Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Quentin Tarantino
I really didn’t want to see this movie. In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope! Everyone had to make way for this film so I guess I have to try and be professional! I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one. Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience. Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here? I guess we might as well find out…
Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western. His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point. Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert. Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house. Can Rick nail this latest role that may be his last chance to stay relevant? What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand? Is it just me, or is Tarantino trying a bit too hard here? Or perhaps not hard enough?
Robin Hood and all the images you see in this review are owned by Lionsgate
Directed by Otto Bathurst
Oh BOY is this gonna be a good one! Can’t you just feel it!? The trailers have looked awful, no one is talking about this and if they are it’s not in a positive light, and they’re just dumping this against a huge nostalgic franchise on Thanksgiving! Lionsgate clearly believes they have a bomb on their hands here and from everything they’ve deigned to show us I can’t entirely disagree, but then there are a lot of movies that didn’t have the full confidence of their studio yet still turned out great, from my beloved Jupiter Ascending to even the cult classic Donnie Darko! Will this be another example of a good movie stuck with bad marketing and a poorly timed release date? Yeah, probably not, but let’s find out!!
Robin of Loxley (Taron Egerton) is some rich punk in the town of Nottingham who meets her true love Marion (Eve Hewson) trying to steal a horse from him. Eh, he’s rich. Possessions are utterly meaningless to him anyway. They’re have a whirlwind romance through montage which is abruptly brought to an end when it turns out that the Sheriff of Nottingham (Ben Mendelsohn) has drafted him to join the crusades. Okay… I thought the armies retaking the Holy Land were volunteers, but I guess if the Sheriff of Nottingham wanted Robin out of the city that he could pull some strings and force him into service. Wait, why does the Sheriff of Nottingham want him gone? Oh whatever. During his military service he manages to be THE BEST SOLIDER EVER but also TOO SWEET to survive in such a place, so after trying to save a captured POW from being executed, he’s non-fatally shot by his CO and sent back to England. Surprise for Robin though, the father of the POW who he tried to save stowed away and wants to use him to take down the oppressive system in Nottingham, and after a pretty racist joke about foreigners having WACKY names, he starts going by the name John (Jamie Foxx). It doesn’t take much to convince Robin to join this fight since The Sheriff literally stripped away every last valuable from his home (including his parents I assume) as well as punched a bunch of holes in the walls, and on top of that Marion was told that he had died and is now married to some dude named Will (Jamie Dornan). With all this rich white boy angst, Robin begins to steal from the rich and give to the poor which soon earns his alter ego a nickname; THE HOOD! Will Robin and John manage to smash Medieval Capitalism (which I guess is Serfdom here?) and create a socialist Utopia in the heart of thirteenth century England!? What is The Sheriff’s REAL beef with him and the people of this town, and is he planning something more sinister than just taking all their stuff? Is it just me, or is a lot of this sounding very familiar!?
The Revenant and all the images you see in this review are owned by 20th Century Fox
Directed by Alejandro González Iñárritu
Huh. When you think about it, Iñárritu is kind of doing the same thing here that he did with Birdman. Take an actor who’s known for something specific, and really dig into that a subtext of the movie. For Birdman, it was about Michael Keaton trying to stay relevant as a genuine artist yet really only being known for his (in a certain perspective) more shallow performances. Here, it’s almost like a metaphor for Leonardo DiCaprio’s continued struggle to win that fucking Oscar, taking on challenging role after challenging role yet never getting quite what he deserves. That really does fit into this story about braving the elements in a quest for revenge that we can all pretty much assume doesn’t give him the satisfaction and validation that his character is so desperately seeking. Still, does the movie itself manage to be entertaining in the same way Birdman was while still giving us some really interesting nuances to the story? Let’s find out!!
The movie follows Hugh Glass (Leonardo DiCaprio) and his struggles to get back to civilization after being left for dead by John Fitzgerald (Tom Hardy) who also killed his son Hawk Glass (Forrest Goodluck). During a hunting expedition led by Captain Andrew Henry (Domhnall Gleeson) the party was raided by a contingent of Native American Warriors and only a couple of them (including Hugh, John, Hawk, and Andrew) make it out alive. Because Hugh is the guy with the tragic backstory involving his Native American wife, he’s easily the best tracker in the group and so knows how to avoid the tribe while also finding the safest route through the mountains, though John doesn’t really trust him or his son due to almost getting scalped by Native Americans a while ago. Unfortunately for the party, Hugh gets the shit kicked out of him by a Grizzly Bear and is nearly dead after the encounter. The party tries to carry him along, but the strain becomes too great and he’s left with a couple men (Hawk, John, and one other dude Bridger played by Will Poulter) so that he can… die peacefully? I don’t know, but things don’t go as planned as the already suspicious John decides to kill off Hugh and ends up killing Hawk in the process… yet doesn’t feel the need to finish off Hugh I guess. Anyway, John convinces Bridger to leave and so Hugh is left for dead. That ain’t about to stop Leonardo DiCaprio though, as he crawls out of his shallow grave, and makes his way back to home base to kick Tom Hardy square in the teeth! Can he survive the stark and desolate countryside long enough to get his revenge!? More importantly, can Leo finally win his god damn Oscar!?