Cinema Dispatch: Warcraft

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Warcraft and all the images you see in this review are owned by Universal Pictures

Directed by Duncan Jones

On the one hand, we are now in an age where four different video game movies are getting wide releases at the theater!  On the other hand, two of them have been far from impressive so far and Assassin’s Creed looks as dull as dishwater.  I guess all we have left to give us hope is this film based on one of gaming’s most influential franchises… that I know nothing about.  Does this manage to bring in new fans while satisfying Blizzard die hards, or is this gonna be yet another example of why we just shouldn’t expect much from video game movies?  Let’s find out!!

The movie is about… too many things, but in the broadest terms it’s about the war between the Orcs and the Humans of Stormwind.  See the Orcs kinda fucked up their own planet (or it’s dying of natural causes) and so they need to go through a dimensional portal to find a new place and take it over.  Our key Orc players in this are Durotan (Toby Kebbell) who’s the chieftain of one of the Orc tribes that’s the first to notice that things seem to be amiss with the leadership, Gul’dan (Daniel Wu) who is said leadership and uses dark magic all over the place, and Garona (Paula Patton) who’s a half breed and gets captured by the humans early on.  Now the Humans are led by King Llane (Dominic Cooper), his right hand man Sir Anduin Lothar (Travis Fimmel), a young sorcerer who first notices the dark magic being used by this new threat named Khadgar (Ben Schnetzer) and some super mage given the title of The Guardian who I guess just sits in a tower waiting to be called upon named Medivh (Ben Foster).  As stated earlier, Garona is captured by the Humans early on during an unsuccessful raid by the Orcs, but it is during this fight that Durotan realizes just how bad the magic shit that Gul’dan has been throwing around is and decides to overthrow him to save the Orcs from the dark magic.  While he’s doing that, the Humans begin mounting a counter effort with the help of Garona, but Medivh may not be quite up to the task of taking on this new dark magic which does not bode well for the Kingdom of Stormwind.  Can the Humans fight back from this invading force?  Can Durotan stop the OBVIOUSLY EVIL dark mage from… corrupting the souls of the Orcs I guess?  Does anyone else think this should have been a TV show instead?

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“WHAT IS GOING ON!?  SOMEONE TELL ME NOW!!”

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Cinema Dispatch: Popstar: Never Stop Never Stopping

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Popstar: Never Stop Never Stopping and all the images you see in this review are owned by Universal Pictures

Directed by Akiva Schaffer and Jorma Taccone

Weird Al got a movie, Oingo Boingo got a movie, and now The Lonely Island have one.  I’m sure you can point to ten awful musician movies for every good one, but there are some all-out classics in that very strange sub genre.  The aforementioned UHF is a lot of fun, Forbidden Zone is an absolute classic, hell, let’s go ahead and throw in The Blues Brothers and Walk Hard: The Dewy Cox story while we’re at it!  True, the musicians in question for those movies are known more for their comedies than their music, but you can pretty much say the same thing about The Lonely Island!  Does this mockumentary into the absurd world of pop stardom turn out to be the perfect update to the Spinal Tap formula, or are these guys not up to the task of stretching their material out for an entire movie?  Let’s find out!!

The movie is presented to us as an documentary into the life of Conner 4 Real (Andy Samberg) whose debut solo album (Thriller, Also) was a record smashing hit and launched him into super stardom after he left The Lonely Island… I mean The Style Boyz.  We start the movie on the eve of the release of his second album which has a pretty amazing title (CONNquest) but it turns out to be a finical and critical flop.  From then on, we follow Conner as he tries more and more desperate moves to salvage the fledgling album and boost his ticket sales while also coming to terms that he may not be as good as he thinks he is (or at least as good as his Yes Men tell him he is).  Along with him on this journey is his DJ Own (Jorma Taccone) who was one of The Style Boyz back in the day, his manager Harry (Tim Meadows) who’s trying to juggle Conner’s insane ego with his duties of keeping their empire afloat, and many others who make up the eclectic group of misfits that Conner surrounds himself with.  Can he manage to find his creative spirit once again and come back stronger than ever, or will he hit rock bottom as he slowly begins to isolate those who are trying to help him.  Oh who am I kidding?  It will probably be both!

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“Would you fuck me?  I’d fuck me.”

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Cinema Dispatch: X-Men: Apocalypse

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X-Men: Apocalypse and all the images you see in this review are owned by 20th Century Fox

Directed by Bryan Singer

It’s that time again for another X-Men movie to try and prove its relevance in a post MCU world!  So far, I think they’ve been doing a fairly good job of keeping this series humming along since Mathew Vaughn kicked the franchise back to life again five years ago.  The post First Class movies haven’t been perfect, but the second shot at a Wolverine solo picture and the one that brought Brian Singer back to the franchise were both fine enough films, and now that Deadpool is kinda sorta in the mix, there may be hope yet that this franchise can make that leap to the big leagues instead of sitting comfortably as the acceptable knock off.  Is this movie the start of that transition, or is this series just gonna keep spinning its wheels until another X3 disaster kills it off for good?  Let’s find out!!

The movie picks up about ten years after Days of Future Past which is still about twenty years before the original X-Men, which I THINK is still in continuity (only X3 is the one we know for sure got blinked out of existence).  In the intervening time, Charles Xavier (James McAvoy) has finally set up his school, Erik Lensherr (Michael Fassbender) has gone into hiding and now has a family in Poland, and Mystique (Jennifer Lawrence)… well she’s basically doing the same thing as she as in the last movie, only now she’s a symbol of peace rather than a violent radical after she had saved the president from Magneto.  Things seem to be at a tentative state of peace with the humans being somewhat okay with mutants and Erik more or less retiring Magento so he can live a normal life.  We don’t come to an X-Men movie to see people be happy though!  What’s gonna screw it up for everyone!?  Well two things really.  First is that Erik suffers a tragedy that throws him back into his anti-human hobby, and second is that there is a millennia old mutant calling himself, among other names, Apocalypse (Oscar Isaac) that just so happened to wake up from his deep slumber and is ready to take over the world (presumably after getting a shower and a bite to eat).  It doesn’t take long for him to make his presence known so the X-Men must reunite and get some of the new students to fight the greatest threat to all of humanity… at least now that the Sentinels aren’t gonna be a thing anymore.  Can Charles and Mystique whip these newbies into tip top shape to fight the new bad guy and save the world?  What exactly will Erik do now that he’s given up on ever finding peace for himself?  How many times are they gonna blow up the damn school!?

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“What happened this time?”     “Someone left a fork in the microwave.”     “SERIOUSLY!?”     “Well… we put the microwave next to the jet fuel storage container.”     “Did you at any point think that was a bad idea?”     “Oh THANK YOU Captain Hindsight!  Where would we be without your input!?”

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Cinema Dispatch: Neighbors 2: Sorority Rising

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Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures

Directed by Nicholas Stoller

They just couldn’t resist the urge, could they?  I guess there was just too much money lying on the table to NOT make another one of these.  Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice.  Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them.  Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war.  Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row.  Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable?  Let’s find out!!

The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb.  There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change.  That couldn’t POSSIBLY happen though, right?  Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority.  Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right?  Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life.  Oh look!  The house he used to live at!  And look!  The girls are touring it to see if it works for their needs!  An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives.  And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party!  Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives?  Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified?  Things can’t get any crazier here than they did in the LAST movie… right?

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“My painted on abs give me strength!!”     “KILL THE FAT GUY!!”

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Cinema Dispatch: The Nice Guys

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The Nice Guys and all the images you see in this review are owned by Warner Bros Pictures

Directed by Shane Black

How amazing is it that on the cusp of a freaking Lethal Weapon television show premiering that Shane Black (the writer of the original film) has a new movie out in theaters just to show the futility of even TRYING to recreate what he did back in 1987?  The guy may not be as prolific as some other great filmmakers out there, but between the films he wrote and the ones he directed, there’s no denying that Shane Black is a first rate talent that we should all be thankful is out there making movies.  Does his latest film live up to his track record of excellence, or is this the first sign that the guy is tapped out creatively and that it’s all downhill from here?  Let’s find out!!

The movie follows Jackson Healy (Russell Crowe) and Holland March (Ryan Gosling); the former being a goon for hire and the latter being a detective from the Richard Moore School of Sleuthing.  The duo cross paths early on as Ryan Gosling is trying to find a girl (Margaret Qualley) for a client but the girl CLEARLY does not want to be found.  Because of this, she hires Russell Crowe to convince him to stop, which he does… violently.  Unfortunately for the both of them, this case is a lot bigger than either of them anticipated and after an assassination attempt fails to take out Russell Crowe, he goes to see Ryan Gosling about teaming up to find out what the hell is really going on here.  Along for the ride (despite Ryan Gosling’s insistence to the contrary) is Holly March (Angourie Rice) who may only be a teenager, but is at least half as good as a detective as her father claims to be.  Along their journey, they’re run afoul of gangsters, pornographers, at least one politician, and a shit load of gunfights as they search for answers and try to do something good for once in their wretched and miserable lives!  Can this trio find out who this girl really is and why everyone is looking for her?  Can these two knuckleheads work together without one of them killing the other?  Does Shane Black find a way to fit in Christmas again!?

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“Feliz Navidad you sack of shit.”     “Isn’t your daughter waiting for you in the car?”     “She knows how to get back home.”

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Cinema Dispatch: The Angry Birds Movie

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The Angry Birds Movie and all the images you see in this review are owned by Columbia Pictures

Directed by Clay Kaytis and Fergal Reilly

After the disaster that was Ratchet & Clank, this COULDN’T be worse… right?  Honestly, with the track record that video game adaptations have, it’s not like a shitty movie based on a mobile game can tarnish their legacy any more than Street Fighter: Legend of Chun-Li did, which isn’t to say that I have any hope for this movie; just that it’s not in a position to do much damage.  Does this turn out to be an unexpectedly competent surprise, or just another awful adaptation to add to the pile?  Let’s find out!!

The movie follows the angriest bird in Birdville, or whatever this place is called, named Red (Jason Sudeikis) who has finally pushed the citizens of Bird-opolis to the breaking point!  After an “incident” gets out of hand involving a slightly messed up cake and cracked egg, Red is assigned to mandatory Anger Management which is led by Matilda (Maya Rudolph) and is attended by Chuck (Josh Gad), Bomb (Danny McBride), and Terence (Sean Penn); none of whom are particularly well adjusted.  That’s only the first half of the movie though.  Eventually, a ship chock full of pigs arrives at the Island of Birds and come offering friendship and gifts of the outside world!  Only Red can see that they’re up to no good though, but no one wants to listen to him because… well he’s an asshole.  Still, he manages to get Bomb and Chuck on his side enough so that they agree to go with him to find the LEGENDARY MIGHTY EAGLE who is said to watch over Bird-sylvania and aid it in its time of need.  Can red get over his anger issues long enough to do some real good for his fellow birds?  Can the LEGENDARY MIGHTY EAGLE save the town before the pigs enact their nefarious plan?  Have these birds never bothered to go off of their island!?  How have they never heard of pigs before!?

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“Whatever it is, I think we should worship it.”     “Don’t you think that’s a little extreme?”     “HERETIC!!”     “Don’t you mean… HAM-etic?”

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Cinema Dispatch: Captain America: Civil War

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Captain America: Civil War and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

The Marvel money machine has deigned to appease the masses with the next chapter in their long running story about people in tights (or robo-tights) that STILL manages to be more character driven and exquisitely crafted than any number of big blockbusters that have tried to challenge Marvel to their title as king of the cinematic landscape (*cough* Batman v Superman *cough*).  Now we have another entry in the Captain America series which actually looks like an Avengers movie more than anything else.  Does Marvel once again show us what makes the Captain America movies so unique within the Marvel Cinematic Universe, or has the whole enterprise gotten too massive to tell a simple story about one man throwing his mighty shield?  Let’s find out!!

The main thrust of the narrative in this movie is the Avengers having the whole “collateral damage” thing come back to bite them in the ass.  It’s been building up for a while, but when an operation in Nigeria goes south after the bad guy blows himself up and the blast is redirected by Scarlet Witch (Elizabeth Olsen) into a nearby building and killing eleven people in the process, it seems that the world powers have no choice but to step in.  Of course, the guy had stolen a biological weapon that could have killed THOUSANDS but no one wants to bring that up apparently.  Anyway, Tony Stark (Robert Downey Jr) seems to be in a bad place right now and the guilt over his actions in the last ten or so movies are starting to eat away at him, so when the US government and the UN come to the Avengers with some international regulations, he jumps at the opportunity to get them all on board.  The biggest opponent to this new form of oversight though is Captain America (Chris Evans) who sees the writing on the wall and the possibility of those checking their power using that for nefarious ends.  Things only get worse when a UN meeting in Vienna about the new Avenger regulations (known as the Sokovia Accords) gets bombed as part of a terrorist attack and the only suspect is Bucky Barnes The Winter Solider (Sebastian Stan) who if you recall from the second Captain America movie escaped his captors and has been laying low ever since.  Not only is everyone and their grandma after this guy, but Captain America is the only one convinced that he could not have done it which makes it that much harder to keep the government, the other Avengers, and a new super hero Black Panther (Chadwick Boseman) off of his back.  Can he clear Bucky’s name before the world leaders put a bullet in both their heads?  Who really DID bomb the UN meeting?  Will he be able to convince his fellow Avengers as well as Tony that the Sokovia Accords will lead to more harm than good?  Most importantly, how many cameos are they gonna squeeze into this!?

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“Did you guys kidnap me?”     “Yup.”     “That’s AWESOME!”

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Cinema Dispatch: Ratchet & Clank

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Ratchet & Clank and all the images you see in this review are owned by Gramercy Pictures and Focus Features

Directed by Jericca Cleland and Kevin Munroe

Well THIS certainly is a unique specimen!  I mean… it IS for another two weeks until Angry Birds comes out (ugh).  What we have here is the first CG animated film that has gotten a wide release in US theaters!  You’d think SOMEONE would have thought to do this by now considering how many of the pre-generation seven game heroes were aimed at children and some variation of a loveable animal character.  While Uwe Bowl was fucking around with Alone in the Dark and Postal, no one was willing to give Sonic the Hedgehog or Megaman a shot?  Well that all ends HERE with this movie based on the iconic video game series AND the added bonus of Insomniac games being a part of the production to make sure it’s done justice!  Do they succeed in making the first CG animated video game movie, or is this one big glorified cut scene that wouldn’t have passed muster in 2002?  Let’s find out!!

The movie is all about Ratchet (James Arnold Taylor); a cat like creature who lives a Tatooine knock off and spends his time poorly repairing hovercrafts by adding (presumably illegal) modifications that no one asked for and no one would find useful.  Oh well, at least he has heart, and dreams, and… probably other stuff too that the movie doesn’t really get into.  He’s THE HERO’S JOURNEY writ large and he’s got a call to action lined up for him!  Apparently some bad guys are blowing up planets for reasons (probably because their dicks) and so the team that defends the WHOLE galaxy has decided to increase their ranks from four… to FIVE!!  Okay… well the group, known as the Galactic Rangers, are holding tryouts to find this fifth member (there isn’t already a training program or an academy or something?) which Ratchet participates in, but fails miserably; probably due to his extensive arrest record.  Things may look grim for Ratchet who’s still stuck on this dirt planet, but salvation arrives in the form of a little robot who crash lands near the garage Ratchet works at, and he rushes to save him!  The little robot seems to know something about the villain’s evil plan and must get to the Galactic Rangers to warn them.  Ratchet agrees to help, gives the little guy the name Clank (David Kaye), and they’re off to save the Rangers and the Galaxy as they know it!  Can they manage to stop the bad guys from blowing up the rest of the galaxy?  Will the Galactic Rangers accept them as one of their own?  Did… did anyone actually sit down to watch this before shoving it into theaters?

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“PLEASE!  MAKE IT STOP!!”     “It’s too late Qwark!  We’ve already sequel baited!”     “NOOO!!”

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Cinema Dispatch: Mother’s Day

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Mother’s Day and all the images you see in this review are owned by Open Road Films

Directed by Garry Marshall

Seriously.  It’s not funny anymore Garry Marshall.  Whoever’s paying you to do this or whoever has your family hostage NEEDS to be stopped.  For the third time in a damn row, Garry Marshall is trying to rip off Love Actually by taking the formula and centering on other holidays that seem to be chosen at random.  I wouldn’t be surprised if the next movie is about Arbor Day and Julia Roberts plays a tree in it!  So is this one just as bad as the rest?  Yes.  Yes it is.  No point in giving you false hope.  Let’s just get this one over with…

The movie is separated into four stories.  Jennifer Aniston has to deal with the fact that her ex-husband has remarried a much younger woman and they are both dazzeling the kids with fun trips, junk food, and rock concerts while she’s at her house doing everything else for them.  Jason Sudeikis is a widower whose wife passed away about a year ago and he’s still dealing with the grief while trying to raise his two daughters.  Britt Robertson is a woman who’s raising her infant daughter with her boyfriend, but she also has her own demons to work out as she has never met her birth mother who is an HSN host played by Julia Roberts.  And finally, KKate Hudson and Sarah Chalke play sisters who have married people their parents would not approve of (an indian man played by Aasif Mandvi for the former and another woman played by Cameron Esposito for the latter) and they are no longer able to hide this fact from them since they have made a surprise visit.  Each of these stories are loosely connected by the fact that some of the characters know each other as either friends or in a professional sense, and we follow our heroes as they learn to get over their problems, make up for mistakes they’ve made, and become better people in the process.  Oh and there’s a holiday in here… I guess.

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“Holy hell!  Is… is this what the rest of my career is gonna be like!?”     “Yep.  Welcome to the old ladies club.”     “BUT I’M ONLY TWENTY SIX!!”     “Yeah, and I’m only thirty seven.  It’ll get easier after a while.”

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Cinema Dispatch: Keanu

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Keanu and all the images you see in this review are owned by Warner Bros Pictures

Directed by Peter Atencio

The day has finally come for these two titans of TV comedy to make the leap to the silver screen!  That’s ALWAYS a great idea, right?  Okay, so sometimes the transition from small screen to big screen can be a bit awkward, but the trailers for this movie have inspired a lot of hope in me and many others that this will turn out to be the exception rather than the rule for sketch comedians turned movie stars!  Can the duo pull it off, or is it back to Comedy Central to beg for another season of their show?  Let’s find out!!

The movie follows the misadventures of Rell (Jordan Peele) and Clarence (Keegan-Michael Key); cousins and best friends who must retrieve Rell’s cat Keanu from the clutches of villainy!  You see, Rell had just had a pretty bad break up and was spiraling into depression without much hope for a brighter future.  That is until a small kitten that’s as cute as a button wanders up to his doorstep; bringing with him a glimmer of light and new chapter in Rell’s life.  But where exactly did this cat come from?  Well, what Rell doesn’t know is that this cat belonged to a local drug dealer who’s entire gang was killed right before he himself was murdered; all done by two tough as nails, long haired, mute mother fuckers who did this… for some reason, and are now hell bent on finding that cat… for some reason.  Not only that, but while Rell and Clarence are out seeing a movie, Rell’s place gets broken into and Keanu is kidnapped by the Seventeenth Street Blips (a crew too badass for the Bloods or the Crips)… for some reason.  Honestly, don’t question why people want Keanu; just assume he’s too cute to NOT steal.  Anyway, Rell and Clarence now must go undercover as tough guys and gang bangers (two things they are quite far from being) if they have any hopes of infiltrating the Blips and getting the cat back.  Will they be able to fool the members of this crew and pretend to be hard long enough to get their cat back?  What about the two crazy-ass murderers looking for the cat?  How are they gonna fit into all this?  Wait, so this ISN’T a parody of John Wick!?

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“WHAT DID WE DO TO DESERVE THIS!?”     “YOU DID IT!  WHATEVER IT IS, I T WAS YOU!!”

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