Cinema Dispatch: Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol. 3 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Gunn

It shouldn’t have taken us this long to get here as the last Guardians movie came out in 2017, but with James Gunn’s erroneous firing and the subsequent pandemic (one that’s still going on by the way), we’re rather lucky to have gotten this film at all. Oh sure, we would have gotten some sort of Guardians movie either way as Disney has invested a lot in this franchise, but to have everything fall back into place after all the shakeups seems almost too good to be true. With such a big story behind the camera, however, it does put added pressure on James Gunn and crew to deliver a proper capstone to this series which is easier said than done. Can they give us one last fantastic ride with the beloved Guardians, or was all the drama behind the scenes ultimately for a mediocre conclusion? Let’s find out!!

A lot has happened since Thanos snapped have the world and The Avengers snapped them all back, but The Guardians of the Galaxy are trucking along as best they can. Their new base of operations is thriving with a community of what I can only assume are outcasts and bounty hunters, and they’ve had at least one confirmed concert by Kevin Bacon. Still, Peter “Star Lord” Quill (Chris Pratt) is still struggling after the loss and confusing return of Gamora (Zoe Saldaña), and the rest of the Guardians have to pick up the slack with Rocket (Bradley Cooper) taking charge. Not exactly a perfect situation but one that they are dealing with, at least until Adam Warlock (Will Poulter) bursts in, kicks everyone’s butt, and nearly kills Rocket before getting booted back into outer space. With Rocket in critical condition, Peter along with Nebula, Mantis, Drax, and Groot (Karen Gillan, Pom Klementieff, Dave Bautista, and Vin Diesel) have to uncover Rocket’s past and his unique biology if they have any hopes of healing him, and in order to do this they will need the help of the Ravagers who have recruited Gamora in the time since she arrived to this dimension during the events of Endgame. It won’t be easy however as Rocket’s creator, The High Evolutionary (Chukwudi Iwuji), gets wind that Rocket has been found and is hell-bent on taking what he believes to be his and will destroy anything in his path to get it. Can the Guardians outwit this evil scientist and work together as a team, even with the awkwardness between Peter and Gamora? What role did the High Evolutionary play in Rocket’s past, and what could that mean for this final adventure? Oh hey, is it finally a Guardians movie that doesn’t focus on Peter? Sounds like a nice change of pace to me!

“See? Wait long enough and you finally get the spotlight!”     “I am Groot?”     “No, it doesn’t come with a pay raise.”
Continue reading “Cinema Dispatch: Guardians of the Galaxy Vol. 3”

Cinema Dispatch: Ant-Man and the Wasp: Quantumania

Ant-Man and the Wasp: Quantumania and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Peyton Reed

Hey, it may take me a minute but I usually get around to what I say I’m gonna do, and in this case, that’s reviewing the latest Marvel movie which, if I wait much longer, won’t be the latest Marvel movie.  Now I’ve always had a soft spot for the Ant-Man films which have intentionally scaled things down to a more human level which has given us some of the best characters in the Marvel canon.  This latest film however seems to be more than just another wacky heist adventure and is serving as the stepping stone for what will be the main thrust of the MCU narrative going into Phase Five which seems like an odd choice for such a breezy series.  Do the wider scope and heavier conflicts elevate the series to a new level of greatness, or have we lost something while paving the way to the next Avengers film?  Let’s find out!!

Scott Lang (Paul Rudd) has it pretty good, all things considered!  He’s the most recognizable Avenger that’s both not dead and not emotionally crushed by the events of Endgame, he’s got a book coming out that’s getting all sorts of attention, and he even has a loving family to go home to each night; his wife Hope (Evangeline Lilly), his daughter Cassie (Kathryn Newton), and even his in-laws Hank and Janet (Michael Douglas and Michelle Pfeiffer).  Okay, so they seem to be working on their own thing and Scott is feeling more and more distant from them, especially since Cassie spent the Snap becoming a science genius and is not as entertained by up-close magic as she used to be, but that’s all small stuff which Scott isn’t about to sweat over!  That is until one of Cassie’s experiments with the Quantum Realm ends up sucking the whole family down to a hereto unknown world of infinite possibilities at a microscopic scale and they all have to find a way back out.  This isn’t as easy as it would seem however as the Quantum Realm is no longer just a vaguely defined world of microbes and far-out imagery; it’s a thriving society full of itty-bitty people and creatures who are all under the authoritarian thumb of Kang the Conqueror (Jonathan Majors) and the appearance of the Ant-Family along with their powerful Pym Particle technology may be just what he needs to expand his kingdom.  Will our heroes be able to escape from the clutches of Kang’s army, including his top warrior MODOK, without giving Kang the tools he needs to escape?  With Janet having spent so much time in the Quantum Realm before being rescued in the last movie, is it possible she knows more about what’s going on here than she’s been letting on?  Seriously, I know he’s actually a hero at heart and can prove himself in dire circumstances, but what exactly is Ant-Man gonna do to a guy who calls himself The Conqueror?  Get really small and pull his nose hairs!?

“Fine!  You may have me on size, strength, intelligence, and you have better superpowers, but… LOOK OVER THERE!”     “Not falling for that.”     “DANG IT!!”
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Cinema Dispatch: Thor: Love and Thunder

Thor: Love and Thunder and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Taika Waititi

Much like Thor himself, I find myself in something of a slump recently with a few different roads to get out of it. I won’t go into details, but I’m definitely taking a few steps in some sort of direction and we’ll see how things shake out in the next few weeks. For now though, I’m working on these reviews on my schedule and no one else’s which means that unfortunately, this is coming out long after everyone else has said their piece on it. Still, no harm in throwing my opinion out into the void and seeing if the void spews anything back up! Does this latest entry in the Marvel Forever-verse shock a few more minutes of life into the franchise, or will this be just fine and watchable to the consternation of those who are waiting for a big enough disaster to finally topple Disney’s firm grip on the genre? Let’s find out!!

With everything that happened in that whole Thanos kerfuffle, which included the death of his brother and the near extinction of the Asgardians, Thor (Chris Hemsworth) really needed a break to try and figure things out. To that end, he’s been bumming around with the Guardians of the Galaxy, as well as his friend Korg (Taika Waititi), until they run out of Big Lebowski jokes and convince him to go on some wild goose chase for some sort of God Butcher in a bid to get away from his mopey Asgardian butt. Turns out the threat is real, however, as a humble alien named Gorr (Christian Bale) loses his faith in the Gods and is rewarded with the Necrosword; a weapon so dark and powerful that it can kill these selfish Gods while slowly draining him of his life and seemingly his sanity. Well, we’ve got a new Marvel villain to dispatch of which can only mean it’s time for another team-up, and since the Guardians of the Galaxy aren’t returning his calls he returns to the last Asgardian colony on Earth to see if a few warriors are still bumming around. Turns out that Thor’s hammer has been restored and there’s a new Thor in the form of Jane Foster (Natalie Portman) who is called Mighty Thor to distinguish from the guy whose name is Thor but lost the title of Thor some time ago… or something like that. Needless to say, there are some mixed feelings there as their relationship didn’t end on the best of terms, but they need to work together, along with Korg and King Valkyrie (Tessa Thompson) to stop Gorr who, in classic villain fashion, has stolen a bunch of Asgardian children for seemingly no reason other than spite. Can Thor and Mighty Thor set aside their past difference and come together to stop this threat to the universe? What are the rest of the Gods doing while Gorr is carving his way through their ranks, and what is Gorr truly hoping to accomplish by stringing the two Thors along on this rescue mission? Seriously, are Jane and Thor gonna talk or will they just keep things awkward for the whole trip?

“Maybe you should tell her you miss her?” “Quiet! I’m busy! Doing… superhero stuff.”
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Cinema Dispatch: 2022 May Catch Up

So how’s everyone else enjoying their Spring? Lots of sunshine and pretty flowers? Well for me it’s been nonstop rain, a tornado warning, and a broken toilet that cost a bunch of money to fix, so things have been just a tiny bit hectic over here. That’s certainly a reason why my movie reviews have been a little late recently, but thanks to streaming services and studios becoming less confident about their theatrical releases, it’s now easier than ever to catch up on stuff in a timely fashion! To wit, I have three movie reviews for your enjoyment and to hopefully distract from the fact that I haven’t seen the new Top Gun movie yet!

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Chip ‘n Dale: Rescue Rangers

Chip ‘n Dale: Rescue Rangers is owned by Walt Disney Pictures

Directed by Akiva Schaffer

The former stars of the nineties animated show Chip ‘n’ Dale Rescue Rangers have gone through a lot since its cancellation all those years ago with Chip (John Mulaney) selling out and going corporate while Dale (Andy Samberg) trying to make it work all these years later; banking on the nostalgia adults have for his glory days and selling signed photos at conventions to keep himself afloat. To make matters worse, they ended the show on pretty bad terms so they’ve hardly spoken to each other since then, but fate brings them back together as one of the cast members of that show Monterey Jack (Eric Bana) is in deep with the cartoon mafia and gets kidnapped right after calling both of them for help. With their friend’s life in the balance, Chip & Dale must put aside their differences and work together to scourge the LA Underworld (or at least the nostalgic cartoon version of it) to save their friend and perhaps even come back together after being apart for so long.

I’m either gonna be too harsh on this movie because I’m a giant sourpuss or I’m gonna be too nice to this for fear of looking like a giant sourpuss. It occupies a very strange place for me as I do genuinely enjoy a lot about this movie, but I still can’t quite get behind it for reasons that… well probably make me look like a giant sourpuss. Before we get into that, let me just say that I got a decent amount of laughs in this and I was genuinely tickled by a lot of the imagination on display. There are some deep-cut references that certainly appealed to me, and concepts like the putty captain and the puppet chef were well-realized and fun to watch on screen. Heck, I’d go so far as to say that the inclusion of Ugly Sonic has me convinced that he should get his own spin-off series because they were just that funny! It’s almost like the nineties kids finally got the Roger Rabbit sequel we always wanted to see as the movie’s use of nostalgia, however cynical it may be, is at least cleverly realized with some very funny premises throughout. I love the idea of turning the objects of nostalgia that are the lifeblood of the convention scene and making them the literal guests trying to make a few bucks at rickety card tables with tri-fold boards of merch. It’s clear that the creative behind this are of my particular generation, both with the nostalgia for all this nineties crap and the subsequent decades of nostalgia baiting entertainment, so it gets more than a few points for some level of authenticity even if the movie leans far too heavily on it which I guess brings us to what’s wrong with the movie. The thing is that you can only rely on sight gags and nostalgia for so long before the movie has to start standing on its story and this is where the movie just doesn’t work for me. I didn’t find Chip or Dale particularly endearing as characters, nor did I find the plot all that interesting with the mystery being pretty threadbare. Now I could avoid being a giant sourpuss here and chalk this up to being a kid’s movie where a swift pace and lighthearted tone can carry an otherwise simplistic storyline, but I feel the age and density of so many of the references means that it’s aiming a bit higher than it wants to admit. Do kids even know who the Rescue Rangers are? Heck, are kids gonna get any of the Disney Afternoon jokes in here; let alone the references to more adult-oriented stuff like South Park or the general concept of bootleg movies? It’s a movie that clearly wants to have its cake and eat it; setting its targets squarely on a Millennial audience while hiding behind the Gen Z for its immature and simplistic storytelling. Perhaps it splits the difference evenly enough that both groups will get at least something out of this and I can’t deny the moments I enjoyed throughout, so it gets a little bit of a pass from me but this trick isn’t gonna work indefinitely. Millennials will get sick of 90s-stalgia just as everyone got sick of 80s-stalgia about a decade ago, and what is that gonna leave us with? 2000s-stalgia? I mean it’d be nice if I got my Megas XLR reboot, but still…

3 out of 5
Continue reading “Cinema Dispatch: 2022 May Catch Up”

Cinema Dispatch: Doctor Strange in the Multiverse of Madness

Doctor Strange in the Multiverse of Madness and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Sam Raimi

Before this latest phase of Marvel movies, you would have sounded like a broken record listing off all the great things about it before giving it an above-average score, but the last few movies have wavered a bit in quality with the only real standout being the latest Spider-Man; the one that leans heavily on nostalgia for movies that weren’t even made by Marvel Studios. Still, even prior to the Post-Endgame MCU there was an easily identifiable formula for these things and even the best of the Marvel movies didn’t deviate much from it; including the first Doctor Strange movie which definitely benefited from its mind-bending vision but still fell into a lot of the same pitfalls of other Marvel films at the time. Now it’s sequel time with a veteran director behind it, so perhaps this will be the one to successfully break the Marvel mold and do something unique with it instead of just another really enjoyable entry in the catalog. Can this bridge the gap between the great simplicity of the pre-Endgame MCU and the more experimental phase it finds itself in now, or will it tear itself apart trying to fix what isn’t broken? Let’s find out!!

Doctor Strange (Benedict Cumberbatch) may not be the Sorcerer Supreme since taking that five-year vacation, but he’s still hanging out at the Sanctum Sanctorum and just kinda working on himself. You know, get to know the REAL Doctor Strange, especially since his ex-girlfriend Christine (Rachel McAdams) is getting married and so he no longer has someone to pine after. Geez, this is starting to sound a bit sad. Maybe an interdimensional threat that could rip apart the universe would give him a bit of structure and a clearly defined goal to go after! Well as luck would have it, a young woman named America Chavez (Xochitl Gomez) is being pursued by the kind of monsters you’d find in a D&D handbook, and it turns out that she has the unique gift of being able to travel through dimensions. Well… sort of. She can’t exactly activate it at will but it always seems to get her out of trouble at the last second, though her luck seems to be running out as the malevolent force that’s pursuing her seems to be getting very close and she’s even gone to a few different Doctor Strange counterparts in those other universes without much luck in stopping this threat. Now it falls on our Doctor Strange to put an end to this sinister chase and stop them from taking her powers for their own nefarious end. For this task, he enlists the help of the current Sorcerer Supreme, Wong (Benedict Wong), as well as Wanda Maximoff (Elizabeth Olsen) who’s been off on her own since that whole Wanda Vision thing happened. Can Strange uncover the identity of this malevolent force that’s out to hurt America, and will he like the answers that he finds? What does Wanda hope to gain from all this, and will it be enough to make her whole after losing so much? I bet they wish they could escape to a dimension where Everything Everywhere All At Once came out the month after this instead of the month before.

“DARN YOU, EVERYTHING BAGEL! Next time, I’m ordering cinnamon raisin!”
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Cinema Dispatch: Spider-Man: No Way Home

Spider-Man: No Way Home and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jon Watts

It’s been a rather underwhelming year for the superhero genre which once towered over the world.  The Pandemic has pushed the release schedule around several times which means we’re waiting longer for these movies, and to me, the MCU is having trouble finding their voice after Endgame put a pretty definitive end to the original story arc.  Frankly, the best we’ve gotten from the MCU in the last two years have been the Disney+ shows that may not always hit their marks but definitely have a lot of interesting ideas that probably wouldn’t work as a movie; even with these things being overly long for the most part.  Still, it’s hard not to get excited about another Spider-Man film; especially one as specifically targeted to my generation as this one is.  Does it manage to pull us out of the MCU funk and deliver on all the ludicrous promises the trailers have made, or is this going to be as convoluted and pointless as the Clone Saga; or even worse, One More Day?  Let’s find out!!

Following the events of Spider-Man: Far From Home, Peter Parker (Tom Holland) has been revealed to the world as their friendly neighborhood Spider-Man, and this newfound celebrity (and infamy) has thrown his life into chaos.  Investigations from the government, a bunch of weirdos throwing bricks through his windows, and a very awkward school environment where half of them want to see him become their mascot and the other are hurling conspiracy-laden insults at him.  See, this is why you need to be rich or a soldier to do the Superhero thing; either commit to it full time or pay people to go outside for you!  It gets to be such a burden that Peter begs the MCU’s cool uncle Dr. Strange (Benedict Cumberbatch) to use his wizard magic to erase his identity from the mind of everyone in the universe.  Let’s just say that it had mixed results as the world doesn’t forget his identity, but there are now a bunch of villains running around who seem to know him; including Doctor Otto Octavius who has four robot arms (Alfred Molina), Max Dillon who has electricity powers (Jamie Foxx), Dr. Curt Connors who’s a lizard man (Rhys Ifans) Flint Marko who spends most of the movie as a human-shaped sandcastle for whatever reason (Thomas Haden Church), and of course Norman Osborne who still suffers from pretty severe mood swings (Willem Dafoe).  Now if you’ve kept up with the Spider-Man films for the last twenty years, those names should seem pretty familiar.  Sadly the Spider-Man of this universe didn’t get to see those movies, so he has to discover who all these people are, why they became villains in the first place, and if this confluence of inter-dimensional fan service can actually turn into a good thing for all involved.  Will Peter Parker, with the help of his friends, his Aunt May (Marisa Tomei), and his sorta-bodyguard Happy (Jon Favreau), be able to stop these guys from tearing apart this universe and perhaps even get past their overwhelming hatred of wall-crawling superheroes?  Who else may have found their way into this universe, and what can they do to either help or hamper Peter’s attempts to fix everything?  So is J Jonah Jameson (JK Simmons) also an inter-dimensional buzzkill, or is there no universe that can escape his ludicrous conspiracy theories and get-rich-quick schemes?

“Looks like they already turned you into an NFT.”     “Seriously?”     “Yup.  And it sold for five-hundred grand.”     “See THAT’S the kind of evil-doer I should be fighting.”
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Cinema Dispatch: Eternals

Eternals and all the images you see in this review are owned by Disney

Directed by Chloé Zhao

One thing you can say about the MCU is that they’ve never met a character, no matter how obscure to the general public, that they couldn’t find a way to work.  Well except maybe Iron Fist, but the Netflix shows are their own thing anyway so I wouldn’t bother counting that anyway.  Heck, the ONLY thing I knew about Guardians of the Galaxy prior to the movie being announced was Rocket Raccoon’s inexplicable inclusion in Marvel Vs Capcom 3, and that turned out to be one of the best things the MCU has popularized!  The Eternals however seem like Marvel REALLY trying to challenge themselves as far digging up obscure characters to make into household names as I STILL couldn’t tell you a thing about them despite seeing the trailers a few times!  It’s definitely going to be its own thing which could be its saving grace considering how lackluster the Post-Endgame MCU has been so far, but is it too far away from what audiences’ expect for them to latch onto?  Let’s find out!!

The Eternals are BASICALLY to Marvel Superheroes what Dracula is to other vampires.  This group has been doing the super hero shtick before it was even cool to do so since they’ve been around since the time of Quest for Fire; protecting humanity from alien creatures known as Deviants, while also giving us a few pointers in the right direction.  Of course they can only influence humanity so much and are forbidden to interfere with human conflicts as decreed by their Space Creators known as Celestials, and over time they just kind of drifted apart as the Deviants became few and far between.  Cut to modern day where Sersi (Gemma Chan) is working as a school teacher in London when a SUPER POWERFUL Deviant comes out of nowhere, and she along with fellow Eternals Sprite and Ikaris (Lia McHugh and Richard Madden) have to stop it before it can cause too much damage.  Clearly there is a new threat on the horizon if the Deviants are reemerging, so the trio must scour the globe looking for their fellow Eternals (Kumail Nanjiani, Brian Tyree Henry, Lauren Ridloff, Barry Koeghan, Don Lee, Salma Hayek, and Angelina Jolie) and convince them to put aside whatever difference they may have and come back together for a mission to save Earth!  Can The Eternals overcome whatever threat is looming over the planet this time?  Just what split them up in the first place, and how have the years away from each other changed them?  Seriously, I know they’re doing their own thing here but can we at least get ONE Avenger to tag along?  It can be one the B-Listers like War Machine or Hawkeye!

“It’s good of you to join us, Winter Solider!” “No, it’s me. Ikaris.” “Oh wow, really?” “YES, REALLY!!” “Hey, you’ve got to admit, the resemblance is eerie.”
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Cinema Dispatch: Venom: Let There Be Carnage

Venom: Let There Be Carnage and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Andy Serkis

The first Venom movie wasn’t exactly a cult classic, but it did have a lot more fun with the formula and with the characters than I expected it to.  Still, trying to figure out what to do with the character for a second movie, especially since we’re STILL keeping it away from anything Spider-Man related, could easily upset the balance and stretch the joke further than it can go.  The trailers definitely seem to be having a lot of fun with the formula which may be the right way to try and make lightning strike twice, and Andy Serkis is definitely an interesting choice for director, so who knows?  Is this a campy and fun romp that captures the Venom magic for a second time, or did our luck run out when the first movie turned out to be not-terrible?  Let’s find out!!

Following the events of the first film, Eddie Brock (Tom Hardy) has settled into a routine with the symbiotic space goo that resides in his body and the two are trying to get his journalism career up and running again with this big story of captured serial killer Cletus Kasady (Woody Harrelson) who for whatever reason has taken an interest in the reporter.  After a particularly heated discussion between the two of them that ends in a small amount of bloodshed, Kasady somehow gets a bit of the symbiote in him as well and to his utter surprise, it saves him from the death penalty so that he can roam the streets of San Francisco; leaving untold CARNAGE wherever he goes!  Oh, but this is no mindless murderer with a one track mind as Kasady has bigger plans involving a friend from childhood who JUST SO HAPPENS to have super powers (Naomie Harris) and has been locked in a secret super-prison that would normally be impenetrable but Kasady’s new powers intend to put that to the test.  All while this is going on, Eddie and Venom are going through some growing pains in their relationship as Venom wants to be free to save the world and eat people in spite of Brock’s attempts to keep him safe and hidden; all of which comes to ahead once they learn that Eddie’s ex Anne (Michelle Williams) is engaged which brings whole new dimensions of stress between them.  Can Eddie and Venom put aside their differences long enough to stop Kasady from wreaking havoc on the city?  What exactly does Kasady have planned after reuniting with his childhood love, and does the symbiote in his body have anything to say about it?  You’d think it wouldn’t be THAT hard to keep a space parasite happy when all it really needs is food and validation, but I guess that’s the troublesome nature of relationships and a square peg just won’t fit in a round hole no matter how hard you try.

“I go through ALL this trouble to make you breakfast, and you won’t even eat it!?” “You’ve got like six thousand calories and eight hundred carbs here!” “VENOM CARES NOT FOR YOUR DIET!” “But-” “EVERY DAY IS A CHEAT DAY TO VENOM!!”
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Cinema Dispatch: Shang-Chi and the Legend of the Ten Rings

Shang-Chi and the Legend of the Ten Rings and all the images you see in this review are owned by Disney

Directed by Destin Daniel Cretton

Things are starting to get a bit dicey out there with the latest COVID variant, so we’ll see how many more of the big movies are gonna come to theaters this year or get pushed back once again, so that COULD mean that this movie is the last big tent pole we’ll get for some time; almost fitting that the brief window between the “end of COVID” and “the rise of the Delta” is bookended by Marvel movies.  In any case, Shang-Chi is probably the most obscure Marvel character that’s gotten a big release like this since Guardians of the Galaxy, but the mix of old school martial arts flavor to a franchise that’s mostly focused on Super Hero Romps and Space Adventures certainly gives this a unique place in the canon.  Does this manage to break the Marvel mold in bold and exciting ways, or is it more of the same from the world’s most dependable film studio?  Let’s find out!!

A long time ago in China, a warlord known as Xu Wenwu (Tony Leung) discovers ten magical rings that not only make him a badass warrior but also give him eternal life, so like any conquer with a lot of time on his hands he creates a secret organization of warriors who are always in the background of major global events and are consolidating more and more power.  One particular power that Wenwu wishes to get control of is the magic found within the lost city of Ta Lo, and while he doesn’t manage to get through the door he DOES meet the bouncer who tells him to go away.  Said bouncer is Ying Li who never allows Wenwu into the city but does fall in love with him and choses to leave it behind to be a part of his world and he, in turn, gives up the life of crime to raise a family.  How did that all work out?  Well we cut to twenty or so years later where Xu Shang-Chi (Simu Liu), the son of Wenwu and Li is living under an assumed name in San Francisco, so things may not have gone too well on that front.  Mom is out of the picture, dad is back to his warlording ways, and his sister Xu Xialing (Meng’er Zhang) is off doing her own thing somewhere else.  Shang-Chi is more than happy to while away his boring life with his best friend Katy (Awkwafina) but when a bunch of his dad’s thugs attack him on a bus and take the necklace his mother gave him, he knows that he can’t hide any longer and that his sister must be next since she also has a necklace from their mother.  Can Shang-Chi and Katy protect his sister from whatever scheme his father is setting into motion and perhaps finally confront the problems that have torn this family apart?  What happened in the intervening years that has scattered them across the globe, and does it have anything to do with what Wenwu is planning now?  Seriously, why did he take Awkwafina along?  Her quick wit and excellent sense of humor are always fun, but there are ninjas all over the place!

“Dang! You sent him flying like his butt grew wings!” “That burn… hurts more… than the punch…”
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Cinema Dispatch: Black Widow

Black Widow and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Cate Shortland

Wow, 2020 feels like a million years ago doesn’t it?  Not only that, it seems that spy movies were in vogue as not only this movie but The King’s Man and the new James Bond movie were set to come out before finding out the one thing you can’t stealthy murder your way around is a global pandemic.  Thankfully things are starting to clear up (though the pandemic is by no means over, GET VACCINATED!) and some of those 2020 holdovers are making their way to theaters.  We already got Fast 9 and Spiral, s s turn to save movie theaters with their latest billion dollar blockbuster!  Is this spin-off film for one of o now it’s Marvel’ the MCU’s most iconic characters the true start to the next wave of Marvel movies, or is did it miss its chance when the world turned upside down last year?  Let’s find out!!

Natasha Romanoff (Scarlett Johansson) is on the run after the events of Captain America: Civil War and is laying low in a trailer somewhere when she gets a message from her long lost spy-sister containing vials of some mysterious substance.  She is immediately attacked by a mysterious person in a mechanical suit with a skull painted on the faceplate, and so she goes to see her sister Yelena (Florence Pugh) who first tries to punch her a bunch of times before revealing that the vials are some sort of antidote for a mind control drug that the current crop of Black Widows are injected with; including herself who is only free now after a botched operation that her a face full of the anti-puppet juice.  With Yelena now free and Natasha having nothing better to do, the two of them start working together to bring down General Dreykov (Ray Winstone), the scumbag leader of the Black Widows who is now coming after them.  To find Dreykov though, they will need the help of their spy-dad Alexei (David Harbour) who was once the Red Guardian (the Captain America equivalent for the Soviet Union) and is now wasting away in prison, as well as the help of their spy-mom Melina (Rachel Weisz) who was a Black Widow herself and still has contacts with the organization.  Can this awkward family reunion get Natasha and Yelena the information they need to save the women under Dreykov’s control and end the program once and for all?  Will their spy-parents help them on their journey or will they be a bunch of Boomers about it and question why they feel so entitled to not being mind-slaved by the state?  How much is Marvel regretting their decision to end Black Widow’s story in Endgame, and how big of a sales pitch did they give to Florence Pugh?

“I’m telling ya, sis.  Four movies MINIMUM that will all make over five hundred million at the box office!”     “I’ll think about it, but no promises.”
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