Hellboy and all the images you see in this review are owned by Lionsgate
Directed by Neil Marshall
So… we’re NOT gonna get a Hellboy 3? Okay, just wanted to make sure! Well there’s certainly no reason to just STOP making Hellboy movies just because he’s not gonna make one, so let’s get ready to reboot! I mean when you’ve got a setup as good as DUDE WHO LOOKS LIKE THE DEVIL PUNCHES MONSTERS, there’s no WAY you can go wrong even if you don’t have Del Toro helming it, right!? Is this the next best thing to getting a conclusion to the previous Hellboy movies, or is this a sad remind of what could have been? Let’s find out!!
Hellboy (David Harbour) is your average guy with a decent job and perhaps the beginings of a drinking problem. Okay, he’s also a red demon with a giant arm and horns growing out of his head, but looks are only skin deep, and this guy is just like you and me on the inside; suffering silently in this living nightmare we call life while putting on a tough face to try and cope! Hellboy’s latest reason to cope is that one his pals at the Bureau for Paranormal Research and Defense was turned into a vampire and Hellboy (most likely accidently) had to finish him off before he started ripping out other people’s throats. Not a great way to start the work week if you ask me, but he must solider on as a crisis in London sends him to Europe where coincidentally a legendary monster known as Nimue the Blood Queen (Milla Jovovich) is being brought back to life so as to wreak unholy havoc on the world. Well I don’t know about you, but that sounds like a job for Hellboy and his cast of wacky sidekicks including Alice (Sasha Lane) who can talk to ghosts and Ben (Daniel Dae Kim) who’s basically a living GI Joe action figure who seems to be harboring a secret of his own. Can the BPRD and its leader Ian McShane) who also considers himself Hellboy’s father manage to stop The Blood Queen before it’s too late? Can Hellboy focus on the task at hand when things continually get in his way and remind him of just how unwanted he is in the world of humans? Can someone teach this boy how to comb his hair? It just looks sloppy when you’re supposed to be at work!
“You know we have a dress code.” “Does it look like I care?”
A Madea Family Funeral and all the images you see in this review are owned by Lionsgate
Directed by Tyler Perry
It’s Perry time once again and I COULDN’T BE HAPPIER!! Oh who am I kidding!? I cannot keep up the charade any longer! I am definitely not looking forward to this guy trying to make a movie with nothing more than a living room, a couple costumes, and an absolute disdain for the art of editing. I’ve had to sit through Boo 1 AND Boo 2 already! You think I’m proud of that!? Now we’ve got this movie that he’s claiming will be the last time we see Madea (as bad as these are I STILL want to see a Madea movie where she takes on the alt right and punches Richard Spencer in the face) which would hopefully means it’s a culmination of everything he’s learned as a filmmakers after all these years, but I think we all know better than to assume he’s thought that far ahead. Can Tyler Perry send off his signature character with an emotionally satisfying swan song, or is this just like ALL the others which… actually would still be pretty fitting all things considered? Let’s find out!!
Madea, Joe, Hattie, and Aunt Bam (Tyler Perry, Tyler Perry, Patrice Lovely, and Cassi Davis) are doing their own thing at Brian’s house (Tyler Perry again) but what’s ACTUALLY going on is that one of Madea’s numerous relatives is having an anniversary party that all the grown kids on that side of the family are preparing for. We’ve got the couple of the hour Anthony and Vianne (Derek Morgan and Jen Harper), their naïve yet good hearted son Jessie with his girlfriend Renee (Rome Flynn and Quin Walters), their older son AJ who’s a Tyler Perry stock villain along with his rich wife Gia (Courtney Burrell and Aeriél Miranda), and their daughter Sylvia with her husband Will (Ciera Payton and David Otunga) who are… just kinda there. Oh, and also Uncle Heathrow (Tyler Perry AGAIN) who’s the WACKY relative who’s obnoxiously sexist humor everyone just kind of puts up with. Anyway, while the party is getting ready and Madea and co are on their way, someone dies. I’m not gonna spoil who, but what this means is that everyone’s gotta plan for a funeral now which involves Madea taking charge and being SUPER WACKY about it while everyone else who’s actually important to the story start to have their secrets bubble to the surface which could tear this entire family apart. Can Madea pull off a successful funeral with only a minimal amount of mishaps in horror of the recently deceased? What is everyone in this family hiding, and just how much popcorn should we get to watch it unfold? Has any else noticed that there’s ALWAYS drama whenever Madea comes around? It’s like whenever Jessica Fletcher visits a place and someone JUST SO HAPPENS to get murdered, only one of them doesn’t do a darn thing to actually help the situation.
“Look here! I’ve got me some drama bombs and I’m not afraid to use them! I will ruin each one of your lives and make forty million dollars filming it! DO YOU HEAR ME!?”
Robin Hood and all the images you see in this review are owned by Lionsgate
Directed by Otto Bathurst
Oh BOY is this gonna be a good one! Can’t you just feel it!? The trailers have looked awful, no one is talking about this and if they are it’s not in a positive light, and they’re just dumping this against a huge nostalgic franchise on Thanksgiving! Lionsgate clearly believes they have a bomb on their hands here and from everything they’ve deigned to show us I can’t entirely disagree, but then there are a lot of movies that didn’t have the full confidence of their studio yet still turned out great, from my beloved Jupiter Ascending to even the cult classic Donnie Darko! Will this be another example of a good movie stuck with bad marketing and a poorly timed release date? Yeah, probably not, but let’s find out!!
Robin of Loxley (Taron Egerton) is some rich punk in the town of Nottingham who meets her true love Marion (Eve Hewson) trying to steal a horse from him. Eh, he’s rich. Possessions are utterly meaningless to him anyway. They’re have a whirlwind romance through montage which is abruptly brought to an end when it turns out that the Sheriff of Nottingham (Ben Mendelsohn) has drafted him to join the crusades. Okay… I thought the armies retaking the Holy Land were volunteers, but I guess if the Sheriff of Nottingham wanted Robin out of the city that he could pull some strings and force him into service. Wait, why does the Sheriff of Nottingham want him gone? Oh whatever. During his military service he manages to be THE BEST SOLIDER EVER but also TOO SWEET to survive in such a place, so after trying to save a captured POW from being executed, he’s non-fatally shot by his CO and sent back to England. Surprise for Robin though, the father of the POW who he tried to save stowed away and wants to use him to take down the oppressive system in Nottingham, and after a pretty racist joke about foreigners having WACKY names, he starts going by the name John (Jamie Foxx). It doesn’t take much to convince Robin to join this fight since The Sheriff literally stripped away every last valuable from his home (including his parents I assume) as well as punched a bunch of holes in the walls, and on top of that Marion was told that he had died and is now married to some dude named Will (Jamie Dornan). With all this rich white boy angst, Robin begins to steal from the rich and give to the poor which soon earns his alter ego a nickname; THE HOOD! Will Robin and John manage to smash Medieval Capitalism (which I guess is Serfdom here?) and create a socialist Utopia in the heart of thirteenth century England!? What is The Sheriff’s REAL beef with him and the people of this town, and is he planning something more sinister than just taking all their stuff? Is it just me, or is a lot of this sounding very familiar!?
Hell Fest and all the images you see in this review are owned by CBS Films and Lionsgate
Directed by Gregory Plotkin
Did anyone know about this movie more than a week ago? I certainly never got a trailer for it despite being a horror movie being released right around October, but then again I guess Halloween is gonna keep soaking up all the attention this year which is even leaving stuff like the Suspiria remake out of the spotlight. I remember back when Blockbuster was a thing (BACK WHEN DINOSAURS RULED THE EARTH!) I would rent a bunch of horror movies, and I have very vague memories of one taking place at a circus. It MIGHT have been Funhouse I guess? I honestly don’t remember, but a horror movie set at a spooky amusement park sounds like a match made in heaven and may even twinge a bit of nostalgia or the days when I would rent basically anything in the horror section with an R-rating. Does this manage to be a fun throwback to the carnival horror movies of yore, or is this just another by the numbers horror film made on the cheap to try and recoup its budget in a single weekend? Let’s find out!!
It’s that time of year again where the college kids take a break from their arduous studies to enjoy the spookiest month of the year! Yes, its Halloween time and Natalie (Amy Forsyth) finally has a chance to take a break and reconnect with her friend Brooke (Reign Edwards) and maybe even hook up with the hot stud Quinn (Christian James) who’s been asking about her! Along with Brooke’s roommate Taylor (Bex Taylor-Klaus), her boyfriend Gavin (Roby Attal), and Taylor’s boyfriend Asher (Matt Mercurio), they head off to the most awesome amusement park of all time, HELL FEST! Imagine if the bad guys in all the pre-Nolan Batman movies went into Performing Arts instead of a life of crime and you basically have an idea of just how rad this amusement park is, but something is amiss! You see, among the merriment and fog machines, there’s an ACTUAL serial killer lurking around in a silly mask who decides that Natalie and her friends are gonna be his next targets. Will the group be able to escape from the park with their lives and not just because they’re risking their health with that extremely greasy carnival food? How will they even be able to protect themselves when everything in the park looks spooky and murderous already? How is it that the last noticeable thing about this movie is the guy who’s ACTUALLY cutting people up!? Seriously, buddy! It’s called showmanship, and you’re being outclassed by strobe lights and a scary sound effects CD!
Can I get one of those awesome mechanical eye things at Spencer’s?
A Simple Favor and all the images you see in this review are owned by Lionsgate
Directed by Paul Feig
I only got the trailer for this movie once and I was honestly not sure if it was a joke. Not in the sense that I thought the trailer was FAKE, but more that I wasn’t sure if there was supposed to be some kind of ‘gotcha’ in this; like with A Deadly Adoption explicitly being an April Fool’s joke despite the film itself being rather straight faced about the whole thing. To me it looked like a Tyler Perry thriller along the lines of Temptation or Acrimony, and the fact that it was directed by noted comedy director Paul Feig seemed like an indication that this was in some way a satire of that kind of movie, but it never really clued me on the punchline. I guess that’s as good a way as any to go into a movie as I know it exists but have absolutely no clear sense of expectations for it which gives it a chance to truly surprise me. Will it surprise me in the right way and turn out to be either a fun metatextual examination of the genre or just another great entry in it? Alternatively, it could be an utterly confused mess of a movie with no clear idea of what it wants to be, but in any case, let’s find out!!
The movie follows Stephanie Smothers (Anna Kendrick); a single mom who has more energy every single day than I could muster in a lifetime as she constantly finds something to do for her son or for his school despite it making all the other parents look bad. One such parent is Emily Nelson (Blake Lively), though she has the advantage of not actually caring what other people think of her and actually finds something endearing about Stephanie after the two are forced to spend some time together as both of their sons are best friends. She’s a bit caustic, maybe likes to use people a bit too much, and certainly has no problem deflecting all of her problems onto everyone else, but there’s something that Stephanie finds fascinating about her and they become best (if slightly unhealthy) friends! That is until Emily calls Stephanie one day asking her to watch her son as she’s got an emergency at work and then just disappears. No one knows where she went, not even her husband Sean (Henry Golding), and it seems that the authorities aren’t taking the case all that seriously. I guess it’s up to Stephanie The Fixer to not only try to find Emily but to keep her family together in her absence which starts to make things a bit awkward between her and Sean and ESPECIALLY between her and Emily’s son. Twists and turns are the name of the game here as more and more information is uncovered about Emily as well as Sean, which points to possible foul play or something equally sinister! Will Stephanie uncover the truth of just who Emily is and will she like what she ends up finding out? How much is she willing to put her neck out for this woman, and will she have to pay some serious consequences for her incessant snooping? Most importantly, WHAT WILL THIS MEAN FOR HER COOKING BLOG!?
“Welcome back to Cupcakes and Cold Cases! A quick update; we haven’t located their head JUST yet, but we’re searching every nook and cranny!”
KIN and all the images you see in this review are owned by Lionsgate
Directed by Jonathan Baker and Josh Baker
Oh goody! Another film I literally knew nothing about before I went to go see it! It doesn’t necessarily bode well that I had never even seen a poster for it, let alone a trailer, before heading to the theater to see it, but I like being surprised by something that I have no expectations for going in. It doesn’t ALWAYS work out as the recent Alpha and A.X.L have proven, but a kid with a space gun sounds like a great place to start; especially if this is gonna be anything like Laser Blast from 1978! Admittedly there’s not much chance that a movie like THAT would be made nowadays (especially starring a kid) or given a wide release, but I can dream, right!? Does this manage to be an excellent gem that no one bothered to give the time of day, or was this ultimately buried in late August for a darn good reason? Let’s find out!!
Elijah Solinski (Myles Truitt) is your average fourteen year old boy stuck in a crappy situation. His mom’s dead, his brother’s in jail, and he lives in Detroit with no Robocop in sight to make things better. Well at least one of those things is about to change (no, not Robocop) as his brother Jimmy (Jack Reynor) has been released from prison and is gonna stay with him and their dad (Dennis Quaid) until he can find a stable job and get his life back on track. This is proving to be a very difficult thing however as he apparently owes sixty thousand dollars to a local gangster (James Franco) for protecting him while in jail and he wants the money back NOW. He doesn’t wait until Jimmy can get a decent job to garnish his salary, he doesn’t even have some dangerous job for him to do as a way of paying down the debt. He expects Jimmy to pull 60K out of his behind right away, which I guess makes James Franco “quirky” instead of “very bad at his job”. Despite how foolish his business model is, Jimmy DOES actually pull through for the guy as the two of them along with Franco’s brother (no, not Dave) rob the safe at his father’s construction site. As fate would have it though, dear old dad walks in on the crime and gets killed by Franco which means that Jimmy in turn kills his brother and runs to find Elijah alone in the car. Thinking fast, Jimmy spins a tale about a road trip where their dad will meet them later and the two of them rush off with whatever money Jimmy could scrounge up and not much more than the clothes on their backs. Needless to say that Franco is a bit peeved about the whole “you murdered my brother” thing, and so he follows in hot pursuit looking for Jimmy and the one thing left in his life that he cares about. Oh! I almost forgot! Apparently Elijah found a space rife or something and is carrying it around in secret while aliens in Space Marine armor are trying to find it. For some reason the SPACE GUN managed to get kind of lost in the shuffle here. ANYWAY, will Jimmy and Elijah be able to start a new life together and escape the wrath of James Franco? How long can Jimmy keep up this ruse and what’s his plan once they DO find a place to settle down? Seriously, HOW DO YOU MAKE A MOVIE ABOUT A SPACE GUN THAT’S ABOUT ALMOST EVERYTHING ELSE EXCEPT THE SPACE GUN!?
The Spy Who Dumped Me and all the images you see in this review are owned by Lionsgate
Directed by Susanna Fogel
Another Spy Comedy, huh? Well I guess there are genres with even worse track records than that, but there’s clearly an uphill battle to be fought considering how bad a lot of these movies turn out; not to mention the fact that the trailer was kind of meh despite the film starring two of my favorite actors working today. I’d rather they be doing OTHER stuff like say a Ghostbusters sequel, but until everyone realizes just how wrong they were about that movie, I guess this will do just fine. Hopefully! Does this movie manage to be a shining example of a genre that is notorious for underwhelming films, or will this succumb to whatever curse has made it so hard to make good Spy Comedies? Let’s find out!!
The movie follows Audrey (Mila Kunis) and Morgan (Kate McKinnon) who are two best friends living their normal early thirties lives without a whole lot going for them; particularly Audrey who just got dumped by her boyfriend Drew (Justin Theroux). BY TEXT! What a jerk! I sure hope something bad happens to him! Well… just wait fifteen minutes. It turns out that he’s an INTERNATIONAL MAN OF MYSTERY which comes as news to Audrey and left some Spy MacGuffin in her apartment which he tries to get but is… indisposed in the process, and it’s up to her delver whatever the heck it is to someone somewhere at a specific time! Easy enough, especially with her best friend by her side! Unfortunately, there are a lot of other people looking for whatever this is, including Sebastian and Duffer (Sam Heughan and Hasan Minhaj) who are working for at some sort of spy agency, a Super Assassin named Nadedja (Ivanna Sakhno) who’s been hired by someone MYSTERIOUS to take them out, and a bunch of motorcycle henchmen who are more than willing to fire live ammunition in busy streets to try and take out these two nobodies when a less blunt approach would PROBABLY work on these two. They’re not the best when it comes to detecting threats, nor should they considering neither one of them have even used a gun, let alone protected very important MacGuffins! Can Audrey and Morgan deliver this package before getting themselves murdered? Will they be able to save the world by taking this where it needs to go and will there a few double crosses along the way? Will this mission be even more impossible than making a good spy comedy!? Even Tom Cruise isn’t necessarily gonna get THAT right all the time!
“This mission, should you choose to accept it, is to stop a bomb. A BOX OFFICE BOMB THAT IS!!” “I see what you did there.”