Cinema Dispatch: John Wick: Chapter 4, Renfield, and Air

With the window between theatrical and streaming collapsing as movies are coming hitting the home market mere weeks after their run in theaters, it’s getting a little too easy for me to just forget about something and return to it when it’s most convenient for me.  Before, there was a window where missing it in theaters meant you couldn’t see it in any form for months, but now I can just hold out for a bit and see it when it’s still kinda relevant with the added bonus of being able to fold laundry when I do so.  I’ll definitely try to get better about this, especially with so many big releases that need attention soon, but for now, let’s have some fun looking at three recent movies that were on your TV before you knew it!

.

John Wick: Chapter 4

John Wick: Chapter 4 and all the images you see in this review are owned by Lionsgate

Directed by Chad Stahelski

John Wick (Keanu Reeves) is finally striking back against The High Table to take back his freedom, but with every life he takes, he incurs a greater debt that his friends and associates are forced to pay back.  With his friend Shimazu (Hiroyuk Sanada) targeted and his other friend Caine (Donnie Yen) called in to take him out, John is forced to spill even more blood and find ways to work the system to his favor as yet another member of The High Table (Bill Skarsgård) has him in his sights.  Will John ever get the peace he desires, or will his quest for vengeance be his ultimate undoing?

Now I actually did catch this one when it was still in theaters, but it wasn’t easy for me to come up with the right words for it back then.  Perhaps the reason why is that the John Wick franchise has been a bit of a bugbear for me as I appreciate what it’s doing and how well it executes its vision but simply cannot get past the narrative which got worse with subsequent sequels.  That issue, thankfully, has been mitigated here as the script does a lot to work around its more obnoxious conceits, though we still haven’t quite made it back to the first film as far as being a great movie instead of just an action-packed one; hence why I’m just now getting around to it.  The lack of agency for our main character has been addressed as he has a clear goal he’s striving for instead of getting dragged around by contrivances, but with that freedom comes the expectation to have an actual character again and sadly he’s just not as interesting as he was in the first one; something that others have noticed as well as his word count in this final entry was a joke when it first came out.  Thankfully the film’s solution is to introduce a lot of fun and interesting characters to pick up the slack, though it didn’t escape my notice that a lot of their plot threads are left dangling as Lionsgate is clearly interested in milking this franchise for years to come.  Donnie Yen turns in a terrific performance and is frankly the star of this movie as far as I’m concerned as he has all the pathos that John should while kicking all sorts of butt in the many action scenes that he participates in.  He’s easily the best character the franchise has come up with and I wouldn’t be surprised if Lionsgate is already begging him to be the lead in the next few of these movies.  My personal favorite addition, however, is Scott Adkins who shows up doing a phenomenal riff on LeCheffe from Casino Royale.  The guy is one of our best underrated-action-stars and he proves to be a natural comedian in a role that could have simply been a joke but is genuinely engaging, and his fight with John ends up being my favorite action scene in the movie.  All of this is well and good, but a problem the films still haven’t addressed yet is the length as they’ve been creeping up past two hours since the second one and this one just goes on and on.  No matter how good the action scenes are in this, and they are very good, it’s hard to sustain enthusiasm for as long as this movie expects you to.  I know I’m a bit of a sourpuss when it comes to this series and I admit that a lot of my antipathy is specific to my taste in storytelling, but for what it’s worth this manages to be a high note for the sequels even if it still can’t quite recapture the magic of that first film.

3.5 out of 5
Continue reading “Cinema Dispatch: John Wick: Chapter 4, Renfield, and Air”

Cinema Dispatch: Alita: Battle Angel

ABACD0

Alita: Battle Angel and all the images you see in this review are owned by 20th Century Fox

Directed by Robert Rodriguez

Man, I don’t know the first thing about this series!  Every time you find out about ONE legendary anime that defined the genre, there pops up another dozen or so that you need to catch up on as well, and I’m a busy guy!  I don’t have time to catch up with the stuff I already need to; let alone this one that I’m only now aware of because the movie is coming out!  Speaking of which, wasn’t this supposed to come out like a year ago?  Granted, the amount of CG on display here is staggering and I can see even the SLIGHTEST hitch in post-production causing massive delays, but being a February burn off instead of summer blockbuster or even winding up in the post-summer slowdown period seems like a bad sign.  I don’t know, this is clearly one of those movies that have SO much passion and resources behind them that it can either be a total masterpiece or a hilarious disaster with almost no chance for landing in-between.  Are we talking Mad Max: Fury Road, or Battlefield Earth?  In either case, we should strap in just to be on the safe side!  Let’s find out!!

IN THE YEAR THREE THOUSAND (or some other far off date), the world has basically been reduced to two major cities, Iron City below and the sky city of Zalem above, after the devastation of THE FALL which was a big war hundreds of years ago.  Dr. Dyson Ido (Christoph Waltz) is a robo-doctor (as in he fixes robots; not that he is himself a robotic doctor) who scavenges through the trash tossed down by Zalem for useable parts to keep his clinic open for those in need, but one day he finds far more than eh could have ever imagined!  He finds the remnants of some kind of robot which he takes home and learns has a human brain as well as some other unique parts which he attaches to a spare robo-body he had lying around and brings her back to life; giving her the name Alita which no doubt has some significance we’ll learn about later on in the movie.  Alita 9Rosa Salazar) has no memory of who she was before being tossed in the garbage which is sad to be sure, but the local badboy Hugo (Keean Johnson) as well as the totally rad sport of Motorball at least help to pass the time as she tries to find answers to her past.  Well needless to say as the movie goes along, we find answers to more and more of these questions which lead to Alita being put in more and more danger as others discover who she is as well.  Primarily, she starts getting pursued by the local kingpin Vector (Mahershala Ali) who has connections to everyone in town; including Dr. Ido’s ex-wife Chiren (Jennifer Connelly) who is helping him in exchange for a chance to reach the shiny city in the sky.  Along the way she’ll make friends, encounter enemies, and even have to deal with insufferable douchebags like the robo-bounty hunter Zapan (Ed Skrein) who coincidentally seems to hold yet another piece to Alita’s past.  Can Alita survive long enough in this harsh world to learn who she really is?  Just how powerful is she, and how far will she go to protect those she cares about?  Wait, so if she was built to be an ULTIMATE WARRIOR, why did they give her the brain of a teenager!?

ABACD1
“I know Kung-Fu!”     “Fine, but make sure you know the source of the program before you install it into your robo-hard drive.”     “DON’T TELL ME WHAT TO DO!  YOU’RE NOT MY REAL DAD!!”

Continue reading “Cinema Dispatch: Alita: Battle Angel”