Suburbicon and all the images you see in this review are owned by Paramount Pictures
Directed by George Clooney
Now this film kind of came out of nowhere for me as I’ve only been seeing the trailers for maybe a month leading up to its release. I guess that’s not too surprising as George Clooney films, good or bad, rarely make a whole lot of money so there’s not much point in advertising it to the movie going masses; especially when the film in question looks pretty dark and super weird. I mean that makes sense considering it’s from a script The Coen Brothers wrote back in the eighties, but that little factoid not only explains why this movie has been rather low key despite its wide release, it also raises some red flags. Is this a cinematic masterpiece that was just too good to be made in its time, or did the Coen Brother put this in a draw for so long for a really good reason? Let’s find out!!
The movie is basically split into two stories; the first being about Gardner Lodge (Matt Damon) who’s family suffers a horrible tragedy, and The Mayers (Karimah Westbrook, Leith M Burke, and Tony Espinosa) who have just moved into the idyllic neighborhood known as Suburbia and have the dubious honor of being the first black family in town. With The Mayers moving into town and bringing out the worst in the neighborhood just for simply being there, there isn’t a whole lot of attention paid to Gardner and what seems to be some very shady stuff going on with him. For starters, the death of his wife Rose (Julianne Moore) by some bad men who broke into the house seems to have not been as random an act of violence as it appears to be on the surface, yet no one is picking up on this than Gardner’s son Nicky (Noah Jupe) who’s the only one really looking for answers. Throw in some possible mob connections, Nicky’s aunt Margaret (Julianne Moore as well) who’s working a bit too hard to fill in the motherly figure role, and a suspicious insurance claims adjuster (Oscar Isaac), and you have the makings for a classic noir thriller set against the backdrop of the super repressed and overtly racist fifties! Will Nicky find the answers he’s looking for and will he be happy with what he finds? What is Gardner have up his sleeve that’s making him act so inexplicably after the murder? Does anyone in this movie REALLY have any idea what they’re doing!?
Bad Moms and all the images you see in this review are owned by STX Entertainment
Directed by Jon Lucas and Scott Moore
It’s the triumphant return of Mila Kunis who… actually didn’t really go anywhere, but then Jupiter Ascending does feel like it came out a LONG time ago. Anyway, the trailers for this movie really didn’t inspire much hope as it looked like an unholy mashup between Mother’s Day and Mike and Dave Need Wedding Dates, but the cast is pretty strong which is both good for this movie and also depressing considering really great actresses like the aforementioned Mila Kunis as well as Katheryn Hahn, Kristen Bell, Christina Applegate, and Jada Pinkett Smith are stuck doing stuff like this which in all honestly looks pretty bad. Does this movie manage to rise above expectations and turn out to be a delightful romp, or is this another failed comedy that’s trying way too hard and completely failing at being edgy? Let’s find out!!
The movie is all about Amy (Mila Kunis) who’s a mother of two and is struggling with the worst white people problems you can imagine! Her kids need rides to their extracurricular activities, she’s not appreciated at her high paying job, and her husband is a lazy slob who masturbates a lot. Okay, the PTA is an overbearing monstrosity headed up by the EVIL Gwendolyn (Christina Applegate) and her cronies (Jada Pinkett Smith and Annie Mumolo) so that sucks, not to mention that her husband is masturbating with another woman which is REALLY fucked up when they’ve been hiding it from Amy for ten months, so she’s on the edge of nervous breakdown. What could possibly put her over the edge? THE BAKE SALE! SCREW THAT SHIT! She’s done with ALL of this and is about to do HORRIBLE things like… have her twelve year old kids make their own breakfast and not go to the insane PTA meetings. Huh. Well, she finds some compatriots in her quest to become a “Bad Mom” (quotes very intentional here) in the form of Carla (Kathryn Hahn) who really IS a bad mom and Kiki (Kristen Bell) who’s in a really unhealthy relationship and is on the verge of her own emotional collapse. So they basically transition from being overbearing mothers to ones who demand space from their familes and for them to take on more responsibilities in their own lives. Doesn’t sound like much of a problem, but this doesn’t go unnoticed by Gwendolyn who maintains her iron grip on the PTA through intimidation and fear, so this “Bad Mom” as it were is a threat to her little totalitarian state and she will put a stop to it by taking it out on Amy’s kids. Oh HELL no! Amy’s not about to take that shit lying down, so on top of spreading the gospel of “Bad Moms”, she’s also going to run for PTA president to unseat the HBIC and be the HBIC herself! Can Amy succeed in getting the other parents on her side to stop Gwendolyn’s reign of terror? What consequences will this new form of parenting have on her home life and her children? Just how “BAD” are these mom’s gonna get!?