Cinema Dispatch: Lee Cronin’s The Mummy

Lee Cronin’s The Mummy and all the images you see in this review are owned by Warner Bros Pictures

Directed by Lee Cronin

I feel like it’s been a minute since we’ve had a really good Mummy movie. Sure, they tried with that Tom Cruise movie from a few years back, but when was the last time we had a movie about a Mummy that was genuinely creepy? Has it really been since the Hammer film from the late fifties that a Mummy movie was trying to be a suspenseful horror film and not an action comedy? Thankfully, we’ve got good ol’ Blumhouse to bring these old monsters to life with small budgets; necessitating creativity and atmosphere over flashy effects and endless spectacle. Does this put the Mummy back in its rightful place as a horror icon, or is this yet another failed attempt to make the concept relevant without Boris Karloff, Peter Cushing, or Brendan Fraser? Let’s find out!!

Charlie (Jack Reynor) is an investigative reporter who’s been assigned to Cairo and brought his family along for the adventure. Of course, this being Egypt in a horror movie, one of their kids Katie (Emily Mitchell and Natalie Grace) is kidnapped and mummified. It’s not until eight years later that the sarcophagus is discovered and Katie is miraculously still alive, though seems to be in pretty rough shape. Unable to talk, walk, or even eat on her own, Charlie and his wife Larissa (Laia Costa) decide to take her home to the US and see if some bedrest will fix her horrifying condition. Needless to say that there’s more going on than just dehydration and sunburns, and things start to go wild as Katie awakens to whatever power the mummification had granted her. Why was Katie chosen to be mummified, and is there anything left of Katie now that she’s free from her bindings? What horrors will this family contend with in trying to save their daughter from whatever malevolent force is driving her? Is it just me, or does this sound nothing like a Mummy movie? Did an intern mix up a couple different scripts and no one even noticed?

“This plot thread has to lead somewhere! I just know it!!”
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Cinema Dispatch: Evil Dead Rise

Evil Dead Rise and all the images you see in this review are owned by Warner Bros Pictures

Directed by Lee Cronin

Not to toot my own horn but I’m of the last generation to actually rent movies from video stores, and while I never had a cool indie place to find obscure classics, my local Blockbuster had a decent collection that included the first Evil Dead movie.  Needless to say that taking it home without any understanding of what I was getting myself into turned out to be a formative experience and I’ve had a soft spot for the franchise ever since.  Still, we’re over forty years removed from that first movie, and with sequels, remakes, video games, and even that TV show from a few years ago, it’s fair to say that you’ll need to do something quite different to crawl out from under the shadow of the original trilogy.  Can this latest take on the material hope to fill those massive shoes, or has it long since run its course, and are we left with the undead facsimile of what we once loved?  Let’s find out!!

Unlike the previous films which kept the action to either a cabin in the woods or a medieval kingdom, our story begins in the city of Los Angeles where Beth (Lily Sullivan) visits her sister Ellie (Alyssa Sutherland) and her three kids, Danny, Bridget, and Kassie (Morgan Davies, Gabrielle Echols, and Nell Fisher) who are trying to make ends meet despite being kicked out of their apartment building in the coming days.  Fortune seems to favor this family however as an earthquake hits that rips open a secret bank vault beneath the building and Danny goes in to find a mysterious old book and some old records that they may be able to sell for a few bucks.  I mean if he had a chance to get it on eBay I’m sure he’d make a mint given how obsessive Evil Dead fans are, but sadly the book has other plans as the record contains the ancient incantation to summon the Deadites which finds a nice comfy home in Ellie and starts making things awkward for everyone.  Can this family survive the night and escape the clutches of this rampaging Deadite?  Does the book contain any clues on how to stop this, and are there chapters within it that we’ve never seen before?  Is anyone else a little perplexed at how much of a downer this seems like?  I don’t know; maybe there was a reason these movies were more about Ash than the lore?

“Give me some sugar, Baby!”     “Uh… maybe later?”
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Cinema Dispatch: Mortal Engines

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Mortal Engines and all the images you see in this review are owned by Universal Pictures

Directed by Christian Rivers

There are always WAY too many movies coming out this time of year which means that I can fall a bit behind or forget to see movies altogether.  HOPEFULLY that won’t be a big issue this year; especially if I can still find time to go out and see THIS film!  Yes, it’s another movie adapted from a Young Adult novel that’s the first in a series, but unlike recent attempts like The Darkest Minds (ugh…), it looks like someone put some real effort into this thing with just how absurd the premise is and how much money looks to have been spent trying to realize it!  Can this big budgeted world saving extravaganza be the next Harry Potter or Hunger Games, or is this yet another example of Hollywood having no idea how to adapt these kinds of books to the big screen?  Let’s find out!!

In the far off future, after the bombs dropped and presumably after the Fallout games, humanity has decided that the best way to live in the ravaged hellscape of post-apocalypse Europe is to build cities on top of their cars and race them around looking for resources.  I’m not quite sure how this is more efficient than say using airplanes and smaller vehicles to find stuff and bring it back to stationary cities, but then I guess I’m from the BOMBED INTO OBLIVION part of history, so what do I know?  The biggest and baddest of these cities is London (which STILL waves the Union Jack a thousand years later) run by the nefarious Thaddeus Valentine who you KNOW is bad because he’s played by Hugo Weaving, and when they capture one of the smaller roaming cities he learns that there’s at least one person out there who’s quite cross with him.  Hester Shaw (Hera Hilmar) was one of the captured city’s refugees, but it was all a ploy to get her that much closer to Valentine who she takes a stab at but only causes minor damage because some dude named Tom (Robert Sheehan) sees the attack coming and stops her from finishing the job.  Through an elaborate chase scene, Tom chases her down to… I guess the city’s trash hole where she tells him that Valentine killed her mother before escaping the city through said trash hole.  Valentine, realizing that one of his loyal peons has heard the ravings of an attempted murder decides that the rational thing to do here is not to convince him that she was lying or even to outright murder him, rather he throws him down the trash hole as well; very much alive and at least a little bit peeved by the whole experience.  From there he finds Hester again and they tentatively team up to find a new city for him and a new assassination plot for her.  Along the way they’ll run into raiders, slavers, some robot dude named Shrike (Stephen Lang), and even an Anti-London resistance movement head up by Anna Fang (Jihae) of which Hester is apparently the key to their success and not just one of many people who have a legitimate grievance against Valentine.  Speaking of whom, he also has some sort of plan to make a Doomsday Weapon out of old technology which he will use to… conquer the world I guess?  In any case, will Hester and Tom learn to become friends over the course of their ridiculously convoluted journey?  Why DID Valentine kill Hester’s mother, and what other secrets is she hiding from everyone around her?  For all the stuff these cities have scavenged, did any of them manage to find the plot?

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“Where do we go now?”     “I don’t know, wait for something to explode.”

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