Cinema Dispatch: The Circle

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Unforgettable and all the images you see in this review are owned by STX Entertainment and EuropaCorp

Directed by James Ponsoldt

So you’re telling me that there’s a movie with Emma Watson, John Boyega, Tom Hanks, AND Patton Oswalt!?  This is either gonna be the greatest movie of all time, or a HUGE disaster if they managed to rope in THAT kind of cast for an EVIL GOOGLE movie!  Now techno-thrillers aren’t always the easiest idea to sell considering how hard it is to truly capture something that the world interacts with on a very intrinsic level on a daily basis which runs the risk of not fully understanding the material that is being explored (*cough* The Lawnmower Man *cough*) and even ones that succeed in that still tend to have a rather short shelf life considering how quickly technology changes and therefore what we fear about them does to.  Does The Circle manage to surpass expectations to become that one rare techno-thriller that ISN’T completely laughable, or is it yet another failed entry in the genre?  Let’s find out!!

The movie begins with Mae Holland (Emma Watson) getting the chance to work in the Customer Service department of The Circle.  What is The Circle?  Well, it’s basically a social media account a la Facebook, but with a lot more functionalities tied to it… so basically a Google+ account if anyone actually gave a shit about those.  The Circle is ALSO the gigantic facility where all the employees work and most of them end up sleeping, eating, socializing, and partying for months on end; barely getting a glimpse of the outside world from their little techno-paradise.  They’re all led by their charismatic leader Steve Jobs… I mean Eamon Bailey (Tom Hanks), who drags them all into an auditorium every damn week to tell them what crazy idea they’ll be working on next with his second in command Tom Stenton (Patton Oswalt) standing off to the side and making sure everything goes according to plan.  Now the longer Mae stays there, the more obvious that these people are acting just the TINIEST bit silly what with their undying devotion to the idea of THE CIRCLE (whatever the hell it’s supposed to represent) and them being one big interconnected community with no secrets.  After all, if you know something, then why not post it for the world to see?  She’s not the only one slightly skeptical about all this as some dude who just likes to hang out on the outskirts of the cool parties (John Boyega) also doesn’t trust what The Circle is up to, but then he doesn’t seem to be doing anything to stop it.  Anyway, The Circle’s plans for world domination… I mean effective social media services, gets creepier and more invasive as time goes on; eventually sweeping Mae right in the middle of it as she soon becomes a spokesperson for The Circle and what it represents.  Can Mae put an end to… whatever the hell The Circle is planning before it’s too late, or has she already drunken the Kool-Aid?  Will John Boyega get to do anything in the movie, or is he basically just a cameo?  Is there anyone less threatening than Tom Hanks, even when he’s trying to be a bad guy?

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Oh, he can’t be THAT bad, right?  Wait a minute… that’s what they WANT you to think!

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Cinema Dispatch: Unforgettable

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Unforgettable and all the images you see in this review are owned by Warner Bros

Directed by Denise Di Novi

A lot of people seem to enjoy this recent upswing in Steamy Thrillers, but while I can certainly see the appeal of them in a trashy sort of way (more so When the Bough Breaks than The Perfect Guy), they always seem to have an element in the story or a fundamental conceit that rubbed me the wrong way.  This new entry into the genre looks to have the same issues while also having the unfortunate drawback of no Morris Chestnut, but the casting is interesting to say the say least so maybe there’s something to this.  Can this rise above its trashy peers to be the ULTIMATE trash film, or is it trashy in the less fun sense of the word?  Let’s find out!!

The movie follows Julia Banks (Rosario Dawson) who just moved in with her boyfriend and soon to be husband David Connover (Geoff Stults) which seems like a dream come true and is the perfect opportunity for her to put her past behind her which involves some shit headed abuser named Michael (Simon Kassianides) who is now VERY far away considering she’s now on the other side of the country.  Of course, her good luck doesn’t last for long as she’s now caught in the cross hairs of Tessa Connover (Katherine Heigl) who’s David’s ex-wife and is none too happy about it; particularly when it comes to her daughter Lilly (Isabella Rice) who now has to spend time with Daddy’s Girlfriend.  Tessa, the controlling and vindictive person that she is, makes it her mission to not only get Julia out of the picture as quickly as possible, but to do it in the most crew and vindictive ways possible and to worm her way back into David’s arms in the process.  Just how far will Tessa go in her quest for vengeance, and will Julia be able to withstand the pressure?  Will David come to Julia’s aid when the heat gets turned up, or will he buckle under the circumstantial evidence that Tessa piles up against her?  Was this some sort of long lost sequel to Fatal Attraction that was shelved twenty years ago!?  It certainly FEELS that dated!!

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“Would you fuck me?  I’d fuck me, but ONLY after a PROPER cleaning first.”

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Cinema Dispatch: Free Fire

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Free Fire and all the images you see in this review are owned by StudioCanal UK

Directed by Ben Wheatley

I honestly don’t get excited to see movies all that often.  For one, I’m gonna see the damn movies whether or not they’re any good, and on top of that the only movies that seem to get a big marketing push nowadays are big franchise pictures like the MCU, the DCCU, and even The Fast and the Furious.  This movie however was the exception to that rule as I caught the trailer a few times and fell in love with the concept right away.  A real time gun fight set in the seventies with Sharlto Freaking Copley in it!?  Damn!  That’s almost too good to even show up in my local theater, which… spoiler alert: it didn’t and I had to drive to the one forty minutes away.  See, while everyone was gushing over The Nice Guys last year, it just didn’t quite do it for me as much as it did for everyone else, and this seems like the kind of thing that was not only going for that kind of look and feel but was much more in my wheelhouse as far as the overall tone and the central conceit.  Needless to say that this has been a long day coming and I’m hoping for the best while bracing myself for… well not the WORST as the trailers showed way too much promise for THAT to be the case, but at the very least I hope it’s better than mediocre.  Does this manage to live up to my rarely lifted expectations, or am I doomed to be disappointed by a film that showed a whole lot of promise?  Let’s find out!!

The movie begins with essentially two groups of colorful people in the gaudiest seventies fashion meeting in a warehouse to broker a gun deal.  One side is led by Chris (Cillian Murphy) and a few Irish gangsters (Michael Smiley, Sam Riley, and Enzo Cilenti) while the other side is led by Vernon (Sharlto Copley) and his associates (Babou Ceesay, Jack Reynor, and Noah Taylor).  In the middle are Justine and Ord (Brie Larson and Armie Hammer) who seem to have brokered the deal between the two sides and therefore probably have the most investment in everything going smoothly.  Of course, we wouldn’t have a movie if everything was hunky dory, and eventually bullets start flying after a few altercations and outburst from some of the less professional individuals on each side.  That’s it.  The rest of the movie is watching to see who gets killed next as they trade bullets and yell insults at each other for the next eighty minutes, and it’s pretty damn awesome!  Does anyone manage to make it out of this factory alive?  Was there a more sinister plot in play than anyone on either side realized before they started shooting at each other?  Can we please get Sharlto Copley a Marvel movie or something!?  He’s like the new Nicolas Cage and I want to see him in everything!!

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“If you see some motherfucking producer carrying a script around for another Wicker Man remake, you blow his bloody head up!”

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Cinema Dispatch: The Fate of the Furious

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Fate of the Furious and all the images you see in this review are owned by Universal Pictures

Directed by F Gary Gray

I hope all of you out there appreciate what I do for you!  A week ago, I had never even SEEN a Fast and the Furious movie, and yet I managed to binge watch ALL SEVEN OF THEM so that I can properly review this new one as the series now has a continuity more dense than the freaking Terminator, and that’s SUPPOSED to be convoluted!  I HAD TO WATCH TOKYO DRIFT FOR YOU PEOPLE!!  Sigh… alright, well it’s not like I even HATED any of the movies (other than Tokyo Drift) as most of them are at least DECENT if not all that engaging.  For me though, they didn’t pick up until part six when the BUDGET finally started to match the VISION that was always there, because let’s face it; Fast and the Furious was NEVER a serious series.  It was ALWAYS balls to the wall insanity, just at different degrees depending on what they could afford (except for Tokyo Drift which was just garbage).  So with the last two films finally managing to reach the potential this series was always capable of, does that trend continue with this film?  Let’s find out!!

The movie begins in Cuba where Dominic Toretto (Vin Diesel) and Letty Ortiz (Michelle Rodriguez) have settled down since the last movie where their house got blown up, and they’re doing their typical first act shtick of racing cars, talking about family, and forging new friendships!  That is until a super hacker hilariously named CIPHER (Charlize Theron) corners Dom at one point and shows him something that will CHANGE EVERYTHING FOREVER!!  Cut to a few days later where good ol’ Luke Hobbs (Dwayne Johnson) calls him and the rest of the crew up (Tyrese Gibson, Chirs Bridges, and Nathalie Emmanuel) to do another mission.  Everything goes according to plan except… DOM BETRAYS THEM!!  Their mission was to take an EMP from someplace in German (for reasons that I’m sure make sense) but he crashes Hobbs’s car right at the end and takes it for himself; leaving Hobbs to get thrown in jail back in America which JUST SO HAPPENS to be the same jail that Deckard Shaw (Jason Statham) is locked in as well… and they get cells right across from each other because reasons.  So now it’s up to our favorite crew of street racers along with Frank Petty (Kurt Russel) from the last movie who’s the leader of some sort of spy organization as well as his new protégé of sorts Eric Reisner (Scott Eastwood) to find out what Dom is doing, what CIPHER wants from him, and hopefully how to solve all this without taking him out as well.  Just what is the reason that Dom betrayed the one thing he cares about more than anything which is FAMILY?  Just what is CIPHER planning, and is it bad enough that the crew may have no other choice than to take Dom out?  Will Vin Diesel FINALLY give that Oscar performance he’s been hoping for!?

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“I DRINK YOUR MILKSHAKE!!  SLLLLLUUURRRP!”

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Cinema Dispatch: Smurfs: The Lost Village

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Smurfs: The Lost Village and all the images you see in this review are owned by Columbia Pictures and Sony Pictures Animation

Directed by Kelly Asbury

Considering how the LAST two Smurfs movies turned out, this really doesn’t have to do all that much to be a massive improvement, does it?  To be fair, it DOES look like the new direction their going in is the right move for this franchise as it looks much more like the original series, and we’re also not going to the real world this time around which shows some signs that Sony realized where they screwed up and are trying to make it better.  Plus, they also got Jack McBrayer which is you all need to get my ass into a theater!  Does this manage to win back the fans it lost with the last two cynical features, or did they manage to screw it up again even with two perfect examples of how NOT to make a Smurfs movie to go by?  Let’s find out!

The movie starts in Smurf village where all the little Smurfs are Smurfing about doing their Smurfy thing.  All except for Smurfette (Demi Lovato) who may have golden locks to die for but isn’t sure what else a Smurfette is supposed to do.  Oh sure, it’s easy for Police Smurf and Saxophone Smurf who’s occupations are spelled out for them like a Cutie Mark in My Little Pony, but what about her!?  Is being the one and only female Smurf the ONLY thing she’s good at!?  Well… maybe not as she soon discovers another Smurf while Smurf-boarding in the forest, but before she can ask any questions or even get a good look at them, they run off into the FORBIDDEN FOREST which I can only assume is the same one from Harry Potter.  Smurfette wants to find this new Smurf as well as the village they came from (perhaps a LOST village of Smurfs!?) but Papa Smurf (Mandy Patinkin) forbids her to go into the FORBIDDEN FOREST because… well, it’s FORBIDDEN!  Despite his warnings not to go out there, she sneaks off into the middle of the night to go searching the FORBIDDEN FOREST and ends up having a few tag-alongs who were following her in the form of Hefty Smurf (Joe Manganiello), Clumsy Smurf (Jack McBrayer) and Brainy Smurf (Danny Pudi); all of whom are sure to bring their unique brand of Smurf Shenanigans to this adventure!  Oh, and of course the evil wizard Gargamel (Rainn Wilson) gets wind of this lost village, so they have to contend with him stomping through the forest as well; hoping to find these new Smurfs and using them to become the world’s most powerful wizard by smooshing them in some sort of magic juicer!  Can the Smurfs find The Lost Village and warn them of Gargamel before it’s too late?  Will Smurfette finally find out what her true purpose is on this epic quest?  Just who are these new Smurfs that they’re looking for, and are they even blue!?  What if… WHAT IF THEY’RE SNORKS!?

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It’s the Hannah-Barbarra Cinematic Universe!  WE KNEW IT WAS COMING SOONER OR LATER!!

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Cinema Dispatch: The Boss Baby

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The Boss Baby and all the images you see in this review are owned by 20th Century Fox and DreamWorks Animation

Directed by Tom McGrath

Well gee, THIS sure looks like a gem.  Just… why?  Wasn’t Storks enough!?  How many baby movies do we NEED!?  Look, the trailers were terrible, the premise is hacky, and the casting of Alec Baldwin as a talking baby seemed like something you would do in a Saturday Night Live sketch.  Point being that NOTHING about this movie didn’t look like the cynical machinations of Hollywood hacks and I was not looking forward to it.  Still, movies have managed to surprise me in the past, and it’s not like this could be as bad as it looks… right?  Let’s find out!!

The movie begins with little Timothy Templeton (Miles Chirstopher Bakshi) who’s the only child of Ted and Janice Templeton (Jimmy Kimmel and Lisa Kudrow) and he loves all the attention that he gets because of it.  Unfortunately for Tim, daddy forgot their condom… I mean the secret agency of babies in the sky is sending down one of their agents (Alec Baldwin) and he now has to deal with a new boss in the house.  Get it?  Because babies are so BOSSY and DEMANDING?  Cheeky metaphor aside, it turns out that the baby is here for a specific reason and not just to fuck with Timmy.  Apparently the secret agency of babies in the sky are under threat by an incoming invasion of super cute puppies (okay…) and The Boss Baby ends up needing Tim-Tim’s help in order stop them.  If the duo can stop the super cute puppies (so I guess they have to kill them?), he’ll go back to the secret agency of babies in the sky, and he’ll go back to being an only child.  Can the siblings put aside their rivalry long enough to ensure they never have to see each other again?  Will The Boss Baby learn something about family on this ridiculous journey to destroy puppies?  Why… why does this movie want us to dislike puppies!?

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“This is clearly a case of Baby Displacement!  We need to form our own Baby Ethno-State in order to preserve the sanctity of our cuteness!”

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Cinema Dispatch: Life

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Life and all the images you see in this review are owned by Columbia Pictures

Directed by Daniel Espinosa

What’s with movies trying to tell us that Space is totally scary!?  I LIKE space!  That’s where all the Star Trek stuff happens!  I mean, between Ridley Scott’s Alien, Gravity from a few years ago, and now THIS movie, it’s like Hollywood has a grudge against NASA or something!  This may be the most overt example though considering it’s literally called LIFE which is about the FIRST FORM OF LIFE WE’VE DISCOVERED OUTSIDE OF EARTH (from freaking MARS of all places) is apparently a serial killing jellyfish monster.  Anyway, does this latest entry into the horror sci-fi genre turn out to be another classic, or is this yet another uninspired snooze fest trying to grasp onto ideas that have already been done in much better movies?  Let’s find out!!

The movie begins IN SPAAAAAAACE on what I believe is supposed to be the International Space Station, but it could just be a unique space station for this movie.  The six member crew of this station (Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, and Olga Dihovichnaya) receive a package from a probe that was sent to Mars which has some dirt samples for them to analyze, and of course they find a single living cell tucked away inside; confirming once and for all that there is life outside of Earth.  Of course, the cell turns out to be PURE EVIL as it grows SUPER fast and eventually turns into some white squid/bat looking thingy which starts to wreak havoc on the crew members and on the integrity of the station itself.  Can our fearless astronauts stop this space menace from killing them all and destroying the station?  Failing that, can they keep the monster from making it back to Earth and presumably destroying all life on it!?  WHY DIDN’T THEY BRING SOME SPACE MARINES ABOARD IN CASE SOMETHING LIKE THIS HAPPENED!?  Master Chief could have solved this in minute!!

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HOLY SHIT!  How did a space squid manage to do THAT!?

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Cinema Dispatch: Table 19

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Table 19 and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Jeffrey Blitz

Table what now?  Has anyone heard of this movie before like a week ago?  Hell, did anyone see a trailer of this or is its target audience people who couldn’t see Beauty and the Beast because it was sold out but made the effort to get out of the damn house anyway so are going to see something else?  I don’t know about you, but that seems like a pretty niche market to go after!  Well just because no one has heard of the damn thing doesn’t mean it’s a BAD movie.  Hell, Shawshank Redemption was a HUGE flop and now it’s one of the most beloved and overexposed films of all time!  Okay, so this probably isn’t gonna be THAT good, but maybe it’ll still manage to be rather enjoyable.  Let’s find out!!

The table in question refers to a table at the wedding reception, and the nineteenth one is the LAST table in the hierarchy of wedding guests.  While all the important people are at the first few tables and all the REAL guests are in the latter ones, the ones who were invited but weren’t expected to show up were placed at the TABLE OF INFINITE SHAME!!  The guest list includes the brides former babysitter (June Squibb) which seems kinda mean spirited, a couple who worked with the one of the dads of the married couple many years ago (Lisa Kudrow and Craig Robinson), a family member who screwed someone out of A LOT of money (Stephen Merchant), and… some teenager (Tony Revolori).  Honestly, I don’t remember why he’s even there in the first place, but his shtick is that he’s horny all the time so maybe he’s on hand to fill a cliché quota.  ANYWAY!  There’s still one more person at the table.  The best friend of the bride (Anna Kendrick)!?  SAY WHAT!?  She’s ALSO the former Maid of Honor and is personally responsible for the seating arrangements!?  As it turns out, there was a major falling out, particularly in regards to the brother of the bride (Wyatt Russel), and while she ultimately decided to still go, she’s stuck with the losers and rejects who probably resent being considered losers and rejects.  Will shenanigans inevitably ensue now that a Molotov cocktail of resentment has landed at the table with people who pretty much have nothing to lose here?   Just what exactly happened between our heroine of sorts and the happy couple’s family?  WHAT ARE THEY GONNA DO TO THE WEDDING CAKE!?

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“We’re all in agreement.  The cake had it coming, and we will never speak of this again…”

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Cinema Dispatch: Power Rangers

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Power Rangers and all the images you see in this review are owned by Lionsgate

Directed by Dean Israelite

Look, I’ve been dreading this one since they released the first image of them in their power suits, and everything since then just seemed to confirm my suspicions about what this movie was going to be.  On top of that, while I do have a soft spot for some Power Rangers/Super Sentai stuff (I have the movie with Ivan Ooze on VHS and I’m a pretty big fan of Tensou Sentai Goseiger), my knowledge of the Mighty Morphin iteration of this franchise is pretty limited.  It’s an odd place to be in when going into this movie as I’m someone who still needs to be taught pretty much everything about the movie, but I’m also gonna be more aware than most when it comes to how much this diverts from what the core of Power Rangers is supposed to be.  Now I don’t often go into movies READY to hate them, but there have been occasions where I went in knowing that there’s a pretty good chance I’ll end up hating it, and this is one of those times.  Now that’s not to say I wasn’t going to give this movie credit if it DID end up being great… it was just that my expectations were very low from the outset.  Did this movie ultimately prove me wrong and ended up being a worthwhile reinterpretation of the original series as well as a great continuation of the Power Rangers brand, or was this movie everything I dreaded it to be and so much worse?  Let’s find out!!

As I’m sure we all know, the story of Power Rangers is about five teenagers with attitude who are chosen by the Great and Powerful Zordon (Bryan Cranston) to fight alien monsters who threaten their small town of Angel Grove and by extension planet Earth.  This sticks pretty close to that, though replace teenagers with attitudes to teenagers with angst, tragedies, mean streaks, and felonies, and replace chosen with begrudgingly accept because unlike the previous version, the teens find Zordon rather than the other way around.  COINCIDENTALLY ON THE SAME DAY THAT THE TEENS FIND ZORDON, Rita Repulsa (Elizabeth Banks) is fished out the ocean instead of being uncorked from some canister on the moon, and proceeds to run amuck in Angel Grove while slowly gaining her powers back.  Now the new Power Rangers which are comprised of Jason, Kimberly, Billy, Trini, and Zack (Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, and Ludi Lin) must come together as a team and fend off the bad guy before she finds the McGuffin of Ultimate Destiny (I think they called it a Zeo Crystal) and… blows up the Earth I guess?  Can these teens who aren’t even friends to begin with find a way to overcome their differences and beat the crap out of the space witch?  Will they learn to control their individual animal robot vehicles in time to fend off Rita’s gold monster thingy and eventually come together to form one giant robot?  WHY IS EVERYTHING I JUST DESCRIBED SO DISAPPOINTINGLY REALIZED IN THIS MOVIE!?

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Hey, I’m pretty sure drugs are the only thing to make this even REMOTELY resemble Power Rangers.

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Cinema Dispatch: Beauty and the Beast

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Beauty and the Beast and all the images you see in this review are owned by Walt Disney Studios

Directed by Bill Condon

So Maleficent was good, as were the two Alice in Wonderland movies (WHAT!?  THEY ARE!!), but what exactly is Disney’s end goal in trying to burn through their entire catalog in search of reigniting nostalgic fans to spend money on these stories once again?  Sure, Mulan seems like a good idea, but they’ve got plans for live action adaptations of The Little Mermaid, The Lion King, and even a Dumbo movie that’s been in development for almost three years now!  Before all that though, we’ve got this remake of the classic 1991 film which seems to be the most… shall we say FAITHFUL, of the bunch so far as the trailers seem to imply that it’s basically shot for shot.  Then again, they did bring Bill Condon on hand to direct who’s work includes Dream Girls and Chicago, as well as the ONE decent Twilight movie (*cough* Breaking Dawn Part 2 *cough*), so maybe there’s a bit more inspiration and creative flourish on hand than what we’ve been lead to believe from the marketing.  Is this the yet another success for the Mouse House and the new direction they’re taking with their non-Marvel and Non-Star Wars films, or is this just a lazy cash grab for a studio that can do much better?  Let’s find out!!

The movie is… well it’s Beauty and the Beast.  Do you NEED me to tell you what it’s about?  Ugh… fine.  There once was a prince (Dan Stevens) who was total jerk.  He rejected a beggar woman at his door which seems to be standard protocol in the Aristocracy, but this beggar was the one in ten thousand that you do not mess with as she turns out to be an Enchantress who puts a curse on the prince, his castle, and all of his servants.  The prince, who is now a furry, has to find true love before time runs out which is determined by a magic rose slowly dying in his room or else the curse will be permanent and he will have to live as his fursona for all time!  Now I wouldn’t think that would be TOO bad of an outcome (buff as all hell, no summer heat because the castle is in a perpetual winter, you don’t have to pay your servants anymore), but I guess it’ll do for a redemption arc.  More important than that though is the story of Belle (Emma Watson) herself who is a bright young woman from the local village that can’t wait to live a life of excitement, adventure, and proper bathing habits; none of which she can find as long as she stays there.  The village thinks she’s strange because she can read and stuff which makes her a bit of an outcast, but that doesn’t avert the local hottie Gaston (Luke Evans) from pursuing her with all his M’lady charms; backed up of course by his friend LeFou (Josh Gad) who’s just happy to be spending time with the big lug the same way Smithers finds working with Mr. Burns to be so rewarding!  When disaster strikes and Belle’s father (Kevin Kline) is locked up by The Beast for trespassing on his land, Belle agrees to take his place and stay in the castle… FOREVER!!  Admittedly not the BEST way to start a relationship, but maybe he can learn to stop acting like an uncouth animal from her example and maybe she can finally experience some of that adventure and wonder that has eluded her for so long.  I mean… she’s STILL a prisoner, but it is at least a really nice prison!  Will The Beast learn his lesson about giving poor people food (or was it finding love?) before it’s too late?  What will Belle do now that she’s trapped in a magical castle with talking furniture, and will she find a way to escape her captor?  Does anyone else think Ron Perlman should have been cast in this?  Thirty years later, and he can STILL pull it off!

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Oh don’t pout!  NO ONE is as good as Hellboy!

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