A Beautiful Day in the Neighborhood and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Marielle Heller
I’m trying to recall if I’ve ever actually sat through an entire episode of Mister Rogers’ Neighborhood and if I had it was WAY too long ago for me to remember, so while the guy has always been a presence in my life simply by way of cultural osmosis, I never really got to experience him the way that many other people did. The impact was always felt, especially when PBS and public television were still things before the rise of YouTube and streaming services, but what made the show work so well and what made Mr. Rogers such an enigmatic figure for many generations? Well I guess if I wanted to know the answer to those questions then there wouldn’t be a better time to do it then this brand new biopic, right? Well actually the documentary from last year would probably be the best bet which I still need to see at some point, but this movie is a decent runner up! Does it
You’ll be forgiven for thinking that this movie is mostly about Fred Rogers (Tom Hanks), but ACTUALLY the movie is primarily focused with Lloyd Vogel (Matthew Rhys); a writer for Esquire Magazine who’s been assigned to cover Mr. Rogers for a piece about heroes right at the time he’s dealing with some serious issues in his personal life. You see, Lloyd has spent the better part of his life avoiding his father Jerry (Chris Cooper) who did some really awful stuff in the past that Lloyd has had no reason to forgive, and yet his sister (Tammy Blanchard) gives him an opening back into their lives at her wedding which eventually leads to Lloyd’s wife Andrea (Susan Kelechi Watson) wanting to make inroads with his as well; a movie that utterly baffles Lloyd and puts a serious strain on their relationship which was already under a great deal of stress as they just had a baby. All this is swirling around in his head which isn’t helping his lack of enthusiasm for writing a puff piece about a children’s entertainer, and yet something about Fred Rogers intrigues Lloyd; particularly the utter sincerity with which he approaches everything and everyone around him which is either a genuine extension of himself or possibly a mask for something much darker than anyone would have assumed from such a sweet man they see on television. Is there truly something there for Lloyd to uncover behind the kind face and the red sweaters? Will these interviews with such a noble seeming man perhaps give him some perspective on his own issues and how he’s been handling them up to this point? Most importantly of all, do we get any juicy behind the scene details on the set of the show!? Probably not, but we can always dream, right?
“I saw THREE blue M&Ms in my bowl today! Do we need to go over my contract again!?” “No, Fred. It was a mistake.” “Do you realize how many children I inspire each day!?” “Yes, Fred. No blue M&Ms.”
The Post and all the images you see in this review are owned by 20th Century Fox
Directed by Steven Spielberg
Oh good! Now that it’s officially 2018, the rest of us can FINALLY see the best movies of 2017! Because THAT doesn’t seem like a backwards approach to releasing critically acclaimed films; ESPECIALLY ONES BY THE MOST FAMOUS DIRECTOR OF ALL TIME! Sigh… whatever. My feelings about theatrical release schedules aside, there’s been a lot of buzz about this movie being yet another Awards Darling what with the big name cast, the legendary director, and the timely subject matter given the political climate we are currently and TORTUROUSLY living under. That said, I’m not always the biggest fan of movies that seem so perfectly designed to soak up Oscars (*cough* The King’s Speech *cough*) and while I didn’t give it the most GLOWING review at the time, I do think that Spotlight is an unreasonably high bar for any film to try and reach which certainly seems to be the goal here given the topic at hand at hand the pedigree behind it. Then again, how can you go wrong with Spielberg? If your answer to that question is Hook by the way, you’re just flat out wrong. HOOK IS AWESOME!! Anyway, does Spielberg manage to eke out yet and another cinematic masterpiece to add to his collection, or is this simply relying on his name to sell it both at the box office and with critics? Let’s find out!!
The movie follows The Washing Post during the time The Pentagon Papers (a study of the likelihood of victory in Vietnam that indicated that the government knew there was no chance of winning yet still committed forces there anyway) were being released by The New York Times and Nixon’s Justice Department was doing what they could to stop it. Now The Washington Post wasn’t doing so well as its owner Kay Graham (Meryl Streep) is seen as an ineffective leader for reasons that CLEARLY have very little to do with her actual abilities (I WONDER WHAT ELSE IT COULD BE!?) and was in the middle of trying to find outside investment when this all started to unfold. The editor in chief Ben Bradlee (Tom Hanks) is itching to get his hands on some of the papers that The Times had gotten and were forced to stop publishing due to a federal court injunction (COMPLETELY unprecedented in American history), but even if he WERE to find the it’d be a huge risk for everyone involved; especially Miss Graham who has the most invested in the company. Eventually though, one of the assistant editors Ben Bagdikian (Bob Odenkirk) manages to get his hands on not just the parts The Times obtained, but more or less the WHOLE damn report straight from the source itself Daniel Ellsberg (Matthew Rhys). With Ben having EXACTLY what he wants and a staff of likeminded reporters to back him up, it all comes down to Miss Graham to decide whether or not the risk of publishing these documents in her paper outweigh the potential good that having such documents out there will do for journalism and first amendment rights. Even then though, if they jump the gun and the Nixon Administration wins whatever court battle would certainly lie ahead, that could lead to an even WORSE seizure of unchecked executive power. Will Kay find a way to get the truth out there without losing everything else in the process? What can The Justice Department and Nixon do to this newspaper and its staff if these documents are released in spite of the injunction placed on The Times? The REAL question is, will this movie win MOST of the awards or ALL of the awards?
“Your Oscars. Give them to me.” “You better do what she says.”
Burnt and all the images you see in this review are owned by The Weinstein Company
Directed by John Wells
Is Bradley Cooper going to be the next Leonardo DiCaprio? Seriously, the guy has been nominated THRICE for best actor, and lost it every time! Well after the overwhelming success that was American Sniper, the man is back to star in a movie about a guy who’s probably just as intense! Will Mr. Cooper’s foray into food porn and Gordon Ramsey mimicry be just what he needs to clench that Oscar gold that he has been denied for the last three years, or is this yet another missed opportunity for one of Hollywood’s most prominent actors? Let’s find out!!
The movie follows the world renowned chef Adam Jones (Bradley Cooper) who is getting back into the game after completely flaming out a couple of years back. The movie isn’t too specific about how he lost everything other than it involved drugs, but he’s been clean for quite some time now and is ready to claw his way back up the ladder. Well… by climb his way up, I mean he bullies a friend of his Tony (Daniel Bruhl) into making him head chef of his already prestigious restaurant, but that’s beside the point! He’s getting back some old friends like Michel (Omar Sy) who he screwed over in the past and wants to make amends with and Max (Riccardo Scamarcio) who just got out of jail for… something. It probably involved beating someone up over food. On top of his old friends who he’s getting to work in his new kitchen, he also has some new talent like David (Sam Keeley) who’s about as naïve as he is talented and Helene (Sienna Miller) who’s as stubborn as she is talented. With this ragtag group of super chefs, Adam plans to prove himself as one of the world’s greatest chefs by winning a prestigious award (three stars in the Michelin Guide book) which has already been won by his rival Reece (Matthew Rhys). Will Adam achieve his goal and finally find redemption for his past transgressions, or has he made too many mistakes that he needs to make up for first? What else must he struggle to learn on the road to recovery? Will Bradley Cooper finally get that Oscar he’s been looking for!?
“If this doesn’t work, I’m doing like five World War two films in a row.”