Tag: Movie Review

Cinema Dispatch: John Wick: Chapter 2

~ Matt Vetrano ~ Leave a comment

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John Wick: Chapter 2 and all the images you see in this review are owned by Summit Entertainment

Directed by Chad Stahelski

WOO!!!  JOHN WICK IS BACK!!  Now I wasn’t as over the moon as some people were with that first movie (), but I am never the less EXTREMELY excited to see what Keanu Reeves has up his sleeve in the sequel!  True, sequels to unexpected hits are almost universally terrible (*cough* Highlander 2, The Hangover 2, Taken 2 *cough*), but there’s not a whole lot of ways to screw up a formula like this; especially when what made it work the first time around was well choreographed and expertly shot action scenes; two things that Keanu Reeves and the returning director seem to prize above all else.  Can this manage to be as exceptional as the man himself and ACTUALLY be a good sequel, or has the air gone out of this series the same way the Matrix did when we got ITS sequels?  Let’s find out!!

The movie picks up RIGHT where the last one left off, namely with John Wick (Keanu Reeves) finishing off what remains of the Russian mob (his injuries have healed rather nicely considering how close he was to dying at the end of the last film) and getting his car back.  Of course, because of how much noise he made doing so, he gets a visit from a former associate who wants him to do a favor despite his insistence that he’s FINALLY going to retire.  This turns out to be a VERY bad move as the associate Santino D’Antonio (Riccardo Scamarcio) then blows up his fucking house because of this.  Doesn’t kill the dog though!  No, he makes to the end!  Anyway, apparently Santino has a Marker with John which supposedly makes all of this make sense (spoiler alert: it doesn’t) as a Marker is essentially a blood oath where one party owes the other a one-time request that they MUST do or else… I don’t know, they die?  I mean, good luck finding someone to kill John Wick!  Hell, if that was even an option, why don’t you send THAT person to do the job for you!?  Well no one was asking for my opinion when they were writing this, so John takes the job, executes his target, and THAT’S when things go to hell as the target’s bodyguard Cassian (Common) was  an old friend but now a SWORN MORTAL ENEMY, and Santino betrays John and tries to have him killed.  I totally didn’t see that coming, especially when HIS bodyguard Ares is played by Ruby Rose and was giving John dirty looks throughout the first act (angry dirty; not sexy dirty).  So now he’s got Cassian on his ass, Santino trying to kill him, and oh yeah A SHIT TON OF OTHER ASSASSINS as Santino has ALSO put a hit on him just for good measure.  Will John be able to kill his way to Santino and finally get his retirement once and for all?  Well… PROBABLY considering how good he is at head shots, but does Santino plan to keep John JUST out of arm’s reach?  Who can John trust now that there’s a huge bounty on his head and hit men are coming out the wood work for his very valuable head?   How many suits does this guy go through on a daily basis!?

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Trick question.  Anything John touches is automatically bulletproof.

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Cinema Dispatch: Rings

~ Matt Vetrano ~ 2 Comments

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Rings and all the images you see in this review are owned by Paramount Pictures

Directed by F Javier Gutiérrez

What in the hell took them so long with this!?  Not only is this coming out over a decade since the last one, this one has been pushed back at least three times from its initial release date in November 2015 which is only a few months shy of Monster Trucks’s unimaginably long delay, and we all know how THAT turned out!  Then again, no one was stupid enough to mortgage their studio on THIS film, but I’m not all that optimistic either way.  There’s a hell of a lot going against this movie even before it was pushed back several times, so unless we’ve got the next  Fede Álvarez helming the damn thing, I don’t think there’s much hope of this being even halfway decent; otherwise they wouldn’t have waited until February to dump it on theaters.  All that said, you never know!  Hell, even Monster Trucks managed to be a LITTLE bit of fun, and it’s not like the first film was a sure thing either being a remake of a well-known Japanese horror film!  Maybe there’s something to this that the studios just didn’t see!  Yeah… that’s a bit of a long shot, BUT let’s find out anyway!

So if you’ve seen the trailers, it turns out they don’t actually tell you ANYTHING about the plot of the movie as they basically consist of the cold opening and the last five minutes.  What’s REALLY going on here is that Julia (Matilda Lutz) is a woman dating some dude who went off to college named Holt (Alex Roe) and she ends up worrying about him after he stops taking her calls.  Now in the REAL world this would mean that he’s found some campus squeeze, but instead she finds out that the Biology professor named Gabriel (Johnny Galecki) has him and a WHOLE bunch of other students working on some sort of study into a magic video tape that kills whoever watched it after seven days.  That is, unless the person makes a copy of the video and has someone else watch it, in which case the seven day curse resets and is put on the next person.  It’s not clear exactly what Gabriel’s end goal is here, but shit goes to hell when one of the students dies from Samara’s wrath (the ghost from the other Ring films) and it leaves Holt hanging who need someone to watch his copy soon.  Julia volunteers herself as tribute, but something goes wrong as the video is different, she can’t make a copy herself, and she gets some weird scar on her hand that no one else has gotten.  Clearly Samara is changing the rules on them, so the only way to stop her once and for all is to solve the mystery of what happened to her and why she’s so damn pissed!  No, not the mystery from the FIRST film!  This is a whole NEW mystery about her past that no one bothered to mention until now!  Can Julia and Holt figure out… whatever it is they need to figure out, before it’s too late?  Did Gabriel learn anything USEFUL by messing with the ghost for this long?  So can she just come through ANY screen now; even ones that aren’t TVs?  I wonder what would happen if she haunted a 3DS…

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“These fifty inch TVs are really nice!  So much roomier!”

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Cinema Dispatch: Resident Evil: The Final Chapter

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Resident Evil: The Final Chapter and all the images you see in this review are owned by Screen Gems

Directed by Paul WS Anderson

It has been quite a ride, hasn’t it?  I’ve always been a fan of Paul WS Anderson and his work, especially considering that he’s the only director other than Uwe Bowl who’s attempted to make more than one video game movie and is the one who ACTUALLY made it work.  People STILL say that we don’t have any good video game movies, but what they really mean is that there hasn’t been one that’s been critically acclaimed, and even THAT criterion is rather nebulous.  So what if Resident Evil or Mortal Kombat didn’t win Oscars?  Neither did Taxi Driver or Dr Strangelove!  It truly is the end of an era though considering how few franchises from the early years of the new millennium are still around, recent revivals like xXx non-withstanding, and there really isn’t anything like it to take its place now that it’s over.  Hell, this series DARED to be different from the source material which I can’t imagine ANY film getting away with now considering everything is about franchise management nowadays!  It’s kind of a sad day to see this series go, though it will be doubly so if this final chapter turns out to be a poor note to end things on.  Does Mr. Anderson manage to give us one hell of a sendoff to this beloved series, or has this franchise finally run out of steam right as it was about to reach the finish line?  Let’s find out!!

The movie begins with the world having ended for at least the second time and Alice (Milla Jovovich)  is all alone in the wastelands of what the world once was.  Of course, being the savior of all humanity that she is, someone eventually comes a-knocking for her to be the big hero once again.  This time, it’s… THE RED QUEEN!?  Yes!  The AI from the other films (played this time by Ever Gabo Anderson) that has been trying to kill her apparently wants to help her because Wesker (oh, spoiler alert: Wesker’s a bad guy again and is still played by Shawn Roberts) is just forty eight hours away from wiping out ALL of humanity and Alice has to stop him before then!  How?  Well apparently Umbrella developed an antidote for the T-Virus that no one bothered to mention up to this point and if she can release it into the world in time, all the zombies will die and humanity will be saved!  Of course, the antidote (along with Wesker) is all the way back in Raccoon City so she has to travel back there, go back to the secret underground Umbrella base, and punch as many zombies as possible in the process!  Can Alice save the world one last time before it’s too late, by which I mean the Resident Evil film rights expire?  What exactly brought upon this change of heart from the Red Queen, and could this all be one giant trap to finally destroy her one true enemy?  So wait, did she get her powers back or is she still human Alice?

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Practical?  Not really.   Awesome?  ABSOLUTELY!

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Cinema Dispatch: Split

~ Matt Vetrano ~ 1 Comment

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Split and all the images you see in this review are owned by Universal Pictures

Directed by M Night Shyamalan

We all want Shyamalan to have a comeback and to find a way to make up for the last fifteen years of his career; especially when it includes such unmitigated disasters like After Earth, The Last Airbender, or even The Happening which is fun to watch but for none of the reasons he intended it to be.  Now he did manage to knock out at least one decent film recently which was The Visit, but it was also a clear sign of how far his status has fallen that he was picking up Blumhouse scraps on a dopey premise with a found footage gimmick.  Now it WAS probably the best thing he made since Signs, but even with that it still wasn’t all that great and wasn’t something that I could imagine a dozen other much less accomplished directors directing along with three other direct to video horror films that year.  With this movie though, it seems he’s making a much more earnest effort; not just a paycheck to keep his name relevant, but an honest attempt to make the next great M Night movie that we’ve been waiting for since Bush won reelection.  Does the latest M Night thriller finally bring him back into the spotlight, or is this the final curtain call for the much maligned filmmaker?  Let’s find out!!

The movie begins with the teenagers, Claire, Marcia, and Casey (Haley Lu Richardson, Jessica Sula, and Anya Taylor-Joy), being kidnapped by a mysterious dude for clearly nefarious purposes.  Once they wake up from this… spray the guy uses (do they actually make Knock Out spray?), they find themselves in some sort of basement with two beds, a small bathroom, and a locked door.  Not long after they wake up, they are confronted by their captor Dennis (James McAvoy) who doesn’t give much details but makes it clear that he isn’t about to let them go.  Sometime later, they meet Patricia (James McAvoy) who apologizes for Dennis’s rude behavior, and eventually they meet young Hedwig (James McAvoy) who tells them they’re all screwed.  Now if you couldn’t pick up on it yet, or you haven’t seen the trailers, these are all the same person as their captor, given name Kevin, has Dissociative Identity Disorder and is said to have 23 distinct personalities, though maybe five or six are relevant to the movie.  From there, the movie just builds the tension as more time passes and the women are dreading what their captor has planned for them which, according to Hedwig, are PROBABLY not good things.  While that’s going on, Kevin’s therapist Dr. Karen Fletcher (Betty Buckley) is getting messages from one of his identities, Barry, claiming that they DESPERATLEY need to see her, but whenever he comes in, he seems perfectly fine and is sorry to be wasting her time.  Hm…  So just what does Dennis, Patricia, and Hedwig have planned for the women in his basement?  Will the good doctor find out that everything is certainly NOT fine before it’s too late?  What exactly are those other identities we don’t to see really like?

 

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“Did Igor bring you here so we can work on our experiments?  I mean, I prefer the bodies to be cold BEFORE I bring them back to life, but I can work with this.”

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Cinema Dispatch: xXx: Return of Xander Cage

~ Matt Vetrano ~ 1 Comment

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xXx: Return of Xander Cage and all the images you see in this review are owned by Paramount Pictures

Directed by DJ Caruso

I know I’ve SEEN the first xXx movie, but the only things I can recall are a fake diner, non-lethal bullets with fake blood in them, and a bunch of scientist being killed by the bad guys because reasons.  Needless to say that it didn’t leave much of an impression on me considering how poorly I can recall it as well as the fact that I never felt the need to go back and rewatch it.  Still, what with The Fast and the Furious becoming the most popular international franchise outside of Marvel, they obviously had to milk this franchise again; something that didn’t seem to go well the last time they did it with Ice Cube, but I guess now that XANDER CAGE is back, we can take one more swing at it!  Does the return of Vin Diesel breathe new life into a franchise that’s been comatose for over a decade, or is this just one big Weekend at Bernie’s scheme gone even worse than any of us could imagine?  Let’s find out!!

The movie opens up with NSA Agent Augustus Eugene Gibbons (Samuel L Jackson), who I guess was in the first movie, trying to recruit some football player (as in Soccer) to be a member of xXx, though I’m not sure if that’s a title, the name of the organization, or both.  It doesn’t really matter though because both he and the football player (Neymar) are killed by a satellite that drops out of the sky.  Normally these burn up on reentry LONG before they could really cause THAT kind of damage on the ground, but this is no the movie to be asking those kinds of questions in.  The more important question is… WHO’S RESPONSIBLE!?  Well, government operative Jane Marke (Toni Collette) seems to have an idea of HOW if not exactly WHO as the government JUST SO HAPPENS to have some sort of box that serves NO OTHER PURPOSE than to drop satellites from the sky.  Okay… well the box is stolen by a bunch of badasses (Donnie Yen, Deepika Padukone, Tony Jaa, and Michael Bisping) which means the government has to find an EQUALLY badass person to hunt them down; namely Xander Cage (Vin Diesel).  It doesn’t take long for Jane to recruit him for the mission, and he brings along a crew of people with a certain set of skills to help him out.  Adele the sniper (Ruby Rose), Tennyson the stunt driver (Rory McCann),a nd of course Nicks the DJ (Kris Wu) because apparently you need one of those for this kind of mission.  Can this rag tag crew of Gatorade chugging XTREME athletes save the world before the OTHER Gatorade chugging XTREME athletes destroy it?  What was the government planning to do with that ridiculously specific doomsday device anyway?  Most importantly, does Vin Diesel look cool in this?

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“Would you fuck me?  I’d fuck me.”

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Cinema Dispatch: Live by Night

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Live by Night and all the images you see in this review are owned by Warner Bros Pictures

Directed by Ben Affleck

Look, we’ve ALL had a rough year, but let’s a take a moment to remember the less fortunate among us.  Ben Affleck somehow managed to be in a WORSE super hero movie than Daredevil; a movie made EVEN WORSE when compared to the brilliantly done Netflix series.  Not only that, but he’s roped himself into what SHOULD have been a sure bet franchise (how could they fuck up with characters like BATMAN!?) for the next decade or so which is probably gonna be longer than the current administration, provided he doesn’t change the rules and have to start calling him King or Führer.  I kid of course, but for someone who clawed his way back from obscurity the way Ben Affleck did, it’s kinda disheartening to watch him get stuck in the middle of that mess.  Oh well, at least he gets to make his own movies while Warner Bros tries to get its shit together.  Does this gangster flick that is MUCH more in the Affleck wheelhouse the kind of film we need right now, or is this the huge let down we all deserve?  Let’s find out!!

The movie follows affable rogue Joe Coughlin (Ben Affleck) who’s some bank robbing punk in Boston that plays by his own rules and answers to no one!  Not even the two major mobs in the city, the Irish led by Albert White (Robert Glenister) and the Italians led by Maso Pescatore (Remo Girone), can seem to tame this wild beast!  Well… there is ONE person who’s thumb he’s under, and that’s his lady love Emma Gould (Sienna Miller) who JUST SO HAPPENS to also be one of Albert White’s mistresses.  Needless to say that shit goes down with Albert, and Joe is left for dead as is Emma who the movie ASSURES us is dead despite not bothering to show it (hm…) which means this movie is about one thing.  REVENGA!!  As soon as Joe is out of jail, he goes straight to Maso to work for him (giving up on his play by his own rules principals) to see if he can deliver Robert White on a silver platter.  Maso agrees, but in return Joe has to run his operation all the way in Florida for the foreseeable future which is where the majority of this movie takes place as the Boston stuff is pretty much an extended set up for the rest of the movie.  While there, he has to wrestle with the Cubans, the Klan, and religious nuts just to name a few in his hopes of keeping Maso happy enough to eventually deliver on his promise of dragging Albert White back out into the open.  During his stay in Florida, he’ll come across many friends like Dion Bartolo (Chris Messina) and Graciela Corrales (Zoe Saldana), as well as just as many enemies like scumbag klansman (but I repeat myself) RD Pruitt (Matthew Maher) or the really annoying preacher girl Loretta Figgis (Elle Fanning) who came to Jesus SUPER hard after getting off heroin.  Will Joe eventually get the REVENGA he’s so desperate for?  Will any of that even matter now that he’s building up this new life for himself?  Is this AT LEAST more cohesive than Batman v Superman?

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“So we buy this grocery on Fifth Street, and that will cut down on transportation since we would have an interim distribution center for our products.”     “And that’s gonna get me closer to Robert White, right?”     “What?  Oh right!  You’re still on about that?”

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Cinema Dispatch: Monster Trucks

~ Matt Vetrano ~ 1 Comment

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Monster Trucks and all the images you see in this review are owned by Paramount Pictures

Directed by Chris Wedge

Like alien crop circles and the Loch Ness Monster, this movie about trucks and the monsters that inhabit them remained a legend as the story behind it was ludicrous (some executive’s kid came up with the idea) and the release date kept being pushed back.  The day has finally come however for theaters to finally keep this around for maybe a week or two before it disappears forever and everyone forgets that they spent over a hundred million dollars on it.  Well, maybe that’s a bit harsh.  A troubled development doesn’t NECESSARILY mean the final product is going to be a mess, and maybe it will work better for the target audience than people give it credit for!  Will this be a film that lives up to the legend around it, or is this the last chapter in a long tale of infamy?  Let’s find out!!

The movie begins with some oil baron with a REALLY bad accent, Reece Tenneson (Rob Lowe) digging for that sweet bubbling crude right in the heart of Dakota, but they manage to hit something else instead.  Three monsters come out of the hole they drilled, and while they aren’t quite the heraldersof Cthulhu that you would expect from monsters that rise up from the Earth’s core, they still are gumming up the works for Reece’s operation.  Therefore, he orders all his hired goons which includes the head goon Burke (Holt McCallany) and The ScientistTM Dr. Dowd (Thomas Lennon) to round these creatures up and… do something with them.  One manages to escape however and finds its way to a junk yard MANY miles away where supposed high school student Tripp (Lucas Till) works at all the time; even on school nights.  He finds the creature and eventually finds that he JUST SO HAPPENS to like hanging out inside of his truck, so he modifies the it for his new monster buddy who he calls Creech to surreptitiously drive it with his Monster Magic.  Of course, things can’t quite go the way he wants them to as Burke is out there looking for the monster, his step dad Sheriff Rick (Barry Pepper) is already pissed at him for… reasons, and will probably do… something, and Reece is HELL BENT on killing all these monsters so he can get to the oil beneath… even though discovering monsters would probably net him just as much cash.  Can Tripp and Creech, along with the extraneous love interest Meredith (Jane Levy), save these monsters from the evil Rob Lowe?  What kind of hi-jinks and mischief, as well as felonies, can this lovable crew get involved with in the process?  Did Paramount REALLY have to sink a hundred million into this!?

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See, they had to spend EXTRA money to make a good truck look crappy!

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Cinema Dispatch: The Bye Bye Man

~ Matt Vetrano ~ 2 Comments

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The Bye Bye Man and all the images you see in this review are owned by STX Entertainment

Directed by Stacy Title

See, I thought I wouldn’t have to talk about STX Entertainment again until that damn Mars YA movie finally came out (ENOUGH WITH THE TRAILER ALREADY!) but it looks like they’re here to fill the January Horror Movie quota which was met in previous years by gems such as The Forest, The Devil Inside, and Texas Chainsaw 3D.  Then again, The Boy came out in January of last year, and that was ALSO a film from STX Entertainment, so maybe there’s just a TINY bit of hope here.  Can STX pull off the impossible yet again and give us a January horror film that won’t embarrass the genre, or is this movie just as stupid as its title suggests?  Let’s find out!!

The movie begins in the late sixties where a guy (Jonathan Penner) shoots a bunch of people because they had heard of THE BYE BYE MAN, which I’m sure was the most sensible solution to that problem.  Jump ahead five decades and we find ourselves in modern times where three college students, Elliot, John, and Sasha (Douglas Smith, Lucien Laviscount, and Cressida Bonas), just moved into a new house off of campus and are cleaning up all the crappy furniture that the landlord left them.  Of course, one of the tables has something crudely etched on it that Elliot ends up reading.  Of course it’s the words THE BYE BYE MAN, and in doing so he… I guess invites The Bye Bye man to take permanent residence in his brain.  You know, at least when they summoned the deadites in Evil Dead, they had to read a WHOLE passage from an ancient Sumerian text instead of just a dumb name!  Anyway, the name eventually reaches his two roommates as well as some sort of psychic who is obvious slasher fodder (Jenna Kanell) and so The Bye Bye Man just starts messing with all their heads; making them see things that aren’t there and driving them more and more insane in the process.  Will the three of them find a way to get past this monster’s illusions before it makes them do something they’ll regret?  Why did that dude in the sixties end up shooting everyone who had heard of this… ghost, I guess?  Did anyone stop to read the script before filming this, or were they winging it the whole time?

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“Just watch it, don’t question it.  I wonder what that means…”

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Cinema Dispatch: La La Land

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La La Land and all the images you see in this review are owned by Summit Entertainment

Directed by Damien Chazelle

Well this certainly jumped to everyone’s best of the year list, didn’t it?  Too bad I didn’t get to see it in 2016 as the wide release wasn’t until January, but hey, at least I get to see it AT ALL.  I mean who DOESN’T love song and dance numbers interwoven into a classic Hollywood love story, especially when it’s done as well as this one is supposed to be?  Does this manage to be a film for the ages like those it takes its greatest inspiration from, or is this a mere copycat that doesn’t have a true identity of its own?  Let’s find out!!

The movie takes place in present day Hollywood where we follow the struggling actress Mia (Emma Stone) and the struggling Jazz pianist Sebastian (Ryan Gosling) as they struggle their hearts out for their dreams and manage to find each other in the process.  While Emma wants to simply get her big break, Sebastian has much more specific aspirations as he wants to open his own Jazz club right in the heart of the city, which is gonna be difficult because he’s flat broke and can’t even keep a steady gig going because he doesn’t want to play the set list provided… because he’s an artist I guess.  Still, they manage to scrape by as they keep working towards their dreams while also putting on elaborate and non-diegetic song and dance numbers for our entertainment!  Will the realities of the business crush their spirits and drive them apart as more and more chances start to slip away?  Can a movie this unabashedly old fashion manage to work in a modern day context?  Did they manage to outdo Tarantino as far as movie references!?

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“What do you think?”     “It’s alright I guess.  Kinda derivative.”

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