become very popular and very competitive. No one knows this better than Ryu (Andrew Koji) who was the winner of the very first World Warrior Tournament, but after a controversial victory over the mighty Sagat and a tragedy that befalls his dojo, he puts himself into exile; leaving his training partner and number one bro Ken Masters (Noah Centineo) as the presumptive champion of the world, much the same way Diesel was technically a world champion at one point. Look it up, kids. Anyway, while Ryu is in hiding and Ken is drinking himself into irrelevance, the mysterious and ruthless M Bison (David Dastmalchian) desires to become the greatest warrior of all time and will do so by hosting the second World Warrior Tournament, for which Ken is brought onboard to try and bring Ryu out of hiding. Even if he’s just a patsy, however, Ken’s determined prove himself in front of the world no matter what it takes and no matter who he has to turn his back on to get there. Can Ken prove to be a better fighter than his old partner Ryu, and is there more to his rival’s strength than either of them wishes to acknowledge? What does M Bison plan to do once he has these warriors in his grasp, and where does the mysterious Chun-Li (Callina Liang) fit into his schemes? Are we gonna have to separate these two before the tournament even begins, because it looks like they have a lot more than just sibling rivalry to work through if either of them want to get out of this without breaking half their bones and losing all their teeth.

“BIG PAPA ZANGIEF WILL PUT YOU TWO IN TIME OUT! NOW WHO WANTS TO APOLOGIZE BEFORE I TAKE THE PHONES AWAY!?”
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Cinema Dispatch: Charlie’s Angels

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Charlie’s Angels and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Elizabeth Banks

I’ve never seen the Charlie’s Angels movies from the early 2000s, and I don’t think I’ve ever seen the original TV series either.  Heck, I’m pretty sure the closest thing I’ve seen to it was Totally Spies, and while that has its fans, it’s pretty much been dropped into the memory hole with dozens of other 2000s shows that you don’t remember.  So if nothing else, I can at least come into this series with a relatively fresh perspective, and I’ve got to say that I’ve been pretty interested in what we’ve been shown so far; particularly the cast which looks to be amazing and the fact that it’s being directed by Elizabeth Banks who has been gaining some momentum as a voice behind the camera as well as in front of it.  Does this reboot of the seventies classic bring the franchise into the twenty first century; at least for the second time?  Let’s find out!!

Elena (Naomi Scott) is a scientist working at some business company on some new technology that will revolutionize the power industry through… I guess computer coding?  The invention in this case is called Calisto which is a little box the size of an Echo Dot or a Google Home that can somehow power entire rooms and even buildings.  However, there is ONE itty-bitty flaw with it in that it can cause people to have brain aneurisms through some sort of bug that Elena is SURE she can fix, but her misogynistic boss (Nat Faxon) won’t let her because they have to get it to market and he wants to take all the credit for it.  If only there was an agency that understood her plight as a woman in tech and could help her stop a supervillain plot at the same time.  Oh wait!  There is!  The Townsend Agency consists primarily of Bosleys and Angels; the latter being the agents who go on missions and the former being the ones to coordinate the Angels.  The two angles who got assigned to Elena’s case are Sabina and Jane (Kristen Stewart and Ella Balinska) and it should be a straightforward Exposé of company documents, but when an assassin (Jonathan Tucker) shows up and takes out one of the Bosleys (Djimon Hounsou), things have clearly escalated to a point far more seirous than Elena had ever imagined.  With the help of a new Bosley (Elizabeth Banks), the three women team up to try and take () back from the evil company and find out just what it is they plan on doing with it in its current deadly state.  Will Elena prove herself to be a true Angel in the making despite a lifetime of being under the thumb of patriarchal and woman unfriendly industry?  What are Sabina and Jane’s story, and will they find excuses to clash with one another when they really should be working together to save the world?  Most importantly of all, does this succeed in empowering women to be in silly spy movies just like men can!?

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“Why does SHE get the gun?”     “Do you know how to use a gun?”     “I mean… it’s the principal of the matter.”     “WHAT principal!?”     “Uh… feminism?”     “Yeah… no.”     “You’re right.  My bad.”

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