The Invisible Man and all the images you see in this review are owned by Universal Pictures
Directed by Leigh Whannell
You know what movies I should really get around to? The Hollow Man films. I don’t know much about them other than they’re about a REALLY creep dude who becomes invisible, but it seems like that idea is alive and well in this which I guess you could call… a reboot? I mean I WISH it was part of the Dark Universe and that that was still a thing, but whatever you want to call this latest spin on the formula from Universal AND my often beloved but frequently beloathed Blumhouse, it’s certainly a film that’s caught my attention! Personally, I’m REALLY excited for this as the trailer looked very good (if a bit too revealing ironically enough) and frankly it looked like the kind of sequel to The Boy that we should have had instead of whatever the heck Brahms 2: Boy Harder was supposed to be. Not only that but with this season being such a bad time for horror movies including Blumhouse’s OTHER reboot from two weeks ago, it couldn’t have come at a better time. Does 2020 finally have a mainstream horror film that isn’t a total embarrassment to the genre, or is this another case of good marketing covering up a mediocre film? Let’s find out!!
Cecilia Kass (Elisabeth Moss) has been living with her boyfriend Adrian Griffin (Oliver Jackson-Cohen) for some time now but has finally decided to leave him due to his controlling and abusive behavior in this relationship, and despite only doing so by the skin of her teeth she does manage to escape with the help of her sister Emily (Harriet Dyer) and starts living with her friend James (Aldis Hodge) and his daughter Sydney (Storm Reid). Still, the road to recovery is a long one and despite not living under his roof anymore she still can’t shake the feeling that he’s around every corner and will find a way to ruin her life; especially since he’s some big shot genius scientist who promised to do just that if she ever left. However, good news arrives as Cecilia learns that Adrian is dead and she will inherit a huge chunk of money in the process! Everything’s starting to look up now… except that strange things keep happening around the house. Did she leave the oven on? Was that knife on the floor before? Is someone taking pictures of her while she’s sleeping? As these strange occurrences start to escalate, it becomes clear to Cecilia that Adrian MUST still be alive and that he found some way to turn invisible using his some sort of super science which admittedly sounds a bit out there as far as explanations go, but considering the title of this movie I think it’s right on the money. Will Cecilia be able to stop Adrian from running her life from beyond the grave? Will anyone believe her story, especially when the strange occurrences get more and more violent and people are starting to suspect her of being behind them? How the heck did he turn himself invisible anyway!? Super reflective body paint!?
Upgrade and all the images you see in this review are owned by OTL Releasing and BH Tilt
Directed by Leigh Whannell
Well if it isn’t my good friend Blumhouse Tilt! How’ve you been, buddy!? Sure, you’ve released two of the WORSTmovies I’ve seen in the past few years, but let’s let bygones be bygones; especially now that you’re teaming up with Neon who’ve made one of the BEST movies I’ve seen in the past few years! Your newest movie is certainly getting a lot of buzz recently with great word of mouth and a kick ass trailer, so maybe there’s some hope for you yet, as long as you don’t work with Eli Roth ever again! Can Blumhouse’s latest film turn out to be an under the radar smash hit from a studio that’s VERY hit and miss? Let’s find out!!
The movie follows the sad tale of Grey Trace (Logan Marshall-Green) who’s living his average Cyberpunk protagonist life in a slightly cyberpunk future with his soon to be a cliché wife Asha (Melanie Vellejo) and everything is going about as well as you could expect for the first ten minutes of one of these movies! Grey fixes up old cars for rich people, Asha works at a cyber prosthetic company, and they couldn’t be happier if they tried! That is until their automatic car goes haywire, drops them off on the wrong side of the tracks, and they’re immediately assaulted by a few punks who kill her off (wow, what a surprise…) and leave poor Grey for dead! He somehow manages to survive however, though not without losing the use of his arms and legs, and he’s ready to give up on life when one of his wealthy customers Eron (Harrison Gilbertson) offers him a chance to test a medical miracle called STEM which is basically a small computer they insert into the spine that still hasn’t gone through OFFICIAL testing, but will surely give him back the use of his limbs along with a few other bells and whistles. After some initial hesitance (Grey isn’t one for all this new-fangled technology stuff), he agrees to do it and sure enough starts walking again almost immediately. Slight side effect though, there’s an AI inside the chip starts talking to him and STEM (Simon Maiden) seems more than eager to help Grey find the men who killed his wife and bring them to some sort of justice. Well Grey is certainly up for that, especially since the cop on the case (Betty Gabriel) hasn’t turned up many leads, but they have to be careful because not only does Grey need to keep the rest of the world from knowing he can walk again (he even signs a NDA about the procedure), he also has to keep his activities hidden from Eron who’s more than likely following his every move and wouldn’t be too pleased if his next step in medical science was used to rip people’s hearts out. Will Grey and STEM find the people who killed his wife and get him that sweet sweet vengeance he so desperately craves? What other side effects besides hearing voices and kicking extra amounts of ass will Grey have to deal with now that he’s got STEM sharing brain space with him? I mean, it’s not THAT bad, right? Who WOULDN’T want your operation system constantly reminding you to install critical updates right into your auditory cortex!?