Cinema Dispatch: Primetime

Primetime and all the images you see in this review are owned by A24

Directed by Lance Oppenheim

Oh boy, is this nostalgic in all the worst ways. Like many Millennials, I too went down the To Catch a Predator rabbit hole and watched the entire series half a dozen times during a semester at college. It’s a pretty ugly chapter in American television that frankly deserves a reexamination given how even more destructive our criminal justice system has gotten in the twenty years since, and I could hardly think of an actor I’d want to don the Chris Hansen stare than Robert Pattinson. This could very well be the best movie of the year, especially now that Millennials are starting to take over for the Boomers and so it’s our childhoods and early twenties that will be the subject matter of prestige films going forward. Is this a devastating yet necessary deconstruction of the Justice Served Humilitainment that To Catch a Predator set the standard for, or will this be a simple pantomime of a show that was better left in the past? Let’s find out!!

In the long ago days of the mid-2000s, there was a little show called To Catch a Predator hosted by journalist Chris Hansen (Robert Pattinson) that sought to stop predators from taking advantage of young children. That’s what it claimed to do anyway, but it’s clear that Hansen, his producer Andie (Merritt Wever), and the crew from Perverted Justice who help him set up these sting operations are not as altruistic as the slick marketing would have you believe; not with so much fame, money, and prestige on the line. The quest to stay on top ultimately requires bigger and bigger spectacle, which means more deranged predators and a new decoy to lure them in. Enter Dan Plum (Skyler Gisondo), a young actor who didn’t seem to read the contract and finds himself in the middle of this parade of human misery, but perhaps with the right mindset and a little convincing from Chris, he can see this as a genuine calling that helps people instead of just another gig to pay the bills. Of course, this resolution will be truly tested when the crew get wind of a big fish out there on the pervert message boards; someone who isn’t just some boring loser but a genuinely connected and influential person who could cement the shows legacy and ensure its ratings domination. Will this be the show to define an era of television in all the ways that the team envisioned, or is this chaotic stab at punitive justice a cautionary tale for all of us? Can Dan put his feelings aside and accept his role as bait for these disturbed men, or will the artifice of it all leave him with scars that may never heal? Hey, maybe we’re just thinking about it too much. I mean what’s wrong with indulging in a little bit of justice every now and again?

“What else would you expect from the greatest country in the world, am I right?” “GO, AMERICA!!”
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Cinema Dispatch: Welcome to Marwen

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Mary Poppins Returns and all the images you see in this review are owned by Universal Pictures

Directed by Robert Zemeckis

This is one of the weirder cases of nostalgia I’ve had because I don’t have nostalgia about this story or the documentary from 2010.  I have nostalgia for a review of it.  Around that time I had just learned about Spill.com (which is now more or less split between Double Toasted and One Of Us) and one of the earliest podcasts I had heard from them was a series of reviews about films they saw at SXSW 2010 which included a review of the documentary.  So when they announced this movie, I actually was rather interested to see it because I had never gotten around to the documentary but that review for whatever reason always stuck with me and so seeing a big budget studio adaptation of something I had THAT tertiary of knowledge for would be interesting; not to mention seeing what those same critics thought of this movie as well.  Does this story of a man who found a way to cope with his trauma through the use of imaginative and painstakingly detailed art pieces manage to convey the raw emotional power of this man’s life and work, or are we stuck with another treacly adaptation that fails to live up to the material it’s based on; including the critically acclaimed documentary?  Let’s find out!!

Loosely based on the true story of Mark Hogancamp (Steve Carrell), this movie follows the story of Mark who was nearly beaten to death by five Neo-Nazi monsters who did so after they learned that Mark enjoyed wearing women’s shoes.  Fortunately Mark survived and the men were caught, but sadly he lost his memories, a lot of his motor skills (making it nearly impossible for him to write or draw), and has been suffering from Post-Traumatic Stress Disorder since.  In order to cope with what has happened, he created a World War II village named Marwen in his yard and stages elaborate action scenes and character moments using dolls that represent him, the Nazis who beat him up, and the women in his life who helped him afterwards.  This includes Anna (Gwendoline Christie) a nurse who visits him once a month to bring him medication and check on his physical health, Julie (Janelle Monáe) a physical therapist with one leg who helped him walk again and has since been traveling the world and running in marathons, Caralala (Eiza González) who is Mark’s coworker at his part time job, Roberta (Merritt Wever) who works at the town’s hobby shop and has helped Mark get the parts he needs to bring this made up town to life, and Suzette (Leslie Zemeckis) who he may not know in person but has starred in some of his FAVORITE films!  Sadly, the one doll that is based on Wendy (Stefanie von Pftetten) who the town is partially named after (Marwen is short for Mark and Wendy) has been permanently removed and put into the RIP bin for reasons that aren’t made explicitly clear but can be somewhat inferred as we learn more about Mark’s life as well as the struggles and demons he’s had to work through.  One such demon is the Belgian Witch Deja Thoris (Diane Kruger) who is the cause of many of Marwen’s woes and has a very distinct counterpart in the real world that you’ll have to keep an eye out for while watching them movie.  Things seem to have been going along like this for some time now, but when Mark gets a new neighbor across the street named Nicol (Leslie Mann), well it looks like Marwen’s about to get a new resident which will certainly add a few more stories to the town’s ever expanding lore, but maybe this is the point where he takes things too far with his work; not to mention the overwhelming stress he’s feeling about the attack now that the men responsible are going to finally be sentenced for their crimes.  Will Mark be able to face his attackers in court and put the incident behind him once and for all?  Will Nicol understand what Mark is going through or will his behavior cross some very clear lines that he seems completely oblivious to when dealing with women outside of his fantasy world?  Is it just me, or should they start making Marwen merchandise at some point?  I want that Deja Thoris doll!

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“Alright, Mark.  If things go bad then chuck me at their head and make a break for it!  FOR FREEDOM!!”

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