Cinema Dispatch: Halloween Kills

Halloween Kills and all the images you see in this review are owned by Universal Pictures

Directed by David Gordon Green

It looks like the only thing that could stop Michael Myers was a global Pandemic as this was supposed to come out last Halloween, but I guess any October is a good time to release a new installment of this series.  The 2018 film was a breath of fresh air in a franchise that went off the rails in several different ways, but the ending left me rather cold as it was clearly there to make room for a sequel instead of giving us a definitive end to the story.  Now that sequel is here so it’s time to find out if it was worth undercutting the dramatic conclusion to the last film to get one more story out of this new continuity.  Is this the proper conclusion we were hoping to get in the last movie, or should they have ended the series then and there?  Lets’ find out!!

Continuing where the last movie left off, Laurie Strode along with her daughter and granddaughter Karen and Allyson (Jamie Lee Curtis, Judy Greer, and Andi Matichak) are speeding away from her burning house with Michael Myers (James Judy Courtney and Nick Castle) trapped inside; a plan that seemed dubious when we saw it three years ago and now we can see exactly why as Michael manages to survive the fire and kills a bunch of firefighters in the process.  Over the course of the evening, it becomes clear to the whole town of Haddonfield that Michael Myers is still on the loose and wreaking havoc wherever he goes, so it’s up to the people of that town including a fully grown Tommy Doyle (Anthony Michael Hall) to lead the charge and put an end to this murder once and for all!  While all this is going on, Laurie is in the hospital recovering from Michael’s attack and Karen is doing what she can to keep her family together despite Allyson being in the throes of grief and seeking revenge wherever she can find it.  Can this town put an end to this shadow that has been hanging over them since that fateful night in 1978?  What will it take to put Michael down once and for all, and is it something that can be done without losing more lives and perhaps even the soul of this town?  Seriously, Laurie.  You couldn’t put two in the head for good measure before lighting the house on fire?  Heck, you could have at least thrown a bit of gasoline on him!

If we don’t learn that Michael is actually a Highlander, I’m gonna start questioning the seriousness of this series!
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Cinema Dispatch: The Happytime Murders

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The Happytime Murders and all the images you see in this review are owned by STX Entertainment

Directed by Brian Henson

Well the day has finally arrived!  After a decade of production hell, Brian Henson has FINALLY completed his dream project and is ready to show it to the world!  I’m excited to say the least, especially after they released the trailer and I started looking into Henson Alternative which is the offshoot of the Henson Company that’s responsible for bringing this to life, and sure some of their productions have been less than stellar, but this premise is just too great of an idea to NOT want to see get made!  I rarely get this excited for a movie as I usually try not to get too hyped for stuff that I’ll end up reviewing (I’m also VERY good at living under a rock so a lot of movie do sneak up on me), but for this one I have very high hopes that we’ll get something unique if nothing else.  Does this manage to exceed my expectations and is one of the best action comedies this year, or was this yet another pet project that should have never seen the light of day?  Let’s find out!!

Phil Phillips (Bill Barretta) is a private eye working in Los Angeles who not only used to be a cop but was the very first puppet cop in the city.  However, after… THE INCIDENT… that ousted him from the force, he’s been making ends meet digging up other people’s dirty laundry.  May not be the most noble of professions, but it keeps a roof over his head, a steady paycheck for his assistant Bubbles (Maya Rudolph), and a well-stocked shelf of booze.  Content with his sad life, Phil never expected that his latest client Sandra White (Dorien Davies) to be the one that changes it all forever.  Well sort of.  While investigating a blackmail letter that Miss White received, Phil stumbles upon a bunch of dead puppets; one of whom was a cast member of a famous puppet TV show known as The Happytime Gang.  Things get even worse for Phil once his former partner Detective Connie Edwards (Melissa McCarthy) is put on the case, and Phil eventually finds his way towards investigating it himself when more Happytime Gang bodies start piling up; especially since his brother Larry (Victor Yerrid) was one of the cast members as well as Jenny (Elizabeth Banks), the woman he loved.  Can Phil and Connie put aside their differences regarding… THE INCIDENT… in order to solve this case and save the lives of the remaining Happytime Gang?  What could possibly be motivating such killings, and could it have something to do with Phil himself?  Can we get Best Achievement in Puppets category for the Oscars?  I feel like this should win SOMETHING, and if we’re making up new awards anyway!

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“If Suicide Squad gets one, you bet your blue butt I’m gonna get one too.”     “Why are you putting your sunglasses on?  We’re going inside that building.”    “Don’t ruin this for me…”

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Cinema Dispatch: Ghostbusters v Ghostbusters

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Ghostbusters (2016) and Ghostbusters (1984) are both owned by Columbia Pictures

The new movie has finally come out we can all confirm that the world has not plunged into forty years of darkness, but while there have yet to be any reports of rivers and seas boiling or dogs and cats living together, there’s denying that we indeed saw some mass hysteria .  Hopefully all that will subside soon enough, but those people have already gotten more attention than they deserve and it’s been difficult to keep everything in perspective as some people decided that the success or failure of this movie was going to be the crescendo in some childhood ruining man hating agenda, so trying to have a measured conversation about the strengths of both this new film and the original it’s based off of has not been an easy task.  Thankfully we can hopefully start taking a measured look at both films’ individual merits and how one movie might have done somethings better than the other without having the more obnoxious among us either use it as proof that we are biased or evidence that the new movie is horrible.  To kick that discussion off, here’s my own examination of both films and how one stacks up to the other based on important aspects that are in both films!

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Who Ya Gonna Call? (The Crew)

This new movie made two fantastic decisions right off the bat.  It was a reboot instead of a sequel, and they didn’t try to make these new characters analogues for the original crew.  No one in this movie is a recreation of someone from the last film which means that we don’t have to play the WHO DID IT BETTER game on individual actors (a decision also wisely made by the Evil Dead reboot), and similarly I’m so glad that this new Ghostbusters team is not the trainees, or even worse THE DAUGHTERS, of the original crew which would have completely ruined what makes these new characters so interesting.  Look, I’m well aware that this is a movie starring women that FIRST had to be done by men, but the fact that it’s not the case in the movie itself is an inspiring message to young girls to be proactive and forge their own paths.  A lot of people who are upset about this movie seem to think it would have been better if this was a passing of the torch story which is a concept that worked pretty well for Star Wars, but there’s no way it would have worked here.  At least in that movie there’s a whole universe to explore and the new people wouldn’t necessarily be in the shadows of the original cast allows them to do their own thing; something that would be infinitely harder here if the new Ghostbusters were still using the same logos, firehouse, equipment, jumpsuits, what have you that the original cast were wearing twenty years ago and everyone in the movie knew that.  It wouldn’t be able to be its own thing as it would constantly be in the shadows of the original members who are still hanging around the background and would take attention away from the brilliant actors that are the real stars here.

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Cinema Dispatch: Ghostbusters

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Ghostbusters and all the images you see in this review are owned by Columbia Pictures

Directed by Paul Feig

No other movie this year, save MAYBE Batman v Superman, had as much drama and passion as this reboot of a classic eighties comedy.  A very vocal minority of people were deadest on hating this from the word go with nothing more to go on than the idea that it would star women instead of men, and they haven’t shut the hell up about it since then; effectively drowning out any legitimate criticism that was levied against the movie.  It’s true that this is a reboot and that Ghostbusters was a very much a movie of its time (not only in concept but also the fact that comedies just don’t have the same clout and reverence they did back in the eighties), but I was still genuinely interested in seeing this based on who they ended up casting and some of the better moments in the trailer.  Does this manage to live up to the hype as a patriarch smashing masterpiece, or will it live up to the OTHER hype of being the worst possible thing to ever happen to anyone at any time in history?  Probably neither, but is it at least good?  Let’s find out!!

The movie begins with Columbia Physics professor Dr Erin Gilbert (Kristen Wiig) being forced to confront an old colleague of hers, namely Dr Abby Yates (Melissa McCarthy) over a book they wrote years ago on the paranormal which she has since disowned but has recently resurfaced and may pose a threat to her bid for tenure at the university.  Abbey never stopped her research and is angry at Erin for abandoning her those many years ago so she’s not too keen to help her out and has even gotten a new partner in crime in the form of super engineer Jillian Holtzmann (Kate McKinnon) and they’re both trying to get evidence that ghosts really do exist.  Opportunity comes a-knocking for all three of them however as Abby and Holtzmann (with Erin along for the ride trying to get Abby to take her name off the book) actually do run into a ghost and get footage of it on camera.  Unfortunately, the video goes viral, Erin gets fired from the University, and all three of them can’t get anyone to believe the story.  Still, this is some groundbreaking stuff they’ve uncovered, so they pool all their money together to begin a start-up company and relocate to the attic of a Chinese restaurant (a firehouse looked promising, but was WAY too expensive).  As they perfect their craft and Holtzmann works on the weapons, they eventually meet Patty Tolan (Leslie Jones) who saw a ghost at the subway station she works at and enlists the Ghostbusters to bust it before eventually joining the team, as does Kevin Beckman (chris Hemsworth) who becomes their secretary because no one else bothered to apply for the job.  While all this is going on by the way, there’s some creepy dude named Rowan (Neil Casey) who seems to be setting up devices that amply the strength of ghosts that are already haunting various places in NYC and is clearly planning something much bigger.  Can the Ghostbusters find out Rowan’s evil plan before it’s too late?  Will the world even accept them as anything more than frauds and Ghost Hunter knock offs?  Is there ANY chance that those determined to hate this movie will feel any different by actually watching it?  I’m gonna guess no on that last one.

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“Is THAT what people have been saying about us!?”     “Yup.”     “Wow…”

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