Cinema Dispatch: Queen & Slim

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Queen & Slim and all the images you see in this review are owned by

Directed by Melina Matsoukas

Seriously, how weird is it going to be when Daniel Kalula finally sells out?  True he was in that Johnny English sequel that I haven’t actually seen, but his career since 2015 has been an absolutely sterling one with great performances in Sicario, Get Out, Black Panther, and Widows.  Now he’s back with this film which looks to be one of the standout films of awards season, so we can only hope that his star continues to rise or that his inevitable cash in project is one that is utterly hilarious; like when Laura Linney showed up in that Teenage Mutant Ninja Turtles sequel or how Nic Cage’s first film after Leaving Las Vegas was one-two-three punch of awesome nonsense called The Rock, Con Air, and Face/Off.  ANYWAY!  With this movie taking on such a hot button subject matter with a great cast and a stylish looking presentation, does it manage to be one of the best films of the year or were we all fooled into seeing an utter train wreck?  Let’s find out!!

Ernest Hines and Angela Johnson (Daniel Kaluuya and Jodie Turner-Smith) who I don’t recall ACTUALLY being called Slim or Queen in the movie, are out on a rather mediocre first date when the Sword of Damocles that hangs over all people of color in this country comes crashing down on their heads in the form of a traffic stop.  Within minutes of doing absolutely nothing, Ernest has a gun pointed at him and Angela is reaching for her cell phone to get this on film for both their sakes.  The racists cop (Sturgill Simpson) doesn’t take long to shoot the unarmed woman in the leg and Ernest has no choice but to tackle the cop, wrest the gun away, and in the ensuing conflict he shoots the cop dead; leaving the both of them in a dire predicament.  Know what is waiting for them if they get taken alive (which in and of itself seems like a slim possibility) Ernest and Angela get in the car and start driving as fast as they can to Angela’s uncle’s place a few hours away for shelter where they can regroup and come up with a plan.  If they can somehow get to Florida and find a plane to take them to Cuba they should be safe at least for the time being, and so Uncle Earl (Bokeem Woodbine) gives them a bit of cash, a decent car, and the address of an old army buddy (Flea) who may just be able to get them that plane.  Along the way however, they must contend with the closing in manhunt, staying under the radar, and making snap decisions on who they can trust, where they can hide, and just how much they can trust those they meet along the way.  Can Queen & Slim manage to survive this journey and avoid the corrupt system that condemned them before they did anything wrong?  What impact will their story have on the country and on those they meet along the way?  Did any of those rich old jerks from Get Out think about these realities of being black in America when they were switching brains?  I DIDN’T THINK SO!!

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“I had to kill four white people for my freedom already, and now I have to deal with THIS!?”

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