Maleficent: Mistress of Evil and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Joachim Rønning
If I was reviewing movies when the first Maleficient came out, it probably would have been in my top ten of that year; THAT’S how much I genuinely loved that movie, and I don’t think I’m in TOO big of a minority on this one! It didn’t get the BEST reviews, but I think it still managed to connect with a lot of people and certainly made quite a bit of money even with its enormous budget. Doing a sequel though, eh… that doesn’t sound like THE GREATEST IDEA EVER, but I’m willing to throw myself into it and hope for the best considering how good the first one was and Jolie’s continued involvement with the series since she was the best thing about that movie. Do they find an interesting way to continue the story after its revisionist Happily Ever After, or should they have left well enough alone after managing to catch lightening in a bottle already? Let’s find out!!
Queen Aurora (Elle Fanning) has been running the magic forest known as The Moors since her adoptive mother killed her biological father in the first movie. It’s cool though; the dude was a HUGE jerk and was played by Sharlto Copley, so he pretty much HAD to die! Someone who DIDN’T die though was Prince Philip (Harris Dickinson) who’s been dating Aurora for some time now (ACTUALLY dating; not rescuing her from a castle and getting a bride as a reward), but now is the time for him to pop the question and join their kingdoms under one big happy family. This is cause for celebration for just about everyone in The Moors… except for one woman who finds this arrangement utterly dreadful. Actually two women, but we’ll get to that soon enough; we’re of course talking about Maleficent (Angelina Jolie) at the moment who has obvious reservations because of the whole Sharlto Copley thing, but agrees meet Phillips parents for dinner which will SURELY go off without a hitch, right!? Well… that OTHER woman who’s not too please about all this is Phillip’s mother Queen Ingrith (Michelle Pfeiffer) who has a clear bias against all things magical and is not about to let those ghastly creatures crash on her kingdom’s metaphorical couch, and so she sets into motion her diabolical scheme to ruin the forest and turn Maleficent into a fearsome monster once again. At first it seems to succeed as Maleficent is more or less banished from the kingdom after being a particularly unpleasant dinner guest, but things take an unexpected turn when she learns that there are OTHER creatures just like her that call themselves Dark Feys and have lived in hiding all this time, but Queen Ingrith’s plans may just put an end to all that. Will Maleficent unmask Queen Ingrith’s evil plans and restore her place as a good guy once more, or will she embrace her outsider status and become the worst nightmare that Ingrith and the rest of the humans could ever face? What will the Dark Fey do to protect themselves, and will it be in the best interest of everyone else in this conflict; even Maleficent herself? Can we maybe get a movie where Queen Ingrith meets Queen Ravenna from Snow White and the Huntsman? I’m pretty sure that the combined efforts of Jolie and Thor wouldn’t be able to overcome THAT level of concentrated ham-tastic villainy.
Phantom Thread and all the images you see in this review are owned by Focus Features
Directed by Paul Thomas Anderson
Is this it? Are we done playing catch up with 2017? I just absolutely LOVE IT when studios hold back on releasing Oscar Caliber Films to the general public until weeks after they’ve already been reviewed, examined, and voted on! VERY helpful for the small time outlets who don’t get critic screenings or screener discs sent to us! Oh well. It’s certainly too late for films like this and I, Tonya to be considered for my best of 2017 list (which I’m SURE Neon and Focus Features absolutely CRUSHED about, but I must stay firm!), but that doesn’t keep them from potentially being good movies that you should check out! Better late than never I suppose, though it’d be nice if Hollywood would stop releasing EVERYTHING awards worthy in a two month period to only VERY selective markets; ESPECIALLY when half the time they don’t even get the awards they’re looking for! Does this movie deserve the countless accolades it has accrued in the tail end of Oscar Season, or is this the latest victim of a hype machine that severely overestimates its actual quality as a film? Let’s find out!!
The movie follows the story of Reynolds Woodcock (Daniel Day-Lewis) who unfortunately shares the name of a crappy Billy Bob Thornton comedy, but aside from that he’s a meticulously detail oriented dress maker who extends his obsession with perfection to his personal wife as well as his work life. His schedule is quite regimented, his appearance is consistently maintained, and his relationships to others are carefully filtered through his sister Cyril (Lesley Manville) who’s basically the only person keeping him on track and able to focus his eccentricities on something that’ll keep the lights on. One day, Reynolds goes off to the countryside and finds a waitress named Alma (Vicky Krieps) that he is immediately smitten with. He asks her on a date, they have a lovely dinner, and by the end she’s half naked while he’s dictating measurements to his sister who’s writing them all down for future reference. Whether or not Reynolds is TRULY attracted to Alma rather than the shape of her body is not entirely clear, but she goes away with him back to the big city to be his protégé of sorts and to help him model the dresses he makes. However, because neither one of them are all that great at communicating, the expectations they put on each other that neither of them are able to meet start to put a strain on the relationship and could potential be volatile enough to destroy his life, her life, and even his sister’s life as everything could come crashing down upon them if they can’t sit the hell down and decide what they really mean to one another. Will these two act like grownups and get their issues resolved before they explode in a fiery maelstrom of passive aggressive horror? Will either one of them start contemplating drastic actions that will certainly not solve their underlying issues? Wait, isn’t this the plot to like… every romantic comedy ever?