Cinema Dispatch: The Last Duel

The Last Duel and all the images you see in this review are owned by 20th Century Studios

Directed by Ridley Scott

It’s officially catch-up month over her as I scramble to fit a few more reviews in before the New Year and try to catch up on some of the things I missed, so hey; why not two Ridley Scott movies back to back?  While House of Gucci had a modest amount of box office success despite some rather underwhelming reviews, the same cannot be said for this film which came and went with barely a notice from general audiences.  Did we all miss out on a fantastic gem that deserved a lot more attention at the box office, or is this just a really bad year for the venerable director?  Let’s find out!!

The story takes place in Medieval France and follows three people whose fates are inexorably and cruelly intertwined.  Jean de Carrouges (Matt Damon) is a simple if narrow-minded warrior in the French army who takes a wife, The Lady Marguerite (Jodie Comer), and while there are some advantages to the marriage in terms of property and a bit of esteem in the court, he’s still very much outclassed by his friend, the Squire Jacques Le Gris (Adam Driver).  He doesn’t come from a family of warriors or is in an advantageous marriage, but still, he pulled himself up through cunning and political maneuvering to become a chief adviser to the nearby lord, Count Pierre d’Alençon (Ben Affleck).  The tensions between Jean and Jacques escalate as Jacques curries more favor with the community while Jean is just kinda being sad in his castle with his wife and mother, and it all comes to a head when Jean returns from the capital to find his wife in an utterly distraught state.  She says that while he was gone, Jacques broke in and raped her which Jacques denies vociferously.  Being a man of honor (and one that doesn’t listen to his wife), Jean challenges Jacques to a duel to the death, with the caveat being that if Jean falls in battle then Marguerite will be burned at the stake.  With so much riding on something as arbitrary as a fight with swords, can justice truly be meted out for Marguerite?  Is there more to this story than any of the three participants are willing to share and is there more to the duel than meets the eye?  First Joan of Arc, and now this?  Seriously, Middle Ages!  Get your act together!

“If this duck quacks an even number of times, you are innocent.  An odd number however and you will be condemned as a witch!”     “Is there an appeals process?”     “That involves two cows a budgerigar, and a length of twine.”
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Cinema Dispatch: The Foreigner

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The Foreigner and all the images you see in this review are owned by STX Entertainment

Directed by Martin Campbell

FINALLY!  I’ve been waiting to see this movie for MONTHS considering how bad ass that first trailer was!  Jackie Chan in a gritty action film where he’s blowing stuff up and shooting people in the face!?  It’s like those Liam Neeson films only with an actor who ACTUALLY know how to fight instead of just being really good at pretending they can!  Now I’ve seen my fair share of Jackie Chan films, but the dude is so prolific outside the US (he’s a freaking POP STAR SINGER in China!) that no matter how many films they sneak onto Netflix, there’s always gonna be a lot more that flew under the radar.  That’s why I’m so glad to see him headlining a big mainstream (at least for the US) Hollywood film to remind people that he’s still the freaking man!  That’s not even getting into the solid team behind this which includes both James Bond actor Pierce Brosnan and James Bond director Martin Campbell; both of whom may not have the BEST track record but can certainly produce some solid work when the need arises!  Can this dark thriller starring the most delightful man in existence live up to the huge expectations set for it, or are we doomed to be disappointed once again like we were with Green Lantern, Mamma Mia, and Rush Hour 3?  Let’s find out!!

The movie begins with the typical overprotective dad Ngoc Minh Quan (Jackie Chan) picking up his teenage daughter from school (Katie Leung) when BOOM!!  She gets caught in a terrorist bombing from a group known as the Authentic IRA who shaking things up in the UK; especially for Liam Hennessy (Pierce Brosnan) who’s now an elected official but was a member of IRA Classic.  With little else to turn to, Quan starts to zero in on Hennessy as the one person who might have a clue as to who are behind the bombing that killed his daughter, and he’s also the target of the English government who are hell bent on stopping whatever this group has in store next.  Can Quan get the justice he seeks for the death of his daughter?  Does Liam Hennessy actually know more than he’s letting on about the recent bombings?  Seriously, why wasn’t THIS guy in those taken movies!?

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“You think THAT guy had a particular set of skills!?”

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Cinema Dispatch: King Arthur: Legend of the Sword

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King Arthur: Legend of the Sword and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Guy Ritchie

I don’t know about you, but the definitive King Arthur movie was already made by Monty Python in 1975, so unless Charlie Hunnam is gonna be fetching shrubberies for the Knights who say Ni I’m gonna have a hard time taking this movie seriously!  Okay, so clearly we’re not gonna get a movie as good as Holy Grail (which admittedly is an impossibly high bar to set), but I did like The Man from U.N.C.L.E. well enough which was Ritchie’s last film, and while I never got around to seeing the Sherlock Holmes movies I hear they’re solid as big budgeted adaptations that favors style over substance, even if they did get overshadowed by the BBC show once that became a hit.  The point is, we haven’t had a good King Arthur movie in quite a while and Ritchie is usually reliably competent with this kind of bigger than life myth making material, so maybe he’ll have a chance of clearing that very low bar set by the likes of Antoine Fuqua’s King Arthur movie and A Kid in King Arthur’s Court.  Can this movie manage to at least be better than those?  Let’s find out!!

The movie begins long before Arthur becomes king; namely when his dad Uther Pendragon (Eric Bana) was ruling shit and killing dark wizards!  It’s just too bad that the guy had to have a brother because as we all know, the only purpose they serve in medieval stories is to kill the current king and assume the throne!  That’s just what Vortigern (Jude Law) does here, but little Arthur just barely manages to escape after being drifted down a river on a small boat (I think we’re mixing our mythologies here).  He’s found in a nearby village, grows up in a brothel, and turns into Sexy Arthur (Charlie Hunnam) who for some reason has no idea that he’s ACTUALLY the rightful king of… wherever the heck they are.  They keep referring to it is as Londinum, so I guess it’ll become Camelot in the sequel.  ANYWAY!  You can’t keep a hero from fulfilling his destiny, and he manages to pull the sword from the stone (similar to how Link pulls the Master Sword out of the Temple of Time) which gets everyone under Vortigern’s thumb hunting his chiseled ass down so they can finally kill the Born King once and for all!  Along the way, Arthur teams up with a mage (Àstrid Bergès-Frisbey) who is NOT Merlin but close enough, Sir Bedivere (Djimon Hounsou) who replaces Terry Jones’s mustache with a goatee, and several others; some of whom are from the original stories and other who are clearly not.  Can this rag tag group of Merry Men… I mean Honorable Knights, take down the deceitful king once and for all?  Will Arthur face his responsibilities and destiny with grace and composure, or will he first have to run away from them like any good Joseph Campbell hero?  Did anyone proof read this script before shooting it, or was everyone on board with the giant elephants, anachronistic dialogue, and the random excursion to Monster Island?

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“With this sword, I shall become The Avatar and control all four elements!!”

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